Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Showing posts with label Weird Tales. Show all posts
Showing posts with label Weird Tales. Show all posts

Saturday, April 6, 2024

The Horror at Red Hook by H. P. Lovecraft


 

 The Horror at Red Hook

 

By H. P. Lovecraft

 

Original Publication: New York: Weird Tales, 1927

 


"The nightmare horde slithered away, led by the abominable naked phosphorescent thing that now strode insolently, bearing in its arms the glassy-eyed corpse of the corpulent old man.

"There are sacraments of evil as well as of good about us, and we live and move to my belief in an unknown world, a place where there are caves and shadows and dwellers in twilight. It is possible that man may sometimes return on the track of evolution, and it is my belief that an awful lore is not yet dead."

—Arthur Machen



I

Not many weeks ago, on a street corner in the village of Pascoag, Rhode Island, a tall heavily built, and wholesome looking pedestrian furnished much speculation by a singular lapse of behavior. He had, it appears, been descending the hill by the road from Chepachet; and encountering the compact section, had turned to his left into the main thoroughfare where several modest business blocks convey a touch of the urban. At this point, without visible provocation, he committed his astonishing lapse; staring queerly for a second at the tallest of the buildings, before him, and then, with a series of terrified, hysterical shrieks, breaking into a frantic run which ended in a stumble and fall at the next crossing. Picked up and dusted off by ready hands, he was found to be conscious, organically unhurt, and evidently cured of his sudden nervous attack. He muttered some shamefaced explanations involving a strain he had undergone, and with downcast glance turned back, up the Chepachet road, trudging out of sight, without once looking behind him. It was a strange incident to befall so large, robust, normal-featured, and capable-looking a man, and the strangeness was not lessened by the remarks of a bystander who had recognized him as the boarder of a well-known dairyman on the outskirts of Chepachet.

He was, it developed, a New York police-detective named Thomas F. Malone, now on a long leave of absence under medical treatment after some disproportionately arduous work on a gruesome local case which accident had made dramatic. There had been a collapse of several old brick buildings during a raid in which he had shared, and something about the wholesale loss of life, both of prisoners and of his companions, had peculiarly appalled him. As a result, he had acquired an acute and anomalous horror of any buildings even remotely suggesting the ones which had fallen in, so that in the end mental specialists forbade him the sight of such things for an indefinite period. A police surgeon with relatives in Chepachet had put forward that quaint hamlet of wooden Colonial houses as an ideal spot for the psychological convalescence; and thither the sufferer had gone, promising never to venture among the brick-lined streets of larger villages till duly advised by the Woonsocket specialist with whom he was put in touch. This walk to Pascoag for magazines had been a mistake, and the patient had paid in fright, bruises, and humiliation for his disobedience.

So much the gossips of Chepachet and Pascoag knew; and so much, also, the most learned specialists believed. But Malone had at first told the specialists much more, ceasing only when he saw that utter incredulity was his portion. Thereafter he held his peace, protesting not at all when it was generally agreed that the collapse of certain squalid brick houses in the Red Hook section of Brooklyn, and the consequent death of many brave officers, had unseated his nervous equilibrium. He had worked too hard, all said, in trying to clean up those nests of disorder and violence; certain features were shocking enough, in all conscience, and the unexpected tragedy was the last straw. This was a simple explanation which everyone could understand, and because Malone was not a simple person he perceived that he had better let it suffice. To hint to unimaginative people of a horror beyond all human conception—a horror of houses and blocks and cities leprous and cancerous with evil dragged from elder worlds—would be merely to invite a padded cell instead of a restful rustication, and Malone was a man of sense despite his mysticism. He had the Celt's far vision of weird and hidden things, but the logician's quick eye for the outwardly unconvincing; an amalgam which had led him far afield in the forty-two years of his life, and set him in strange places for a Dublin University man born in a Georgian villa near Phoenix Park.

And now, as he reviewed the things he had seen and felt and apprehended, Malone was content to keep unshared the secret of what could reduce a dauntless fighter to a quivering neurotic; what could make old brick slums and seas of dark, subtle faces a thing of nightmare and eldritch portent. It would not be the first time his sensations had been forced to bide uninterpreted—for was not his very act of plunging into the polyglot abyss of New York's underworld a freak beyond sensible explanation? What could he tell the prosaic of the antique witcheries and grotesque marvels discernible to sensitive eyes amidst the poison cauldron where all the varied dregs of unwholesome ages mix their venom and perpetuate their obscene terrors? He had seen the hellish green flame of secret wonder in this blatant, evasive welter of outward greed and inward blasphemy, and had smiled gently when all the New Yorkers he knew scoffed at his experiment in police work. They had been very witty and cynical, deriding his fantastic pursuit of unknowable mysteries and assuring him that in these days New York held nothing but cheapness and vulgarity. One of them had wagered him a heavy sum that he could not—despite many poignant things to his credit in the Dublin Review—even write a truly interesting story of New York low life; and now, looking back, he perceived that cosmic irony had justified the prophet's words while secretly confuting their flippant meaning. The horror, as glimpsed at last, could not make a story—for like the book cited by Poe's German authority, "er lässt sich nicht lesen"—it does not permit itself to be read.




II

To Malone the sense of latent mystery in existence was always present. In youth he had felt the hidden beauty and ecstasy of things, and had been a poet; but poverty and sorrow and exile had turned his gaze in darker directions, and he had thrilled at the imputations of evil in the world around. Daily life had for him come to be a fantasmagoria of macabre shadow-studies; now glittering and jeering with concealed rottenness as in Aubrey Beardsley's best manner, now hinting terrors behind the commonest shapes and objects as in the subtler and less obvious work of Gustave Doré. He would often regard it as merciful that most persons of high intelligence jeer at the inmost mysteries; for, he argued, if superior minds were ever placed in fullest contact with the secrets preserved by ancient and lowly cults, the resultant abnormalities would soon not only wreck the world, but threaten the very integrity of the universe. All this reflection was no doubt morbid, but keen logic and a deep sense of humor ably offset it. Malone was satisfied to let his notions remain as half-spied and forbidden visions to be lightly played with; and hysteria came only when duty flung him into a hell of revelation too sudden and insidious to escape.

He had for some time been detailed to the Butler Street station in Brooklyn when the Red Hook matter came to his notice. Red Hook is a maze of hybrid squalor near the ancient waterfront opposite Governor's Island, with dirty highways climbing the hill from the wharves to that higher ground where the decayed lengths of Clinton and Court Streets lead off toward the Borough Hall. Its houses are mostly of brick, dating from the first quarter of the middle of the nineteenth century, and some of the obscurer alleys and byways have that alluring antique flavor which conventional reading leads us to call "Dickensian." The population is a hopeless tangle and enigma; Syrian, Spanish, Italian, and Negro elements impinging upon one another, and fragments of Scandinavian and American belts lying not far distant. It is a babel of sound and filth, and sends out strange cries to answer the lapping of oily waves at its grimy piers and the monstrous organ litanies of the harbor whistles. Here long ago a brighter picture dwelt, with clear-eyed mariners on the lower streets and homes of taste and substance where the larger houses line the hill. One can trace the relics of this former happiness in the trim shapes of the buildings, the occasional graceful churches and the evidences of original art and background in bits of detail here and there—a worn flight of steps, a battered doorway, a wormy pair of decorative columns or pilasters, or a fragment of once green space with bent and rusted iron railing. The houses are generally in solid blocks, and now and then a many-windowed cupola arises to tell of days when the households of captains and ship-owners watched the sea.

From this tangle of material and spiritual putrescence the blasphemies of an hundred dialects assail the sky. Hordes of prowlers reel shouting and singing along the lanes and thoroughfares, occasional furtive hands suddenly extinguish lights and pull down curtains, and swarthy, sin-pitted faces disappear from windows when visitors pick their way through. Policemen despair of order or reform, and seek rather to erect barriers protecting the outside world from the contagion.

The clang of the patrol is answered by a kind of spectral silence, and such prisoners as are taken are never communicative. Visible offenses are as varied as the local dialects, and run the gamut from the smuggling of rum and prohibited aliens through diverse stages of lawlessness and obscure vice to murder and mutilation in their most abhorrent guises. That these visible affairs are not more frequent is not to the neighborhood's credit, unless the power of concealment be an art demanding credit. More people enter Red Hook than leave it—or at least, than leave it by the landward side—and those who are not loquacious are the likeliest to leave.



