Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Friday, April 8, 2022

How to Read Poetry by Ethel Maude Colson

How to Write Poetry by Ethel Maude Colson

 How to Read Poetry 

by Ethel Maude Colson


 This book offers up a classic view of the poetry and how to read poetry to fully appreciate it's depths. You will get an insight into the poetic philosophies behind the poetry of writers like Sara Teasdale, Rupert Brooke and William Ernest Henley (and more).

It may be plainly stated, in beginning, that this little book is in no sense a didactic or technical treatise, that it sheers humbly far away from the academic or educational religion. Textbooks, conveying formal poetic information, offering best and most incontrovertible of studious reasons for the why and how of poetry reading, are thicker than flowers in May or sad hearts in war time, but here is no hint of addition to their number.


The best argument that can be advanced in favor of marriage is that marriage has been found happy. The best of all reasons for reading poetry is because one loves it. And the best way to read poetry is with the love that, for love's sake, finds its own pathway, works its own miracles of sympathy and understanding.
 

The simple intent, therefore, of -How to Read Poetry- is to assist the lay poetry lover-far more numerous and universal than might be imagined - to comprehend and, if necessary, defend his affection; to remove the curse too widely laid by scholastic injunctions and -required reading;- to persuade the non-poetic reader who, for whatever reason, believes that he does not like poetry that at heart he really does....

Buy Ethel Maude Colson Books at Amazon

 

About the Author 

Edith Matilda Thomas
Edith Matilda Thomas (August 12, 1854 – September 13, 1925) was an American poet who "was one of the first poets to capture successfully the excitement of the modern city." Wikipedia



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