Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Showing posts with label Weird Tales. Show all posts
Showing posts with label Weird Tales. Show all posts

Tuesday, March 18, 2025

The Curse of Yig by H. P. Lovecraft and Zealia Bishop

 

A dark, eerie landscape in early 20th-century Oklahoma, bathed in dim moonlight. In the foreground, a terrified man stares in horror at a monstrous, part-human, part-serpent figure—the dreaded Yig. Yig has a grotesque, elongated face with reptilian eyes, fanged jaws, and a coiled, muscular serpent body. Snakes slither around him, their gleaming scales reflecting the moonlight. The background features a crumbling frontier town, its wooden buildings shadowed by an ominous sky, filled with swirling storm clouds and ghostly apparitions. The atmosphere is thick with dread, blending horror and folklore.


The Curse of Yig


By H. P. Lovecraft and Zealia Bishop



In 1925 I went into Oklahoma looking for snake lore, and I came out with a fear of snakes that will last me the rest of my life. I admit it is foolish, since there are natural explanations for everything I saw and heard, but it masters me none the less. If the old story had been all there was to it, I would not have been so badly shaken. My work as an American Indian ethnologist has hardened me to all kinds of extravagant legendry, and I know that simple white people can beat the redskins at their own game when it comes to fanciful inventions. But I can’t forget what I saw with my own eyes at the insane asylum in Guthrie.

     I called at that asylum because a few of the oldest settlers told me I would find something important there. Neither Indians nor white men would discuss the snake-god legends I had come to trace. The oil-boom newcomers, of course, knew nothing of such matters, and the red men and old pioneers were plainly frightened when I spoke of them. Not more than six or seven people mentioned the asylum, and those who did were careful to talk in whispers. But the whisperers said that Dr. McNeill could shew me a very terrible relic and tell me all I wanted to know. He could explain why Yig, the half-human father of serpents, is a shunned and feared object in central Oklahoma, and why old settlers shiver at the secret Indian orgies which make the autumn days and nights hideous with the ceaseless beating of tom-toms in lonely places.

     It was with the scent of a hound on the trail that I went to Guthrie, for I had spent many years collecting data on the evolution of serpent-worship among the Indians. I had always felt, from well-defined undertones of legend and archaeology, that great Quetzalcoatl—benign snake-god of the Mexicans—had had an older and darker prototype; and during recent months I had well-nigh proved it in a series of researches stretching from Guatemala to the Oklahoma plains. But everything was tantalising and incomplete, for above the border the cult of the snake was hedged about by fear and furtiveness.

     Now it appeared that a new and copious source of data was about to dawn, and I sought the head of the asylum with an eagerness I did not try to cloak. Dr. McNeill was a small, clean-shaven man of somewhat advanced years, and I saw at once from his speech and manner that he was a scholar of no mean attainments in many branches outside his profession. Grave and doubtful when I first made known my errand, his face grew thoughtful as he carefully scanned my credentials and the letter of introduction which a kindly old ex-Indian agent had given me.

     “So you’ve been studying the Yig legend, eh?” he reflected sententiously. “I know that many of our Oklahoma ethnologists have tried to connect it with Quetzalcoatl, but I don’t think any of them have traced the intermediate steps so well. You’ve done remarkable work for a man as young as you seem to be, and you certainly deserve all the data we can give.

     “I don’t suppose old Major Moore or any of the others told you what it is I have here. They don’t like to talk about it, and neither do I. It is very tragic and very horrible, but that is all. I refuse to consider it anything supernatural. There’s a story about it that I’ll tell you after you see it—a devilish sad story, but one that I won’t call magic. It merely shews the potency that belief has over some people. I’ll admit there are times when I feel a shiver that’s more than physical, but in daylight I set all that down to nerves. I’m not a young fellow any more, alas!

     “To come to the point, the thing I have is what you might call a victim of Yig’s curse—a physically living victim. We don’t let the bulk of the nurses see it, although most of them know it’s here. There are just two steady old chaps whom I let feed it and clean out its quarters—used to be three, but good old Stevens passed on a few years ago. I suppose I’ll have to break in a new group pretty soon; for the thing doesn’t seem to age or change much, and we old boys can’t last forever. Maybe the ethics of the near future will let us give it a merciful release, but it’s hard to tell.

     “Did you see that single ground-glass basement window over in the east wing when you came up the drive? That’s where it is. I’ll take you there myself now. You needn’t make any comment. Just look through the moveable panel in the door and thank God the light isn’t any stronger. Then I’ll tell you the story—or as much as I’ve been able to piece together.”

     We walked downstairs very quietly, and did not talk as we threaded the corridors of the seemingly deserted basement. Dr. McNeill unlocked a grey-painted steel door, but it was only a bulkhead leading to a further stretch of hallway. At length he paused before a door marked B 116, opened a small observation panel which he could use only by standing on tiptoe, and pounded several times upon the painted metal, as if to arouse the occupant, whatever it might be.

     A faint stench came from the aperture as the doctor unclosed it, and I fancied his pounding elicited a kind of low, hissing response. Finally he motioned me to replace him at the peep-hole, and I did so with a causeless and increasing tremor. The barred, ground-glass window, close to the earth outside, admitted only a feeble and uncertain pallor; and I had to look into the malodorous den for several seconds before I could see what was crawling and wriggling about on the straw-covered floor, emitting every now and then a weak and vacuous hiss. Then the shadowed outlines began to take shape, and I perceived that the squirming entity bore some remote resemblance to a human form laid flat on its belly. I clutched at the door-handle for support as I tried to keep from fainting.

     The moving object was almost of human size, and entirely devoid of clothing. It was absolutely hairless, and its tawny-looking back seemed subtly squamous in the dim, ghoulish light. Around the shoulders it was rather speckled and brownish, and the head was very curiously flat. As it looked up to hiss at me I saw that the beady little black eyes were damnably anthropoid, but I could not bear to study them long. They fastened themselves on me with a horrible persistence, so that I closed the panel gaspingly and left the creature to wriggle about unseen in its matted straw and spectral twilight. I must have reeled a bit, for I saw that the doctor was gently holding my arm as he guided me away. I was stuttering over and over again: “B-but for God’s sake, what is it?”

     Dr. McNeill told me the story in his private office as I sprawled opposite him in an easy-chair. The gold and crimson of late afternoon changed to the violet of early dusk, but still I sat awed and motionless. I resented every ring of the telephone and every whir of the buzzer, and I could have cursed the nurses and internes whose knocks now and then summoned the doctor briefly to the outer office. Night came, and I was glad my host switched on all the lights. Scientist though I was, my zeal for research was half forgotten amidst such breathless ecstasies of fright as a small boy might feel when whispered witch-tales go the rounds of the chimney-corner.

     It seems that Yig, the snake-god of the central plains tribes—presumably the primal source of the more southerly Quetzalcoatl or Kukulcan—was an odd, half-anthropomorphic devil of highly arbitrary and capricious nature. He was not wholly evil, and was usually quite well-disposed toward those who gave proper respect to him and his children, the serpents; but in the autumn he became abnormally ravenous, and had to be driven away by means of suitable rites. That was why the tom-toms in the Pawnee, Wichita, and Caddo country pounded ceaselessly week in and week out in August, September, and October; and why the medicine-men made strange noises with rattles and whistles curiously like those of the Aztecs and Mayas.

     Yig’s chief trait was a relentless devotion to his children—a devotion so great that the redskins almost feared to protect themselves from the venomous rattlesnakes which thronged the region. Frightful clandestine tales hinted of his vengeance upon mortals who flouted him or wreaked harm upon his wriggling progeny; his chosen method being to turn his victim, after suitable tortures, to a spotted snake.

     In the old days of the Indian Territory, the doctor went on, there was not quite so much secrecy about Yig. The plains tribes, less cautious than the desert nomads and Pueblos, talked quite freely of their legends and autumn ceremonies with the first Indian agents, and let considerable of the lore spread out through the neighbouring regions of white settlement. The great fear came in the land-rush days of ’89, when some extraordinary incidents had been rumoured, and the rumours sustained, by what seemed to be hideously tangible proofs. Indians said that the new white men did not know how to get on with Yig, and afterward the settlers came to take that theory at face value. Now no old-timer in middle Oklahoma, white or red, could be induced to breathe a word about the snake-god except in vague hints. Yet after all, the doctor added with almost needless emphasis, the only truly authenticated horror had been a thing of pitiful tragedy rather than of bewitchment. It was all very material and cruel—even that last phase which had caused so much dispute.

     Dr. McNeill paused and cleared his throat before getting down to his special story, and I felt a tingling sensation as when a theatre curtain rises. The thing had begun when Walker Davis and his wife Audrey left Arkansas to settle in the newly opened public lands in the spring of 1889, and the end had come in the country of the Wichitas—north of the Wichita River, in what is at present Caddo County. There is a small village called Binger there now, and the railway goes through; but otherwise the place is less changed than other parts of Oklahoma. It is still a section of farms and ranches—quite productive in these days—since the great oil-fields do not come very close.

     Walker and Audrey had come from Franklin County in the Ozarks with a canvas-topped wagon, two mules, an ancient and useless dog called “Wolf”, and all their household goods. They were typical hill-folk, youngish and perhaps a little more ambitious than most, and looked forward to a life of better returns for their hard work than they had had in Arkansas. Both were lean, raw-boned specimens; the man tall, sandy, and grey-eyed, and the woman short and rather dark, with a black straightness of hair suggesting a slight Indian admixture.

     In general, there was very little of distinction about them, and but for one thing their annals might not have differed from those of thousands of other pioneers who flocked into the new country at that time. That thing was Walker’s almost epileptic fear of snakes, which some laid to prenatal causes, and some said came from a dark prophecy about his end with which an old Indian squaw had tried to scare him when he was small. Whatever the cause, the effect was marked indeed; for despite his strong general courage the very mention of a snake would cause him to grow faint and pale, while the sight of even a tiny specimen would produce a shock sometimes bordering on a convulsion seizure.

     The Davises started out early in the year, in the hope of being on their new land for the spring ploughing. Travel was slow; for the roads were bad in Arkansas, while in the Territory there were great stretches of rolling hills and red, sandy barrens without any roads whatever. As the terrain grew flatter, the change from their native mountains depressed them more, perhaps, than they realised; but they found the people at the Indian agencies very affable, while most of the settled Indians seemed friendly and civil. Now and then they encountered a fellow-pioneer, with whom crude pleasantries and expressions of amiable rivalry were generally exchanged.

     Owing to the season, there were not many snakes in evidence, so Walker did not suffer from his special temperamental weakness. In the earlier stages of the journey, too, there were no Indian snake-legends to trouble him; for the transplanted tribes from the southeast do not share the wilder beliefs of their western neighbours. As fate would have it, it was a white man at Okmulgee in the Creek country who gave the Davises the first hint of Yig beliefs; a hint which had a curiously fascinating effect on Walker, and caused him to ask questions very freely after that.

     Before long Walker’s fascination had developed into a bad case of fright. He took the most extraordinary precautions at each of the nightly camps, always clearing away whatever vegetation he found, and avoiding stony places whenever he could. Every clump of stunted bushes and every cleft in the great, slab-like rocks seemed to him now to hide malevolent serpents, while every human figure not obviously part of a settlement or emigrant train seemed to him a potential snake-god till nearness had proved the contrary. Fortunately no troublesome encounters came at this stage to shake his nerves still further.

