Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Thursday, July 18, 2024

Shirley Jackson: A Master of Modern Gothic




Shirley Jackson: A Master of Modern Gothic


by Olivia Salter


Shirley Jackson, born on December 14, 1916, in San Francisco, California, is one of the most influential American writers of the 20th century. Renowned for her works of horror and psychological suspense, Jackson's writing is characterized by its exploration of human nature's darker aspects, societal norms, and the thin veneer of normalcy that conceals deep-seated fears and neuroses.


Early Life and Education


Shirley Jackson grew up in a middle-class family and exhibited a passion for writing from an early age. Her relationship with her mother was fraught with tension, which significantly influenced her later works. Jackson attended the University of Rochester before transferring to Syracuse University, where she majored in English and graduated in 1940. It was at Syracuse that she met her future husband, Stanley Edgar Hyman, a literary critic.


Literary Career


Jackson's first novel, "The Road Through the Wall," was published in 1948, the same year as her seminal short story "The Lottery." Published in The New Yorker, "The Lottery" caused a significant stir for its shocking portrayal of a small town's annual ritual of human sacrifice. The story's exploration of conformity, tradition, and violence remains relevant and widely studied.


Jackson's novels often blend the mundane with the macabre. "Hangsaman" (1951) and "The Bird's Nest" (1954) delve into themes of identity and psychological distress. However, it was "The Haunting of Hill House" (1959) that cemented her reputation as a master of gothic horror. This novel, considered one of the finest ghost stories ever written, delves into themes of isolation, fear, and the supernatural, and has been adapted into several films and television series.


Another notable work is "We Have Always Lived in the Castle" (1962), a darkly humorous and unsettling novel about two sisters living in near-total isolation after the mysterious deaths of their family members. The book explores themes of persecution, ostracism, and the fragile boundary between reality and madness.


Personal Life


Jackson and Hyman moved to North Bennington, Vermont, where they raised four children. Their home life was unconventional, filled with intellectual pursuits and lively debates. Despite her professional success, Jackson struggled with personal demons, including anxiety, depression, and health issues, exacerbated by her heavy smoking and prescription drug use.


Legacy and Impact


Shirley Jackson passed away on August 8, 1965, at the age of 48, from heart failure. Her work has continued to influence generations of writers and filmmakers. Stephen King, Neil Gaiman, and Joyce Carol Oates, among others, have cited her as a significant influence on their writing.


In recent years, there has been a resurgence of interest in Jackson's work, with new adaptations and a growing recognition of her contribution to American literature. Her ability to blend the ordinary with the eerie and her incisive critique of societal norms have ensured her place as a luminary in the world of gothic fiction and beyond.


In conclusion, Shirley Jackson's legacy as a pioneering writer of psychological horror and modern gothic fiction endures. Her keen insights into the human condition, combined with her ability to evoke dread and unease, have left an indelible mark on literature. Through her stories, Jackson continues to challenge and captivate readers, reminding us of the dark complexities lurking beneath the surface of everyday life.

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