Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Thursday, March 10, 2022

Light Freights by W. W. Jacobs



William Wymark Jacobs (1863-1943), was an English author of short stories and novels. He is now best remembered for his macabre tales "The Monkey's Paw" (1901) and "The Toll House" (in the collection of short stories The Lady of the Barge). However the majority of his output was humourous in tone. In 1879 he commenced work as a clerk in the civil service, in the Post Office Savings Bank, and by 1885 he had had his first short story published. His road to success was relatively slow. Jacobs' short story output declined somewhat around the First World War, and his literary efforts between then and his death were predominantly adaptations of his own short stories for the stage. Amongst his works are Many Cargoes (1896), A Master of Craft (1900), Light Freights (1901), At Sunwich Port (1902), The Lady of the Barge and Other Stories (1902), Dialstone Lane (1904), Odd Craft (1904), and Short Cruises (1907).

Light Freights (Illustrated Edition)



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