Malone found in this state of things a faint stench of secrets more terrible than any of the sins denounced by citizens and bemoaned by priest and philanthropists. He was conscious, as one who united imagination with scientific knowledge, that modern people under lawless conditions tend uncannily to repeat the darkest instinctive patterns of primitive half-ape savagery in their daily life and ritual observances; and he had often viewed with an anthropologist's shudder the chanting, cursing processions of blear-eyed and pock-marked young men which wound their way along in the dark small hours of morning. One saw groups of these youths incessantly; sometimes in leering vigils on street corners, sometimes in doorways playing eerily on cheap instruments of music, sometimes in stupefied dozes or indecent dialogues around cafeteria tables near Borough Hall, and sometimes in whispering converse around dingy taxicabs drawn up at the high stoops of crumbling and closely shuttered old houses. They chilled and fascinated him more than he dared confess to his associates on the force, for he seemed to see in them some monstrous thread of secret continuity; some fiendish, cryptical and ancient pattern utterly beyond and below the sordid mass of facts and habits and haunts listed with such conscientious technical care by the police. They must be, he felt inwardly, the heirs of some shocking and primordial tradition; the sharers of debased and broken scraps from cults and ceremonies older than mankind. Their coherence and definiteness suggested it, and it showed in the singular suspicion of order which lurked beneath their squalid disorder. He had not read in vain such treatises as Miss Murray's Witch Cult in Western Europe; and knew that up to recent years there had certainly survived among peasants and furtive folk a frightful and clandestine system of assemblies and orgies descended from dark religions antedating the Aryan World, and appearing in popular legends as Black Masses and Witches' Sabbaths. That these hellish vestiges of old Turanian-Asiatic magic and fertility-cults were even now wholly dead he could not for a moment suppose, and he frequently wondered how much older and how much blacker than the very worst of the muttered tales some of them might really be.




III

It was the case of Robert Suydam which took Malone to the heart of things in Red Hook. Suydam was a lettered recluse of ancient Dutch family, possessed originally of barely independent means, and inhabiting the spacious but ill-preserved mansion which his grandfather had built in Flatbush when that village was little more then a pleasant group of Colonial cottages surrounding the steepled and ivy-clad Reformed Church with its iron-railed yard of Netherlandish gravestones. In this lonely house, set back from Martense Street amidst a yard of venerable trees, Suydam had read and brooded for some six decades except for a period a generation before, when he had sailed for the Old World and remained there out of sight for eight years. He could afford no servants, and would admit but few visitors to his absolute solitude; eschewing close friendships and receiving his rare acquaintances in one of the three ground-floor rooms, which he kept in order—a vast, high-ceiled library whose walls were solidly packed with tattered books of ponderous, archaic, and vaguely repellent aspect. The growth of the town and its final absorption in the Brooklyn district had meant nothing to Suydam, and he had come to mean less and less to the town. Elderly people still pointed him out on the streets, but to most of the recent population he was merely a queer, corpulent old fellow whose unkempt white hair, stubbly beard, shiny black clothes and gold-headed cane earned him an amused glance and nothing more. Malone did not know him by sight till duty called him to the case, but had heard of him indirectly as a really profound authority on medieval superstition, and had once idly meant to look up an out-of-print pamphlet of his on the Kabbalah and the Faustus legend, which a friend had quoted from memory.

Suydam became a "case" when his distant and only relatives sought court pronouncements on his sanity. Their action seemed sudden to the outside world, but was really undertaken only after prolonged observation and sorrowful debate. It was based on certain odd changes in his speech and habits; wild references to impending wonders, and unaccountable hauntings of disreputable Brooklyn neighborhoods. He had been growing shabbier and shabbier with the years, and now prowled about like a veritable mendicant; seen occasionally by humiliated friends in subway stations, or loitering on the benches around Borough Hall in conversation with groups of swarthy, evil-looking strangers. When he spoke it was to babble of unlimited powers almost within his grasp, and to repeat with knowing leers such mystical words of names as "Sephiroth," "Ashmodai" and "Samael." The court action revealed that he was using up his income and wasting his principal in the purchase of curious tomes imported from London and Paris, and in the maintenance of a squalid basement flat in the Red Hook district where he spent nearly every night, receiving odd delegations of mixed rowdies and foreigners, and apparently conducting some kind of ceremonial service behind the green blinds of secretive windows. Detectives assigned to follow him reported strange cries and chants and prancing of feet filtering out from these nocturnal rites, and shuddered at their peculiar ecstasy and abandon despite the commonness of weird orgies in that sodden section. When, however, the matter came to a hearing, Suydam managed to preserve his liberty. Before the judge his manner grew urbane and reasonable, and he freely admitted the queerness of demeanor and extravagant cast of language into which he had fallen through excessive devotion to study and research. He was, he said, engaged in the investigation of certain details of European tradition which required the closest contact with foreign groups and their songs and folk dances. The notion that any low secret society was preying upon him, as hinted by his relatives, was obviously absurd; and showed how sadly limited was their understanding of him and his work. Triumphing with his calm explanations, he was suffered to depart unhindered; and the paid detectives of the Suydams, Corlears and Van Brunts were withdrawn in resigned disgust.

It was here that an alliance of Federal inspectors and police, Malone with them, entered the case. The law had watched the Suydam action with interest, and had in many instances been called upon to aid the private detectives. In this work it developed that Suydam's new associates were among the blackest and most vicious criminals of Red Hook's devious lanes, and that at least a third of them were known and repeated offenders in the matter of thievery, disorder, and the importation of illegal immigrants. Indeed, it would not have been too much to say that the old scholar's particular circle coincided almost perfectly with the worst of the organized cliques which smuggled ashore certain nameless and unclassified Asian dregs wisely turned back by Ellis Island. In the teeming rookeries of Parker Place—since renamed—where Suydam had his basement flat, there had grown up a very unusual colony of unclassified slant-eyed folk who used the Arabic alphabet but were eloquently repudiated by the great mass of Syrians in and around Atlantic Avenue. They could all have been deported for lack of credentials, but legalism is slow-moving, and one does not disturb Red Hook unless publicity forces one to.

These creatures attended a tumbledown stone church, used Wednesdays as a dance hall, which reared its Gothic buttresses near the vilest part of the waterfront. Clergy throughout Brooklyn denied the place all standing and authenticity, and policemen agreed with them when they listened to the noises it emitted at night. Malone used to fancy he heard terrible cracked bass notes from a hidden organ far underground when the church stood empty and unlighted, whilst all observers dreaded the shrieking and drumming which accompanied the visible services. Suydam, when questioned, said he thought the ritual was some remnant of Nestorian Christianity tinctured with the Shamanism of Tibet. Most of the people, he conjectured, were of Mongoloid stock, originating somewhere in or near Kurdistan—and Malone could not help recalling that Kurdistan is the land of the Yezidees, last survivors of the Persian devil-worshippers. However this may have been, the stir of the Suydam investigation made it certain that these unauthorized newcomers were flooding Red Hook in increasing numbers; entering through some marine conspiracy unreached by revenue officers and harbor police, overrunning Parker Place and rapidly spreading up the hill, and welcomed with curious fraternalism by the other assorted denizens of the region. Their squat figures and characteristic squinting physiognomies grotesquely combined with flashy American clothing, appeared more and more numerously among the loafers and nomad gangsters of the Borough Hall section; till at length it was deemed necessary to compute their number, ascertain their sources and occupations, and find if possible a way to round them up and deliver them to the proper immigration authorities. To this task Malone was assigned by agreement of Federal and city forces, and as he commenced his canvass of Red Hook he felt poised upon the brink of nameless terrors, with the shabby, unkempt figure of Robert Suydam as archfiend and adversary.




IV

Police methods are varied and ingenious. Malone, through unostentatious rambles, carefully casual conversations, well-timed offers of hip-pocket liquor, and judicious dialogues with frightened prisoners, learned many isolated facts about the movement whose aspect had become so menacing. The newcomers were indeed Kurds, but of a dialect obscure and puzzling to exact philology. Such of them as worked lived mostly as dock-hands and unlicensed peddlers, though frequently serving in Greek restaurants and tending corner newsstands. Most of them, however, had no visible means of support; and were obviously connected with underworld pursuits, of which smuggling and bootlegging were the least indescribable. They had come in steamships, apparently tramp freighters, and had been unloaded by stealth on moonless nights in rowboats which stole under a certain wharf and followed a hidden canal and house Malone could not locate, for the memories of his informants were exceedingly confused, while their speech was to a great extent beyond even the ablest interpreters; nor could he gain any real data on the reasons for their systematic importation. They were reticent about the exact spot from which they had come, and were never sufficiently off guard to reveal the agencies which had sought them out and directed their course. Indeed, they developed something like acute fright when asked the reason for their presence. Gangsters of other breeds were equally taciturn, and the most that could be gathered was that some god or great priesthood had promised them unheard-of powers and supernatural glories and rulerships in a strange land.

