Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Showing posts with label Short Stories. Show all posts
Showing posts with label Short Stories. Show all posts

Sunday, December 22, 2024

If I Were a Man By Charlotte Perkins Gilman

 

This story, published in 1914, is a “fly on the wall” view of a man's inner landscape as witnessed by his wife, whose wish to inhabit a male consciousness comes true.


If I Were a Man

By

Charlotte Perkins Gilman


Literary


Published 1914 in Physical Culture, Vol. 32, No. 1


‘If I were a man,...’ that was what pretty little Mollie Mathewson always said when Gerald would not do what she wanted him to—which was seldom.

That was what she said this bright morning, with a stamp of her little high-heeled slipper, just because he had made a fuss about that bill, the long one with the ‘account rendered,’ which she had forgotten to give him the first time and been afraid to the second—and now he had taken it from the postman himself.

Mollie was ‘true to type.’ She was a beautiful instance of what is reverentially called ‘a true woman.’ Little, of course—no true woman may be big. Pretty, of course—no true woman could possibly be plain. Whimsical, capricious, charming, changeable, devoted to pretty clothes and always ‘wearing them well,’ as the esoteric phrase has it. (This does not refer to the clothes—they do not wear well in the least—but to some special grace of putting them on and carrying them about, granted to but few, it appears.)

She was also a loving wife and a devoted mother possessed of ‘the social gift’ and the love of ‘society’ that goes with it, and, with all these was fond and proud of her home and managed it as capably as—well, as most women do.

If ever there was a true woman it was Mollie Mathewson, yet she was wishing heart and soul she was a man.

And all of a sudden she was!

She was Gerald, walking down the path so erect and square-shouldered, in a hurry for his morning train, as usual, and, it must be confessed, in something of a temper.

Her own words were ringing in her ears—not only the ‘last word,’ but several that had gone before, and she was holding her lips tight shut, not to say something she would be sorry for. But instead of acquiescence in the position taken by that angry little figure on the veranda, what she felt was a sort of superior pride, a sympathy as with weakness, a feeling that ‘I must be gentle with her,’ in spite of the temper.

A man! Really a man—with only enough subconscious memory of herself remaining to make her recognize the differences.

At first there was a funny sense of size and weight and extra thickness, the feet and hands seemed strangely large, and her long, straight, free legs swung forward at a gait that made her feel as if on stilts.

This presently passed, and in its place, growing all day, wherever she went, came a new and delightful feeling of being the right size.

Everything fitted now. Her back snugly against the seat-back, her feet comfortably on the floor. Her feet?...His feet! She studied them carefully. Never before, since her early school days, had she felt such freedom and comfort as to feet—they were firm and solid on the ground when she walked; quick, springy, safe-as when, moved by an unrecognizable impulse, she had run after, caught, and swung aboard the car.

Another impulse fished in a convenient pocket for change-instantly, automatically, bringing forth a nickel for the conductor and a penny for the newsboy. These pockets came as a revelation. Of course she had known they were there, had counted them, made fun of them, mended them, even envied them; but she never had dreamed of how it felt to have pockets.

Behind her newspaper she let her consciousness, that odd mingled consciousness, rove from pocket to pocket, realizing the armored assurance of having all those things at hand, instantly get-at-able, ready to meet emergencies. The cigar case gave her a warm feeling of comfort—it was full; the firmly held fountain pen, safe unless she stood on her head; the keys, pencils, letters, documents, notebook, checkbook, bill folder—all at once, with a deep rushing sense of power and pride, she felt what she had never felt before in all her life—the possession of money, of her own earned money—hers to give or to withhold, not to beg for, tease for, wheedle for—hers.

That bill—why, if it had come to her—to him, that is—he would have paid it as a matter of course, and never mentioned it—to her.

Then, being he, sitting there so easily and firmly with his money in his pockets, she wakened to his life-long consciousness about money. Boyhood—its desires and dreams, ambitions. Young manhood—working tremendously for the wherewithal to make a home—for her. The present years with all their net of cares and hopes and dangers; the present moment, when he needed every cent for special plans of great importance, and this bill, long overdue and demanding payment, meant an amount of inconvenience wholly unnecessary if it had been given him when it first came; also, the man’s keen dislike of that ‘account rendered.’

