Welcome to the Writer's Library, dedicated to the classic short stories, novels, poetry and books on writing. Learn to write by studying the classics. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. "You learn by writing short stories. Keep writing short stories. The money’s in novels, but writing short stories keeps your writing lean and pointed." – Larry Niven
Read Like A Writer
There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.
John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction
Thursday, December 3, 2015
Malingerers by Anton Chekhov
MARFA PETROVNA PETCHONKIN, the General's widow, who has been practising for ten years as a homeopathic doctor, is seeing patients in her study on one of the Tuesdays in May. On the table before her lie a chest of homeopathic drugs, a book on homeopathy, and bills from a homeopathic chemist. On the wall the letters from some Petersburg homeopath, in Marfa Petrovna's opinion a very celebrated and great man, hang under glass in a gilt frame, and there also is a portrait of Father Aristark, to whom the lady owes her salvation -- that is, the renunciation of pernicious allopathy and the knowledge of the truth. In the vestibule patients are sitting waiting, for the most part peasants. All but two or three of them are barefoot, as the lady has given orders that their ill-smelling boots are to be left in the yard.
Marfa Petrovna has already seen ten patients when she calls the eleventh: "Gavrila Gruzd!"
The door opens and instead of Gavrila Gruzd, Zamuhrishen, a neighbouring landowner who has sunk into poverty, a little old man with sour eyes, and with a gentleman's cap under his arm, walks into the room. He puts down his stick in the corner, goes up to the lady, and without a word drops on one knee before her.
"What are you about, Kuzma Kuzmitch?" cries the lady in horror, flushing crimson. "For goodness sake!"
"While I live I will not rise," says Zamuhrishen, bending over her hand. "Let all the world see my homage on my knees, our guardian angel, benefactress of the human race! Let them! Before the good fairy who has given me life, guided me into the path of truth, and enlightened my scepticism I am ready not merely to kneel but to pass through fire, our miraculous healer, mother of the orphan and the widowed! I have recovered. I am a new man, enchantress!"
"I . . . I am very glad . . ." mutters the lady, flushing with pleasure. "It's so pleasant to hear that. . . Sit down please! Why, you were so seriously ill that Tuesday."
"Yes indeed, how ill I was! It's awful to recall it," says Zamuhrishen, taking a seat." I had rheumatism in every part and every organ. I have been in misery for eight years, I've had no rest from it . . . by day or by night, my benefactress. I have consulted doctors, and I went to professors at Kazan; I have tried all sorts of mud-baths, and drunk waters, and goodness knows what I haven't tried! I have wasted all my substance on doctors, my beautiful lady. The doctors did me nothing but harm. They drove the disease inwards. Drive in, that they did, but to drive out was beyond their science. All they care about is their fees, the brigands; but as for the benefit of humanity -- for that they don't care a straw. They prescribe some quackery, and you have to drink it. Assassins, that's the only word for them. If it hadn't been for you, our angel, I should have been in the grave by now! I went home from you that Tuesday, looked at the pilules that you gave me then, and wondered what good there could be in them. Was it possible that those little grains, scarcely visible, could cure my immense, long-standing disease? That's what I thought -- unbeliever that I was! -- and I smiled; but when I took the pilule -- it was instantaneous! It was as though I had not been ill, or as though it had been lifted off me. My wife looked at me with her eyes starting out of her head and couldn't believe it. 'Why, is it you, Kolya?' 'Yes, it is I,' I said. And we knelt down together before the ikon, and fell to praying for our angel: 'Send her, O Lord, all that we are feeling!' "
Zamuhrishen wipes his eyes with his sleeve gets up from his chair, and shows a disposition to drop on one knee again; but the lady checks him and makes him sit down.
"It's not me you must thank," she says, blushing with excitement and looking enthusiastically at the portrait of Father Aristark. "It's not my doing. . . . I am only the obedient instrument . . It's really a miracle. Rheumatism of eight years' standing by one pilule of scrofuloso!"
"Excuse me, you were so kind as to give me three pilules. One I took at dinner and the effect was instantaneous! Another in the evening, and the third next day; and since then not a touch! Not a twinge anywhere! And you know I thought I was dying, I had written to Moscow for my son to come! The Lord has given you wisdom, our lady of healing! Now I am walking, and feel as though I were in Paradise. The Tuesday I came to you I was hobbling, and now I am ready to run after a hare. . . . I could live for a hundred years. There's only one trouble, our lack of means. I'm well now, but what's the use of health if there's nothing to live on? Poverty weighs on me worse than illness. . . . For example, take this . . . It's the time to sow oats, and how is one to sow it if one has no seed? I ought to buy it, but the money . . . everyone knows how we are off for money. . . ."
"I will give you oats, Kuzma Kuzmitch. . . . Sit down, sit down. You have so delighted me, you have given me so much pleasure that it's not you but I that should say thank you!"
"You are our joy! That the Lord should create such goodness! Rejoice, Madam, looking at your good deeds! . . . While we sinners have no cause for rejoicing in ourselves. . . . We are paltry, poor-spirited, useless people . . . a mean lot. . . . We are only gentry in name, but in a material sense we are the same as peasants, only worse. . . . We live in stone houses, but it's a mere make-believe . . . for the roof leaks. And there is no money to buy wood to mend it with."
"I'll give you the wood, Kuzma Kuzmitch."
Zamuhrishen asks for and gets a cow too, a letter of recommendation for his daughter whom he wants to send to a boarding school, and . . . touched by the lady's liberality he whimpers with excess of feeling, twists his mouth, and feels in his pocket for his handkerchief. . . .
Marfa Petrovna sees a red paper slip out of his pocket with his handkerchief and fall noiselessly to the floor.
"I shall never forget it to all eternity . . ." he mutters, "and I shall make my children and my grandchildren remember it . . . from generation to generation. 'See, children,' I shall say, 'who has saved me from the grave, who . . .' "
When she has seen her patient out, the lady looks for a minute at Father Aristark with eyes full of tears, then turns her caressing, reverent gaze on the drug chest, the books, the bills, the armchair in which the man she had saved from death has just been sitting, and her eyes fall on the paper just dropped by her patient. She picks up the paper, unfolds it, and sees in it three pilules -- the very pilules she had given Zamuhrishen the previous Tuesday.
"They are the very ones," she thinks puzzled. ". . . The paper is the same. . . . He hasn't even unwrapped them! What has he taken then? Strange. . . . Surely he wouldn't try to deceive me!"
And for the first time in her ten years of practice a doubt creeps into Marfa Petrovna's mind. . . . She summons the other patients, and while talking to them of their complaints notices what has hitherto slipped by her ears unnoticed. The patients, every one of them as though they were in a conspiracy, first belaud her for their miraculous cure, go into raptures over her medical skill, and abuse allopath doctors, then when she is flushed with excitement, begin holding forth on their needs. One asks for a bit of land to plough, another for wood, a third for permission to shoot in her forests, and so on. She looks at the broad, benevolent countenance of Father Aristark who has revealed the truth to her, and a new truth begins gnawing at her heart. An evil oppressive truth. . . .
The deceitfulness of man!
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