The attendance of both newcomers and old gangsters at Suydam's closely guarded nocturnal meetings was very regular, and the police soon learned that the erstwhile recluse had leased additional flats to accommodate such guests as knew his password; at last occupying three entire houses and permanently harboring many of his queer companions. He spent but little time now at his Flatbush home, apparently going and coming only to obtain and return books; and his face and manner had attained an appalling pitch of wildness. Malone twice interviewed him, but was each time bruskly repulsed. He knew nothing, he said, of any mysterious plots or movements; and had no idea how the Kurds could have entered or what they wanted. His business was to study undisturbed the folk-lore of all the immigrants of the district; a business with which policemen had no legitimate concern. Malone mentioned his admiration for Suydam's old brochure on the Kabbalah and other myths, but the old man's softening was only momentary. He sensed an intrusion, and rebuffed his visitor in no uncertain way; till Malone withdrew disgusted, and turned to other channels of information.



What Malone would have unearthed could he have worked continuously on the case, we shall never know. As it was, a stupid conflict between city and Federal authority suspended the investigation for several months, during which the detective was busy with other assignments. But at no time did he lose interest, or fail to stand amazed at what began to happen to Robert Suydam. Just at the time when a wave of kidnappings and disappearances spread its excitement over New York, the unkempt scholar embarked upon a metamorphosis as startling as it was absurd. One day he was seen near Borough Hall with clean-shaved face, well-trimmed hair, and tastefully immaculate attire, and on every day thereafter some obscure improvement was noticed in him. He maintained his new fastidiousness without interruption, added to it an unwonted sparkle of eye and crispness of speech, and began little by little to shed the corpulence which had so long deformed him. Now frequently taken for less than his age, he acquired an elasticity of step and buoyancy of demeanor to match the new tradition, and showed a curious darkening of the hair which somehow did not suggest dye. As the months passed, he commenced to dress less and less conservatively, and finally astonished his few friends by renovating and redecorating his Flatbush mansion, which he threw open in a series of receptions, summoning all the acquaintances he could remember, and extending a special welcome to the fully forgiven relatives who had lately sought his restraint. Some attended through curiosity, others through duty; but all were suddenly charmed by the dawning grace and urbanity of the former hermit. He had, he asserted, accomplished most of his allotted work; and having just inherited some property from a half-forgotten European friend, was about to spend his remaining years in a brighter second youth which ease, care and diet had made possible to him. Less and less was he seen at Red Hook, and more and more did he move in the society to which he was born. Policemen noted a tendency of the gangsters to congregate at the old stone church and dancehall instead of at the basement flat in Parker Place, though the latter and its recent annexes still overflowed with noxious life.



Then two incidents occurred—wide enough apart, but both of intense interest in the case as Malone envisaged it. One was a quiet announcement in the Eagle of Robert Suydam's engagement to Miss Cornelia Gerritsen of Bayside, a young woman of excellent position, and distantly related to the elderly bridegroom-elect; whilst the other was a raid on the dance-hall church by city police, after a report that the face of a kidnapped child had been seen for a second at one of the basement windows. Malone had participated in this raid, and studied the place with much care when inside. Nothing was found—in fact, the building was entirely deserted when visited—but the sensitive Celt was vaguely disturbed by many things about the interior. There were crudely painted panels he did not like—panels which depicted sacred faces with peculiarly worldly and sardonic expressions, and which occasionally took liberties that even a layman's sense of decorum could scarcely countenance. Then, too, he did not relish the Greek inscription on the wall above the pulpit; an ancient incantation which he had once stumbled upon in Dublin college days, and which read, literally translated: "O friend and companion of night, thou who rejoicest in the baying of dogs and spilt blood, who wanderest in the midst of shades among the tombs; who longest for blood and bringest terror to mortals, Gorge, Mormo, thousand-faced moon, look favorably on our sacrifices!"

When he read this he shuddered, and thought vaguely of the cracked bass organ-notes he fancied he had heard beneath the church on certain nights. He shuddered again at the rust around the rim of a metal basin which stood on the altar, and paused nervously when his nostrils seemed to detect a curious and ghastly stench from somewhere in the neighborhood. That organ memory haunted him, and he explored the basement with particular assiduity before he left. The place was very hateful to him; yet after all, were the blasphemous panels and inscriptions more than mere crudities perpetrated by the ignorant?



By the time of Suydam's wedding the kidnapping epidemic had become a popular newspaper scandal. Most of the victims were young children of the lowest classes, but the increasing number of disappearances had worked up a sentiment of the strongest fury. Journals clamored for action from the police, and once more the Butler Street station sent its men over Red Hook for clues, discoveries, and criminals. Malone was glad to be on the trail again, and took pride in a raid on one of Suydam's Parker Place houses. There, indeed, no stolen child was found, despite the tales of screams and the red sash picked up in the areaway; but the paintings and rough inscriptions on the peeling walls of most of the rooms, and the primitive chemical laboratory in the attic, all helped to convince the detective that he was on the track of something tremendous. The paintings were appalling—hideous monsters of every shape and size, and parodies on human outlines which cannot be described. The writing was in red, and varied from Arabic to Greek, Roman, and Hebrew letters. Malone could not read much of it, but what he did decipher was portentous and cabalistic enough. One frequently repeated motto was in a sort of Hebraized Hellenistic Greek, and suggested the most terrible demon-evocations of the Alexandrian decadence:


HEL. HELOYM. SOTHER. EMMANVEL. SABOATH. AGLA. TETRAGRAMMATION. AGYROS. OTHEOS. ISCHYROS. ATHANATOS. IEHOVA. VA. ADONAL. SADY. HOMOVSION. MESSIAS. ESCHEREHEYE.


Circles and pentagrams loomed on every hand, and told indubitably of the strange beliefs and aspirations of those who dwelt so squalidly here. In the cellar, however, the strangest thing was found—a pile of genuine gold ingots covered carelessly with a piece of burlap, and bearing upon their shining surfaces the same weird hieroglyphics which also adorned the walls. During this raid the police encountered only a passive resistance from the squinting Orientals that swarmed from every door. Finding nothing relevant, they had to leave all as it was; but the precinct captain wrote Suydam a note, advising him to look closely to the character of his tenants, and protegés in view of the growing public clamor.




V

Then came the June wedding and the great sensation; Flatbush was gay for the hour about high noon, and pennanted motors thronged the street near the old Dutch church where an awning stretched from door to highway. No local event ever surpassed the Suydam-Gerritsen nuptials in tone and scale, and the party which escorted the bride and groom to the Cunard pier was, if not exactly the smartest, at least a solid page from the Social Register! At 5 o'clock adieux was waved, and the ponderous liner edged away from the long pier, slowly turned its nose seaward, discarded its tug, and headed for widening water spaces that led to Old World wonders. By night the outer harbor was cleared, and late passengers watched the stars twinkling above an unpolluted ocean.

Whether the tramp steamer or the scream was first to gain attention, no one can say. Probably they were simultaneous, but it is of no use to calculate. The scream came from the Suydam stateroom, and the sailor who broke down the door could perhaps have told frightful things if he had not forthwith gone completely mad—as it is, he shrieked more loudly than the first victims, and thereafter ran simpering about the vessel till caught and put in irons. The ship's doctor who entered the stateroom and turned on the lights a moment later did not go mad, but told nobody what he saw till afterward, when he corresponded with Malone in Chepachet. It was murder—strangulation—but one need not say that the claw-mark on Mrs. Suydam's throat could not have come from her husband's or any other human hand, or that upon the white wall there flickered for an instant in hateful red a legend which, later copied from memory, seems to have been nothing less than the fearsome Chaldee letters of the word "LILITH." One need not mention these things because they vanished so quickly—as for Suydam, one could at least bar others from the room until one knew what to think oneself. The doctor has distinctly assured Malone that he did not see IT. The open porthole, just before he turned on the lights, was clouded for a second with a certain phosphorescence, and for a moment there seemed to echo in the night outside the suggestion of a faint and hellish tittering; but no real outline met the eye. As proof, the doctor points to his continued sanity.

Then the tramp steamer claimed all attention. A boat put off, and a horde of swart, insolent ruffians in officers' dress swarmed aboard the temporarily halted Cunarder. They wanted Suydam or his body—they had known of his trip, and for certain reasons were sure he would die. The captain's deck was almost a pandemonium; for at the instant, between the doctor's report from the stateroom and the demands of the men from the tramp, not even the wisest and gravest seaman could think what to do. Suddenly the leader of the visiting mariners, an Arab with a hatefully negroid mouth, pulled forth a dirty, crumpled paper and handed it to the captain. It was signed by Robert Suydam, and bore the following odd message:


In case of sudden or unexpected accident or death on my part, please deliver me or my body unquestioningly into the hands of the bearer and his associates. Everything, for me, and perhaps for you, depends on absolute compliance. Explanations can come later—do not fail me now.