‘Women have no business sense!’ she found herself saying. ‘And all that money just for hats idiotic, useless, ugly things!’

With that she began to see the hats of the women in the car as she had never seen hats before.

The men’s seemed normal, dignified, becoming, with enough variety for personal taste, and with distinction in style and in age, such as she had never noticed before. But the women’s—

With the eyes of a man and the brain of a man; with the memory of a whole lifetime of free action wherein the hat, close-fitting on cropped hair, had been no handicap; she now perceived the hats of women.

The massed fluffed hair was at once attractive and foolish, and on that hair, at every angle, in all colors, tipped, twisted, tortured into every crooked shape, made of any substance chance might offer, perched these formless objects. Then, on their formlessness the trimmings-these squirts of stiff feathers, these violent outstanding bows of glistening ribbon, these swaying, projecting masses of plumage which tormented the faces of bystanders.

Never in all her life had she imagined that this idolized millinery could look, to those who paid for it, like the decorations of an insane monkey.

And yet, when there came into the car a little woman, as foolish as any, but pretty and sweet-looking, up rose Gerald Mathewson and gave her his seat. And, later, when there came in a handsome red-cheeked girl, whose hat was wilder, more violent in color and eccentric in shape than any other—when she stood nearby and her soft curling plumes swept his cheek once and again—he felt a sense of sudden pleasure at the intimate tickling touch—and she, deep down within, felt such a wave of shame as might well drown a thousand hats forever.

When he took his train, his seat in the smoking car, she had a new surprise. All about him were the other men, commuters too, and many of them friends of his.

To her, they would have been distinguished as ‘Mary Wade’s husband,’ ‘the man Belle Grant is engaged to’ ‘that rich Mr. Shopworth,’ or ‘that pleasant Mr. Beale.’ And they would all have lifted their hats to her, bowed, made polite conversation if near enough—especially Mr. Beale. Now came the feeling of open-eyed acquaintance, of knowing men—as they were. The mere amount of this knowledge was a surprise to her—the whole background of talk from boyhood up, the gossip of barber-shop and club, the conversation of morning and evening hours on trains, the knowledge of political affiliation, of business standing and prospects, of character—in a light she had never known before. The came and talked to Gerald, one and another. He seemed quite popular. And as they talked, with this new memory and new understanding, an understanding which seemed to include all these men’s minds, there poured in on the submerged consciousness beneath a new, a startling knowledge—what men really think of women.

Good, average, American men were there; married men for the most part, and happy—as happiness goes in general. In the minds of each and all there seemed to be a two-story department, quite apart from the rest of their ideas, a separate place where they kept their thoughts and feelings about women.

In the upper half were the tenderest emotions, the most exquisite ideals, the sweetest memories, all lovely sentiments as to ‘home’ and ‘mother,’ all delicate admiring adjectives, a sort of sanctuary, where a veiled statue, blindly adored, shared place with beloved yet commonplace experiences.

In the lower half—here that buried consciousness woke to keen distress—they kept quite another assortment of ideas. Here, even in this clean-minded husband of hers, was the memory of stories told at men’s dinners, of worse ones overheard in street or car, of base traditions, coarse epithets, gross experiences—known, though not shared.

And all these in the department ‘woman,’ while in the rest of the mind—here was new knowledge indeed.

The world opened before her. Not the world she had been reared in—where Home had covered all the map, almost, and the rest had been ‘foreign,’ or ‘unexplored country,’ but the world as it was—man’s world, as made, lived in, and seen, by men.

It was dizzying. To see the houses that fled so fast across the car window, in terms of builders’ bills, or of some technical insight into materials and methods; to see a passing village with lamentable knowledge of who ‘owned it’ and of how its Boss was rapidly aspiring in state power, or of how that kind of paving was a failure; to see shops, not as mere exhibitions of desirable objects, but as business ventures, many mere sinking ships, some promising a profitable voyage—this new world bewildered her.

