Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Showing posts with label Story-Telling. Show all posts
Showing posts with label Story-Telling. Show all posts

Thursday, December 15, 2022

Human Beings are Story-Telling Animals

Human Beings are Story-Telling Animals

Human beings are story-telling animals. Literary study necessarily confronts us with the richness of human experiences, helping us to appreciate common values and the differences between those experiences across cultures, places, and times. Literature shows the design of the creative process, allowing us to interpret the deep motivations of human minds and societies—both in the past and today.

 

Literature Quotes


Literature adds to reality, it does not simply describe it. It enriches the necessary competencies that daily life requires and provides; and in this respect, it irrigates the deserts that our lives have already become.

C. S. Lewis



Literature is the art of discovering something extraordinary about ordinary people, and saying with ordinary words something extraordinary.

Boris Pasternak



The decline of literature indicates the decline of a nation.

Johann Wolfgang von Goethe



Literature is strewn with the wreckage of men who have minded beyond reason the opinions of others.

Virginia Woolf



Literature does not exist in a vacuum. Writers as such have a definite social function exactly proportional to their ability as writers. This is their main use.

Ezra Pound



Black literature is taught as sociology, as tolerance, not as a serious, rigorous art form.

Toni Morrison



Books are the carriers of civilization. Without books, history is silent, literature dumb, science crippled, thought and speculation at a standstill.

Barbara W. Tuchman



Literature is my Utopia. Here I am not disenfranchised. No barrier of the senses shuts me out from the sweet, gracious discourses of my book friends. They talk to me without embarrassment or awkwardness.

Helen Keller



There is in fact no such thing as art for art's sake, art that stands above classes, art that is detached from or independent of politics. Proletarian literature and art are part of the whole proletarian revolutionary cause.

Mao Zedong



What is wonderful about great literature is that it transforms the man who reads it towards the condition of the man who wrote.

E. M. Forster



Literature overtakes history, for literature gives you more than one life. It expands experience and opens new opportunities to readers.

Carlos Fuentes



Writers are historians, too. It is in literature that the greater truths about a people and their past are found.

F. Sionil Jose



Ultimately, literature is nothing but carpentry. With both you are working with reality, a material just as hard as wood.

Gabriel Garcia Marquez



We shall suffer no attachment to literature, no taste for abstract discussion, no love of purely intellectual theories, to seduce us from our devotion to the cause of the oppressed, the down trodden, the insulted and injured masses of our fellow men.

George Ripley

 

From the beginnings of literature, poets and writers have based their narratives on crossing borders, on wandering, on exile, on encounters beyond the familiar. The stranger is an archetype in epic poetry, in novels. The tension between alienation and assimilation has always been a basic theme.

Jhumpa Lahiri

Friday, November 4, 2022

A History of Story-Telling: Studies in the Development of Narrative by Arthur Ransome

A History of Story-Telling: Studies in the Development of Narrative by Ransome

A History of Story-Telling: Studies in the Development of Narrative by Ransome

EDITED BY ARTHUR RANSOME

THE WORLD'S STORY-TELLERS

Each volume contains a selection of complete stories, an Introductory Essay by Arthur Ransome, and a Frontispiece Portrait by J. Gavin.

List of volumes already published:—

  • GAUTIER
  • HOFFMANN
  • POE
  • HAWTHORNE
  • MÉRIMÉE
  • BALZAC
  • CHATEAUBRIAND
  • THE ESSAYISTS
  • CERVANTES
  • Others in preparation

In cloth, 1s. net; cloth gilt, gilt top, 1s. 6d. net per vol.

LONDON AND EDINBURGH

T. C. AND E. C. JACK

 

CONTENTS

 

Preface     vii
PART I
Origins     5
'The Romance of the Rose'     19
Chaucer and Boccaccio     31
The Rogue Novel     51
The Elizabethans     67
The Pastoral     81
Cervantes     93
The Essayists' Contribution to Story-telling     107
Transition: Bunyan and Defoe     125
Richardson and the Feminine Novel     139
Fielding, Smollett, and the Masculine Novel     155
A Note on Sterne     169
[xvi] PART II
Chateaubriand and Romanticism     175
Scott and Romanticism     187
The Romanticism of 1830     201
Balzac     217
Gautier and the East     231
Poe and the New Technique     243
Hawthorne and Moral Romance     257
Mérimée and Conversational Story-telling     273
Flaubert     287
A Note on De Maupassant     298
Conclusion     305
Index     313

[xvii]
ILLUSTRATIONS
     TO FACE PAGE
Jean de Meung     22
Geoffrey Chaucer     38
Giovanni Boccaccio     44
Alain René le Sage     60
Sir Philip Sidney     84
Miguel de Cervantes Saavedra     96
Richard Steele and Joseph Addison     114
John Bunyan     126
Daniel Defoe     132
Samuel Richardson     140
Fanny Burney     146
Jane Austen     150
Henry Fielding     156
Tobias Smollett     166
Jean Jacques Rousseau     176
François René de Chateaubriand     180
Sir Walter Scott     188
[xviii] Victor Hugo     202
Alexandre Dumas     210
Honoré de Balzac     218
Théophile Gautier     236
William Godwin     244
Edgar Allan Poe     250
Nathaniel Hawthorne     258
Prosper Mérimée     274
Gustave Flaubert     288
Guy de Maupassant     300


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