Read Like A Writer
There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.
John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction
Tuesday, December 29, 2015
Honored As A Curiosity by Mark Twain
If you get into conversation with a stranger in Honolulu, and experience that natural desire to know what sort of ground you are treading on by finding out what manner of man your stranger is, strike out boldly and address him as "Captain." Watch him narrowly, and if you see by his countenance that you are on the wrong track, ask him where he preaches. It is a safe bet that he is either a missionary or captain of a whaler. I became personally acquainted with seventy-two captains and ninety-six missionaries. The captains and ministers form one-half of the population; the third fourth is composed of common Kanakas and mercantile foreigners and their families; and the final fourth is made up of high officers of the Hawaiian Government. And there are just about cats enough for three apiece all around.
A solemn stranger met me in the suburbs one day, and said:
"Good morning, your reverence. Preach in the stone church yonder, no doubt!"
"No, I don't. I'm not a preacher."
"Really, I beg your pardon, captain. I trust you had a good season. How much oil--"
"Oil! Why, what do you take me for? I'm not a whaler."
"Oh! I beg a thousand pardons, your Excellency. Major-General in the household troops, no doubt? Minister of the Interior, likely? Secretary of War? First Gentleman of the Bedchamber? Commissioner of the Royal--"
"Stuff, man! I'm not connected in any way with the government."
"Bless my life! Then who the mischief are you? what the mischief are you? and how the mischief did you get here? and where in thunder did you come from?"
"I'm only a private personage--an unassuming stranger--lately arrived from America."
" No! Not a missionary! not a whaler! not a member of his Majesty's government! not even a Secretary of the Navy! Ah! Heaven! it is too blissful to be true, alas! I do but dream. And yet that noble, honest countenance--those oblique, ingenuous eyes--that massive head, incapable of--of anything; your hand; give me your hand, bright waif. Excuse these tears. For sixteen weary years I have yearned for a moment like this, and--"
Here his feelings were too much for him, and he swooned away. I pitied this poor creature from the bottom of my heart. I was deeply moved. I shed a few tears on him, and kissed him for his mother. I then took what small change he had, and "shoved."