She—as Gerald—had already forgotten about that bill, over which she—as Mollie—was still crying at home. Gerald was ‘talking business’ with this man, ‘talking politics’ with that, and now sympathizing with the carefully withheld troubles of a neighbor.

Mollie had always sympathized with the neighbor’s wife before.

She began to struggle violently with this large dominant masculine consciousness. She remembered with sudden clearness things she had read, lectures she had heard, and resented with increasing intensity this serene masculine preoccupation with the male point of view.

Mr. Miles, the little fussy man who lived on the other side of the street, was talking now. He had a large complacent wife; Mollie had never liked her much, but had always thought him rather nice-he was so punctilious in small courtesies.

And here he was talking to Gerald—such talk!

‘Had to come in here,’ he said. ‘Gave my seat to a dame who was bound to have it. There’s nothing they won’t get when they make up their minds to it—eh?’

‘No fear!’ said the big man in the next seat. ‘They haven’t much mind to make up, you know—and if they do, they’ll change it.’

‘The real danger,’ began the Rev. Alfred Smythe, the new Episcopal clergyman, a thin, nervous, tall man with a face several centuries behind the times, ‘is that they will overstep the limits of their God-appointed sphere.’

‘Their natural limits ought to hold ’em, I think,’ said cheerful Dr. Jones. ‘You can’t get around physiology, I tell you.’

‘I’ve never seen any limits, myself, not to what they want, anyhow,’ said Mr. Miles. ‘Merely a rich husband and a fine house and no end of bonnets and dresses, and the latest thing in motors, and a few diamonds-and so on. Keeps us pretty busy.’

There was a tired gray man across the aisle. He had a very nice wife, always beautifully dressed, and three unmarried daughters, also beautifully dressed—Mollie knew them. She knew he worked hard, too, and she looked at him now a little anxiously.

But he smiled cheerfully.

‘Do you good, Miles,’ he said. ‘What else would a man work for? A good woman is about the best thing on earth.’

‘And a bad one’s the worst, that’s sure,’ responded Miles.

‘She’s a pretty weak sister, viewed professionally,’ Dr. Jones averred with solemnity, and the Rev Alfred Smythe added, ‘She brought evil into the world.’

Gerald Mathewson sat up straight. Something was stirring in him which he did not recognize—yet could not resist.

‘Seems to me we all talk like Noah,’ he suggested drily. ‘Or the ancient Hindu scriptures.

Women have their limitations, but so do we. God knows. Haven’t we known girls in school and college just as smart as we were?’

‘They cannot play our games,’ coldly replied the clergyman.

Gerald measured his meager proportions with a practiced eye.

‘I never was particularly good at football myself,’ he modestly admitted, ‘but I’ve known women who could outlast a man in all-round endurance. Besides—life isn’t spent in athletics!’

This was sadly true. They all looked down the aisle where a heavily ill-dressed man with a bad complexion sat alone. He had held the top of the columns once, with headlines and photographs.

Now he earned less than any of them.

‘It’s time we woke up,’ pursued Gerald, still inwardly urged to unfamiliar speech. ‘Women are pretty much people, seems to me. I know they dress like fools-but who’s to blame for that? We invent all those idiotic hats of theirs, and design their crazy fashions, and, what’s more, if a woman is courageous enough to wear common-sense clothes—and shoes—which of us wants to dance with her?

‘Yes, we blame them for grafting on us, but are we willing to let our wives work? We are not.

It hurts our pride, that’s all. We are always criticizing them for making mercenary marriages, but what do we call a girl who marries a chump with no money? Just a poor fool, that’s all. And they know it.

‘As for Mother Eve—I wasn’t there and can’t deny the story, but I will say this. If she brought evil into the world, we men have had the lion’s share of keeping it going ever since—how about that?’

They drew into the city, and all day long in his business, Gerald was vaguely conscious of new views, strange feelings, and the submerged Mollie learned and learned.