     As they approached the Kickapoo country they found it harder and harder to avoid camping near rocks. Finally it was no longer possible, and poor Walker was reduced to the puerile expedient of droning some of the rustic anti-snake charms he had learned in his boyhood. Two or three times a snake was really glimpsed, and these sights did not help the sufferer in his efforts to preserve composure.

     On the twenty-second evening of the journey a savage wind made it imperative, for the sake of the mules, to camp in as sheltered a spot as possible; and Audrey persuaded her husband to take advantage of a cliff which rose uncommonly high above the dried bed of a former tributary of the Canadian River. He did not like the rocky cast of the place, but allowed himself to be overruled this once; leading the animals sullenly toward the protecting slope, which the nature of the ground would not allow the wagon to approach.

     Audrey, examining the rocks near the wagon, meanwhile noticed a singular sniffing on the part of the feeble old dog. Seizing a rifle, she followed his lead, and presently thanked her stars that she had forestalled Walker in her discovery. For there, snugly nested in the gap between two boulders, was a sight it would have done him no good to see. Visible only as one convoluted expanse, but perhaps comprising as many as three or four separate units, was a mass of lazy wriggling which could not be other than a brood of new-born rattlesnakes.

     Anxious to save Walker from a trying shock, Audrey did not hesitate to act, but took the gun firmly by the barrel and brought the butt down again and again upon the writhing objects. Her own sense of loathing was great, but it did not amount to a real fear. Finally she saw that her task was done, and turned to cleanse the improvised bludgeon in the red sand and dry, dead grass near by. She must, she reflected, cover the nest up before Walker got back from tethering the mules. Old Wolf, tottering relic of mixed shepherd and coyote ancestry that he was, had vanished, and she feared he had gone to fetch his master.

     Footsteps at that instant proved her fear well founded. A second more, and Walker had seen everything. Audrey made a move to catch him if he should faint, but he did no more than sway. Then the look of pure fright on his bloodless face turned slowly to something like mingled awe and anger, and he began to upbraid his wife in trembling tones.

     “Gawd’s sake, Aud, but why’d ye go for to do that? Hain’t ye heerd all the things they’ve been tellin’ about this snake-devil Yig? Ye’d ought to a told me, and we’d a moved on. Don’t ye know they’s a devil-god what gets even if ye hurts his children? What for d’ye think the Injuns all dances and beats their drums in the fall about? This land’s under a curse, I tell ye—nigh every soul we’ve a-talked to sence we come in’s said the same. Yig rules here, an’ he comes out every fall for to git his victims and turn ’em into snakes. Why, Aud, they won’t none of them Injuns acrost the Canayjin kill a snake for love nor money!

     “Gawd knows what ye done to yourself, gal, a-stompin’ out a hull brood o’ Yig’s chillen. He’ll git ye, sure, sooner or later, unlessen I kin buy a charm offen some o’ the Injun medicine-men. He’ll git ye, Aud, as sure’s they’s a Gawd in heaven—he’ll come outa the night and turn ye into a crawlin’ spotted snake!”

     All the rest of the journey Walker kept up the frightened reproofs and prophecies. They crossed the Canadian near Newcastle, and soon afterward met with the first of the real plains Indians they had seen—a party of blanketed Wichitas, whose leader talked freely under the spell of the whiskey offered him, and taught poor Walker a long-winded protective charm against Yig in exchange for a quart bottle of the same inspiring fluid. By the end of the week the chosen site in the Wichita country was reached, and the Davises made haste to trace their boundaries and perform the spring ploughing before even beginning the construction of a cabin.

     The region was flat, drearily windy, and sparse of natural vegetation, but promised great fertility under cultivation. Occasional outcroppings of granite diversified a soil of decomposed red sandstone, and here and there a great flat rock would stretch along the surface of the ground like a man-made floor. There seemed to be a very few snakes, or possible dens for them; so Audrey at last persuaded Walker to build the one-room cabin over a vast, smooth slab of exposed stone. With such a flooring and with a good-sized fireplace the wettest weather might be defied—though it soon became evident that dampness was no salient quality of the district. Logs were hauled in the wagon from the nearest belt of woods, many miles toward the Wichita Mountains.

     Walker built his wide-chimneyed cabin and crude barn with the aid of some of the other settlers, though the nearest one was over a mile away. In turn, he helped his helpers at similar house-raisings, so that many ties of friendship sprang up between the new neighbours. There was no town worthy the name nearer than El Reno, on the railway thirty miles or more to the northeast; and before many weeks had passed, the people of the section had become very cohesive despite the wideness of their scattering. The Indians, a few of whom had begun to settle down on ranches, were for the most part harmless, though somewhat quarrelsome when fired by the liquid stimulation which found its way to them despite all government bans.

     Of all the neighbours the Davises found Joe and Sally Compton, who likewise hailed from Arkansas, the most helpful and congenial. Sally is still alive, known now as Grandma Compton; and her son Clyde, then an infant in arms, has become one of the leading men of the state. Sally and Audrey used to visit each other often, for their cabins were only two miles apart; and in the long spring and summer afternoons they exchanged many a tale of old Arkansas and many a rumour about the new country.

     Sally was very sympathetic about Walker’s weakness regarding snakes, but perhaps did more to aggravate than cure the parallel nervousness which Audrey was acquiring through his incessant praying and prophesying about the curse of Yig. She was uncommonly full of gruesome snake stories, and produced a direfully strong impression with her acknowledged masterpiece—the tale of a man in Scott County who had been bitten by a whole horde of rattlers at once, and had swelled so monstrously from poison that his body had finally burst with a pop. Needless to say, Audrey did not repeat this anecdote to her husband, and she implored the Comptons to beware of starting it on the rounds of the countryside. It is to Joe’s and Sally’s credit that they heeded this plea with the utmost fidelity.

     Walker did his corn-planting early, and in midsummer improved his time by harvesting a fair crop of the native grass of the region. With the help of Joe Compton he dug a well which gave a moderate supply of very good water, though he planned to sink an artesian later on. He did not run into many serious snake scares, and made his land as inhospitable as possible for wriggling visitors. Every now and then he rode over to the cluster of thatched, conical huts which formed the main village of the Wichitas, and talked long with the old men and shamans about the snake-god and how to nullify his wrath. Charms were always ready in exchange for whiskey, but much of the information he got was far from reassuring.

     Yig was a great god. He was bad medicine. He did not forget things. In the autumn his children were hungry and wild, and Yig was hungry and wild, too. All the tribes made medicine against Yig when the corn harvest came. They gave him some corn, and danced in proper regalia to the sound of whistle, rattle, and drum. They kept the drums pounding to drive Yig away, and called down the aid of Tiráwa, whose children men are, even as the snakes are Yig’s children. It was bad that the squaw of Davis killed the children of Yig. Let Davis say the charms many times when the corn harvest comes. Yig is Yig. Yig is a great god.

     By the time the corn harvest did come, Walker had succeeded in getting his wife into a deplorably jumpy state. His prayers and borrowed incantations came to be a nuisance; and when the autumn rites of the Indians began, there was always a distant wind-borne pounding of tom-toms to lend an added background of the sinister. It was maddening to have the muffled clatter always stealing over the wide red plains. Why would it never stop? Day and night, week on week, it was always going in exhaustless relays, as persistently as the red dusty winds that carried it. Audrey loathed it more than her husband did, for he saw in it a compensating element of protection. It was with this sense of a mighty, intangible bulwark against evil that he got in his corn crop and prepared cabin and stable for the coming winter.

     The autumn was abnormally warm, and except for their primitive cookery the Davises found scant use for the stone fireplace Walker had built with such care. Something in the unnaturalness of the hot dust-clouds preyed on the nerves of all the settlers, but most of all on Audrey’s and Walker’s. The notions of a hovering snake-curse and the weird, endless rhythm of the distant Indian drums formed a bad combination which any added element of the bizarre went far to render utterly unendurable.

     Notwithstanding this strain, several festive gatherings were held at one or another of the cabins after the crops were reaped; keeping naively alive in modernity those curious rites of the harvest-home which are as old as human agriculture itself. Lafayette Smith, who came from southern Missouri and had a cabin about three miles east of Walker’s, was a very passable fiddler; and his tunes did much to make the celebrants forget the monotonous beating of the distant tom-toms. Then Hallowe’en drew near, and the settlers planned another frolic—this time, had they but known it, of a lineage older than even agriculture; the dread Witch-Sabbath of the primal pre-Aryans, kept alive through ages in the midnight blackness of secret woods, and still hinting at vague terrors under its latter-day mask of comedy and lightness. Hallowe’en was to fall on a Thursday, and the neighbours agreed to gather for their first revel at the Davis cabin.

     It was on that thirty-first of October that the warm spell broke. The morning was grey and leaden, and by noon the incessant winds had changed from searingness to rawness. People shivered all the more because they were not prepared for the chill, and Walker Davis’ old dog Wolf dragged himself wearily indoors to a place beside the hearth. But the distant drums still thumped on, nor were the white citizenry less inclined to pursue their chosen rites. As early as four in the afternoon the wagons began to arrive at Walker’s cabin; and in the evening, after a memorable barbecue, Lafayette Smith’s fiddle inspired a very fair-sized company to great feats of saltatory grotesqueness in the one good-sized but crowded room. The younger folk indulged in the amiable inanities proper to the season, and now and then old Wolf would howl with doleful and spine-tickling ominousness at some especially spectral strain from Lafayette’s squeaky violin—a device he had never heard before. Mostly, though, this battered veteran slept through the merriment; for he was past the age of active interests and lived largely in his dreams. Tom and Jennie Rigby had brought their collie Zeke along, but the canines did not fraternise. Zeke seemed strangely uneasy over something, and nosed around curiously all the evening.

     Audrey and Walker made a fine couple on the floor, and Grandma Compton still likes to recall her impression of their dancing that night. Their worries seemed forgotten for the nonce, and Walker was shaved and trimmed into a surprising degree of spruceness. By ten o’clock all hands were healthily tired, and the guests began to depart family by family with many handshakings and bluff assurances of what a fine time everybody had had. Tom and Jennie thought Zeke’s eerie howls as he followed them to their wagon were marks of regret at having to go home; though Audrey said it must be the far-away tom-toms which annoyed him, for the distant thumping was surely ghastly enough after the merriment within.

     The night was bitterly cold, and for the first time Walker put a great log in the fireplace and banked it with ashes to keep it smouldering till morning. Old Wolf dragged himself within the ruddy glow and lapsed into his customary coma. Audrey and Walker, too tired to think of charms or curses, tumbled into the rough pine bed and were asleep before the cheap alarm-clock on the mantel had ticked out three minutes. And from far away, the rhythmic pounding of those hellish tom-toms still pulsed on the chill night-wind.

     Dr. McNeill paused here and removed his glasses, as if a blurring of the objective world might make the reminiscent vision clearer.

     “You’ll soon appreciate,” he said, “that I had a great deal of difficulty in piecing out all that happened after the guests left. There were times, though—at first—when I was able to make a try at it.” After a moment of silence he went on with the tale.