Robert Suydam.


Captain and doctor looked at each other, and the latter whispered something to the former. Finally they nodded rather helplessly and led the way to the Suydam stateroom. The doctor directed the captain's glance away as he unlocked the door and admitted the strange seamen, nor did he breathe easily, till they filed out with their burden after an unaccountably long period of preparation. It was wrapped in bedding from the berths, and the doctor was glad that the outlines were not very revealing. Somehow the men got the thing over the side and away to their tramp steamer without uncovering it.

The Cunarder started again, and the doctor and ship's undertaker sought out the Suydam stateroom to perform what last services they could. Once more the physician was forced to reticence and even to mendacity, for a hellish thing had happened. When the undertaker asked him why he had drained off all of Mrs. Suydam's blood, he neglected to affirm that he had not done so; nor did he point to the vacant bottle-spaces on the rack, or to the odor in the sink which showed the hasty disposition of the bottles' original contents. The pockets of those men—if men they were—had bulged damnably when they left the ship. Two hours later, and the world knew by radio all that it ought to know of the horrible affair.




VI

That same June evening, without having heard a word from the sea, Malone was very busy among the alleys of Red Hook. A sudden stir seemed to permeate the place, and as if apprized by "grapevine telegraph" of something singular, the denizens clustered expectantly around the dance-hall church and the houses in Parker Place. Three children had just disappeared—blue-eyed Norwegians from the streets toward Gowanus—and there were rumors of a mob forming among the sturdy Viking of that section. Malone had for weeks been urging his colleagues to attempt a general clean-up; and at last, moved by conditions more obvious to their common sense than the conjectures of a Dublin dreamer, they had agreed upon a final stroke. The unrest and menace of this evening had been the deciding factor, and just about midnight a raiding party recruited from three stations descended upon Parker Place and its environs. Doors were battered in, stragglers arrested, and candle-lighted rooms forced to disgorge unbelievable throngs of mixed foreigners in figured robes, miters and other inexplicable devices. Much was lost in the mêlée for objects were thrown hastily down unexpected shafts, and betraying odors deadened by the sudden kindling of pungent incense. But spattered blood was everywhere, and Malone shuddered whenever he saw a brazier or altar from which the smoke was still rising.

He wanted to be in several places at once, and decided on Suydam's basement flat only after a messenger had reported the complete emptiness of the dilapidated dance-hall church. The flat, he thought, must hold some clue to a cult of which the occult scholar had so obviously become the center and leader; and it was with real expectancy that he ransacked the musty rooms, noted their vaguely charnal odor, and examined the curious books, instruments, gold ingots, and glass-stoppered bottles scattered carelessly here and there. Once a lean, black-and-white cat edged between his feet and tripped him, overturning at the same time a beaker half full of red liquid. The shock was severe, and to this day Malone is not certain of what he saw; but in dreams he still pictures that cat as it scuttled away with certain monstrous alterations and peculiarities.



Then came the locked cellar door, and the search for something to break it down. A heavy stool stood near, and its tough seat was more than enough for the antique panels. A crack formed and enlarged, and the whole door gave way—but from the other side; whence poured a howling tumult of ice-cold wind with all the stenches of the bottomless pit, and whence reached a sucking force not of earth or heaven, which, coiling sentiently about the paralyzed detective, dragged him through the aperture and down unmeasured spaces filled with whispers and wails, and gusts of mocking laughter.

Of course it was a dream. All the specialists have told him so, and he has nothing tangible to prove the contrary. Indeed, he would rather have it thus; for then the sight of old brick slums and dark foreign faces would not eat so deeply into his soul. But at the time it was all horribly real, and nothing can ever efface the memory of those nighted crypts, those titan arcades, and those half-formed shapes of hell that strode gigantically in silence holding half-eaten things whose still surviving portions screamed for mercy or laughed with madness. Odors of incense and corruption joined in sickening concert, and the black air was alive with the cloudy, semi-visible bulk of shapeless elemental things with eyes. Somewhere dark sticky water was lapping at onyx piers, and once the shivery tinkle of raucous little bells pealed out to greet the insane titter of a naked phosphorescent thing which swam into sight, scrambled ashore, and climbed up to squat leeringly on a carved golden pedestal in the black ground.

Avenues of limitless night seemed to radiate in every direction, till one might fancy that here lay the root of a contagion destined to sicken and swallow cities, and engulf nations in the fetor of hybrid pestilence. Here cosmic sin had entered, and festered by unhallowed rites had commenced the grinning march of death that was to rot us all to fungus abnormalities too hideous for the grave's holding. Satan here held his Babylonish court, and in the blood of stainless childhood the leprous limbs of phosphorescent Lilith were laved. Incubi and succubae howled praise to Hecate, and headless mooncalves bleated to the Magna Mater. Goats leaped to the sound of thin accursed flutes, and AEgipans chased endlessly after misshapen fauns over rocks twisted like swollen toads. Moloch and Ashtaroth were not absent; for in this quintessence of all damnation the bounds of consciousness were let down, and man's fancy lay open to vistas of every realm of horror and every forbidden dimension that evil had power to mold. The world and nature were helpless against such assaults from unsealed wells of night, nor could any sign or prayer check the Walpurgissage of horror which had come when a sage with the hateful locked and brimming coffer of transmitted demon-lore.

Suddenly a ray of physical light shot through these fantasms, and Malone heard the sound of oars amidst the blasphemies of things that should be dead. A boat with a lantern in its prow darted into sight, made fast to an iron ring in the slimy stone pier, and vomited forth several dark men bearing a long burden swathed in bedding. They took it to the naked phosphorescent thing on the carved gold pedestal, and the thing tittered and pawed the bedding. Then they unswathed it, and propped upright before the pedestal the gangrenous corpse of a corpulent old man with stubby beard and unkempt white hair. The phosphorescent thing tittered again, and the men produced bottles from their pockets and anointed its feet with red, whilst they afterward gave the bottles to the thing to drink from.

All at once, from an arcaded avenue leading endlessly away, there came the demoniac rattle and wheeze of a blasphemous organ, choking and rumbling out of the mockeries of hell in cracked, sardonic bass. In an instant every moving entity was electrified; and forming at once into a ceremonial procession, the nightmare horde slithered away in quiet of the sound—goat, satyr, and AEgipan, incubus, succuba, and lemur, twisted toad and shapeless elemental, dog-faced howler and silent strutter in darkness—all led by the abominable naked phosphorescent thing that had squatted on the carved golden throne; and that now strode insolently bearing in its arms the glassy-eyed corpse of the corpulent old man. The strange dark man danced in the rear, and the whole column skipped and leaped with Dionysiac fury. Malone staggered after them a few steps, delirious and hazy, and doubtful of his place in this or any world. Then he turned, faltered, and sank down on the cold damp stone, gasping and shivering as the demon organ croaked on, and the howling and drumming and tinkling of the mad procession grew fainter and fainter.

Vaguely he was conscious of chanted horrors, and shocking croakings afar off. Now and then a wail or whine of ceremonial devotion would float to him through the black arcade, whilst eventually there rose the dreadful Greek incantation whose text he had read above the pulpit of that dance-hall church.

"O friend and companion of night thou who rejoicest in the baying of dogs (here a hideous howl burst forth) and spilt blood (here nameless sounds vied with morbid shriekings), who wanderest in the midst of shades among the tombs (here a whistling sigh occurred), who longest for blood and bringest terror to mortals (short, sharp cries from myriad throats), Gorgo (repeated as response), Mormo (repeated with ecstasy), thousand-faced moon (sighs and flute notes), look favorably on our sacrifices!"

As the chant closed, a general shout went up, and hissing sounds nearly drowned the croaking of the cracked bass organ. Then a gasp as from many throats, and a babel of barked and bleated words—"Lilith, Great Lilith, behold the Bridegroom!" More cries, a clamor of rioting, and the sharp, clicking footfalls of a running figure. The footfalls approached, and Malone raised himself to his elbow to look.