Buy If I Were a Man in print in Charlotte Perkins Gilman - A Short Story Collection

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Saturday, December 21, 2024

Celephaïs by H. P. Lovecraft

 


Celephaïs

By

H. P. Lovecraft


Word Count: 2,522

Fantasy, Gothic

Published 1922 in Rainbow



In a dream Kuranes saw the city in the valley, and the sea-coast beyond, and the snowy peak overlooking the sea, and the gaily painted galleys that sail out of the harbour toward the distant regions where the sea meets the sky. In a dream it was also that he came by his name of Kuranes, for when awake he was called by another name. Perhaps it was natural for him to dream a new name; for he was the last of his family, and alone among the indifferent millions of London, so there were not many to speak to him and remind him who he had been. His money and lands were gone, and he did not care for the ways of people about him, but preferred to dream and write of his dreams. What he wrote was laughed at by those to whom he shewed it, so that after a time he kept his writings to himself, and finally ceased to write. The more he withdrew from the world about him, the more wonderful became his dreams; and it would have been quite futile to try to describe them on paper. Kuranes was not modern, and did not think like others who wrote. Whilst they strove to strip from life its embroidered robes of myth, and to shew in naked ugliness the foul thing that is reality, Kuranes sought for beauty alone. When truth and experience failed to reveal it, he sought it in fancy and illusion, and found it on his very doorstep, amid the nebulous memories of childhood tales and dreams.

There are not many persons who know what wonders are opened to them in the stories and visions of their youth; for when as children we listen and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and prosaic with the poison of life. But some of us awake in the night with strange phantasms of enchanted hills and gardens, of fountains that sing in the sun, of golden cliffs overhanging murmuring seas, of plains that stretch down to sleeping cities of bronze and stone, and of shadowy companies of heroes that ride caparisoned white horses along the edges of thick forests; and then we know that we have looked back through the ivory gates into that world of wonder which was ours before we were wise and unhappy.

Kuranes came very suddenly upon his old world of childhood. He had been dreaming of the house where he was born; the great stone house covered with ivy, where thirteen generations of his ancestors had lived, and where he had hoped to die. It was moonlight, and he had stolen out into the fragrant summer night, through the gardens, down the terraces, past the great oaks of the park, and along the long white road to the village. The village seemed very old, eaten away at the edge like the moon which had commenced to wane, and Kuranes wondered whether the peaked roofs of the small houses hid sleep or death. In the streets were spears of long grass, and the window-panes on either side were either broken or filmily staring. Kuranes had not lingered, but had plodded on as though summoned toward some goal. He dared not disobey the summons for fear it might prove an illusion like the urges and aspirations of waking life, which do not lead to any goal. Then he had been drawn down a lane that led off from the village street toward the channel cliffs, and had come to the end of things—to the precipice and the abyss where all the village and all the world fell abruptly into the unechoing emptiness of infinity, and where even the sky ahead was empty and unlit by the crumbling moon and the peering stars. Faith had urged him on, over the precipice and into the gulf, where he had floated down, down, down; past dark, shapeless, undreamed dreams, faintly glowing spheres that may have been partly dreamed dreams, and laughing winged things that seemed to mock the dreamers of all the worlds. Then a rift seemed to open in the darkness before him, and he saw the city of the valley, glistening radiantly far, far below, with a background of sea and sky, and a snow-capped mountain near the shore.

Kuranes had awaked the very moment he beheld the city, yet he knew from his brief glance that it was none other than Celephaïs, in the Valley of Ooth-Nargai beyond the Tanarian Hills, where his spirit had dwelt all the eternity of an hour one summer afternoon very long ago, when he had slipt away from his nurse and let the warm sea-breeze lull him to sleep as he watched the clouds from the cliff near the village. He had protested then, when they had found him, waked him, and carried him home, for just as he was aroused he had been about to sail in a golden galley for those alluring regions where the sea meets the sky. And now he was equally resentful of awaking, for he had found his fabulous city after forty weary years.

