Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Sunday, March 27, 2022

The World's Best Poetry, Volume 7: Descriptive and Narrative (eBook)

 

The World's Best Poetry, Volume 7: Descriptive and Narrative (eBook)


The World's Best Poetry, Volume 7: Descriptive and Narrative

 

by Various

 
 
 Part 1 - Part 2 - eBook


 THE WORLD'S BEST POETRY

    I Home: Friendship
    II Love
   III Sorrow and Consolation
    IV The Higher Life
     V Nature
    VI Fancy: Sentiment
   VII Descriptive: Narrative
  VIII National Spirit
    IX Tragedy: Humor
     X Poetical Quotations

 

Excerpt from The World's Best Poetry, Vol. 7: Descriptive Poems, Narrative Poems; Introductory Essay, What's the Use of Poetry?


There is no doubt that many - one might ai most say most - people are firmly convinced that they do not care for poetrv. They have no use for it, they tell you. Either it bores them, as a fantastic, highflown method of saying something that, to their way of thinking, could be better said in plain prose, or thev look upon it as the senti mental nonsense of the moonstruck and lovesick young, - a kind' of intellectual candy all very well for women and children, but of no value to grown men With the serious work of the world on their shoulders.

It is not at all difficult to account for, and, in deed, to sympathize with, this attitude. To begin With, of course, there is a large class outside our present consideration which does not care for poetry, simply because it does not care for any literature whatsoever. 
 
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