The luminosity of the crypt, lately diminished, had now slightly increased; and in that devil-light there appeared the fleeing form of that which should not flee or feel or breathe—the glassy-eyed, gangrenous corpse of the corpulent old man, now needing no support, but animated by some infernal sorcery of the rite just closed. After it raced the naked, tittering, phosphorescent thing that belonged on the carven pedestal, and still farther behind panted the dark men, and all the dread crew of sentient loathsomenesses. The corpse was gaining on its pursuers, and seemed bent on a definite object, straining with every rotting muscle toward the carved golden pedestal, whose necromantic importance was evidently so great. Another moment and it had reached its goal, whilst the trailing throng labored on with more frantic speed. But they were too late, for in one final spurt of strength which ripped tendon from tendon and sent its noisome bulk floundering to the floor in a state of jellyish dissolution, the staring corpse which had been Robert Suydam achieved its object and its triumph. The push had been tremendous, but the force had held out; and as the pusher collapsed to a muddy blotch of corruption the pedestal he had pushed tottered, tipped, and finally careened from its onyx base into the thick waters below, sending up a parting gleam of carven gold as it sank heavily to undreamable gulfs of lower Tartarus. In that instant, too, the whole scene of horror faded to nothingness before Malone's eyes; and he fainted amidst a thunderous crash which seemed to blot out all the evil universe.




VII

Malone's dream, experienced in full before he knew of Suydam's death and transfer at sea, was curiously supplemented by some oddities of the case; though that is no reason why anyone should believe it. The three old houses in Parker Place, doubtless long rotten with decay in its most insidious form, collapsed without visible cause while half the raiders and most of the prisoners were inside; and both of the greater number were instantly killed. Only in the basements and cellars was there much saving of life, and Malone was lucky to have been deep below the house of Robert Suydam. For he really was there, as no one is disposed to deny. They found him unconscious by the edge of the night-black pool, with a grotesquely horrible jumble of decay and bone, identifiable through dental work as the body of Suydam, a few feet away. The case was plain, for it was hither that the smugglers' underground canal led; and the men who took Suydam from the ship had brought him home. They themselves were never found, or identified; and the ship's doctor is not yet satisfied with the certitudes of the police.

Suydam was evidently a leader in extensive man-smuggling operations, for the canal to his house was but one of several subterranean channels and tunnels in the neighborhood. There was a tunnel from this house to a crypt beneath the dance-hall church; a crypt accessible from the church only through a narrow secret passage in the north wall, and in whose chambers some singular and terrible things were discovered. The croaking organ was there, as well as a vast arched chapel with wooden benches and a strangely figured altar. The walls were lined with small cells, in seventeen of which—hideous to relate—solitary prisoners in a state of complete idiocy were found chained, including four mothers with infants of disturbingly strange appearance. These infants died soon after exposure to the light; a circumstance which the doctors thought rather merciful. Nobody but Malone, among those who inspected them, remembered the somber question of old Delrio: "An sint unquan daemones incubi et succubae, et an ex tali, congressu proles nasci queat?"

Before the canals were filled up they were thoroughly dredged, and yielded forth a sensational array of sawed and split bones of all sizes. The kidnapping epidemic, very clearly, had been traced home; though only two of the surviving prisoners could by any legal thread be connected with it. These men are now in prison, since they failed of conviction as accessories in the actual murders. The carved golden pedestal or throne so often mentioned by Malone as of primary occult importance was never brought to light, though at one place under the Suydam house the canal, was observed to sink into a well too deep for dredging. It was choked up at the mouth and cemented over when the cellars of the new houses were made, but Malone often speculates on what lied beneath. The police, satisfied that they had shattered a dangerous gang of maniacs and alien smugglers, turned over to the Federal authorities the unconvicted Kurds, who before their deportation were conclusively found to belong to the Yezidee clan of devils-worshippers. The tramp ship and its crew remain an elusive mystery, though cynical detectives are once more ready to combat its smuggling and rum-running ventures. Malone thinks these detectives show a sadly limited perspective in their lack of wonder at the myriad unexplainable details, and the suggestive obscurity of the whole case; though he is just as critical of the newspapers, which saw only a morbid sensation and gloated over a minor sadist cult when they might have proclaimed a horror from the universe's very heart. But he is content to rest silent in Chepachet, calming his nervous system and praying that time may gradually transfer his terrible experience from the realm of present reality to that of picturesque and semi-mythical remoteness.

Robert Suydam sleeps beside his bride in Greenwood Cemetery. No funeral was held over the strangely released bones, and relatives are grateful for the swift oblivion which overtook the case as a whole.

The scholar's connection with the Red Hook horrors, indeed, was never emblazoned by legal proof; since his death forestalled the inquiry he would otherwise have faced. His own end is not much mentioned, and the Suydams hope that posterity may recall him only as a gentle recluse who dabbled in harmless magic and folk-lore.

As for Red Hook—it is always the same. Suydam came and went; a terror gathered and faded; but the evil spirit of darkness and squalor broods on amongst the mongrels in the old brick houses; and prowling bands still parade on unknown errands past windows where lights and twisted faces unaccountably appear and disappear. Age-old horror is a hydra with a thousand heads, and the cults of darkness are rooted in blasphemies deeper than the well of Democritus. The soul of the beast is omnipresent and triumphant, and Red Hook's legions of blear-eyed, pockmarked youths still chant and curse and howl as they file from abyss to abyss, none knows whence or whither, pushed on by blind laws of biology which they may never understand. As of old more people enter Red Hook than leave it on the landward side, and there are already rumors of new canals running underground to certain centers of traffic in liquor and less mentionable things.

The dance-hall church is now mostly a dance-hall, and queer faces have appeared at night at the windows. Lately a policeman expressed the belief that the filled-up crypt has been dug out again, and for no simply explainable purpose. Who are we to combat poisons older than history and mankind? Apes danced in Asia to those horrors, and the cancer lurks secure and spreading where furtiveness hides in rows of decaying brick.

Malone does not shudder without cause—for only the other day an officer overheard a swarthy squinting hag teaching a small child some whispering patois in the shadow of an areaway. He listened, and thought it very strange when he heard her repeat over and over again:

"O friend and companion of night thou who rejoicest in the baying of dogs and spilt blood, who wanderest in the midst of shades among the tombs, who longest for blood and bringest terror to mortals, Gorgo, Mormo, thousand-faced moon, look favorably on our sacrifices!" 

 

About the Author

H. P. Lovecraft

H. P. Lovecraft was born in 1890 in Providence, Rhode Island, where he lived most of his life. He wrote many essays and poems early in his career, but gradually focused on the writing of horror stories, after the advent in 1923 of the pulp magazine Weird Tales, to which he contributed most of his fiction. His relatively small corpus of fiction--three short novels and about sixty short stories--has nevertheless exercised a wide influence on subsequent work in the field, and he is regarded as the leading twentieth-century American author of supernatural fiction. H. P. Lovecraft died in Providence in 1937.

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Tuesday, April 11, 2023

The Silent Trees by Frank Owen

 

Weird Tales/Volume 7/Issue 5/The Silent Trees

 

The Silent Trees by Frank Owen

 

 

The Silent Trees by Frank Owen
 "Softly he bent over the form of the lovely girl and the beauty of the great room was dwarfed by comparison to the loveliness of Lun Pei Lo."

With the first breath of night Canton becomes a city of mystery, a place of lurking shadows, of soft-cadenced, subdued voices, of lanterns flickering wistfully "out from the folds of darkness, of a thousand varied odors, some revolting, others that seem to possess all the allure and incense of the East.

That evening as I wandered through the narrow alleys that wind through the city like snakes, I noticed a Chinaman standing in the doorway of a tea-house. He was very tall, like a great reed, and he swayed somewhat, which emphasized the simile. He was dressed in a soft black, shapeless suit, unrelieved by any touch of color, a suit which seemed to have been cut from the velvet blackness of the Oriental night. His face was yellow but so pale that it seemed almost white, and his eyes lay in great pits. They glowed with a strange brilliancy like the eyes of a forest animal or of a man who has crossed the threshold of reason. His nose was a monstrosity crushed flat against his face and his lips were so thin they hardly existed. They made no effort to hide his huge yellow teeth.

As I gazed into his face I paused, for he was smiling hideously and beckoning to me.

"If you will buy me some tea," he said in a soft voice which was beautifully modulated, "I will tell you a tale of adventure and romance that will cause your ennui to slip from you like a cloak."

"How did you know I was in search of adventure?" I demanded.

"That was very simple," said he. "When it grows cloudy, one knows that it will rain. One judges the weather by gazing on the face of nature. One judges a man's mood likewise by gazing into his face."

He led the way into the tea-house as he spoke, and in a few seconds we were seated at a small table in a far corner. The tea-house was dimly lighted and the scattered forms that slunk about the room seemed like wraiths. Overhead several lanterns burned dimly, yellow-blue lanterns that caressed the room with a peaceful shimmering light. A sleek Chinaman brought us tea and then silently withdrew. My companion closed his eyes and breathed deeply of the sweet aroma that rose softly to his nostrils.