But three nights afterward Kuranes came again to Celephaïs. As before, he dreamed first of the village that was asleep or dead, and of the abyss down which one must float silently; then the rift appeared again, and he beheld the glittering minarets of the city, and saw the graceful galleys riding at anchor in the blue harbour, and watched the gingko trees of Mount Aran swaying in the sea-breeze. But this time he was not snatched away, and like a winged being settled gradually over a grassy hillside till finally his feet rested gently on the turf. He had indeed come back to the Valley of Ooth-Nargai and the splendid city of Celephaïs.

Down the hill amid scented grasses and brilliant flowers walked Kuranes, over the bubbling Naraxa on the small wooden bridge where he had carved his name so many years ago, and through the whispering grove to the great stone bridge by the city gate. All was as of old, nor were the marble walls discoloured, nor the polished bronze statues upon them tarnished. And Kuranes saw that he need not tremble lest the things he knew be vanished; for even the sentries on the ramparts were the same, and still as young as he remembered them. When he entered the city, past the bronze gates and over the onyx pavements, the merchants and camel-drivers greeted him as if he had never been away; and it was the same at the turquoise temple of Nath-Horthath, where the orchid-wreathed priests told him that there is no time in Ooth-Nargai, but only perpetual youth. Then Kuranes walked through the Street of Pillars to the seaward wall, where gathered the traders and sailors, and strange men from the regions where the sea meets the sky. There he stayed long, gazing out over the bright harbour where the ripples sparkled beneath an unknown sun, and where rode lightly the galleys from far places over the water. And he gazed also upon Mount Aran rising regally from the shore, its lower slopes green with swaying trees and its white summit touching the sky.

More than ever Kuranes wished to sail in a galley to the far places of which he had heard so many strange tales, and he sought again the captain who had agreed to carry him so long ago. He found the man, Athib, sitting on the same chest of spices he had sat upon before, and Athib seemed not to realise that any time had passed. Then the two rowed to a galley in the harbour, and giving orders to the oarsmen, commenced to sail out into the billowy Cerenerian Sea that leads to the sky. For several days they glided undulatingly over the water, till finally they came to the horizon, where the sea meets the sky. Here the galley paused not at all, but floated easily in the blue of the sky among fleecy clouds tinted with rose. And far beneath the keel Kuranes could see strange lands and rivers and cities of surpassing beauty, spread indolently in the sunshine which seemed never to lessen or disappear. At length Athib told him that their journey was near its end, and that they would soon enter the harbour of Serannian, the pink marble city of the clouds, which is built on that ethereal coast where the west wind flows into the sky; but as the highest of the city’s carven towers came into sight there was a sound somewhere in space, and Kuranes awaked in his London garret.

For many months after that Kuranes sought the marvellous city of Celephaïs and its sky-bound galleys in vain; and though his dreams carried him to many gorgeous and unheard-of places, no one whom he met could tell him how to find Ooth-Nargai, beyond the Tanarian Hills. One night he went flying over dark mountains where there were faint, lone campfires at great distances apart, and strange, shaggy herds with tinkling bells on the leaders; and in the wildest part of this hilly country, so remote that few men could ever have seen it, he found a hideously ancient wall or causeway of stone zigzagging along the ridges and valleys; too gigantic ever to have risen by human hands, and of such a length that neither end of it could be seen. Beyond that wall in the grey dawn he came to a land of quaint gardens and cherry trees, and when the sun rose he beheld such beauty of red and white flowers, green foliage and lawns, white paths, diamond brooks, blue lakelets, carven bridges, and red-roofed pagodas, that he for a moment forgot Celephaïs in sheer delight. But he remembered it again when he walked down a white path toward a red-roofed pagoda, and would have questioned the people of that land about it, had he not found that there were no people there, but only birds and bees and butterflies. On another night Kuranes walked up a damp stone spiral stairway endlessly, and came to a tower window overlooking a mighty plain and river lit by the full moon; and in the silent city that spread away from the river-bank he thought he beheld some feature or arrangement which he had known before. He would have descended and asked the way to Ooth-Nargai had not a fearsome aurora sputtered up from some remote place beyond the horizon, shewing the ruin and antiquity of the city, and the stagnation of the reedy river, and the death lying upon that land, as it had lain since King Kynaratholis came home from his conquests to find the vengeance of the gods.

