Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Showing posts with label Olivia Salter. Show all posts
Showing posts with label Olivia Salter. Show all posts

Monday, February 12, 2024

A Handbook of Short Story Writing, by John T. Frederick (John Towner), Foreword by Olivia Salter

A Handbook of Short Story Writing

 

A Handbook of Short Story Writing

 

by John T. Frederick (John Towner)

 

FOREWORD BY OLIVIA SALTER


In our age of endless distractions and fleeting attention spans, there remains a timeless art form that captivates and inspires readers across generations—the short story. Its brevity, precision, and unwavering ability to evoke rich emotions make it a powerful literary medium. And within the realm of short story writing, few have delved as deeply into the craft as the esteemed John T. Frederick.

As I hold this invaluable handbook in my hands, I am struck by the immense knowledge and passion that Frederick brought to the art of writing. His distinguished career as a writer and editor, coupled with his unconditional love for storytelling, shines through every page. Within these chapters, Frederick generously shares his wisdom, offering valuable insights, techniques, and practical advice that will guide aspiring writers on their journey towards mastering the elusive art of the short story.

In this comprehensive handbook, Frederick explores the fundamental elements of storytelling with meticulous detail. From crafting compelling dialogue and developing nuanced characters to building tension and creating vivid settings, he leaves no stone unturned. Drawing upon classic works of literature, Frederick illuminates the essence of storytelling through a wealth of examples, urging writers to embrace the power of language and the art of storytelling to convey profound human experiences.

Yet, beyond technical advice, this handbook resonates on a deeper level. Frederick hones in on the emotional core of storytelling, emphasizing the need for authenticity and vulnerability. He invites writers to explore the depths of their own past, observing that the richest stories often derive from personal experiences and raw emotions. Through his guidance, aspiring authors are encouraged to reflect on the essence of being human and to infuse their stories with genuine humanity.

Moreover, Frederick's keen understanding of the writing process allows him to address the hurdles and challenges that writers face along their creative journey. Whether it be the dreaded writer's block, self-doubt, or the daunting task of revising and editing, he offers invaluable strategies to overcome these obstacles, encouraging writers to persist in their pursuit of excellence.

It is clear that this handbook is a labor of love—a testament to John T. Frederick's unwavering dedication to the craft of storytelling. His words will undoubtedly serve as a guiding light for aspiring writers and a source of inspiration for seasoned veterans. As we traverse the pages of this invaluable guide, we embark on a transformative adventure, one that will challenge us, enlighten us, and ultimately lead us to become better storytellers.

May this handbook find its way into the hands of all those who dream of unraveling the beauty of the short story. Let us be guided by John T. Frederick, a writer whose legacy lives on through his words, seeking to create stories that will endure long after they are read.

Olivia Salter

02/12/2023



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Also see:

πŸ‘‰Free Writing Resources
πŸ‘‰Fiction Writing books at Amazon

πŸ‘‰How to Write a Short Story: 10 Good Tips for Writers

 

Sunday, February 4, 2024

Short Story-Writing: An Art or a Trade? by N. Bryllion Fagin (PDF) Foreword By Olivia Salter


Short Story-Writing: An Art or a Trade? by N. Bryllion Fagin (PDF)

Short Story-Writing: An Art or a Trade?

 

by N. Bryllion Fagin (PDF)

 

FOREWORD BY OLIVIA SALTER


Short story writing has long been a captivating and versatile form of literature, captivating readers with its ability to convey powerful narratives in a condensed format. But what lies at the heart of this craft? Is short story writing an artistic endeavor that requires inherent skill and imagination, or is it something that can be learned and honed through trade-like techniques?

In "Short Story-Writing: An Art or a Trade?" N. Bryllion Fagin delves deep into this age-old discussion, offering valuable insights and perspectives that shed light on the intricate nature of this compelling literary form. With a commendable blend of scholarly analysis and practical advice, Fagin navigates the reader through the nuances of short story writing, examining both the artistry and the craftsmanship required to succeed in this pursuit.