"Tea," he said softly, "tea is a beverage of enchantment. It brings happiness and dreams. It brings forgetfulness. It is a medicine to cure all physical and moral ills." He paused for a moment, then he said, "My name is Tuan Tung and I dwell not far from here on an island in the Great River. What the island is called matters little. Where it is matters less. Sufficient it is that there is such an island, for it is an island like unto none that you have ever chanced upon."

Again he paused for a moment and breathed deeply of the tea aroma. I marveled that he made no effort to lift the dainty green-jade cup to his lips.

"On my island," he continued, "no sound is ever heard. Not a bird sings, not a flower laughs in the wind, even the great tree-tops are subdued. It is an island of sorrow. All nature is mourning, mourning for little Lun Pei Lo who used to make our island a floral garden of loveliness by her singing. You who have heard the greatest singers of the Occident, have yet to hear anything comparable to the singing of Lun Pei Lo, for when she sang even the flowers joined in the chorus. They blossomed more beautifully and fragrantly than ever, and the trees like great violins softly joined in the music. They swayed in perfect rhythm, and made music which even the spheres might envy. He only is a great singer who can harmonize with nature, and Lun Pei Lo was even greater, for nature harmonized with her. Life is a peculiar thing. Men wander through the valley toward the shadowy death caves beyond and always they think of attaining wealth, and riches and power. None of these is of the slightest importance. The wealth of the world is contained in sweet incense, the aroma of tea, in beautiful pictures, in music and in the glory of the skies. When we arrive at that station in life where we can estimate values, there will no longer be any necessity for dying. Life will be complete. On our island little Lun Pei Lo sang and all things joined in her songs. But now little Lun Pei Lo has gone and the trees are silent, the flowers are hushed and the birds no longer sing. Nothing but sadness remains. Even the great serpent who sleeps beneath the mountains mourns for her."

"If I would not be presuming," I hazarded, "I should like very much to visit your island."

He looked up quickly and his eyes narrowed until they were little more than slits. "I will take you there this very night," he said emphatically.


After that we sat in silence. I finished my tea and waited for him to do likewise, but he made no effort to raise the cup to his lips. He just inhaled the aroma until the tea had cooled, after which he reluctantly rose to his feet. Together we ambled through the winding crisscross alleys of Canton. He held my arm with fingers of steel, as though he feared I might flee. They bit into my flesh like teeth. At last we arrived at the water's edge. It was pitch-black. Tuan Yung clambered into a small boat from the bow of which hung a lantern, and I followed after him. When we were both seated he extinguished the light. The water was blacker than a river of jet and I could not make out the form of my companion. The sky was overcast and there was no moon. The night air was cold and cheerless and a sharp wind blew fitfully over the waters.

Soon the boat began to move. I assumed that Yuan Yung was rowing although I heard no sound of oars. The boat cut through the water as though it had no more texture than a phantom. The night was lifeless and still. On and on we drifted. As the moments passed I grew drowzy. It was very peaceful. Not a sound, not a sigh. At last I must have fallen into a deep sleep, for the next thing I knew it was morning.

I gazed slowly about me. To my surprize I lay beside a marvelous blue lake, a lake bluer than an April sky. Yuan Yung was nowhere in sight. Gone also was the boat in which we had come to the island. For awhile I waited for him to return, drinking in the beauty of the panorama that unfolded all about me. Hills covered with verdant trees etched sharply against a coral-blue sky. The grass was greener than any grass I had ever seen. And there were wild flowers in profusion growing on every side, flowers of every color and hue, a perfect riot of beauty! The air was so clear that I could see for miles about, and because of the immensity of the canvas on which I gazed everything seemed dwarfed by comparison. I was in a miniature world of loveliness. It was also a soundless world. Not the faintest murmuring rent the solitude. The trees were so still they might have been painted on a white sheet. Even the flowers did not move. No bird sang, nor could I detect the faintest suggestion of a breeze. It was so calm and lifeless that it made me shiver. I called aloud for Yuan Yung but my voice died out almost instantly without echo. I called again but it was useless. The air refused to take up my voice. I began to perspire as though some awful menace were at my heels. I was afraid to look back. It was ridiculous to succumb to nerves on such a perfect day. The sky was clear and on every hand I was enveloped in beauty. It was so beautiful that it was nauseating. I felt as though the very perfectness of the picture were stifling me, stealing my breath, binding me with chains. For awhile I waited by the roadside, then I commenced to walk. Even my footfalls made no sound. It was an island of dreadful silence.

On and on I wandered. The road wound over a slight hill and then dipped into a forest and I passed along it as though I were lost in a dream. All nature was soundless as though it had paused for some great event, perhaps to listen to the singing of Lun Pei Lo. My mind at that moment was as clear as crystal. All the worthless dross of life had been washed out. Had life stopped on the island when Lun Pei Lo vanished? Would the current of existence cease to flow onward until her return? These were mad thoughts but at the moment they seemed logical enough. Sanity at best is but a relative condition. A man slightly mad seems normal as compared to a maniac. Pew persons of earth are mentally in absolute balance. Superstitions are slight forms of insanity and often one is declared insane simply because he has views which one can not understand.

There was something awesome about that soundless road. I was terrified. Many things there were as mysterious as the blue lake. I noticed that the few coral clouds in the sky did not move. Stationary also was the sun. It did not even seem to cast off heat as it blazed down. Neither was the air cold. The climate was neutral. I marveled at this but not nearly as much as at the fact that I cast no shadow. I had read that only the dead east no shadows. It was an old belief. Ancient also was the saying that a man's shadow is really his soul. When one casts no shadow one has lost one's soul. I had never given credence to such fantasies, yet now that I cast no shadow I shuddered. Was I dead? Was I a ghost? I laughed mirthlessly at the bare thought, but no sound came from my lips. I, too, was voiceless, as soundless as the silent trees. Now I quickened my pace. I sped down the road as though pursued by the wrath of the gods. My blood froze in my veins. My heart almost Stopped beating. My lips grew cold. The whole island seemed to be a seething menace, yet it was more beautiful than a landscape by Corot.

Soon I came to a gray city, a deserted city, the weirdest place in which I had ever walked. It was as though some horrible plague had driven the inhabitants from their homes. I roamed through street after street of gray houses, all deserted and dead. They stood somberly malignant like bleached bones from which all flesh had been torn by vultures. All were of peculiar design, built like shelves, each floor with a stone balcony, opening into rooms of yawning blackness. I, who had always hated noise and clamor, who had yearned for solitude, was now crushed by the weight of that velvet silence. It enmeshed me as it lay about me in folds. My tongue was parched and dry, my lips blistered and cracked. I drew my blackened tongue across my lips, but it was without moisture. The rasping feel of it made me shudder.


How long I wandered helplessly about I do not know, but the next thing I remember I was standing in front of a house. It was a gray house, a forbidding house, not one bit different from the others. Yet it arrested my attention. Something with-in me, I know not what, urged me to enter that house. It was a command more subtle than the perfume of poppies, but I acceded to it without question. It was an onward urge that could not be disputed. I paused for a moment to get my courage somewhat into shape, then I entered the house. At first the halls seemed as gloomy as a night fog, an effect heightened by my sudden transition from the glaring sunlight to the subdued shadows, but as my vision gradually cleared I gasped at the vast splendor that lay before me. It was as though the city had been drained of all its grandeur until it was a drab thing in order that all the color and beauty might be concentrated into this one house. I knew instinctively that all the other houses would be as gray and colorless within as their drab exteriors.

All about were rich rugs and tapestries, rugs and draperies of every material and color. There were lamps and lanterns of all shapes and sizes, magnificent vases and small idols of solid gold, set with diamonds and pearls and precious stones. On the floor was a jade-green carpet more luxurious than grass.

In awe I passed through the rooms. Even though everything was as silent as death I walked slowly. It was hard to realize that I could not make a sound. All the furnishings of the rooms were in excellent condition so it was strange that I should associate the grim building with great age. Still the suggestion of age persisted.