     Audrey had terrible dreams of Yig, who appeared to her in the guise of Satan as depicted in cheap engravings she had seen. It was, indeed, from an absolute ecstasy of nightmare that she started suddenly awake to find Walker already conscious and sitting up in bed. He seemed to be listening intently to something, and silenced her with a whisper when she began to ask what had roused him.

     “Hark, Aud!” he breathed. “Don’t ye hear somethin’ a-singin’ and buzzin’ and rustlin’? D’ye reckon it’s the fall crickets?”

     Certainly, there was distinctly audible within the cabin such a sound as he had described. Audrey tried to analyse it, and was impressed with some element at once horrible and familiar, which hovered just outside the rim of her memory. And beyond it all, waking a hideous thought, the monotonous beating of the distant tom-toms came incessantly across the black plains on which a cloudy half-moon had set.

     “Walker—s’pose it’s—the—the—curse o’ Yig?”

     She could feel him tremble.

     “No, gal, I don’t reckon he comes that away. He’s shapen like a man, except ye look at him clost. That’s what Chief Grey Eagle says. This here’s some varmints come in outen the cold—not crickets, I calc’late, but summat like ’em. I’d orter git up and stomp ’em out afore they make much headway or git at the cupboard.”

     He rose, felt for the lantern that hung within easy reach, and rattled the tin match-box nailed to the wall beside it. Audrey sat up in bed and watched the flare of the match grow into the steady glow of the lantern. Then, as their eyes began to take in the whole of the room, the crude rafters shook with the frenzy of their simultaneous shriek. For the flat, rocky floor, revealed in the new-born illumination, was one seething, brown-speckled mass of wriggling rattlesnakes, slithering toward the fire, and even now turning their loathsome heads to menace the fright-blasted lantern-bearer.

     It was only for an instant that Audrey saw the things. The reptiles were of every size, of uncountable numbers, and apparently of several varieties; and even as she looked, two or three of them reared their heads as if to strike at Walker. She did not faint—it was Walker’s crash to the floor that extinguished the lantern and plunged her into blackness. He had not screamed a second time—fright had paralysed him, and he fell as if shot by a silent arrow from no mortal’s bow. To Audrey the entire world seemed to whirl about fantastically, mingling with the nightmare from which she had started.

     Voluntary motion of any sort was impossible, for will and the sense of reality had left her. She fell back inertly on her pillow, hoping that she would wake soon. No actual sense of what had happened penetrated her mind for some time. Then, little by little, the suspicion that she was really awake began to dawn on her; and she was convulsed with a mounting blend of panic and grief which made her long to shriek out despite the inhibiting spell which kept her mute.

     Walker was gone, and she had not been able to help him. He had died of snakes, just as the old witch-woman had predicted when he was a little boy. Poor Wolf had not been able to help, either—probably he had not even awaked from his senile stupor. And now the crawling things must be coming for her, writhing closer and closer every moment in the dark, perhaps even now twining slipperily about the bedposts and oozing up over the coarse woollen blankets. Unconsciously she crept under the clothes and trembled.

     It must be the curse of Yig. He had sent his monstrous children on All-Hallows’ Night, and they had taken Walker first. Why was that—wasn’t he innocent enough? Why not come straight for her—hadn’t she killed those little rattlers alone? Then she thought of the curse’s form as told by the Indians. She wouldn’t be killed—just turned to a spotted snake. Ugh! So she would be like those things she had glimpsed on the floor—those things which Yig had sent to get her and enroll her among their number! She tried to mumble a charm that Walker had taught her, but found she could not utter a single sound.

     The noisy ticking of the alarm-clock sounded above the maddening beat of the distant tom-toms. The snakes were taking a long time—did they mean to delay on purpose to play on her nerves? Every now and then she thought she felt a steady, insidious pressure on the bedclothes, but each time it turned out to be only the automatic twitchings of her overwrought nerves. The clock ticked on in the dark, and a change came slowly over her thoughts.

     Those snakes couldn’t have taken so long! They couldn’t be Yig’s messengers after all, but just natural rattlers that were nested below the rock and had been drawn there by the fire. They weren’t coming for her, perhaps—perhaps they had sated themselves on poor Walker. Where were they now? Gone? Coiled by the fire? Still crawling over the prone corpse of their victim? The clock ticked, and the distant drums throbbed on.

     At the thought of her husband’s body lying there in the pitch blackness a thrill of purely physical horror passed over Audrey. That story of Sally Compton’s about the man back in Scott County! He, too, had been bitten by a whole bunch of rattlesnakes, and what had happened to him? The poison had rotted the flesh and swelled the whole corpse, and in the end the bloated thing had burst horribly—burst horribly with a detestable popping noise. Was that what was happening to Walker down there on the rock floor? Instinctively she felt she had begun to listen for something too terrible even to name to herself.

     The clock ticked on, keeping a kind of mocking, sardonic time with the far-off drumming that the night-wind brought. She wished it were a striking clock, so that she could know how long this eldritch vigil must last. She cursed the toughness of fibre that kept her from fainting, and wondered what sort of relief the dawn could bring, after all. Probably neighbours would pass—no doubt somebody would call—would they find her still sane? Was she still sane now?

     Morbidly listening, Audrey all at once became aware of something which she had to verify with every effort of her will before she could believe it; and which, once verified, she did not know whether to welcome or dread. The distant beating of the Indian tom-toms had ceased. They had always maddened her—but had not Walker regarded them as a bulwark against nameless evil from outside the universe? What were some of those things he had repeated to her in whispers after talking with Grey Eagle and the Wichita medicine-men?

     She did not relish this new and sudden silence, after all! There was something sinister about it. The loud-ticking clock seemed abnormal in its new loneliness. Capable at last of conscious motion, she shook the covers from her face and looked into the darkness toward the window. It must have cleared after the moon set, for she saw the square aperture distinctly against the background of stars.

     Then without warning came that shocking, unutterable sound—ugh!—that dull, putrid pop of cleft skin and escaping poison in the dark. God!—Sally’s story—that obscene stench, and this gnawing, clawing silence! It was too much. The bonds of muteness snapped, and the black night waxed reverberant with Audrey’s screams of stark, unbridled frenzy.

     Consciousness did not pass away with the shock. How merciful if only it had! Amidst the echoes of her shrieking Audrey still saw the star-sprinkled square of window ahead, and heard the doom-boding ticking of that frightful clock. Did she hear another sound? Was that square window still a perfect square? She was in no condition to weigh the evidence of her senses or distinguish between fact and hallucination.

     No—that window was not a perfect square. Something had encroached on the lower edge. Nor was the ticking of the clock the only sound in the room. There was, beyond dispute, a heavy breathing neither her own nor poor Wolf’s. Wolf slept very silently, and his wakeful wheezing was unmistakable. Then Audrey saw against the stars the black, daemoniac silhouette of something anthropoid—the undulant bulk of a gigantic head and shoulders fumbling slowly toward her.

     “Y’aaaah! Y’aaaah! Go away! Go away! Go away, snake-devil! Go ’way, Yig! I didn’t mean to kill ’em—I was feared he’d be scairt of ’em. Don’t, Yig, don’t! I didn’t go for to hurt yore chillen—don’t come nigh me—don’t change me into no spotted snake!”

     But the half-formless head and shoulders only lurched onward toward the bed, very silently.

     Everything snapped at once inside Audrey’s head, and in a second she had turned from a cowering child to a raging madwoman. She knew where the axe was—hung against the wall on those pegs near the lantern. It was within easy reach, and she could find it in the dark. Before she was conscious of anything further it was in her hands, and she was creeping toward the foot of the bed—toward the monstrous head and shoulders that every moment groped their way nearer. Had there been any light, the look on her face would not have been pleasant to see.

     “Take that, you! And that, and that, and that!”

     She was laughing shrilly now, and her cackles mounted higher as she saw that the starlight beyond the window was yielding to the dim prophetic pallor of coming dawn.

     Dr. McNeill wiped the perspiration from his forehead and put on his glasses again. I waited for him to resume, and as he kept silent I spoke softly.

     “She lived? She was found? Was it ever explained?”

     The doctor cleared his throat.

     “Yes—she lived, in a way. And it was explained. I told you there was no bewitchment—only cruel, pitiful, material horror.”

     It was Sally Compton who had made the discovery. She had ridden over to the Davis cabin the next afternoon to talk over the party with Audrey, and had seen no smoke from the chimney. That was queer. It had turned very warm again, yet Audrey was usually cooking something at that hour. The mules were making hungry-sounding noises in the barn, and there was no sign of old Wolf sunning himself in the accustomed spot by the door.

     Altogether, Sally did not like the look of the place, so was very timid and hesitant as she dismounted and knocked. She got no answer but waited some time before trying the crude door of split logs. The lock, it appeared, was unfastened; and she slowly pushed her way in. Then, perceiving what was there, she reeled back, gasped, and clung to the jamb to preserve her balance.

     A terrible odour had welled out as she opened the door, but that was not what had stunned her. It was what she had seen. For within that shadowy cabin monstrous things had happened and three shocking objects remained on the floor to awe and baffle the beholder.

     Near the burned-out fireplace was the great dog—purple decay on the skin left bare by mange and old age, and the whole carcass burst by the puffing effect of rattlesnake poison. It must have been bitten by a veritable legion of the reptiles.

     To the right of the door was the axe-hacked remnant of what had been a man—clad in a nightshirt, and with the shattered bulk of a lantern clenched in one hand. He was totally free from any sign of snake-bite. Near him lay the ensanguined axe, carelessly discarded.

     And wriggling flat on the floor was a loathsome, vacant-eyed thing that had been a woman, but was now only a mute mad caricature. All that this thing could do was to hiss, and hiss, and hiss.

     Both the doctor and I were brushing cold drops from our foreheads by this time. He poured something from a flask on his desk, took a nip, and handed another glass to me. I could only suggest tremulously and stupidly:

     “So Walker had only fainted that first time—the screams roused him, and the axe did the rest?”

     “Yes.” Dr. McNeill’s voice was low. “But he met his death from snakes just the same. It was his fear working in two ways—it made him faint, and it made him fill his wife with the wild stories that caused her to strike out when she thought she saw the snake-devil.”

     I thought for a moment.

     “And Audrey—wasn’t it queer how the curse of Yig seemed to work itself out on her? I suppose the impression of hissing snakes had been fairly ground into her.”

     “Yes. There were lucid spells at first, but they got to be fewer and fewer. Her hair came white at the roots as it grew, and later began to fall out. The skin grew blotchy, and when she died—”

     I interrupted with a start.

     “Died? Then what was that—that thing downstairs?”

     McNeill spoke gravely.

     “That is what was born to her three-quarters of a year afterward. There were three more of them—two were even worse—but this is the only one that lived.”

Saturday, April 6, 2024

The Horror at Red Hook by H. P. Lovecraft


 

 The Horror at Red Hook

 

By H. P. Lovecraft

 

Original Publication: New York: Weird Tales, 1927

 


"The nightmare horde slithered away, led by the abominable naked phosphorescent thing that now strode insolently, bearing in its arms the glassy-eyed corpse of the corpulent old man.

