Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Saturday, May 28, 2022

The Black Man: His Antecedents, His Genius, and His Achievements by William Wells Brown

THE BLACK MAN:  HIS ANTECEDENTS, HIS GENIUS, AND HIS ACHIEVEMENTS.  BY  WILLIAM WELLS BROWN.

THE BLACK MAN:

HIS ANTECEDENTS, HIS GENIUS, AND
HIS ACHIEVEMENTS.

BY

WILLIAM WELLS BROWN.


Boston:
JAMES REDPATH, Publisher,
221 Washington Street.
1863.


[Pg 2]

Entered, according to Act of Congress, in the year 1863, by
WILLIAM WELLS BROWN,
In the Clerk's Office of the District Court of the District of Massachusetts.

STEREOTYPED AT THE
BOSTON STEREOTYPE FOUNDRY.


[Pg 3]

TO

THE ADVOCATES AND FRIENDS

OF

NEGRO FREEDOM AND EQUALITY,

WHEREVER FOUND,

This Volume is Respectfully Dedicated,

BY THE AUTHOR.


[Pg 5]

PREFACE.


The calumniators and traducers of the Negro are to be found, mainly, among two classes. The first and most relentless are those who have done them the greatest injury, by being instrumental in their enslavement and consequent degradation. They delight to descant upon the "natural inferiority" of the blacks, and claim that we were destined only for a servile condition, entitled neither to liberty nor the legitimate pursuit of happiness. The second class are those who are ignorant of the characteristics of the race, and are the mere echoes of the first. To meet and refute these misrepresentations, and to supply a deficiency, long felt in the community, of a work containing sketches of individuals who, by their own genius, capacity, and intellectual development, have surmounted the many obstacles which slavery[Pg 6] and prejudice have thrown in their way, and raised themselves to positions of honor and influence, this volume was written. The characters represented in most of these biographies are for the first time put in print. The author's long sojourn in Europe, his opportunity of research amid the archives of England and France, and his visit to the West Indies, have given him the advantage of information respecting the blacks seldom acquired.

If this work shall aid in vindicating the Negro's character, and show that he is endowed with those intellectual and amiable qualities which adorn and dignify human nature, it will meet the most sanguine hopes of the writer.

Cambridgeport, Mass., 1863.


[Pg 7]

CONTENTS.




Memoir of the Author,     11
The Black Man and his Antecedents,     31
——
THE BLACK MAN, HIS GENIUS AND HIS ACHIEVEMENTS.
Benjamin Banneker,     51
Nat Turner,     59
Madison Washington,     75
Henry Bibb,     86
Placido,     88
Jeremiah B. Sanderson,     91
Toussaint L'Ouverture,     92
Crispus Attucks,     106
Dessalines,     110
Ira Aldridge,     118
Joseph Cinque,     124
Alexandre Dumas,     128
Henri Christophe,     132
Phillis Wheatley,     138
Denmark Vesey,     142
Henry Highland Garnett,     149
[Pg 8]James M. Whitfield,     152
Andre Rigaud,     153
Frances Ellen Watkins,     160
Ex-President Roberts,     163
Alexander Crummell,     165
Alexandre Petion,     169
Martin R. Delany, M. D.,     174
Robert Small,     175
Frederick Douglass,     180
Charles L. Reason,     187
Charlotte L. Forten,     190
William H. Simpson,     199
Jean Pierre Boyer,     202
James M'Cune Smith, M. D.,     205
Bishop Payne,     207
William Still,     211
Edwin M. Bannister,     214
Leonard A. Grimes,     217
President Geffrard,     220
George B. Vashon,     223
Robert Morris,     227
William J. Wilson,     230
John Mercer Langston,     235
William C. Nell,     238
John Sella Martin,     241
Charles Lenox Remond,     246
George T. Downing,     250
Robert Purvis,     253
Joseph Jenkins,     259
[Pg 9]John S. Rock,     266
William Douglass,     271
Elymas Payson Rogers,     272
J. Theodore Holly,     274
James W. C. Pennington,     276
A Man without a Name,     278
Samuel R. Ward,     284
Sir Edward Jordan,     286
Joseph Carter,     288
James Lawson,     291
Capt. Callioux,     297
Capt. Joseph Howard,     308

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 About the Author 

William Wells Brown
William Wells Brown (c. 1814 – November 6, 1884) was a prominent abolitionist lecturer, novelist, playwright, and historian in the United States. Born into slavery in Montgomery County, Kentucky, near the town of Mount Sterling, Brown escaped to Ohio in 1834 at the age of 19. He settled in Boston, Massachusetts, where he worked for abolitionist causes and became a prolific writer. While working for abolition, Brown also supported causes including: temperance, women's suffrage, pacifism, prison reform, and an anti-tobacco movement. His novel Clotel (1853), considered the first novel written by an African American, was published in London, England, where he resided at the time; it was later published in the United States. Wikipedia

 

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