At last I came to a room larger and higher-vaulted than any of the others. The wealth of the house now dimmed, by comparison to the wealth I found here. Only Gautier could do justice in description. It was so gorgeous that it stunned. There is more intoxication in a truly beautiful picture than in rare wine. Here the colors were more of one tone, blues of exquisite harmony, soft velvets and silks more fragile than cobwebs. Through a great window the sun splashed into the room in wondrous glory, drenching everything with a soft yellow light. Nothing, I thought, could be more beautiful than this. And yet almost immediately I changed my mind, for in a far corner I beheld the form of a lovely girl. Softly I bent over her, and just as the loveliness of the other rooms had been dwarfed by comparison to the wealth of this one, so was the beauty of the great room dwarfed by comparison to the loveliness of Lun Pei Lo, for I knew that it was she. The same voice that urged me to enter the house now acquainted me with the name of the sleeping girl. Her eyes were closed but the lids were blue, canopied by lashes of wondrous length which caressed her cheeks. Like ivory was her skin, ivory which though pale seemed to glow with an inward pink coral light. Her lips were very red, softer and more fragrant than any flower. Lying there she seemed very young, little more than a child. Her body, though perfectly formed, was small and fragile, and I longed to crush her in my arms as though she were indeed a flower.

At that moment time ceased to be for me, even as it had ceased to be for the other things upon the island. I just stood and gazed down on the sleeping girl in open adoration. Never had I been as intense in my religious worship as I was in my worship of that girl.

I tried to picture how gorgeous she must be when those soft eyes were open. My forehead throbbed. I was as much a slave as any of the heroes told about in Greek legend. I longed to rouse Lun Pei Lo from her sleep, to hear her sing, to behold her smile. For the moment I forgot that the island was more silent than the heart of the Great Desert. That moment was the turning point in my life. I knew that having once seen the loveliness of Lun Pei Lo, everything would be changed thereafter.


My reveries were interrupted by a sudden dull murmur. It came like a shock. The house trembled as though it were about to awake from a long sleep. It sounded more frightful to me than if it had been at drum-pitch. At last the menace which I had felt was about to confront me. I wished to flee, but I could not leave little Lun Pei Lo to the mercies of unknown, invisible terrors. I hesitated for a moment only, then I seized her in my arms. At once the most awful thing happened that man could dream of. Her form was as light as air, as light as though it were but a shell, and as I drew her to me, she crumpled into dust even as mummies ofttimes crumble that have been hidden for centuries in Egyptian tombs. One moment she had lain before me as lovely as any flower, the next she was but dust at my feet. Dully I stood and gazed down upon the spot where she had vanished. The lovely face was gone, never to return. Mechanically I stooped and picked up a large blue-purple amethyst which had hung from a golden chain about her neck.

And now the murmurings increased to a mighty roar, a roar that shattered the crystal silence into a thousand tinkling fragments. It was the last thing that cut the thread of my rationality. Stark, raving mad I rushed from the house. The spell of the canopy of silence was broken. Echo ran rampant throughout the island. The trees began to sway. They seemed to be moaning. Pell-mell I rushed up a white winding road, until I emerged on a shelf of rock overhanging the deep blue lake. Not for a moment did I hesitate, but leaped into space. Death itself was preferable to the unseen horrors of that island. As I plunged into the lake it was like plunging into the sky.

Mercifully at that moment unconciousness closed in about me. It was the end, I thought, and I was glad. Perhaps in death I could join the lovely little Lun Pei Lo.


When I again opened my eyes all was blackness about me. I could not see a foot in any direction. My head throbbed' dully and a nauseating sweet fragrance floated to my nostrils. For one wild moment I reflected that I must be at the bottom of the blue lake. But I dismissed that thought almost instantly. My brain was somewhat in balance and I was beginning to think sanely again. I felt about me until my hand encountered that which was evidently a curtain. I pushed it slowly aside and beheld an old Chinaman seated beside a table on which a feeble lamp burned. He was rolling some black gummy pellets. I watched him intently for awhile, then I arose and walked over to his side. My knees were stiff, my legs were as wobbly as though I were a hundred.

"Can you tell me," I asked, "how I happen to be here?"

He shook his head. "How can I?" said he slowly. "Though undoubtedly you are here for the same thing that all others come for—opium."

I was in a quandary. "How long have I been here?" I asked.

"Who knows?" he droned, shrugging his shoulders. "Perhaps two days, perhaps three. What does it matter, anyway? Since that which has gone belongs to the past, why ponder over it?"

I drew two gold pieces from my pocket. He eyed them greedily as I jingled them in my palm. "Who brought me here?" I persisted.

He twisted his shrunken lips with his fingers. His eyes narrowed with the great effort of thinking, then he said, "A man who was tall and thin, so thin that he might have been the shadow of a pestilence."

I slid one of the gold pieces across the table to him and without preliminaries I told him of my adventures on the island of the blue lake.

When I had finished, he eyed me queerly. "Of course you have been steeped in opium for days," he said, "and your story can not be given credence; but at least it is odd, for we of China have an old legend about Lun Pei Lo, who lived over two thousand years ago. She was a great singer. It was she who introduced melody into China. According to the legend a wizard fell in love with her and carried her away. He was captivated by her. He brought her flowers and jewels and wrought gold in profusion but failed to make her happy. He worshiped her as the earth worships the sun, but to no avail. She pined for the lover of her childhood. Daily she grew thinner and thinner until her life was almost extinct. In despair the wizard changed her lover into a reed which ever after grew beside the Blue Lake. Such is the legend. Ton must have been thinking of it when you came to this house and it became entwined in your dreams."

"Perhaps you are right," I said slowly, but I did not tell him that at that very moment I held in my hand a gorgeous blue-purple amethyst which little Lun Pei Lo had once worn upon her breast.

Thursday, December 29, 2022

Weird Tales, Vol 1, Number 2, April, 1923: The Unique Magazine by Various, Complete Magazine

 

Weird Tales, Volume 1, Number 2, April, 1923: The Unique Magazine by Various, Complete Magazine

Weird Tales, Volume 1, Number 2, April, 1923: The Unique Magazine by Various, Complete Magazine

 

Contents for April, 1923

SIXTEEN THRILLING SHORT STORIES

TWO COMPLETE NOVELETTES

TWO TWO-PART STORIES

INTERESTING, ODD AND WEIRD HAPPENINGS


The Scar    Carl Rasmus    7
A Thrilling Novelette.   
Beyond the Door    Paul Suter    23
A Short Story of Gripping Interest.   
The Tortoise Shell Comb    Roylston Markham    34
A Fantasy of a Mad Brain.   
A Photographic Phantasm    Paul Crumpler    37
The Living Nightmare    Anton M. Oliver    38
A Night in a House of Death.   
The Incubus    Hamilton Craigie    42
A Frightful Adventure in an Ancient Tomb.   
The Bodymaster    Harold Ward    49
An Amazing Novelette.   
Jungle Death    Artemus Calloway    70
A Story in Which Crocodiles and Voodooism Play the Stellar Roles.   
The Snake Fiend    Farnsworth Wright    75
A Tale of Diabolic Terror.   
A Square of Canvas    Anthony M. Rud    81
A Story of an Insane Artist.   
The Affair of the Man in Scarlet    Julian Kilman    91
A Weird Story of the Thirteenth Century.   
The Hideous Face    Victor Johns    99
A Grim Tale of Frightful Revenge.   
The Forty Jars    Ray McGillivray    105
A Strange Story of the Orient.   
The Whispering Thing    Laurie McClintock and Culpeper Chunn    116
A Two-part Novel of Death and Terror.   
The Thing of a Thousand Shapes    Otis Adelbert Kline    139
The Concluding Chapters of a Weird Novel.   
The Conquering Will    Ted Olson    152
Do the Dead Return to Life?   
Six Feet of Willow    Carrol F. Michener    157
The Strange Tale of a Yellow Man and His Beloved Reptile.   
The Hall of the Dead    Francis D. Grierson    163
An Occult Story of Ancient Egypt.   
The Parlor Cemetery    C. E. Howard    169
A Grisly Satire.   
Golden Glow    Harry Irving Shumway    173
A “Haunted House” Story with a Touch of Humor.   
The Eyrie    By The Editor    179


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Monday, August 8, 2022

Herbert West: Re-Animator by H. P. Lovecraft (Audio Book)

Herbert West: Re-Animator by H. P. Lovecraft  (Audio Book)
 

LibriVox recording of Herbert West: Re-Animator, by H. P. Lovecraft. Read by Phil Chenevert

 

(eText)


"Herbert West—Reanimator" is a story by American horror fiction writer H. P. Lovecraft that was first serialized in February through July 1922 in the amateur publication Home Brew. The story was the basis of the 1985 horror film Re-Animator and its sequels, in addition to numerous other adaptations in various media. You want zombies? listen to this because Lovecraft was one of the very first and he got zombies right: scary, evil, implacable and out to get you. (Summary by Phil Chenevert )

 

Also see:

 

About the Author 

Howard Phillips Lovecraft
Howard Phillips Lovecraft was an American writer of weird, science, fantasy, and horror fiction. He is best known for his creation of the Cthulhu Mythos.
 