"There are sacraments of evil as well as of good about us, and we live and move to my belief in an unknown world, a place where there are caves and shadows and dwellers in twilight. It is possible that man may sometimes return on the track of evolution, and it is my belief that an awful lore is not yet dead."

—Arthur Machen



I

Not many weeks ago, on a street corner in the village of Pascoag, Rhode Island, a tall heavily built, and wholesome looking pedestrian furnished much speculation by a singular lapse of behavior. He had, it appears, been descending the hill by the road from Chepachet; and encountering the compact section, had turned to his left into the main thoroughfare where several modest business blocks convey a touch of the urban. At this point, without visible provocation, he committed his astonishing lapse; staring queerly for a second at the tallest of the buildings, before him, and then, with a series of terrified, hysterical shrieks, breaking into a frantic run which ended in a stumble and fall at the next crossing. Picked up and dusted off by ready hands, he was found to be conscious, organically unhurt, and evidently cured of his sudden nervous attack. He muttered some shamefaced explanations involving a strain he had undergone, and with downcast glance turned back, up the Chepachet road, trudging out of sight, without once looking behind him. It was a strange incident to befall so large, robust, normal-featured, and capable-looking a man, and the strangeness was not lessened by the remarks of a bystander who had recognized him as the boarder of a well-known dairyman on the outskirts of Chepachet.

He was, it developed, a New York police-detective named Thomas F. Malone, now on a long leave of absence under medical treatment after some disproportionately arduous work on a gruesome local case which accident had made dramatic. There had been a collapse of several old brick buildings during a raid in which he had shared, and something about the wholesale loss of life, both of prisoners and of his companions, had peculiarly appalled him. As a result, he had acquired an acute and anomalous horror of any buildings even remotely suggesting the ones which had fallen in, so that in the end mental specialists forbade him the sight of such things for an indefinite period. A police surgeon with relatives in Chepachet had put forward that quaint hamlet of wooden Colonial houses as an ideal spot for the psychological convalescence; and thither the sufferer had gone, promising never to venture among the brick-lined streets of larger villages till duly advised by the Woonsocket specialist with whom he was put in touch. This walk to Pascoag for magazines had been a mistake, and the patient had paid in fright, bruises, and humiliation for his disobedience.

So much the gossips of Chepachet and Pascoag knew; and so much, also, the most learned specialists believed. But Malone had at first told the specialists much more, ceasing only when he saw that utter incredulity was his portion. Thereafter he held his peace, protesting not at all when it was generally agreed that the collapse of certain squalid brick houses in the Red Hook section of Brooklyn, and the consequent death of many brave officers, had unseated his nervous equilibrium. He had worked too hard, all said, in trying to clean up those nests of disorder and violence; certain features were shocking enough, in all conscience, and the unexpected tragedy was the last straw. This was a simple explanation which everyone could understand, and because Malone was not a simple person he perceived that he had better let it suffice. To hint to unimaginative people of a horror beyond all human conception—a horror of houses and blocks and cities leprous and cancerous with evil dragged from elder worlds—would be merely to invite a padded cell instead of a restful rustication, and Malone was a man of sense despite his mysticism. He had the Celt's far vision of weird and hidden things, but the logician's quick eye for the outwardly unconvincing; an amalgam which had led him far afield in the forty-two years of his life, and set him in strange places for a Dublin University man born in a Georgian villa near Phoenix Park.

And now, as he reviewed the things he had seen and felt and apprehended, Malone was content to keep unshared the secret of what could reduce a dauntless fighter to a quivering neurotic; what could make old brick slums and seas of dark, subtle faces a thing of nightmare and eldritch portent. It would not be the first time his sensations had been forced to bide uninterpreted—for was not his very act of plunging into the polyglot abyss of New York's underworld a freak beyond sensible explanation? What could he tell the prosaic of the antique witcheries and grotesque marvels discernible to sensitive eyes amidst the poison cauldron where all the varied dregs of unwholesome ages mix their venom and perpetuate their obscene terrors? He had seen the hellish green flame of secret wonder in this blatant, evasive welter of outward greed and inward blasphemy, and had smiled gently when all the New Yorkers he knew scoffed at his experiment in police work. They had been very witty and cynical, deriding his fantastic pursuit of unknowable mysteries and assuring him that in these days New York held nothing but cheapness and vulgarity. One of them had wagered him a heavy sum that he could not—despite many poignant things to his credit in the Dublin Review—even write a truly interesting story of New York low life; and now, looking back, he perceived that cosmic irony had justified the prophet's words while secretly confuting their flippant meaning. The horror, as glimpsed at last, could not make a story—for like the book cited by Poe's German authority, "er lässt sich nicht lesen"—it does not permit itself to be read.




II

To Malone the sense of latent mystery in existence was always present. In youth he had felt the hidden beauty and ecstasy of things, and had been a poet; but poverty and sorrow and exile had turned his gaze in darker directions, and he had thrilled at the imputations of evil in the world around. Daily life had for him come to be a fantasmagoria of macabre shadow-studies; now glittering and jeering with concealed rottenness as in Aubrey Beardsley's best manner, now hinting terrors behind the commonest shapes and objects as in the subtler and less obvious work of Gustave Doré. He would often regard it as merciful that most persons of high intelligence jeer at the inmost mysteries; for, he argued, if superior minds were ever placed in fullest contact with the secrets preserved by ancient and lowly cults, the resultant abnormalities would soon not only wreck the world, but threaten the very integrity of the universe. All this reflection was no doubt morbid, but keen logic and a deep sense of humor ably offset it. Malone was satisfied to let his notions remain as half-spied and forbidden visions to be lightly played with; and hysteria came only when duty flung him into a hell of revelation too sudden and insidious to escape.

He had for some time been detailed to the Butler Street station in Brooklyn when the Red Hook matter came to his notice. Red Hook is a maze of hybrid squalor near the ancient waterfront opposite Governor's Island, with dirty highways climbing the hill from the wharves to that higher ground where the decayed lengths of Clinton and Court Streets lead off toward the Borough Hall. Its houses are mostly of brick, dating from the first quarter of the middle of the nineteenth century, and some of the obscurer alleys and byways have that alluring antique flavor which conventional reading leads us to call "Dickensian." The population is a hopeless tangle and enigma; Syrian, Spanish, Italian, and Negro elements impinging upon one another, and fragments of Scandinavian and American belts lying not far distant. It is a babel of sound and filth, and sends out strange cries to answer the lapping of oily waves at its grimy piers and the monstrous organ litanies of the harbor whistles. Here long ago a brighter picture dwelt, with clear-eyed mariners on the lower streets and homes of taste and substance where the larger houses line the hill. One can trace the relics of this former happiness in the trim shapes of the buildings, the occasional graceful churches and the evidences of original art and background in bits of detail here and there—a worn flight of steps, a battered doorway, a wormy pair of decorative columns or pilasters, or a fragment of once green space with bent and rusted iron railing. The houses are generally in solid blocks, and now and then a many-windowed cupola arises to tell of days when the households of captains and ship-owners watched the sea.

From this tangle of material and spiritual putrescence the blasphemies of an hundred dialects assail the sky. Hordes of prowlers reel shouting and singing along the lanes and thoroughfares, occasional furtive hands suddenly extinguish lights and pull down curtains, and swarthy, sin-pitted faces disappear from windows when visitors pick their way through. Policemen despair of order or reform, and seek rather to erect barriers protecting the outside world from the contagion.

The clang of the patrol is answered by a kind of spectral silence, and such prisoners as are taken are never communicative. Visible offenses are as varied as the local dialects, and run the gamut from the smuggling of rum and prohibited aliens through diverse stages of lawlessness and obscure vice to murder and mutilation in their most abhorrent guises. That these visible affairs are not more frequent is not to the neighborhood's credit, unless the power of concealment be an art demanding credit. More people enter Red Hook than leave it—or at least, than leave it by the landward side—and those who are not loquacious are the likeliest to leave.



Malone found in this state of things a faint stench of secrets more terrible than any of the sins denounced by citizens and bemoaned by priest and philanthropists. He was conscious, as one who united imagination with scientific knowledge, that modern people under lawless conditions tend uncannily to repeat the darkest instinctive patterns of primitive half-ape savagery in their daily life and ritual observances; and he had often viewed with an anthropologist's shudder the chanting, cursing processions of blear-eyed and pock-marked young men which wound their way along in the dark small hours of morning. One saw groups of these youths incessantly; sometimes in leering vigils on street corners, sometimes in doorways playing eerily on cheap instruments of music, sometimes in stupefied dozes or indecent dialogues around cafeteria tables near Borough Hall, and sometimes in whispering converse around dingy taxicabs drawn up at the high stoops of crumbling and closely shuttered old houses. They chilled and fascinated him more than he dared confess to his associates on the force, for he seemed to see in them some monstrous thread of secret continuity; some fiendish, cryptical and ancient pattern utterly beyond and below the sordid mass of facts and habits and haunts listed with such conscientious technical care by the police. They must be, he felt inwardly, the heirs of some shocking and primordial tradition; the sharers of debased and broken scraps from cults and ceremonies older than mankind. Their coherence and definiteness suggested it, and it showed in the singular suspicion of order which lurked beneath their squalid disorder. He had not read in vain such treatises as Miss Murray's Witch Cult in Western Europe; and knew that up to recent years there had certainly survived among peasants and furtive folk a frightful and clandestine system of assemblies and orgies descended from dark religions antedating the Aryan World, and appearing in popular legends as Black Masses and Witches' Sabbaths. That these hellish vestiges of old Turanian-Asiatic magic and fertility-cults were even now wholly dead he could not for a moment suppose, and he frequently wondered how much older and how much blacker than the very worst of the muttered tales some of them might really be.




III

It was the case of Robert Suydam which took Malone to the heart of things in Red Hook. Suydam was a lettered recluse of ancient Dutch family, possessed originally of barely independent means, and inhabiting the spacious but ill-preserved mansion which his grandfather had built in Flatbush when that village was little more then a pleasant group of Colonial cottages surrounding the steepled and ivy-clad Reformed Church with its iron-railed yard of Netherlandish gravestones. In this lonely house, set back from Martense Street amidst a yard of venerable trees, Suydam had read and brooded for some six decades except for a period a generation before, when he had sailed for the Old World and remained there out of sight for eight years. He could afford no servants, and would admit but few visitors to his absolute solitude; eschewing close friendships and receiving his rare acquaintances in one of the three ground-floor rooms, which he kept in order—a vast, high-ceiled library whose walls were solidly packed with tattered books of ponderous, archaic, and vaguely repellent aspect. The growth of the town and its final absorption in the Brooklyn district had meant nothing to Suydam, and he had come to mean less and less to the town. Elderly people still pointed him out on the streets, but to most of the recent population he was merely a queer, corpulent old fellow whose unkempt white hair, stubbly beard, shiny black clothes and gold-headed cane earned him an amused glance and nothing more. Malone did not know him by sight till duty called him to the case, but had heard of him indirectly as a really profound authority on medieval superstition, and had once idly meant to look up an out-of-print pamphlet of his on the Kabbalah and the Faustus legend, which a friend had quoted from memory.

