Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Sunday, April 17, 2022

Modern Short Stories: A Book for High Schools by Stacy Aumonier et al. (eBook)

 

Modern Short Stories: A Book for High Schools by Stacy Aumonier et al.

Modern Short Stories: A Book for High Schools 

by Stacy Aumonier et al.

EDITED WITH INTRODUCTION AND NOTES
BY
FREDERICK HOUK LAW, Ph.D.
Lecturer in English in New York University, and Head of
the Department of English in the Stuyvesant
High School, New York City
 

 CONTENTS

     PAGE
Preface    iii
Introduction    
I    Our National Reading    vii
II    The Definition    vii
III    The Family Tree of the Short Story    ix
IV    A Good Story    xi
V    What Shall I Do with This Book?    xiii
VI    Where to Find Some Good Short Stories    xv
VII    Some Interesting Short Stories    xvi
VIII    What to Read about the Short Story    xix
The Adventures of Simon and Susanna — Joel Chandler Harris From “Daddy Jake and the Runaways.”    3
The Crow-Child — Mary Mapes Dodge From “The Land of Pluck.”    9
The Soul of the Great Bell — Lafcadio Hearn From “Some Chinese Ghosts.”    17
The Ten Trails — Ernest Thompson Seton From “Woodmyth and Fable.”    22
Where Love is, There God is Also — Count Leo Tolstoi From “Tales and Parables.”    23
Wood-Ladies — Perceval Gibbon From “Scribner’s Magazine.”    38
On the Fever Ship — Richard Harding Davis From “The Lion and the Unicorn.”    53
viA Source of Irritation — Stacy Aumonier From “The Century Magazine.”    69
Moti Guj—Mutineer — Rudyard Kipling From “Plain Tales from the Hills.”    84
Gulliver the Great — Walter A. Dyer From “Gulliver the Great and Other Stories.”    92
Sonny’s Schoolin’ — Ruth McEnery Stuart From “Sonny, a Christmas Guest.”    105
Her First Horse Show — David Gray From “Gallops 2.”    117
My Husband’s Book — James Matthew Barrie From “Two of Them.”    135
War — Jack London From “The Night-Born.”    141
The Battle of the Monsters — Morgan Robertson From “Where Angels Fear to Tread.”    147
A Dilemma — S. Weir Mitchell From “Little Stories.”    160
The Red-Headed League — A. Conan Doyle From “Adventures of Sherlock Holmes.”    166
One Hundred in the Dark — Owen Johnson From “Murder in Any Degree.”    192
A Retrieved Reformation — O. Henry From “Roads of Destiny.”    212
Brother Leo — Phyllis Bottome From “The Derelict and Other Stories.”    221
A Fight with Death — Ian Maclaren From “Beside the Bonnie Brier Bush.”    238
The Dàn-nan-Ròn — Fiona Macleod From “The Dominion of Dreams, Under the Dark Star.”    248
Notes and Comments    275
Suggestive Questions for Class Use    296
 

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