So Kuranes sought fruitlessly for the marvellous city of Celephaïs and its galleys that sail to Serannian in the sky, meanwhile seeing many wonders and once barely escaping from the high-priest not to be described, which wears a yellow silken mask over its face and dwells all alone in a prehistoric stone monastery on the cold desert plateau of Leng. In time he grew so impatient of the bleak intervals of day that he began buying drugs in order to increase his periods of sleep. Hasheesh helped a great deal, and once sent him to a part of space where form does not exist, but where glowing gases study the secrets of existence. And a violet-coloured gas told him that this part of space was outside what he had called infinity. The gas had not heard of planets and organisms before, but identified Kuranes merely as one from the infinity where matter, energy, and gravitation exist. Kuranes was now very anxious to return to minaret-studded Celephaïs, and increased his doses of drugs; but eventually he had no more money left, and could buy no drugs. Then one summer day he was turned out of his garret, and wandered aimlessly through the streets, drifting over a bridge to a place where the houses grew thinner and thinner. And it was there that fulfilment came, and he met the cortege of knights come from Celephaïs to bear him thither forever.

Handsome knights they were, astride roan horses and clad in shining armour with tabards of cloth-of-gold curiously emblazoned. So numerous were they, that Kuranes almost mistook them for an army, but their leader told him they were sent in his honour; since it was he who had created Ooth-Nargai in his dreams, on which account he was now to be appointed its chief god for evermore. Then they gave Kuranes a horse and placed him at the head of the cavalcade, and all rode majestically through the downs of Surrey and onward toward the region where Kuranes and his ancestors were born. It was very strange, but as the riders went on they seemed to gallop back through Time; for whenever they passed through a village in the twilight they saw only such houses and villages as Chaucer or men before him might have seen, and sometimes they saw knights on horseback with small companies of retainers. When it grew dark they travelled more swiftly, till soon they were flying uncannily as if in the air. In the dim dawn they came upon the village which Kuranes had seen alive in his childhood, and asleep or dead in his dreams. It was alive now, and early villagers courtesied as the horsemen clattered down the street and turned off into the lane that ends in the abyss of dream. Kuranes had previously entered that abyss only at night, and wondered what it would look like by day; so he watched anxiously as the column approached its brink. Just as they galloped up the rising ground to the precipice a golden glare came somewhere out of the east and hid all the landscape in its effulgent draperies. The abyss was now a seething chaos of roseate and cerulean splendour, and invisible voices sang exultantly as the knightly entourage plunged over the edge and floated gracefully down past glittering clouds and silvery coruscations. Endlessly down the horsemen floated, their chargers pawing the aether as if galloping over golden sands; and then the luminous vapours spread apart to reveal a greater brightness, the brightness of the city Celephaïs, and the sea-coast beyond, and the snowy peak overlooking the sea, and the gaily painted galleys that sail out of the harbour toward distant regions where the sea meets the sky.

And Kuranes reigned thereafter over Ooth-Nargai and all the neighbouring regions of dream, and held his court alternately in Celephaïs and in the cloud-fashioned Serannian. He reigns there still, and will reign happily forever, though below the cliffs at Innsmouth the channel tides played mockingly with the body of a tramp who had stumbled through the half-deserted village at dawn; played mockingly, and cast it upon the rocks by ivy-covered Trevor Towers, where a notably fat and especially offensive millionaire brewer enjoys the purchased atmosphere of extinct nobility.



Buy Celephaïs in print in H.P. Lovecraft: The Complete Fiction

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Tuesday, June 25, 2024

LibriVox Recording of Short Ghost and Horror Collection 073 by Various.

 


 

 LibriVox recording of Short Ghost and Horror Collection 073 by Various.
Read in English by LibriVox Volunteers

A collection of twenty stories featuring ghoulies, ghosties, four-legged beasts and things that go bump in the night. Expect shivers up your spine, the sound of a monstrous howl, and the occasional touch of wonder.

