Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Sunday, August 11, 2024

The Cask of Amontillado by Edgar Allan Poe | Foreword





The Cask of Amontillado 


by Edgar Allan Poe




Foreword by Olivia Salter

In the irregular and twisting corridors of gothic literature, few tales resonate with the same chilling intensity as Edgar Allan Poe's "The Cask of Amontillado." First published in 1846, this short story encapsulates the essence of revenge, betrayal, and the darker recesses of human nature. Poe masterfully weaves a narrative that invites readers to explore the complex interplay between pride and vengeance, all set against the backdrop of a carnival—the perfect plot of two things being seen with contrasting effect of revelry and impending doom.

At its core, the story revolves around Montresor, a man driven by a desire for retribution against Fortunato, whose perceived insults have disfigure his honor. As Montresor lures Fortunato deeper into the catacombs under the guise of a rare wine tasting, the reader is drawn into a chilling game of cat and mouse. Poe's rich, atmospheric prose evokes the damp, claustrophobic setting, immersing us in a world where the lines between sanity and madness blur, and where the thrill of vengeance takes on a life of its own.

Poe's exploration of human psychology is both fascinating and unsettling. The reader is forced to confront the motivations that lead one to commit unspeakable acts. Montresor's calculated scheme reveal the depths of his obsession, while Fortunato’s self-confidence and arrogance serve as a cautionary tale about the perils of excessive pride. The irony of their fateful encounter serves as a sad reminder of the consequences of unchecked ambition and the darker sides of our personalities.

As you delve into "The Cask of Amontillado," prepare to be captivated by its intricate plot and haunting themes. Poe's ability to evoke terror through suggestion rather than explicit violence allows for a deeply psychological reading experience. This tale remains a timeless testament to the power of storytelling, illustrating how the darkest corners of the human psyche can manifest in the most unexpected ways. Let this foreword guide you into the depths of Poe's imagination, where the thrill of the unknown awaits, and the echoes of revenge linger long after the final word is read.

Olivia Salter
08/11/2024


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