Fagin brilliantly captures the essence of short stories as a means of capturing fleeting moments and evoking powerful emotions within a limited space. Each story, like a brushstroke on a canvas, holds the power to paint vivid pictures that resonate with readers for a lifetime. Fagin's exploration of the artistic aspect emphasizes the role of creativity and intuition in crafting impactful tales, reminding us of the beauty and magic that lie within the realm of storytelling.

However, Fagin also acknowledges the practical side of short story writing. Like any trade, there are techniques, strategies, and tools that can be adopted to refine one's skills. Through meticulous research and astute observations, Fagin uncovers these underlying structures that enhance the narrative flow, the character development, and the overall impact of a short story. The author's ability to dissect these elements and present them to the reader in a comprehensive manner is a testament to their profound understanding of the craft.

"Short Story-Writing: An Art or a Trade?" is not merely a theoretical discourse, but a practical guide for aspiring writers and literary enthusiasts alike. Fagin's wealth of knowledge is shared generously through insightful tips and prompts that encourage experimentation and growth. By providing a range of examples from renowned short story authors and their contrasting approaches, Fagin contributes to the ongoing dialogue surrounding the creative process, igniting inspiration in the minds of those who long to tell their own tales.

Whether you are a seasoned writer seeking to refine your techniques or someone who wishes to explore short story writing for the first time, this book serves as an invaluable resource. Fagin's eloquent prose, combined with their passion for the subject, creates an engaging and thought-provoking read that invites readers to critically examine their own writing practice while developing the skills necessary to excel in this captivating craft.

In "Short Story-Writing: An Art or a Trade?", N. Bryllion Fagin elevates our understanding of short story-writing by deftly merging the realms of artistry and trade. By doing so, they inspire us to appreciate the inherent beauty of storytelling while emphasizing the necessity of honing our craft. I am honored to introduce you to this remarkable work, confident that its pages will empower and enlighten all who embark on the fruitful journey of short story creation.

 

Olivia Salter

02/04/2024


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If your Web browser is not configured to display PDF files. No worries, just click here to download the PDF file.

 

Also see:

πŸ‘‰Free Writing Resources
πŸ‘‰Fiction Writing books at Amazon

πŸ‘‰How to Write a Short Story: 10 Good Tips for Writers

 

Saturday, February 3, 2024

Writing Conflict: External Conflict in Literature by Olivia Salter


Writing Conflict: External Conflict in Literature

 

by Olivia Salter

 

External conflict is a crucial element in literature that drives the  story forward and creates tension and drama. It involves the protagonist facing challenges or obstacles that come from outside sources, such as other characters, society, nature, or supernatural forces. These conflicts serve to test the strength and resolve of the main character, forcing them to confront their fears, make difficult decisions, and ultimately grow and evolve throughout the story.

One of the most common forms of external conflict in literature is man vs. man, where the protagonist is pitted against another character or group of characters. This type of conflict can take the form of physical confrontations, verbal sparring, or even psychological warfare. Through these interactions, the protagonist's values, beliefs, and morals are tested, leading to inner turmoil and self-discovery.

Another form of external conflict is man vs. society, where the protagonist must navigate the expectations, norms, and rules of the world around them. This can involve challenging societal injustices, fighting against oppressive systems, or simply trying to fit in and find their place in society. By confronting these external forces, the protagonist can bring about change, challenge the status quo, and inspire others to do the same.

Nature can also serve as a source of external conflict in literature, with the protagonist facing the elements, natural disasters, or dangerous wildlife. These challenges force the protagonist to rely on their survival instincts, adapt to their surroundings, and overcome adversity in order to survive. Nature can be a powerful symbol of both beauty and danger, reflecting the fragility and resilience of the human spirit.

Finally, external conflict can also take on a supernatural or otherworldly form, where the protagonist must battle supernatural beings, mystical forces, or otherworldly creatures. These conflicts often test the protagonist's belief in the unknown, their faith in themselves, and their ability to confront the mysteries of the universe. By delving into the realm of the supernatural, authors can explore themes of magic, destiny, and the power of belief.