Suydam became a "case" when his distant and only relatives sought court pronouncements on his sanity. Their action seemed sudden to the outside world, but was really undertaken only after prolonged observation and sorrowful debate. It was based on certain odd changes in his speech and habits; wild references to impending wonders, and unaccountable hauntings of disreputable Brooklyn neighborhoods. He had been growing shabbier and shabbier with the years, and now prowled about like a veritable mendicant; seen occasionally by humiliated friends in subway stations, or loitering on the benches around Borough Hall in conversation with groups of swarthy, evil-looking strangers. When he spoke it was to babble of unlimited powers almost within his grasp, and to repeat with knowing leers such mystical words of names as "Sephiroth," "Ashmodai" and "Samael." The court action revealed that he was using up his income and wasting his principal in the purchase of curious tomes imported from London and Paris, and in the maintenance of a squalid basement flat in the Red Hook district where he spent nearly every night, receiving odd delegations of mixed rowdies and foreigners, and apparently conducting some kind of ceremonial service behind the green blinds of secretive windows. Detectives assigned to follow him reported strange cries and chants and prancing of feet filtering out from these nocturnal rites, and shuddered at their peculiar ecstasy and abandon despite the commonness of weird orgies in that sodden section. When, however, the matter came to a hearing, Suydam managed to preserve his liberty. Before the judge his manner grew urbane and reasonable, and he freely admitted the queerness of demeanor and extravagant cast of language into which he had fallen through excessive devotion to study and research. He was, he said, engaged in the investigation of certain details of European tradition which required the closest contact with foreign groups and their songs and folk dances. The notion that any low secret society was preying upon him, as hinted by his relatives, was obviously absurd; and showed how sadly limited was their understanding of him and his work. Triumphing with his calm explanations, he was suffered to depart unhindered; and the paid detectives of the Suydams, Corlears and Van Brunts were withdrawn in resigned disgust.

It was here that an alliance of Federal inspectors and police, Malone with them, entered the case. The law had watched the Suydam action with interest, and had in many instances been called upon to aid the private detectives. In this work it developed that Suydam's new associates were among the blackest and most vicious criminals of Red Hook's devious lanes, and that at least a third of them were known and repeated offenders in the matter of thievery, disorder, and the importation of illegal immigrants. Indeed, it would not have been too much to say that the old scholar's particular circle coincided almost perfectly with the worst of the organized cliques which smuggled ashore certain nameless and unclassified Asian dregs wisely turned back by Ellis Island. In the teeming rookeries of Parker Place—since renamed—where Suydam had his basement flat, there had grown up a very unusual colony of unclassified slant-eyed folk who used the Arabic alphabet but were eloquently repudiated by the great mass of Syrians in and around Atlantic Avenue. They could all have been deported for lack of credentials, but legalism is slow-moving, and one does not disturb Red Hook unless publicity forces one to.

These creatures attended a tumbledown stone church, used Wednesdays as a dance hall, which reared its Gothic buttresses near the vilest part of the waterfront. Clergy throughout Brooklyn denied the place all standing and authenticity, and policemen agreed with them when they listened to the noises it emitted at night. Malone used to fancy he heard terrible cracked bass notes from a hidden organ far underground when the church stood empty and unlighted, whilst all observers dreaded the shrieking and drumming which accompanied the visible services. Suydam, when questioned, said he thought the ritual was some remnant of Nestorian Christianity tinctured with the Shamanism of Tibet. Most of the people, he conjectured, were of Mongoloid stock, originating somewhere in or near Kurdistan—and Malone could not help recalling that Kurdistan is the land of the Yezidees, last survivors of the Persian devil-worshippers. However this may have been, the stir of the Suydam investigation made it certain that these unauthorized newcomers were flooding Red Hook in increasing numbers; entering through some marine conspiracy unreached by revenue officers and harbor police, overrunning Parker Place and rapidly spreading up the hill, and welcomed with curious fraternalism by the other assorted denizens of the region. Their squat figures and characteristic squinting physiognomies grotesquely combined with flashy American clothing, appeared more and more numerously among the loafers and nomad gangsters of the Borough Hall section; till at length it was deemed necessary to compute their number, ascertain their sources and occupations, and find if possible a way to round them up and deliver them to the proper immigration authorities. To this task Malone was assigned by agreement of Federal and city forces, and as he commenced his canvass of Red Hook he felt poised upon the brink of nameless terrors, with the shabby, unkempt figure of Robert Suydam as archfiend and adversary.




IV

Police methods are varied and ingenious. Malone, through unostentatious rambles, carefully casual conversations, well-timed offers of hip-pocket liquor, and judicious dialogues with frightened prisoners, learned many isolated facts about the movement whose aspect had become so menacing. The newcomers were indeed Kurds, but of a dialect obscure and puzzling to exact philology. Such of them as worked lived mostly as dock-hands and unlicensed peddlers, though frequently serving in Greek restaurants and tending corner newsstands. Most of them, however, had no visible means of support; and were obviously connected with underworld pursuits, of which smuggling and bootlegging were the least indescribable. They had come in steamships, apparently tramp freighters, and had been unloaded by stealth on moonless nights in rowboats which stole under a certain wharf and followed a hidden canal and house Malone could not locate, for the memories of his informants were exceedingly confused, while their speech was to a great extent beyond even the ablest interpreters; nor could he gain any real data on the reasons for their systematic importation. They were reticent about the exact spot from which they had come, and were never sufficiently off guard to reveal the agencies which had sought them out and directed their course. Indeed, they developed something like acute fright when asked the reason for their presence. Gangsters of other breeds were equally taciturn, and the most that could be gathered was that some god or great priesthood had promised them unheard-of powers and supernatural glories and rulerships in a strange land.

The attendance of both newcomers and old gangsters at Suydam's closely guarded nocturnal meetings was very regular, and the police soon learned that the erstwhile recluse had leased additional flats to accommodate such guests as knew his password; at last occupying three entire houses and permanently harboring many of his queer companions. He spent but little time now at his Flatbush home, apparently going and coming only to obtain and return books; and his face and manner had attained an appalling pitch of wildness. Malone twice interviewed him, but was each time bruskly repulsed. He knew nothing, he said, of any mysterious plots or movements; and had no idea how the Kurds could have entered or what they wanted. His business was to study undisturbed the folk-lore of all the immigrants of the district; a business with which policemen had no legitimate concern. Malone mentioned his admiration for Suydam's old brochure on the Kabbalah and other myths, but the old man's softening was only momentary. He sensed an intrusion, and rebuffed his visitor in no uncertain way; till Malone withdrew disgusted, and turned to other channels of information.



What Malone would have unearthed could he have worked continuously on the case, we shall never know. As it was, a stupid conflict between city and Federal authority suspended the investigation for several months, during which the detective was busy with other assignments. But at no time did he lose interest, or fail to stand amazed at what began to happen to Robert Suydam. Just at the time when a wave of kidnappings and disappearances spread its excitement over New York, the unkempt scholar embarked upon a metamorphosis as startling as it was absurd. One day he was seen near Borough Hall with clean-shaved face, well-trimmed hair, and tastefully immaculate attire, and on every day thereafter some obscure improvement was noticed in him. He maintained his new fastidiousness without interruption, added to it an unwonted sparkle of eye and crispness of speech, and began little by little to shed the corpulence which had so long deformed him. Now frequently taken for less than his age, he acquired an elasticity of step and buoyancy of demeanor to match the new tradition, and showed a curious darkening of the hair which somehow did not suggest dye. As the months passed, he commenced to dress less and less conservatively, and finally astonished his few friends by renovating and redecorating his Flatbush mansion, which he threw open in a series of receptions, summoning all the acquaintances he could remember, and extending a special welcome to the fully forgiven relatives who had lately sought his restraint. Some attended through curiosity, others through duty; but all were suddenly charmed by the dawning grace and urbanity of the former hermit. He had, he asserted, accomplished most of his allotted work; and having just inherited some property from a half-forgotten European friend, was about to spend his remaining years in a brighter second youth which ease, care and diet had made possible to him. Less and less was he seen at Red Hook, and more and more did he move in the society to which he was born. Policemen noted a tendency of the gangsters to congregate at the old stone church and dancehall instead of at the basement flat in Parker Place, though the latter and its recent annexes still overflowed with noxious life.



Then two incidents occurred—wide enough apart, but both of intense interest in the case as Malone envisaged it. One was a quiet announcement in the Eagle of Robert Suydam's engagement to Miss Cornelia Gerritsen of Bayside, a young woman of excellent position, and distantly related to the elderly bridegroom-elect; whilst the other was a raid on the dance-hall church by city police, after a report that the face of a kidnapped child had been seen for a second at one of the basement windows. Malone had participated in this raid, and studied the place with much care when inside. Nothing was found—in fact, the building was entirely deserted when visited—but the sensitive Celt was vaguely disturbed by many things about the interior. There were crudely painted panels he did not like—panels which depicted sacred faces with peculiarly worldly and sardonic expressions, and which occasionally took liberties that even a layman's sense of decorum could scarcely countenance. Then, too, he did not relish the Greek inscription on the wall above the pulpit; an ancient incantation which he had once stumbled upon in Dublin college days, and which read, literally translated: "O friend and companion of night, thou who rejoicest in the baying of dogs and spilt blood, who wanderest in the midst of shades among the tombs; who longest for blood and bringest terror to mortals, Gorge, Mormo, thousand-faced moon, look favorably on our sacrifices!"

When he read this he shuddered, and thought vaguely of the cracked bass organ-notes he fancied he had heard beneath the church on certain nights. He shuddered again at the rust around the rim of a metal basin which stood on the altar, and paused nervously when his nostrils seemed to detect a curious and ghastly stench from somewhere in the neighborhood. That organ memory haunted him, and he explored the basement with particular assiduity before he left. The place was very hateful to him; yet after all, were the blasphemous panels and inscriptions more than mere crudities perpetrated by the ignorant?



By the time of Suydam's wedding the kidnapping epidemic had become a popular newspaper scandal. Most of the victims were young children of the lowest classes, but the increasing number of disappearances had worked up a sentiment of the strongest fury. Journals clamored for action from the police, and once more the Butler Street station sent its men over Red Hook for clues, discoveries, and criminals. Malone was glad to be on the trail again, and took pride in a raid on one of Suydam's Parker Place houses. There, indeed, no stolen child was found, despite the tales of screams and the red sash picked up in the areaway; but the paintings and rough inscriptions on the peeling walls of most of the rooms, and the primitive chemical laboratory in the attic, all helped to convince the detective that he was on the track of something tremendous. The paintings were appalling—hideous monsters of every shape and size, and parodies on human outlines which cannot be described. The writing was in red, and varied from Arabic to Greek, Roman, and Hebrew letters. Malone could not read much of it, but what he did decipher was portentous and cabalistic enough. One frequently repeated motto was in a sort of Hebraized Hellenistic Greek, and suggested the most terrible demon-evocations of the Alexandrian decadence:


HEL. HELOYM. SOTHER. EMMANVEL. SABOATH. AGLA. TETRAGRAMMATION. AGYROS. OTHEOS. ISCHYROS. ATHANATOS. IEHOVA. VA. ADONAL. SADY. HOMOVSION. MESSIAS. ESCHEREHEYE.


