Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Tuesday, April 26, 2022

In Cabin’d Ships at Sea by Walter Whitman

In Cabin’d Ships at Sea

 

by

 

Walter Whitman 



  In cabin’d ships at sea,
  The boundless blue on every side expanding,
  With whistling winds and music of the waves, the large imperious waves,
  Or some lone bark buoy’d on the dense marine,
  Where joyous full of faith, spreading white sails,
  She cleaves the ether mid the sparkle and the foam of day, or under
      many a star at night,
  By sailors young and old haply will I, a reminiscence of the land, be read,
  In full rapport at last.

  Here are our thoughts, voyagers’ thoughts,
  Here not the land, firm land, alone appears, may then by them be said,
  The sky o’erarches here, we feel the undulating deck beneath our feet,
  We feel the long pulsation, ebb and flow of endless motion,
  The tones of unseen mystery, the vague and vast suggestions of the
      briny world, the liquid-flowing syllables,
  The perfume, the faint creaking of the cordage, the melancholy rhythm,
  The boundless vista and the horizon far and dim are all here,
  And this is ocean’s poem.

  Then falter not O book, fulfil your destiny,
  You not a reminiscence of the land alone,
  You too as a lone bark cleaving the ether, purpos’d I know not
      whither, yet ever full of faith,
  Consort to every ship that sails, sail you!
  Bear forth to them folded my love, (dear mariners, for you I fold it
      here in every leaf;)
  Speed on my book! spread your white sails my little bark athwart the
      imperious waves,
  Chant on, sail on, bear o’er the boundless blue from me to every sea,
  This song for mariners and all their ships.


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About the Author 

Walt Whitman
Walter Whitman (/ˈhwɪtmən/; May 31, 1819 – March 26, 1892) was an American poet, essayist and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse. His work was controversial in its time, particularly his 1855 poetry collection Leaves of Grass, which was described as obscene for its overt sensuality. Whitman's own life came under scrutiny for his presumed homosexuality. Wikipedia

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