 

 


Friday, June 21, 2024

Collected Public Domain Works of H. P. Lovecraft (Audio Book)

 

Collected Public Domain Works of H. P. Lovecraft 

(Audio Book)

 

The "Collected Public Domain Works of H. P. Lovecraft" is a must-have for any fan of classic horror literature. This collection contains all of Lovecraft's iconic stories, including "The Call of Cthulhu," "At the Mountains of Madness," and "The Dunwich Horror." Lovecraft's unique blend of cosmic horror and vivid imagination shines through in each tale, drawing the reader into a world of unspeakable terrors and ancient gods.

What sets this collection apart is the inclusion of Lovecraft's lesser-known works, giving readers a comprehensive look at his writing career. The stories are all meticulously curated and presented in a way that showcases Lovecraft's mastery of the genre. The addition of Lovecraft's essays, letters, and collaborations with other authors adds depth and insight into his writing process and influences.

Overall, the "Collected Public Domain Works of H. P. Lovecraft" is a must-read for any lover of horror literature. Whether you are a die-hard Lovecraft fan or new to his work, this collection is a perfect introduction to one of the most influential writers in the genre. Highly recommended.

Book Description:


H. P. Lovecraft’s name is synonymous with horror fiction. His major inspiration and invention was cosmic horror: the idea that life is incomprehensible to human minds and that the universe is fundamentally alien. This collection contains 24 Lovecraft works that are in the public domain.

 


 

About the Author 

Howard Phillips Lovecraft
Howard Phillips Lovecraft was an American writer of weird, science, fantasy, and horror fiction. He is best known for his creation of the Cthulhu Mythos.
 

Born in Providence, Rhode Island, Lovecraft spent most of his life in New England. Wikipedia
 

Born: August 20, 1890, Providence, RI
Died: March 15, 1937, Providence, RI
Full Name: Howard Phillips Lovecraft
Spouse: Sonia Greene (m. 1924–1937)

👉Buy H. P. Lovecraft Books at Amazon

Monday, June 17, 2024

12 Creepy Tales By: Edgar Allan Poe (1809-1849) (Audio Books)



12 Creepy Tales  

 

By: Edgar Allan Poe

 

(Audio Books)


Description

From the master of the psychological horror genre comes this brilliant collection 12 Creepy Tales by Edgar Allan Poe. It features some of his classics like The Tell-Tale Heart, The Black Cat and The Cask of Amontillado which are supreme examples of his craft.

The Black Cat is a truly horrifying story of a death-row confession of guilt by a serial killer. The much loved family cat becomes the agent of his destruction and inevitable descent into crime and madness. Another superb story is The Facts in the Case of M Valdemar. In this chilling tale, a mesmerist uses his skill to put a man into a trance at the exact moment of death. Poe wrote this story based on a newspaper report that he read about a New York doctor who was supposed to have conducted an operation after placing the patient under hypnosis. Such was Poe's talent that the story was mistaken for a genuine scientific report when it first came out! Writers and poets like Kipling and Elizabeth Barrett Browning wrote personally to Poe, congratulating him on creating such a fantastic story.

For sheer suspense and Gothic horror, The Masque of the Red Death is unrivaled. Set in some unnamed country, in an unnamed time, it tells of Prince Prospero who retreats into a sealed fortress with his trusted friends to escape a scourge called the Red Death, a mysterious and fatal disease that is decimating the countryside. The images of death, blood and disease linger in the mind long after you put the book down.

A crumbling ruin steeped in an atmosphere of doom and decay... the last descendant of a noble family... an opium addict and his deluded fantasies&emdash;these form the elements of one of Poe's most atmospheric creepy tales The Fall of the House of Usher. It is also one of his most famous stories and is considered to depict Poe as being at the peak of his craftsmanship. The surreal feeling of this story has made it a perfect choice for adaptation on film and television.

Another truly scary tale is The Pit and The Pendulum, which describes the horrors of the Spanish Inquisition in medieval Spain in the sixteenth century. The collection also features Edgar Allan Poe's famous poem The Raven which is guaranteed to send a shiver down the spine of even the most skeptical of readers.

Whether you're a horror story fan or not, 12 Creepy Tales by Edgar Allan Poe is a great addition to your bookshelf.