Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Thursday, March 31, 2022

Nostromo by Joseph Conrad (1904)

Nostromo by Joseph Conrad (1904)
 

Nostromo 

 

by Joseph Conrad 

 

(1904)

 

F. Scott Fitzgerald once said of this book, "I'd rather have written Nostromo than any other novel.” The story commences with the titular Nostromo, an Italian seaman, transporting a wealth of silver so that it cannot corrupt the local affairs of Sulaco (a port city in a fictional Colombia-like country). But when Nostromo’s ship is compromised, he stashes the silver on a nearby island, leading everyone to believe it was lost at sea. What follows is an incredibly affecting account of Nostromo’s increasing disillusionment and paranoia, as he realizes that other men see him as a pawn and grows obsessed with his hoarded silver. If you loved The Great Gatsby, but wanted it to be even darker and more geopolitical — as Fitzgerald apparently did — you’ll devour Nostromo faster than you can say “quicksilver.”

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About the Author

Nostromo by Joseph Conrad (1904)
Joseph Conrad (born Józef Teodor Konrad Korzeniowski, Polish: [ˈjuzɛf tɛˈɔdɔr ˈkɔnrat kɔʐɛˈɲɔfskʲi] (audio speaker iconlisten); 3 December 1857 – 3 August 1924) was a Polish-British writer regarded as one of the greatest novelists to write in the English language. Though he did not speak English fluently until his twenties, he came to be regarded a master prose stylist who brought a non-English sensibility into English literature. He wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of what he saw as an impassive, inscrutable universe. Wikipedia

 

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