Circles and pentagrams loomed on every hand, and told indubitably of the strange beliefs and aspirations of those who dwelt so squalidly here. In the cellar, however, the strangest thing was found—a pile of genuine gold ingots covered carelessly with a piece of burlap, and bearing upon their shining surfaces the same weird hieroglyphics which also adorned the walls. During this raid the police encountered only a passive resistance from the squinting Orientals that swarmed from every door. Finding nothing relevant, they had to leave all as it was; but the precinct captain wrote Suydam a note, advising him to look closely to the character of his tenants, and protegés in view of the growing public clamor.




V

Then came the June wedding and the great sensation; Flatbush was gay for the hour about high noon, and pennanted motors thronged the street near the old Dutch church where an awning stretched from door to highway. No local event ever surpassed the Suydam-Gerritsen nuptials in tone and scale, and the party which escorted the bride and groom to the Cunard pier was, if not exactly the smartest, at least a solid page from the Social Register! At 5 o'clock adieux was waved, and the ponderous liner edged away from the long pier, slowly turned its nose seaward, discarded its tug, and headed for widening water spaces that led to Old World wonders. By night the outer harbor was cleared, and late passengers watched the stars twinkling above an unpolluted ocean.

Whether the tramp steamer or the scream was first to gain attention, no one can say. Probably they were simultaneous, but it is of no use to calculate. The scream came from the Suydam stateroom, and the sailor who broke down the door could perhaps have told frightful things if he had not forthwith gone completely mad—as it is, he shrieked more loudly than the first victims, and thereafter ran simpering about the vessel till caught and put in irons. The ship's doctor who entered the stateroom and turned on the lights a moment later did not go mad, but told nobody what he saw till afterward, when he corresponded with Malone in Chepachet. It was murder—strangulation—but one need not say that the claw-mark on Mrs. Suydam's throat could not have come from her husband's or any other human hand, or that upon the white wall there flickered for an instant in hateful red a legend which, later copied from memory, seems to have been nothing less than the fearsome Chaldee letters of the word "LILITH." One need not mention these things because they vanished so quickly—as for Suydam, one could at least bar others from the room until one knew what to think oneself. The doctor has distinctly assured Malone that he did not see IT. The open porthole, just before he turned on the lights, was clouded for a second with a certain phosphorescence, and for a moment there seemed to echo in the night outside the suggestion of a faint and hellish tittering; but no real outline met the eye. As proof, the doctor points to his continued sanity.

Then the tramp steamer claimed all attention. A boat put off, and a horde of swart, insolent ruffians in officers' dress swarmed aboard the temporarily halted Cunarder. They wanted Suydam or his body—they had known of his trip, and for certain reasons were sure he would die. The captain's deck was almost a pandemonium; for at the instant, between the doctor's report from the stateroom and the demands of the men from the tramp, not even the wisest and gravest seaman could think what to do. Suddenly the leader of the visiting mariners, an Arab with a hatefully negroid mouth, pulled forth a dirty, crumpled paper and handed it to the captain. It was signed by Robert Suydam, and bore the following odd message:


In case of sudden or unexpected accident or death on my part, please deliver me or my body unquestioningly into the hands of the bearer and his associates. Everything, for me, and perhaps for you, depends on absolute compliance. Explanations can come later—do not fail me now.

Robert Suydam.


Captain and doctor looked at each other, and the latter whispered something to the former. Finally they nodded rather helplessly and led the way to the Suydam stateroom. The doctor directed the captain's glance away as he unlocked the door and admitted the strange seamen, nor did he breathe easily, till they filed out with their burden after an unaccountably long period of preparation. It was wrapped in bedding from the berths, and the doctor was glad that the outlines were not very revealing. Somehow the men got the thing over the side and away to their tramp steamer without uncovering it.

The Cunarder started again, and the doctor and ship's undertaker sought out the Suydam stateroom to perform what last services they could. Once more the physician was forced to reticence and even to mendacity, for a hellish thing had happened. When the undertaker asked him why he had drained off all of Mrs. Suydam's blood, he neglected to affirm that he had not done so; nor did he point to the vacant bottle-spaces on the rack, or to the odor in the sink which showed the hasty disposition of the bottles' original contents. The pockets of those men—if men they were—had bulged damnably when they left the ship. Two hours later, and the world knew by radio all that it ought to know of the horrible affair.




VI

That same June evening, without having heard a word from the sea, Malone was very busy among the alleys of Red Hook. A sudden stir seemed to permeate the place, and as if apprized by "grapevine telegraph" of something singular, the denizens clustered expectantly around the dance-hall church and the houses in Parker Place. Three children had just disappeared—blue-eyed Norwegians from the streets toward Gowanus—and there were rumors of a mob forming among the sturdy Viking of that section. Malone had for weeks been urging his colleagues to attempt a general clean-up; and at last, moved by conditions more obvious to their common sense than the conjectures of a Dublin dreamer, they had agreed upon a final stroke. The unrest and menace of this evening had been the deciding factor, and just about midnight a raiding party recruited from three stations descended upon Parker Place and its environs. Doors were battered in, stragglers arrested, and candle-lighted rooms forced to disgorge unbelievable throngs of mixed foreigners in figured robes, miters and other inexplicable devices. Much was lost in the mêlée for objects were thrown hastily down unexpected shafts, and betraying odors deadened by the sudden kindling of pungent incense. But spattered blood was everywhere, and Malone shuddered whenever he saw a brazier or altar from which the smoke was still rising.

He wanted to be in several places at once, and decided on Suydam's basement flat only after a messenger had reported the complete emptiness of the dilapidated dance-hall church. The flat, he thought, must hold some clue to a cult of which the occult scholar had so obviously become the center and leader; and it was with real expectancy that he ransacked the musty rooms, noted their vaguely charnal odor, and examined the curious books, instruments, gold ingots, and glass-stoppered bottles scattered carelessly here and there. Once a lean, black-and-white cat edged between his feet and tripped him, overturning at the same time a beaker half full of red liquid. The shock was severe, and to this day Malone is not certain of what he saw; but in dreams he still pictures that cat as it scuttled away with certain monstrous alterations and peculiarities.



Then came the locked cellar door, and the search for something to break it down. A heavy stool stood near, and its tough seat was more than enough for the antique panels. A crack formed and enlarged, and the whole door gave way—but from the other side; whence poured a howling tumult of ice-cold wind with all the stenches of the bottomless pit, and whence reached a sucking force not of earth or heaven, which, coiling sentiently about the paralyzed detective, dragged him through the aperture and down unmeasured spaces filled with whispers and wails, and gusts of mocking laughter.

Of course it was a dream. All the specialists have told him so, and he has nothing tangible to prove the contrary. Indeed, he would rather have it thus; for then the sight of old brick slums and dark foreign faces would not eat so deeply into his soul. But at the time it was all horribly real, and nothing can ever efface the memory of those nighted crypts, those titan arcades, and those half-formed shapes of hell that strode gigantically in silence holding half-eaten things whose still surviving portions screamed for mercy or laughed with madness. Odors of incense and corruption joined in sickening concert, and the black air was alive with the cloudy, semi-visible bulk of shapeless elemental things with eyes. Somewhere dark sticky water was lapping at onyx piers, and once the shivery tinkle of raucous little bells pealed out to greet the insane titter of a naked phosphorescent thing which swam into sight, scrambled ashore, and climbed up to squat leeringly on a carved golden pedestal in the black ground.

Avenues of limitless night seemed to radiate in every direction, till one might fancy that here lay the root of a contagion destined to sicken and swallow cities, and engulf nations in the fetor of hybrid pestilence. Here cosmic sin had entered, and festered by unhallowed rites had commenced the grinning march of death that was to rot us all to fungus abnormalities too hideous for the grave's holding. Satan here held his Babylonish court, and in the blood of stainless childhood the leprous limbs of phosphorescent Lilith were laved. Incubi and succubae howled praise to Hecate, and headless mooncalves bleated to the Magna Mater. Goats leaped to the sound of thin accursed flutes, and AEgipans chased endlessly after misshapen fauns over rocks twisted like swollen toads. Moloch and Ashtaroth were not absent; for in this quintessence of all damnation the bounds of consciousness were let down, and man's fancy lay open to vistas of every realm of horror and every forbidden dimension that evil had power to mold. The world and nature were helpless against such assaults from unsealed wells of night, nor could any sign or prayer check the Walpurgissage of horror which had come when a sage with the hateful locked and brimming coffer of transmitted demon-lore.

Suddenly a ray of physical light shot through these fantasms, and Malone heard the sound of oars amidst the blasphemies of things that should be dead. A boat with a lantern in its prow darted into sight, made fast to an iron ring in the slimy stone pier, and vomited forth several dark men bearing a long burden swathed in bedding. They took it to the naked phosphorescent thing on the carved gold pedestal, and the thing tittered and pawed the bedding. Then they unswathed it, and propped upright before the pedestal the gangrenous corpse of a corpulent old man with stubby beard and unkempt white hair. The phosphorescent thing tittered again, and the men produced bottles from their pockets and anointed its feet with red, whilst they afterward gave the bottles to the thing to drink from.

All at once, from an arcaded avenue leading endlessly away, there came the demoniac rattle and wheeze of a blasphemous organ, choking and rumbling out of the mockeries of hell in cracked, sardonic bass. In an instant every moving entity was electrified; and forming at once into a ceremonial procession, the nightmare horde slithered away in quiet of the sound—goat, satyr, and AEgipan, incubus, succuba, and lemur, twisted toad and shapeless elemental, dog-faced howler and silent strutter in darkness—all led by the abominable naked phosphorescent thing that had squatted on the carved golden throne; and that now strode insolently bearing in its arms the glassy-eyed corpse of the corpulent old man. The strange dark man danced in the rear, and the whole column skipped and leaped with Dionysiac fury. Malone staggered after them a few steps, delirious and hazy, and doubtful of his place in this or any world. Then he turned, faltered, and sank down on the cold damp stone, gasping and shivering as the demon organ croaked on, and the howling and drumming and tinkling of the mad procession grew fainter and fainter.

Vaguely he was conscious of chanted horrors, and shocking croakings afar off. Now and then a wail or whine of ceremonial devotion would float to him through the black arcade, whilst eventually there rose the dreadful Greek incantation whose text he had read above the pulpit of that dance-hall church.

"O friend and companion of night thou who rejoicest in the baying of dogs (here a hideous howl burst forth) and spilt blood (here nameless sounds vied with morbid shriekings), who wanderest in the midst of shades among the tombs (here a whistling sigh occurred), who longest for blood and bringest terror to mortals (short, sharp cries from myriad throats), Gorgo (repeated as response), Mormo (repeated with ecstasy), thousand-faced moon (sighs and flute notes), look favorably on our sacrifices!"

As the chant closed, a general shout went up, and hissing sounds nearly drowned the croaking of the cracked bass organ. Then a gasp as from many throats, and a babel of barked and bleated words—"Lilith, Great Lilith, behold the Bridegroom!" More cries, a clamor of rioting, and the sharp, clicking footfalls of a running figure. The footfalls approached, and Malone raised himself to his elbow to look.



