Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Thursday, July 25, 2024

Between the Lines: Navigating the Spaces in Stories

 

 


 

Between the Lines: Navigating the Spaces in Stories

 

 By Olivia Salter

 

When writers refer to "white space," they're talking about the empty areas on a page where there are no words. Here's why it matters:
 

  1. Readability: White space draws attention to the words, making the text easier to read and improving comprehension.
  2. Visual Comfort: It gives readers a sense of structure and hierarchy, helping them interpret the content more effectively.


In fiction, paragraph breaks create white space, guiding readers through the story and enhancing their experience. So, think of white space as a writer's way of signaling turns and pacing in the narrative!

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