In conclusion, external conflict plays a vital role in literature by challenging the protagonist, driving the plot forward, and highlighting the complexities of human nature. By incorporating various forms of external conflict into their stories, authors can create engaging narratives that captivate readers, provoke thought, and inspire change. Ultimately, it is through the protagonist's struggles and triumphs against external forces that the true depth of their character is revealed, leaving a lasting impact on readers long after they have finished the story. 

Also See


Saturday, October 28, 2023

Children of men by Eden Phillpotts

Children of men by Eden Phillpotts

 

CHILDREN OF MEN


BY

EDEN PHILLPOTTS

AUTHOR OF "EUDOCIA," "BRUNEL'S TOWER," ETC.



LONDON
WILLIAM HEINEMANN LTD.




First Published, 1923


PRINTED IN GREAT BRITAIN BY WOODS & SONS, LTD., LONDON W.1.

 

 
Foreword by Olivia Salter

In the annals of dystopian literature, few tales possess the stark and haunting quality found within the pages of "Children of Men." Written by the esteemed Eden Phillpotts, this masterpiece stands as a testament to the power of imagination and the depths of human despair.

Originally published in 1932, "Children of Men" immerses readers in a world devoid of hope, where the future hangs precariously by a thin thread. Phillpotts brings forth a glimpse of a future where the unimaginable has become a chilling reality. In this desolate landscape, humanity faces an unfathomable crisis—no child has been born in over two decades.

The narrative unfolds with a sense of relentless urgency as the weight of the world rests on the shoulders of Dr. Hillary Breen, our reluctant protagonist. Believing there may still be a glimmer of hope buried beneath the burdens of a broken society, Dr. Breen embarks on a treacherous journey that will test his faith, resilience, and understanding of the human spirit.

In Phillpotts' deft hands, "Children of Men" unveils a meticulously crafted vision of a society on the brink of collapse. Poverty, political turmoil, and environmental degradation cast a shadow over every aspect of life. Within this bleakness, we find ourselves grappling with profound existential questions: What does it mean to be human? How can love and hope endure amid such darkness? Can humanity find redemption in the face of its own impending extinction?

As you turn the pages of this gripping tale, you will be immersed in a world that feels eerily familiar yet shockingly distant. Phillpotts' writing possesses a vividness that will transport you to the heart of this dystopian landscape, feeling the anguish of a world where the future appears to have vanished.

"Children of Men" transcends the boundaries of time and place, resonating with readers across generations. Its ever-relevant themes challenge us to confront the precarious nature of our own society, reminding us that the future is never a certainty. Through the lens of fiction, Phillipotts paints a harrowing portrait of a future that should serve as a stark warning to us all, urging us to recognize our capacity for both destruction and renewal.

It is with great delight and reverence that we present this edition of "Children of Men," inviting you to embark on a journey of introspection. Eden Phillpotts weaves a gripping narrative that remains etched in the mind long after the last page is turned. Within these pages, we find not only a cautionary tale but also a profound exploration of the fragility and resilience of the human spirit.

So, dear reader, open your heart and mind and step into the world of "Children of Men," where the shadows of despair might just reveal the flicker of hope that lies within us all.

Olivia Salter

10/28/2023


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Tuesday, October 17, 2023

Foreword of "To Kill a Mockingbird" Written by Harper Lee, Foreword by Olivia Salter

 
To Kill a Mockingbird by Harper Lee

Foreword of "To Kill a Mockingbird"  Written by Harper Lee,  Foreword by Olivia Salter

 



"To Kill a Mockingbird," a timeless and poignant masterpiece penned by the remarkable Harper Lee, has left an indelible mark on the literary landscape since its publication in 1960. A work that transcends generations, it continues to captivate readers with its powerful exploration of innocence, injustice, and the complexities of societal prejudices.