The luminosity of the crypt, lately diminished, had now slightly increased; and in that devil-light there appeared the fleeing form of that which should not flee or feel or breathe—the glassy-eyed, gangrenous corpse of the corpulent old man, now needing no support, but animated by some infernal sorcery of the rite just closed. After it raced the naked, tittering, phosphorescent thing that belonged on the carven pedestal, and still farther behind panted the dark men, and all the dread crew of sentient loathsomenesses. The corpse was gaining on its pursuers, and seemed bent on a definite object, straining with every rotting muscle toward the carved golden pedestal, whose necromantic importance was evidently so great. Another moment and it had reached its goal, whilst the trailing throng labored on with more frantic speed. But they were too late, for in one final spurt of strength which ripped tendon from tendon and sent its noisome bulk floundering to the floor in a state of jellyish dissolution, the staring corpse which had been Robert Suydam achieved its object and its triumph. The push had been tremendous, but the force had held out; and as the pusher collapsed to a muddy blotch of corruption the pedestal he had pushed tottered, tipped, and finally careened from its onyx base into the thick waters below, sending up a parting gleam of carven gold as it sank heavily to undreamable gulfs of lower Tartarus. In that instant, too, the whole scene of horror faded to nothingness before Malone's eyes; and he fainted amidst a thunderous crash which seemed to blot out all the evil universe.




VII

Malone's dream, experienced in full before he knew of Suydam's death and transfer at sea, was curiously supplemented by some oddities of the case; though that is no reason why anyone should believe it. The three old houses in Parker Place, doubtless long rotten with decay in its most insidious form, collapsed without visible cause while half the raiders and most of the prisoners were inside; and both of the greater number were instantly killed. Only in the basements and cellars was there much saving of life, and Malone was lucky to have been deep below the house of Robert Suydam. For he really was there, as no one is disposed to deny. They found him unconscious by the edge of the night-black pool, with a grotesquely horrible jumble of decay and bone, identifiable through dental work as the body of Suydam, a few feet away. The case was plain, for it was hither that the smugglers' underground canal led; and the men who took Suydam from the ship had brought him home. They themselves were never found, or identified; and the ship's doctor is not yet satisfied with the certitudes of the police.

Suydam was evidently a leader in extensive man-smuggling operations, for the canal to his house was but one of several subterranean channels and tunnels in the neighborhood. There was a tunnel from this house to a crypt beneath the dance-hall church; a crypt accessible from the church only through a narrow secret passage in the north wall, and in whose chambers some singular and terrible things were discovered. The croaking organ was there, as well as a vast arched chapel with wooden benches and a strangely figured altar. The walls were lined with small cells, in seventeen of which—hideous to relate—solitary prisoners in a state of complete idiocy were found chained, including four mothers with infants of disturbingly strange appearance. These infants died soon after exposure to the light; a circumstance which the doctors thought rather merciful. Nobody but Malone, among those who inspected them, remembered the somber question of old Delrio: "An sint unquan daemones incubi et succubae, et an ex tali, congressu proles nasci queat?"

Before the canals were filled up they were thoroughly dredged, and yielded forth a sensational array of sawed and split bones of all sizes. The kidnapping epidemic, very clearly, had been traced home; though only two of the surviving prisoners could by any legal thread be connected with it. These men are now in prison, since they failed of conviction as accessories in the actual murders. The carved golden pedestal or throne so often mentioned by Malone as of primary occult importance was never brought to light, though at one place under the Suydam house the canal, was observed to sink into a well too deep for dredging. It was choked up at the mouth and cemented over when the cellars of the new houses were made, but Malone often speculates on what lied beneath. The police, satisfied that they had shattered a dangerous gang of maniacs and alien smugglers, turned over to the Federal authorities the unconvicted Kurds, who before their deportation were conclusively found to belong to the Yezidee clan of devils-worshippers. The tramp ship and its crew remain an elusive mystery, though cynical detectives are once more ready to combat its smuggling and rum-running ventures. Malone thinks these detectives show a sadly limited perspective in their lack of wonder at the myriad unexplainable details, and the suggestive obscurity of the whole case; though he is just as critical of the newspapers, which saw only a morbid sensation and gloated over a minor sadist cult when they might have proclaimed a horror from the universe's very heart. But he is content to rest silent in Chepachet, calming his nervous system and praying that time may gradually transfer his terrible experience from the realm of present reality to that of picturesque and semi-mythical remoteness.

Robert Suydam sleeps beside his bride in Greenwood Cemetery. No funeral was held over the strangely released bones, and relatives are grateful for the swift oblivion which overtook the case as a whole.

The scholar's connection with the Red Hook horrors, indeed, was never emblazoned by legal proof; since his death forestalled the inquiry he would otherwise have faced. His own end is not much mentioned, and the Suydams hope that posterity may recall him only as a gentle recluse who dabbled in harmless magic and folk-lore.

As for Red Hook—it is always the same. Suydam came and went; a terror gathered and faded; but the evil spirit of darkness and squalor broods on amongst the mongrels in the old brick houses; and prowling bands still parade on unknown errands past windows where lights and twisted faces unaccountably appear and disappear. Age-old horror is a hydra with a thousand heads, and the cults of darkness are rooted in blasphemies deeper than the well of Democritus. The soul of the beast is omnipresent and triumphant, and Red Hook's legions of blear-eyed, pockmarked youths still chant and curse and howl as they file from abyss to abyss, none knows whence or whither, pushed on by blind laws of biology which they may never understand. As of old more people enter Red Hook than leave it on the landward side, and there are already rumors of new canals running underground to certain centers of traffic in liquor and less mentionable things.

The dance-hall church is now mostly a dance-hall, and queer faces have appeared at night at the windows. Lately a policeman expressed the belief that the filled-up crypt has been dug out again, and for no simply explainable purpose. Who are we to combat poisons older than history and mankind? Apes danced in Asia to those horrors, and the cancer lurks secure and spreading where furtiveness hides in rows of decaying brick.

Malone does not shudder without cause—for only the other day an officer overheard a swarthy squinting hag teaching a small child some whispering patois in the shadow of an areaway. He listened, and thought it very strange when he heard her repeat over and over again:

"O friend and companion of night thou who rejoicest in the baying of dogs and spilt blood, who wanderest in the midst of shades among the tombs, who longest for blood and bringest terror to mortals, Gorgo, Mormo, thousand-faced moon, look favorably on our sacrifices!" 

 

About the Author

H. P. Lovecraft

H. P. Lovecraft was born in 1890 in Providence, Rhode Island, where he lived most of his life. He wrote many essays and poems early in his career, but gradually focused on the writing of horror stories, after the advent in 1923 of the pulp magazine Weird Tales, to which he contributed most of his fiction. His relatively small corpus of fiction--three short novels and about sixty short stories--has nevertheless exercised a wide influence on subsequent work in the field, and he is regarded as the leading twentieth-century American author of supernatural fiction. H. P. Lovecraft died in Providence in 1937.

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Tuesday, April 11, 2023

The Silent Trees by Frank Owen

 

Weird Tales/Volume 7/Issue 5/The Silent Trees

 

The Silent Trees by Frank Owen

 

 

The Silent Trees by Frank Owen
 "Softly he bent over the form of the lovely girl and the beauty of the great room was dwarfed by comparison to the loveliness of Lun Pei Lo."

With the first breath of night Canton becomes a city of mystery, a place of lurking shadows, of soft-cadenced, subdued voices, of lanterns flickering wistfully "out from the folds of darkness, of a thousand varied odors, some revolting, others that seem to possess all the allure and incense of the East.

That evening as I wandered through the narrow alleys that wind through the city like snakes, I noticed a Chinaman standing in the doorway of a tea-house. He was very tall, like a great reed, and he swayed somewhat, which emphasized the simile. He was dressed in a soft black, shapeless suit, unrelieved by any touch of color, a suit which seemed to have been cut from the velvet blackness of the Oriental night. His face was yellow but so pale that it seemed almost white, and his eyes lay in great pits. They glowed with a strange brilliancy like the eyes of a forest animal or of a man who has crossed the threshold of reason. His nose was a monstrosity crushed flat against his face and his lips were so thin they hardly existed. They made no effort to hide his huge yellow teeth.

As I gazed into his face I paused, for he was smiling hideously and beckoning to me.

"If you will buy me some tea," he said in a soft voice which was beautifully modulated, "I will tell you a tale of adventure and romance that will cause your ennui to slip from you like a cloak."

"How did you know I was in search of adventure?" I demanded.

"That was very simple," said he. "When it grows cloudy, one knows that it will rain. One judges the weather by gazing on the face of nature. One judges a man's mood likewise by gazing into his face."

He led the way into the tea-house as he spoke, and in a few seconds we were seated at a small table in a far corner. The tea-house was dimly lighted and the scattered forms that slunk about the room seemed like wraiths. Overhead several lanterns burned dimly, yellow-blue lanterns that caressed the room with a peaceful shimmering light. A sleek Chinaman brought us tea and then silently withdrew. My companion closed his eyes and breathed deeply of the sweet aroma that rose softly to his nostrils.

"Tea," he said softly, "tea is a beverage of enchantment. It brings happiness and dreams. It brings forgetfulness. It is a medicine to cure all physical and moral ills." He paused for a moment, then he said, "My name is Tuan Tung and I dwell not far from here on an island in the Great River. What the island is called matters little. Where it is matters less. Sufficient it is that there is such an island, for it is an island like unto none that you have ever chanced upon."

Again he paused for a moment and breathed deeply of the tea aroma. I marveled that he made no effort to lift the dainty green-jade cup to his lips.

"On my island," he continued, "no sound is ever heard. Not a bird sings, not a flower laughs in the wind, even the great tree-tops are subdued. It is an island of sorrow. All nature is mourning, mourning for little Lun Pei Lo who used to make our island a floral garden of loveliness by her singing. You who have heard the greatest singers of the Occident, have yet to hear anything comparable to the singing of Lun Pei Lo, for when she sang even the flowers joined in the chorus. They blossomed more beautifully and fragrantly than ever, and the trees like great violins softly joined in the music. They swayed in perfect rhythm, and made music which even the spheres might envy. He only is a great singer who can harmonize with nature, and Lun Pei Lo was even greater, for nature harmonized with her. Life is a peculiar thing. Men wander through the valley toward the shadowy death caves beyond and always they think of attaining wealth, and riches and power. None of these is of the slightest importance. The wealth of the world is contained in sweet incense, the aroma of tea, in beautiful pictures, in music and in the glory of the skies. When we arrive at that station in life where we can estimate values, there will no longer be any necessity for dying. Life will be complete. On our island little Lun Pei Lo sang and all things joined in her songs. But now little Lun Pei Lo has gone and the trees are silent, the flowers are hushed and the birds no longer sing. Nothing but sadness remains. Even the great serpent who sleeps beneath the mountains mourns for her."

"If I would not be presuming," I hazarded, "I should like very much to visit your island."

He looked up quickly and his eyes narrowed until they were little more than slits. "I will take you there this very night," he said emphatically.


After that we sat in silence. I finished my tea and waited for him to do likewise, but he made no effort to raise the cup to his lips. He just inhaled the aroma until the tea had cooled, after which he reluctantly rose to his feet. Together we ambled through the winding crisscross alleys of Canton. He held my arm with fingers of steel, as though he feared I might flee. They bit into my flesh like teeth. At last we arrived at the water's edge. It was pitch-black. Tuan Yung clambered into a small boat from the bow of which hung a lantern, and I followed after him. When we were both seated he extinguished the light. The water was blacker than a river of jet and I could not make out the form of my companion. The sky was overcast and there was no moon. The night air was cold and cheerless and a sharp wind blew fitfully over the waters.

