Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Monday, December 14, 2015

Staley Fleming's Hallucination by Ambrose Bierce

Word Count:  843

Of two men who were talking one was a physician.

'I sent for you, Doctor,' said the other, 'but I don't think you can do me any good. Maybe you can recommend a specialist in psychopathy. I fancy I'm a bit loony.'

'You look all right,' the physician said.

'You shall judge -- I have hallucinations. I wake every night and see in my room, intently watching me, a big black Newfoundland dog with a white forefoot.'

'You say you wake; are you sure about that? "Hallucinations" are sometimes only dreams.'

'Oh, I wake all right. Sometimes I lie still a long time, looking at the dog as earnestly as the dog looks at me -- I always leave the light going. When I can't endure it any longer I sit up in bed -- and nothing is there!

''M, 'm -- what is the beast's expression?'

'It seems to me sinister. Of course I know that, except in art, an animal's face in repose has always the same expression. But this is not a real animal. Newfoundland dogs are pretty mild looking, you know; what's the matter with this one?"

'Really, my diagnosis would have no value: I am not going to treat the dog.'

The physician laughed at his own pleasantry, but narrowly watched his patient from the corner of his eye. Presently he said: 'Fleming, your description of the beast fits the dog of the late Atwell Barton.'

Fleming half rose from his chair, sat again and made a visible attempt at indifference. 'I remember Barton,' he said; 'I believe he was -- it was reported that -- wasn't there something suspicious in his death?'

Looking squarely now into the eyes of his patient, the physician said: 'Three years ago the body of your old enemy, Atwell Barton, was found in the woods near his house and yours. He had been stabbed to death. There have been no arrests; there was no clue. Some of us had "theories." I had one. Have you?"

'I? Why, bless your soul, what could I know about it? You remember that I left for Europe almost immediately afterward -- a considerable time afterward. In the few weeks since my return you could not expect me to construct a "theory." In fact, I have not given the matter a thought. What about his dog?"

'It was first to find the body. It died of starvation on his grave.'

We do not know the inexorable law underlying coincidences. Staley Fleming did not, or he would perhaps not have sprung to his feet as the night wind brought in through the open window the long wailing howl of a distant dog. He strode several times across the room in the steadfast gaze of the physician; then, abruptly confronting him, almost shouted: 'What has all this to do with my trouble, Dr. Halderman? You forget why you were sent for.' Rising, the physician laid his hand upon his patient's arm and said, gently: 'Pardon me. I cannot diagnose your disorder offhand -- to-morrow, perhaps. Please go to bed, leaving your door unlocked; I will pass the night here with your books. Can you call me without rising?"

'Yes, there is an electric bell.'

'Good. If anything disturbs you push the button without sitting up. Good night.'

Comfortably installed in an arm-chair the man of medicine stared into the glowing coals and thought deeply and long, but apparently to little purpose, for he frequently rose and opening a door leading to the staircase, listened intently; then resumed his seat. Presently, however, he fell asleep, and when he woke it was past midnight. He stirred the failing fire, lifted a book from the table at his side and looked at the title. It was Denneker's Meditations. He opened it at random and began to read:

'Forasmuch as it is ordained of God that all flesh hath spirit and thereby taketh on spiritual powers, so, also, the spirit hath powers of the flesh, even when it is gone out of the flesh and liveth as a thing apart, as many a violence performed by wraith and lemure sheweth. And there be who say that man is not single in this, but the beasts have the like evil inducement, and -- '

The reading was interrupted by a shaking of the house, as by the fall of a heavy object. The reader flung down the book, rushed from the room and mounted the stairs to Fleming's bed-chamber. He tried the door, but contrary to his instructions it was locked. He set his shoulder against it with such force that it gave way. On the floor near the disordered bed, in his night-clothes, lay Fleming, gasping away his life.

The physician raised the dying man's head from the floor and observed a wound in the throat. 'I should have thought of this,' he said, believing it suicide.

When the man was dead an examination disclosed the unmistakable marks of an animal's fangs deeply sunken into the jugular vein.

But there was no animal.

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