Harper Lee, born Nelle Harper Lee in 1926, crafted a novel that resonates with unparalleled depth and emotional resonance. Though a native of Monroeville, Alabama, Lee's narrative in "To Kill a Mockingbird" transcends the boundaries of her small Southern hometown, confronting universal truths about humanity's capacity for both love and cruelty.

Set during the 1930s in the fictional town of Maycomb, Alabama, the narrative unfolds through the eyes of young Jean Louise "Scout" Finch. Scout, alongside her brother Jem and their friend Dill, embarks on a journey of discovery that exposes the harsh realities of racism, prejudice, and the elusive pursuit of justice. Through Scout's authentic voice, Lee subtly imparts the importance of empathy and compassion as she navigates a society divided by color and marred by fear.

At the heart of this captivating tale is Atticus Finch, a wise and principled lawyer who serves as a moral compass amidst the tumultuous climate of racial injustice. Atticus's unwavering commitment to truth and equality, symbolized by his unwavering defense of Tom Robinson, an African American accused of a heinous crime, challenges the very fabric of society. Rendered with vivid detail and nuanced characterization, Atticus Finch has become an iconic figure, embodying the qualities of integrity, honor, and parental guidance.

Harper Lee's prose resonates with eloquence and grace, effortlessly diving into the complexities of human nature and the consequences of prejudice. Through her captivating storytelling, she masterfully exposes the universal human struggle for understanding, acceptance, and compassion. Her evocative descriptions bring the sultry ambiance of the Deep South to life, immersing readers in the vivid tapestry of Maycomb and its inhabitants.

"To Kill a Mockingbird" is a profound meditation on the human condition, examining the repercussions of inequality, the destructive power of ignorance, and the courage required to challenge societal norms. Lee deftly reminds us that our actions and their consequences shape not only individuals but also the fabric of our communities. Through her narrative, she urges us to reflect upon our own biases, confront our deepest fears, and strive towards a world where justice and empathy triumph over prejudice and hatred.

While Harper Lee's magnum opus explores sobering and uncomfortable themes, it does so with a delicate touch and an undeniable sense of hope. Behind the darkness lies an enduring message of resilience, compassion, and the enduring spirit of mockingbirds, those individuals whose innocence and purity should be protected at all costs.

As we embark on this journey through the pages of To Kill a Mockingbird, let us honor Harper Lee's legacy by plumbing the depths of our souls, challenging our preconceived notions, and embracing the transformative power of empathy. May this timeless masterpiece continue to ignite conversations, spark change, and inspire generations to come.
 

Olivia Salter

10/17/2023


Read the book below, or buy "To Kill a Mockingbird" by Harper Lee at Amazon.

Sunday, September 17, 2023

The Raven The Raven by Edgar Allan Poe by Edgar Allan Poe

 

The Raven by Edgar Allan Poe Forward, by Olivia Salter

The Raven

 

by Edgar Allan Poe


(Video)



    Once upon a midnight dreary, while I pondered, weak and weary,
    Over many a quaint and curious volume of forgotten lore,
    While I nodded, nearly napping, suddenly there came a tapping,
    As of some one gently rapping, rapping at my chamber door. “
    “'Tis some visitor,” I muttered, “tapping at my chamber door—
    Only this, and nothing more.”

    Ah, distinctly I remember it was in the bleak December,
    And each separate dying ember wrought its ghost upon the floor.
    Eagerly I wished the morrow;—vainly I had sought to borrow
    From my books surcease of sorrow—sorrow for the lost Lenore—
    For the rare and radiant maiden whom the angels name Lenore—
    Nameless here for evermore.

    And the silken sad uncertain rustling of each purple curtain
    Thrilled me—filled me with fantastic terrors never felt before;
    So that now, to still the beating of my heart, I stood repeating, “
    “'Tis some visitor entreating entrance at my chamber door—
    Some late visitor entreating entrance at my chamber door;—
    This it is, and nothing more.”