Soon the boat began to move. I assumed that Yuan Yung was rowing although I heard no sound of oars. The boat cut through the water as though it had no more texture than a phantom. The night was lifeless and still. On and on we drifted. As the moments passed I grew drowzy. It was very peaceful. Not a sound, not a sigh. At last I must have fallen into a deep sleep, for the next thing I knew it was morning.

I gazed slowly about me. To my surprize I lay beside a marvelous blue lake, a lake bluer than an April sky. Yuan Yung was nowhere in sight. Gone also was the boat in which we had come to the island. For awhile I waited for him to return, drinking in the beauty of the panorama that unfolded all about me. Hills covered with verdant trees etched sharply against a coral-blue sky. The grass was greener than any grass I had ever seen. And there were wild flowers in profusion growing on every side, flowers of every color and hue, a perfect riot of beauty! The air was so clear that I could see for miles about, and because of the immensity of the canvas on which I gazed everything seemed dwarfed by comparison. I was in a miniature world of loveliness. It was also a soundless world. Not the faintest murmuring rent the solitude. The trees were so still they might have been painted on a white sheet. Even the flowers did not move. No bird sang, nor could I detect the faintest suggestion of a breeze. It was so calm and lifeless that it made me shiver. I called aloud for Yuan Yung but my voice died out almost instantly without echo. I called again but it was useless. The air refused to take up my voice. I began to perspire as though some awful menace were at my heels. I was afraid to look back. It was ridiculous to succumb to nerves on such a perfect day. The sky was clear and on every hand I was enveloped in beauty. It was so beautiful that it was nauseating. I felt as though the very perfectness of the picture were stifling me, stealing my breath, binding me with chains. For awhile I waited by the roadside, then I commenced to walk. Even my footfalls made no sound. It was an island of dreadful silence.

On and on I wandered. The road wound over a slight hill and then dipped into a forest and I passed along it as though I were lost in a dream. All nature was soundless as though it had paused for some great event, perhaps to listen to the singing of Lun Pei Lo. My mind at that moment was as clear as crystal. All the worthless dross of life had been washed out. Had life stopped on the island when Lun Pei Lo vanished? Would the current of existence cease to flow onward until her return? These were mad thoughts but at the moment they seemed logical enough. Sanity at best is but a relative condition. A man slightly mad seems normal as compared to a maniac. Pew persons of earth are mentally in absolute balance. Superstitions are slight forms of insanity and often one is declared insane simply because he has views which one can not understand.

There was something awesome about that soundless road. I was terrified. Many things there were as mysterious as the blue lake. I noticed that the few coral clouds in the sky did not move. Stationary also was the sun. It did not even seem to cast off heat as it blazed down. Neither was the air cold. The climate was neutral. I marveled at this but not nearly as much as at the fact that I cast no shadow. I had read that only the dead east no shadows. It was an old belief. Ancient also was the saying that a man's shadow is really his soul. When one casts no shadow one has lost one's soul. I had never given credence to such fantasies, yet now that I cast no shadow I shuddered. Was I dead? Was I a ghost? I laughed mirthlessly at the bare thought, but no sound came from my lips. I, too, was voiceless, as soundless as the silent trees. Now I quickened my pace. I sped down the road as though pursued by the wrath of the gods. My blood froze in my veins. My heart almost Stopped beating. My lips grew cold. The whole island seemed to be a seething menace, yet it was more beautiful than a landscape by Corot.

Soon I came to a gray city, a deserted city, the weirdest place in which I had ever walked. It was as though some horrible plague had driven the inhabitants from their homes. I roamed through street after street of gray houses, all deserted and dead. They stood somberly malignant like bleached bones from which all flesh had been torn by vultures. All were of peculiar design, built like shelves, each floor with a stone balcony, opening into rooms of yawning blackness. I, who had always hated noise and clamor, who had yearned for solitude, was now crushed by the weight of that velvet silence. It enmeshed me as it lay about me in folds. My tongue was parched and dry, my lips blistered and cracked. I drew my blackened tongue across my lips, but it was without moisture. The rasping feel of it made me shudder.


How long I wandered helplessly about I do not know, but the next thing I remember I was standing in front of a house. It was a gray house, a forbidding house, not one bit different from the others. Yet it arrested my attention. Something with-in me, I know not what, urged me to enter that house. It was a command more subtle than the perfume of poppies, but I acceded to it without question. It was an onward urge that could not be disputed. I paused for a moment to get my courage somewhat into shape, then I entered the house. At first the halls seemed as gloomy as a night fog, an effect heightened by my sudden transition from the glaring sunlight to the subdued shadows, but as my vision gradually cleared I gasped at the vast splendor that lay before me. It was as though the city had been drained of all its grandeur until it was a drab thing in order that all the color and beauty might be concentrated into this one house. I knew instinctively that all the other houses would be as gray and colorless within as their drab exteriors.

All about were rich rugs and tapestries, rugs and draperies of every material and color. There were lamps and lanterns of all shapes and sizes, magnificent vases and small idols of solid gold, set with diamonds and pearls and precious stones. On the floor was a jade-green carpet more luxurious than grass.

In awe I passed through the rooms. Even though everything was as silent as death I walked slowly. It was hard to realize that I could not make a sound. All the furnishings of the rooms were in excellent condition so it was strange that I should associate the grim building with great age. Still the suggestion of age persisted.

At last I came to a room larger and higher-vaulted than any of the others. The wealth of the house now dimmed, by comparison to the wealth I found here. Only Gautier could do justice in description. It was so gorgeous that it stunned. There is more intoxication in a truly beautiful picture than in rare wine. Here the colors were more of one tone, blues of exquisite harmony, soft velvets and silks more fragile than cobwebs. Through a great window the sun splashed into the room in wondrous glory, drenching everything with a soft yellow light. Nothing, I thought, could be more beautiful than this. And yet almost immediately I changed my mind, for in a far corner I beheld the form of a lovely girl. Softly I bent over her, and just as the loveliness of the other rooms had been dwarfed by comparison to the wealth of this one, so was the beauty of the great room dwarfed by comparison to the loveliness of Lun Pei Lo, for I knew that it was she. The same voice that urged me to enter the house now acquainted me with the name of the sleeping girl. Her eyes were closed but the lids were blue, canopied by lashes of wondrous length which caressed her cheeks. Like ivory was her skin, ivory which though pale seemed to glow with an inward pink coral light. Her lips were very red, softer and more fragrant than any flower. Lying there she seemed very young, little more than a child. Her body, though perfectly formed, was small and fragile, and I longed to crush her in my arms as though she were indeed a flower.

At that moment time ceased to be for me, even as it had ceased to be for the other things upon the island. I just stood and gazed down on the sleeping girl in open adoration. Never had I been as intense in my religious worship as I was in my worship of that girl.

I tried to picture how gorgeous she must be when those soft eyes were open. My forehead throbbed. I was as much a slave as any of the heroes told about in Greek legend. I longed to rouse Lun Pei Lo from her sleep, to hear her sing, to behold her smile. For the moment I forgot that the island was more silent than the heart of the Great Desert. That moment was the turning point in my life. I knew that having once seen the loveliness of Lun Pei Lo, everything would be changed thereafter.


My reveries were interrupted by a sudden dull murmur. It came like a shock. The house trembled as though it were about to awake from a long sleep. It sounded more frightful to me than if it had been at drum-pitch. At last the menace which I had felt was about to confront me. I wished to flee, but I could not leave little Lun Pei Lo to the mercies of unknown, invisible terrors. I hesitated for a moment only, then I seized her in my arms. At once the most awful thing happened that man could dream of. Her form was as light as air, as light as though it were but a shell, and as I drew her to me, she crumpled into dust even as mummies ofttimes crumble that have been hidden for centuries in Egyptian tombs. One moment she had lain before me as lovely as any flower, the next she was but dust at my feet. Dully I stood and gazed down upon the spot where she had vanished. The lovely face was gone, never to return. Mechanically I stooped and picked up a large blue-purple amethyst which had hung from a golden chain about her neck.

And now the murmurings increased to a mighty roar, a roar that shattered the crystal silence into a thousand tinkling fragments. It was the last thing that cut the thread of my rationality. Stark, raving mad I rushed from the house. The spell of the canopy of silence was broken. Echo ran rampant throughout the island. The trees began to sway. They seemed to be moaning. Pell-mell I rushed up a white winding road, until I emerged on a shelf of rock overhanging the deep blue lake. Not for a moment did I hesitate, but leaped into space. Death itself was preferable to the unseen horrors of that island. As I plunged into the lake it was like plunging into the sky.

Mercifully at that moment unconciousness closed in about me. It was the end, I thought, and I was glad. Perhaps in death I could join the lovely little Lun Pei Lo.


When I again opened my eyes all was blackness about me. I could not see a foot in any direction. My head throbbed' dully and a nauseating sweet fragrance floated to my nostrils. For one wild moment I reflected that I must be at the bottom of the blue lake. But I dismissed that thought almost instantly. My brain was somewhat in balance and I was beginning to think sanely again. I felt about me until my hand encountered that which was evidently a curtain. I pushed it slowly aside and beheld an old Chinaman seated beside a table on which a feeble lamp burned. He was rolling some black gummy pellets. I watched him intently for awhile, then I arose and walked over to his side. My knees were stiff, my legs were as wobbly as though I were a hundred.

"Can you tell me," I asked, "how I happen to be here?"

He shook his head. "How can I?" said he slowly. "Though undoubtedly you are here for the same thing that all others come for—opium."

I was in a quandary. "How long have I been here?" I asked.

"Who knows?" he droned, shrugging his shoulders. "Perhaps two days, perhaps three. What does it matter, anyway? Since that which has gone belongs to the past, why ponder over it?"

I drew two gold pieces from my pocket. He eyed them greedily as I jingled them in my palm. "Who brought me here?" I persisted.

He twisted his shrunken lips with his fingers. His eyes narrowed with the great effort of thinking, then he said, "A man who was tall and thin, so thin that he might have been the shadow of a pestilence."

I slid one of the gold pieces across the table to him and without preliminaries I told him of my adventures on the island of the blue lake.

When I had finished, he eyed me queerly. "Of course you have been steeped in opium for days," he said, "and your story can not be given credence; but at least it is odd, for we of China have an old legend about Lun Pei Lo, who lived over two thousand years ago. She was a great singer. It was she who introduced melody into China. According to the legend a wizard fell in love with her and carried her away. He was captivated by her. He brought her flowers and jewels and wrought gold in profusion but failed to make her happy. He worshiped her as the earth worships the sun, but to no avail. She pined for the lover of her childhood. Daily she grew thinner and thinner until her life was almost extinct. In despair the wizard changed her lover into a reed which ever after grew beside the Blue Lake. Such is the legend. Ton must have been thinking of it when you came to this house and it became entwined in your dreams."

"Perhaps you are right," I said slowly, but I did not tell him that at that very moment I held in my hand a gorgeous blue-purple amethyst which little Lun Pei Lo had once worn upon her breast.