Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Thursday, December 17, 2015

Mark Twain's Writing Tips

Widely regarded as the greatest American writer of his time, Mark Twain was often asked for advice on the art and craft of writing. Sometimes the famous humorist would respond seriously, and sometimes not. Here, in remarks drawn from his letters, essays, novels, and speeches, are Twain's most memorable observations on the writer's craft.

  • Get your facts first, and then you can distort them as much as you please.
  • Use the right word, not its second cousin.
  • To get the right word in the right place is a rare achievement. To condense the diffused light of a page of thought into the luminous flash of a single sentence, is worthy to rank as a prize composition just by itself...Anybody can have ideas--the difficulty is to express them without squandering a quire of paper on an idea that ought to be reduced to one glittering paragraph.
  • As to the Adjective: when in doubt, strike it out.
  • You need not expect to get your book right the first time. Go to work and revamp or rewrite it. God only exhibits his thunder and lightning at intervals, and so they always command attention. These are God's adjectives. You thunder and lightning too much; the reader ceases to get under the bed, by and by.
  • Substitute damn every time you're inclined to write very; your editor will delete it and the writing will be just as it should be.
  • Use good grammar.
  • Damnation (if you will allow the expression), get up & take a turn around the block & let the sentiment blow off you. Sentiment is for girls. . . . There is one thing I can't stand and won't stand, from many people. That is, sham sentimentality.
  • Use plain, simple language, short words and brief sentences. That is the way to write English--it is the modern way and the best way. Stick to it; don't let fluff and flowers and verbosity creep in.
  • The time to begin writing an article is when you have finished it to your satisfaction. By that time you begin to clearly and logically perceive what it is that you really want to say.
  • Write without pay until somebody offers pay. If nobody offers within three years, the candidate may look upon this circumstance with the most implicit confidence as the sign that sawing wood is what he was intended for.
  • We write frankly and fearlessly but then we "modify" before we print.

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