Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Wednesday, May 25, 2022

Short stories from Life: The 81 prize stories in "Life's" Shortest Story Contest

Short stories from Life: The 81 prize stories in "Life's" Shortest Story Contest

 

Short Stories From Life

The 81 Prize Stories in “Life’s”
Shortest Story Contest
With an Introduction by
Thomas L. Masson
Managing Editor of “Life”
Garden City        New York
Doubleday, Page & Company
1916
Copyright, 1916, by
Doubleday, Page & Company
All rights reserved, including that of
translation into foreign languages,
including the Scandinavian
COPYRIGHT, 1916, BY THE LIFE PUBLISHING COMPANY


  CONTENTS

Introduction
By Thomas L. Masson
Thicker Than Water (First Prize)
By Ralph Henry Barbour and George Randolph Osborne
The Answer (Second Prize)
By Harry Stillwell Edwards
Her Memory (Third Prize Divided)
By Dwight M. Wiley
Business and Ethics (Third Prize Divided)
By Redfield Ingalls
N. B.
By Joseph Hall
The Clearest Call
By Brevard Mays Connor
Greater Love Hath No Man
By Selwyn Grattan
The Gretchen Plan
By William Johnston
The Glory of War
By M. B. Levick
The Aviator
By Hornell Hart
Loyalty
By Clarence Herbert New
Moses Comes to Burning Bush
By W. T. Larned
North of Fifty-three
By Mary Woodbury Caswell
The Old Things
By Jessie Anderson Chase
The Forced March
By Hornell Hart
Approximating the Ultimate with Aunt Sarah
By Charles Earl Gaymon
The Horse Heaver
By Lyman Bryson
The Ego of the Metropolis
By Thomas T. Hoyne
The Gay Deceiver
By Howard P. Stephenson
In Cold Blood
By Joseph Hall
Housework—and the Man
By Freeman Tilden
His Journey’s End
By Ruth Sterry
Food for Thought
By Harriet Lummis Smith
Hope
By Edward Thomas Noonan
Collusion
By Lincoln Steffens
Faithful to the End
By Clair W. Perry
Arletta
By Margaret Ade
Which?
By Joseph Hall
What the Vandals Leave
By Herbert Riley Howe
Ben. T. Allen, Atty., vs. Himself
By William H. Hamby
The Joke on Preston
By Lewis Allen
The Idyl
By Joseph F. Whelan
Withheld
By Ella B. Argo
Up and Down
By Bertha Lowry Gwynne
Patches
By Francis E. Norris
The Arm at Gravelotte
By William Almon Wolff
The Bad Man
By Harry C. Goodwin
Nemesis
By Mary Clark
The Black Door
By Gordon Seagrove
The Man Who Told
By John Cutler
The Unanswered Call
By Thomas T. Hayne
The Women in the Case
By Mary Sams Cooke
The Cat That Came Back
By Virginia West
“Solitaire” Bill
By Arthur Felix McEachern
Just a Pal
By Elsie D. Knisely
When “Kultur” Was Beaten
By Lieutenant X
Presumption of Innocence
By Lyman Bryson
A Mexican Vivandière
By H. C. Washburn
Mother’s Birthday Present
By Carrie Seever
Red Blood or Blue
By E. Montgomery
Impulsive Mr. Jiggs
By Roger Brown
Tomaso and Me
By Graham Clark
The Old Grove Crossing
By Albert H. Coggins
Lost and Found
By John Kendrick Bangs
You Never Can Tell
By “B. MacArthur”
The Escape
By A. Leslie Goodwin
Two Letters, a Telegram, and a Finale
By H. S. Haskins
The Intruder
By Reginald Barlow
Molten Metal
By Hornell Hart
The Winner’s Loss
By Elliott Flower
The Recoil of the Gun
By Marian Parker
“Man May Love”
By Robert Sharp
One Way—and Another
By Noble May
The Black Patch
By Randolph Hartley
A Shipboard Romance
By Lewis Allen
The Coward
By Philip Francis Cook
The Heart of a Burglar
By Jane Dahl
The Reward
By Herbert Heron
The First Girl
By Louise Pond Jewell
A Sophistry of Art
By Eugene Smith
The Message in the Air
By B. R. Stevens
In a Garden
By Catherine Runscomb
A Clever Catch
By Lloyd F. Loux
Strictly Business
By Lincoln Steffens
The Advent of the Majority
By Stella Wynne Herron
The Night Nurse
By Will S. Gidley
Why the Trench Was Lost
By Charles F. Pietsch
The King of the Pledgers
By H. R. R. Hertzberg
A Po-lice-man
By Lincoln Steffens
The Quest of the V. C.
By A. Byers Fletcher
Somewhere in Belgium
By Percy Godfrey Savage

 

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