Born in Providence, Rhode Island, Lovecraft spent most of his life in New England. Wikipedia
 

Born: August 20, 1890, Providence, RI
Died: March 15, 1937, Providence, RI
Full Name: Howard Phillips Lovecraft
Spouse: Sonia Greene (m. 1924–1937)

Buy H. P. Lovecraft Books at Amazon

Sunday, August 7, 2022

The Evil Clergyman by H. P. Lovecraft

 

The Evil Clergyman by H. P. Lovecraft

 

The Evil Clergyman

by

H. P. Lovecraft

I was shown into the attic chamber by a grave, intelligent-looking man with quiet clothes and an iron-gray beard, who spoke to me in this fashion:

"Yes, he lived here—but I don’t advise your doing anything. Your curiosity makes you irresponsible. We never come here at night, and it’s only because of his will that we keep it this way. You know what he did. That abominable society took charge at last, and we don’t know where he is buried. There was no way the law or anything else could reach the society.

"I hope you won’t stay till after dark. And I beg of you to let that thing on the table—the thing that looks like a match-box—alone. We don’t know what it is, but we suspect it has something to do with what he did. We even avoid looking at it very steadily."

After a time the man left me alone in the attic room. It was very dingy and dusty, and only primitively furnished, but it had a neatness which showed it was not a slum-denizen’s quarters. There were shelves full of theological and classical books, and another bookcase containing treatises on magic — Paracelsus, Albertus Magnus, Trithemius, Hermes Trismegistus, Borellus, and others in a strange alphabet whose titles I could not decipher. The furniture was very plain. There was a door, but it led only into a closet. The only egress was the aperture in the floor up to which the crude, steep staircase led. The windows were of bull’s-eye pattern, and the black oak beams bespoke unbelievable antiquity. Plainly, this house was of the Old World. I seemed to know where I was, but cannot recall what I then knew. Certainly the town was not London. My impression is of a small seaport.

The small object on the table fascinated me intensely. I seemed to know what to do with it, for I drew a pocket electric light—or what looked like one—out of my pocket and nervously tested its flashes. The light was not white but violet, and seemed less like true light than like some radioactive bombardment. I recall that I did not regard it as a common flashlight—indeed, I had a common flashlight in another pocket.

It was getting dark, and the ancient roofs and chimney-pots outside looked very queer through the bull's-eye window-panes. Finally I summoned up courage and propped the small object up on the table against a book—then turned the rays of the peculiar violet light upon it. The light seemed now to be more like a rain of hail or small violet particles than like a continuous beam. As the particles struck the glassy surface at the center of the strange device, they seemed to produce a crackling noise like the sputtering of a vacuum tube through which sparks are passed. The dark glassy surface displayed a pinkish glow, and a vague white shape seemed to be taking form at its center. Then I noticed that I was not alone in the room—and put the ray-projector back in my pocket.

But the newcomer did not speak—nor did I hear any sound whatever during all the immediately following moments. Everything was shadowy pantomime, as if seen at a vast distance through some intervening haze—although on the other hand the newcomer and all subsequent comers loomed large and close, as if both near and distant, according to some abnormal geometry.

The newcomer was a thin, dark man of medium height attired in the clerical garb of the Anglican church. He was apparently about thirty years old, with a sallow, olive complexion and fairly good features, but an abnormally high forehead. His black hair was well cut and neatly brushed, and he was clean-shaven though blue-chinned with a heavy growth of beard. He wore rimless spectacles with steel bows. His build and lower facial features were like other clergymen I had seen, but he had a vastly higher forehead, and was darker and more intelligent-looking—also more subtly and concealedly evil-looking. At the present moment—having just lighted a faint oil lamp—he looked nervous, and before I knew it he was casting all his magical books into a fireplace on the window side of the room (where the wall slanted sharply) which I had not noticed before. The flames devoured the volumes greedily—leaping up in strange colors and emitting indescribably hideous odors as the strangely hieroglyphed leaves and wormy bindings succumbed to the devastating element. All at once I saw there were others in the room—grave-looking men in clerical costume, one of whom wore the bands and knee-breeches of a bishop. Though I could hear nothing, I could see that they were bringing a decision of vast import to the first-comer. They seemed to hate and fear him at the same time, and he seemed to return these sentiments. His face set itself into a grim expression, but I could see his right hand shaking as he tried to grip the back of a chair. The bishop pointed to the empty case and to the fireplace (where the flames had died down amidst a charred, non-committal mass), and seemed filled with a peculiar loathing. The first-comer then gave a wry smile and reached out with his left hand toward the small object on the table. Everyone then seemed frightened. The procession of clerics began filing down the steep stairs through the trapdoor in the floor, turning and making menacing gestures as they left. The bishop was last to go.

The first-comer now went to a cupboard on the inner side of the room and extracted a coil of rope. Mounting a chair, he attached one end of the rope to a hook in the great exposed central beam of black oak, and began making a noose with the other end. Realizing he was about to hang himself, I started forward to dissuade or save him. He saw me and ceased his preparations, looking at me with a kind of triumph which puzzled and disturbed me. He slowly stepped down from the chair and began gliding toward me with a positively wolfish grin on his dark, thin-lipped face.

I felt somehow in deadly peril, and drew out the peculiar ray-projector as a weapon of defense. Why I thought it could help me, I do not know. I turned it on—full in his face, and saw the sallow features glow first with violet and then with pinkish light. His expression of wolfish exultation began to be crowded aside by a look of profound fear—which did not, however, wholly displace the exultation. He stopped in his tracks—then, flailing his arms wildly in the air, began to stagger backwards. I saw he was edging toward the open stair-well in the floor, and tried to shout a warning, but he did not hear me. In another instant he had lurched backward through the opening and was lost to view.

I found difficulty in moving toward the stair-well, but when I did get there I found no crushed body on the floor below. Instead there was a clatter of people coming up with lanterns, for the spell of phantasmal silence had broken, and I once more heard sounds and saw figures as normally tri-dimensional. Something had evidently drawn a crowd to this place. Had there been a noise I had not heard?

Presently the two people (simple villagers, apparently) farthest in the lead saw me—and stood paralyzed. One of them shrieked loudly and reverberantly:

"Ahrrh! . . . It be’ee, zur? Again?"

Then they all turned and fled frantically. All, that is, but one. When the crowd was gone I saw the grave-bearded man who had brought me to this place—standing alone with a lantern. He was gazing at me gaspingly and fascinatedly, but did not seem afraid. Then he began to ascend the stairs, and joined me in the attic. He spoke:

"So you didn’t let it alone! I’m sorry. I know what has happened. It happened once before, but the man got frightened and shot himself. You ought not to have made him come back. You know what he wants. But you mustn’t get frightened like the other man he got. Something very strange and terrible has happened to you, but it didn’t get far enough to hurt your mind and personality. If you’ll keep cool, and accept the need for making certain radical readjustments in your life, you can keep right on enjoying the world, and the fruits of your scholarship. But you can’t live here—and I don’t think you’ll wish to go back to London. I’d advise America.

"You mustn’t try anything more with that— thing. Nothing can be put back now. It would only make matters worse to do—or summon—anything. You are not as badly off as you might be—but you must get out of here at once and stay away. You’d better thank Heaven it didn’t go further . . .

"I’m going to prepare you as bluntly as I can. There’s been a certain change—in your personal appearance. He always causes that. But in a new country you can get used to it. There’s a mirror up at the other end of the room, and I’m going to take you to it. You’ll get a shock—though you will see nothing repulsive."

I was now shaking with a deadly fear, and the bearded man almost had to hold me up as he walked me across the room to the mirror, the faint lamp (i.e., that formerly on the table, not the still fainter lantern he had brought) in his free hand. This is what I saw in the glass:

A thin, dark man of medium stature attired in the clerical garb of the Anglican church, apparently about thirty, and with rimless, steel-bowed glasses glistening beneath a sallow, olive forehead of abnormal height.

It was the silent first-comer who had burned his books.

For all the rest of my life, in outward form, I was to be that man! 

 

Also see:

 

About the Author 

Howard Phillips Lovecraft
Howard Phillips Lovecraft was an American writer of weird, science, fantasy, and horror fiction. He is best known for his creation of the Cthulhu Mythos.
 

Born in Providence, Rhode Island, Lovecraft spent most of his life in New England. Wikipedia
 

Born: August 20, 1890, Providence, RI
Died: March 15, 1937, Providence, RI
Full Name: Howard Phillips Lovecraft
Spouse: Sonia Greene (m. 1924–1937)

Buy H. P. Lovecraft Books at Amazon