Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Friday, April 22, 2022

Poets of the South by F. V. N. Painter

 
Poets of the South by F. V. N. Painter

PREFACE

The poets of the South, who constitute a worthy galaxy of poetic talent and achievement, are not sufficiently known. Even in the South, which might naturally be expected to take pride in its gifted singers, most of them, it is to be feared, are but little read.

This has been called an age of prose. Under the sway of what are regarded as "practical interests," there is a drifting away from poetic sentiment and poetic truth. This tendency is to be regretted, for material prosperity is never at its best without the grace and refinements of true culture. At the present time, as in former ages, the gifted poet is a seer, who reveals to us what is highest and best in life.

There is at present a new interest in literature in the South. The people read more; and in recent years an encouraging number of Southern writers have achieved national distinction. With this literary renaissance, there has been a turning back to older authors.

It is hoped that this little volume will supply a real need. It is intended to call fresh attention to the poetic achievement of the South. While minor poets are not forgotten, among whose writings is found many a gem of poetry, it is the leaders of the chorus—Poe, Hayne, Timrod, Lanier, and Ryan—who receive chief consideration. It may be doubted whether several of them have been given the place in American letters to which their gifts and achievements justly entitle them. It is hoped that the following biographical and critical sketches of these men, each highly gifted in his own way, will lead to a more careful reading of their works, in which, be it said to their honor, there is no thought or sentiment unworthy of a refined and chivalrous nature.

F. V. N. PAINTER.
SALEM, VIRGINIA.


CONTENTS

CHAPTER
I. MINOR POETS OF THE SOUTH
II. EDGAR ALLAN POE
III. PAUL HAMILTON HAYNE
IV. HENRY TIMROD
V. SIDNEY LANIER
VI. ABRAM J. RYAN
ILLUSTRATIVE SELECTIONS
NOTES

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