    Presently my soul grew stronger; hesitating then no longer,
    “Sir,” said I, “or Madam, truly your forgiveness I implore;
    But the fact is I was napping, and so gently you came rapping,
    And so faintly you came tapping, tapping at my chamber door,
    That I scarce was sure I heard you”—here I opened wide the door;—
    Darkness there, and nothing more.

    Deep into that darkness peering, long I stood there wondering, fearing,
    Doubting, dreaming dreams no mortals ever dared to dream before;
    But the silence was unbroken, and the stillness gave no token,
    And the only word there spoken was the whispered word, “Lenore!”
    This I whispered, and an echo murmured back the word, “Lenore!”—
    Merely this, and nothing more.

    Back into the chamber turning, all my soul within me burning,
    Soon again I heard a tapping somewhat louder than before.
    “Surely,” said I, “surely that is something at my window lattice,
    Let me see, then, what thereat is, and this mystery explore—
    Let my heart be still a moment and this mystery explore;—
    'Tis the wind and nothing more.”

    Open here I flung the shutter, when, with many a flirt and flutter,
    In there stepped a stately raven of the saintly days of yore.
    Not the least obeisance made he; not a minute stopped or stayed he;
    But, with mien of lord or lady, perched above my chamber door—
    Perched upon a bust of Pallas just above my chamber door—
    Perched, and sat, and nothing more.

    Then this ebony bird beguiling my sad fancy into smiling,
    By the grave and stern decorum of the countenance it wore.
    “Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
    Ghastly grim and ancient raven wandering from the Nightly shore—
    Tell me what thy lordly name is on the Night's Plutonian shore!”
    Quoth the Raven, “Nevermore.”

    Much I marvelled this ungainly fowl to hear discourse so plainly,
    Though its answer little meaning—little relevancy bore;
    For we cannot help agreeing that no living human being
    Ever yet was blest with seeing bird above his chamber door—
    Bird or beast upon the sculptured bust above his chamber door,
    With such name as “Nevermore.”

    But the Raven, sitting lonely on the placid bust, spoke only
    That one word, as if his soul in that one word he did outpour.
    Nothing further then he uttered—not a feather then he fluttered—
    Till I scarcely more than muttered, “other friends have flown before—
    On the morrow he will leave me, as my hopes have flown before.”
    Then the bird said, “Nevermore.”

    Startled at the stillness broken by reply so aptly spoken,
    “Doubtless,” said I, “what it utters is its only stock and store,
    Caught from some unhappy master whom unmerciful Disaster
    Followed fast and followed faster till his songs one burden bore—
    Till the dirges of his Hope that melancholy burden bore,
    Of ‘Never—nevermore’.”

    But the Raven still beguiling my sad fancy into smiling,
    Straight I wheeled a cushioned seat in front of bird and bust and door;
    Then, upon the velvet sinking, I betook myself to linking
    Fancy unto fancy, thinking what this ominous bird of yore—
    What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
    Meant in croaking “Nevermore.”

    This I sat engaged in guessing, but no syllable expressing
    To the fowl whose fiery eyes now burned into my bosom's core;
    This and more I sat divining, with my head at ease reclining
    On the cushion's velvet lining that the lamplight gloated o'er,
    But whose velvet violet lining with the lamplight gloating o'er,
    She shall press, ah, nevermore!

    Then, methought, the air grew denser, perfumed from an unseen censer
    Swung by Seraphim whose footfalls tinkled on the tufted floor.
    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
    Respite—respite and nepenthe, from thy memories of Lenore;
    Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
    Quoth the Raven, “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
    Whether Tempter sent, or whether tempest tossed thee here ashore,
    Desolate yet all undaunted, on this desert land enchanted—
    On this home by horror haunted—tell me truly, I implore—
    Is there—is there balm in Gilead?—tell me—tell me, I implore!”
    Quoth the Raven, “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
    By that Heaven that bends above us—by that God we both adore—
    Tell this soul with sorrow laden if, within the distant Aidenn,
    It shall clasp a sainted maiden whom the angels name Lenore—
    Clasp a rare and radiant maiden whom the angels name Lenore.”
    Quoth the Raven, “Nevermore.”

