Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Sunday, March 20, 2022

Selected Classics of Washington Irving (Audio Book)

 

Selected Classics of Washington Irving (Audio Book)

 Washington Irving


Washington Irving (1783 - 1859)


Washington Irving is one of early America's most treasured writers. He is best known for his wit and satirical voice. Irving had the extraordinary ability to paint a picture in words on the canvas of the printed page. Irving spent time in England where he wrote some of his best work. This collection includes two of his most famous works: "Rip Van Winkle" and "The Legend of Sleepy Hollow." In these two classics, set in New York, Irving brings the legends and daily goings on of the early settlers to life in vivid color and detail. Additionally, two of Irving's essays about England, both rural and metropolitan, round out his Trans-Atlantic descriptions of life in a bygone era. (Greg Giordano)

Genre(s): Published 1800 -1900

Language: English

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