    “Be that word our sign in parting, bird or fiend!” I shrieked, upstarting—
    “Get thee back into the tempest and the Night's Plutonian shore!
    Leave no black plume as a token of that lie thy soul hath spoken!
    Leave my loneliness unbroken!—quit the bust above my door!
    Take thy beak from out my heart, and take thy form from off my door!”
    Quoth the Raven, “Nevermore.”

    And the Raven, never flitting, still is sitting, still is sitting
    On the pallid bust of Pallas just above my chamber door;
    And his eyes have all the seeming of a demon's that is dreaming,
    And the lamplight o'er him streaming throws his shadow on the floor;
    And the lamplight o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted—nevermore!

 

About the Author 

Edgar Allan Poe
Edgar Allan Poe (/poʊ/; nΓ© Edgar Poe; January 19, 1809 – October 7, 1849) was an American writer, poet, editor, and literary critic who is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a central figure of Romanticism in the United States, and of American literature. He was one of the country's earliest practitioners of the short story, and is considered the inventor of the detective fiction genre, as well as a significant contributor to the emerging genre of science fiction. He is the first well-known American writer to earn a living through writing alone, resulting in a financially difficult life and career. Wikipedia

Edgar Allan Poe at Amazon

The Raven by Edgar Allan Poe, Forward by Olivia Salter (Video)

The Raven by Edgar Allan Poe Forward, by Olivia Salter

The Raven by Edgar Allan Poe

 

Forward by Olivia Salter 

 

(eText)

 

Forward

In the realm of gothic literature and macabre poetry, few figures have captivated readers and delved into the endless depths of human despair quite like Edgar Allan Poe. Born in Boston, Massachusetts, Poe's works continue to resonate with audiences, churning emotions of fear and fascination in equal measure. Among his numerous masterpieces, "The Raven" holds a special place as it perfectly captures Poe's ability to navigate the sinister realms of the human psyche.

First published in 1845 "The Raven" stands as a testament to Poe's unique brilliance as a poet and storyteller. With its haunting rhythm, vivid imagery, and melancholic tone, the poem has become a classic, imprinting itself deeply within the annals of literature. Its enduring popularity can be attributed to the universally relatable themes it explores: grief, loss, and the human longing for answers in the face of immovable despair.

In "The Raven," Poe introduces us to a narrator whose grief over the loss of his beloved Lenore drives him to the brink of madness. As he wrestles with his own tormented thoughts a mysterious raven appears at his chamber door its presence a haunting symbol of the narrator's internal anguish and unending sorrow. Through the narrator's interactions with the raven, Poe exposes the fragility of the human mind and its desperate desire for solace and meaning.

Poe's skill in crafting atmosphere and evoking emotions is unparalleled. He weaves a captivating spell, drawing his readers deep into the narrator's world until we too feel the weight of his sorrow and the undying torment of the raven's relentless croak, "Nevermore." With every line, Poe masterfully builds tension, leading us through a labyrinth of darkness and despair, leaving us haunted long after the final verse.

As we immerse ourselves in the haunting verses of "The Raven," we enter a realm where reality merges with the supernatural and the boundaries between life and death blur. Poe compels us to confront our own mortality and grapple with the specters of grief that lurk within us all. Through the universal language of poetry, he invites us to confront our deepest fears, engage with our inner demons, and ponder the mysteries that lie beyond mortal understanding.

In this edition of "The Raven," we invite you to embark on a journey through the haunting corridors of Edgar Allan Poe's imagination. Allow yourself to be captivated, unsettled, and perhaps transformed by the power of his words. As you delve into the verses, prepare to be immersed in an experience that transcends time and space, leaving an indelible mark on your soul.

May you confront the raven within and emerge with a renewed appreciation for the eternal beauty and darkness that reside in the human condition.

Olivia Salter

09/17/2023




About the Author 

Edgar Allan Poe
Edgar Allan Poe (/poʊ/; nΓ© Edgar Poe; January 19, 1809 – October 7, 1849) was an American writer, poet, editor, and literary critic who is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a central figure of Romanticism in the United States, and of American literature. He was one of the country's earliest practitioners of the short story, and is considered the inventor of the detective fiction genre, as well as a significant contributor to the emerging genre of science fiction. He is the first well-known American writer to earn a living through writing alone, resulting in a financially difficult life and career. Wikipedia

Edgar Allan Poe at Amazon

Friday, August 4, 2023

Learn to Write Short Stories Studying the Classic How-To Books by Olivia Salter

Learn to Write Short Stories Studying the Classic How-To Books by Olivia Salter

Learn to Write Short Stories Studying the Classic How-To Books

 

by Olivia Salter

 

Short stories have been a staple of literature for centuries, captivating readers with their concise yet powerful narratives. Crafting a compelling short story requires skill and technique, and one of the best ways to learn these is by studying classic how-to books on the subject. These books provide invaluable guidance and insights into the art of storytelling, offering aspiring writers a roadmap to success.

One of the timeless classics in this genre is "The Art of the Short Story" by Dana Gioia and R.S. Gwynn. This book offers a comprehensive overview of the short story form, covering topics such as structure, character development, and narrative techniques. It delves into the works of renowned authors such as Anton Chekhov, Edgar Allan Poe, and Flannery OConnor, analyzing their stories to unveil the secrets of their success. By examining these masterpieces, writers can gain a deeper understanding of the elements that make a short story memorable and impactful.

Another must-read in this field is "Writing Fiction: A Guide to Narrative Craft" by Janet Burroway. This book provides a holistic approach to storytelling, exploring various aspects of writing fiction, including plot, dialogue, and point of view. Burroway emphasizes the importance of developing well-rounded characters and crafting engaging narratives. By offering practical exercises and examples from both classic and contemporary short stories, she encourages writers to hone their skills and experiment with different techniques.

For those with a specific interest in the macabre and suspenseful, "Writing Horror Fiction" by William Nolan is an essential read. This book focuses on the horror genre, providing guidance on creating tension, establishing atmospheric settings, and developing chilling plotlines. Nolan draws upon the works of horror masters like Stephen King and H.P. Lovecraft, dissecting their stories to reveal the underlying mechanisms of fear. Aspiring horror writers can benefit from this book's advice on crafting spine-tingling narratives that keep readers on the edge of their seats.

In addition to these classics, aspiring writers can also explore contemporary resources such as "The Making of a Story: A Norton Guide to Creative Writing"  by Alice LaPlante. book offers a comprehensive approach to storytelling, covering topics ranging from character development to revision techniques. LaPlante provides numerous writing exercises and examples, guiding writers through the process of crafting well-structured and engaging short stories.

Studying these classic how-to books not only allows writers to learn from the masters but also provides a foundation for their own creative endeavors. By understanding the underlying principles of storytelling and dissecting successful works, writers can develop their own unique voices and styles. Furthermore, these books offer practical advice and exercises that encourage writers to put theory into practice, honing their skills through consistent practice.

However, it's important to note that no book can replace actual writing and experimentation. While studying the classics can provide inspiration and guidance, true growth happens when writers sit down and apply what they have learned to their own work. Writing short stories, seeking feedback, and revising are crucial steps in the learning process.

In conclusion, learning to write short stories by studying classic how-to books is a valuable investment for any aspiring writer. These books offer insights into the art of storytelling and provide practical advice from renowned authors. By examining the techniques and structures employed by masters of the craft, writers can develop their own unique style and hone their storytelling skills. However, it is essential to remember that writing is a journey that requires consistent practice and experimentation. So delve into the world of classic how-to books and embark on your own creative odyssey.

Also see these free books:

 

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