Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Thursday, December 3, 2015

In an Hotel by Anton Chekhov

Word Count: 1096

"LET me tell you, my good man," began Madame Nashatyrin, the colonel's lady at No. 47, crimson and spluttering, as she pounced on the hotel-keeper. "Either give me other apartments, or I shall leave your confounded hotel altogether! It's a sink of iniquity! Mercy on us, I have grown-up daughters and one hears nothing but abominations day and night! It's beyond everything! Day and night! Sometimes he fires off such things that it simply makes one's ears blush! Positively like a cabman. It's a good thing that my poor girls don't understand or I should have to fly out into the street with them. . . He's saying something now! You listen!"

"I know a thing better than that, my boy," a husky bass floated in from the next room. "Do you remember Lieutenant Druzhkov? Well, that same Druzhkov was one day making a drive with the yellow into the pocket and as he usually did, you know, flung up his leg. . . . All at once something went crrr-ack! At first they thought he had torn the cloth of the billiard table, but when they looked, my dear fellow, his United States had split at every seam! He had made such a high kick, the beast, that not a seam was left. . . . Ha-ha-ha, and there were ladies present, too . . . among others the wife of that drivelling Lieutenant Okurin. . . . Okurin was furious. . . . 'How dare the fellow,' said he, 'behave with impropriety in the presence of my wife?' One thing led to another . . . you know our fellows! . . . Okurin sent seconds to Druzhkov, and Druzhkov said 'don't be a fool' . . . ha-ha-ha, 'but tell him he had better send seconds not to me but to the tailor who made me those breeches; it is his fault, you know.' Ha-ha-ha! Ha-ha-ha. . . ."

Lilya and Mila, the colonel's daughters, who were sitting in the window with their round cheeks propped on their fists, flushed crimson and dropped their eyes that looked buried in their plump faces.

"Now you have heard him, haven't you?" Madame Nashatyrin went on, addressing the hotel-keeper. "And that, you consider, of no consequence, I suppose? I am the wife of a colonel, sir! My husband is a commanding officer. I will not permit some cabman to utter such infamies almost in my presence!"

"He is not a cabman, madam, but the staff-captain Kikin. . . . A gentleman born."

"If he has so far forgotten his station as to express himself like a cabman, then he is even more deserving of contempt! In short, don't answer me, but kindly take steps!"

"But what can I do, madam? You are not the only one to complain, everybody's complaining, but what am I to do with him? One goes to his room and begins putting him to shame, saying: 'Hannibal Ivanitch, have some fear of God! It's shameful! and he'll punch you in the face with his fists and say all sorts of things: 'there, put that in your pipe and smoke it,' and such like. It's a disgrace! He wakes up in the morning and sets to walking about the corridor in nothing, saving your presence, but his underclothes. And when he has had a drop he will pick up a revolver and set to putting bullets into the wall. By day he is swilling liquor and at night he plays cards like mad, and after cards it is fighting. . . . I am ashamed for the other lodgers to see it!"

"Why don't you get rid of the scoundrel?"

"Why, there's no getting him out! He owes me for three months, but we don't ask for our money, we simply ask him to get out as a favour. . . . The magistrate has given him an order to clear out of the rooms, but he's taking it from one court to another, and so it drags on. . . . He's a perfect nuisance, that's what he is. And, good Lord, such a man, too! Young, good-looking and intellectual. . . . When he hasn't had a drop you couldn't wish to see a nicer gentleman. The other day he wasn't drunk and he spent the whole day writing letters to his father and mother."

"Poor father and mother!" sighed the colonel's lady.

"They are to be pitied, to be sure! There's no comfort in having such a scamp! He's sworn at and turned out of his lodgings, and not a day passes but he is in trouble over some scandal. It's sad!"

"His poor unhappy wife!" sighed the lady.

"He has no wife, madam. A likely idea! She would have to thank God if her head were not broken. . . ."

The lady walked up and down the room.

"He is not married, you say?"

"Certainly not, madam."

The lady walked up and down the room again and mused a little.

"H'm, not married . . ." she pronounced meditatively. "H'm. Lilya and Mila, don't sit at the window, there's a draught! What a pity! A young man and to let himself sink to this! And all owing to what? The lack of good influence! There is no mother who would. . . . Not married? Well . . . there it is. . . . Please be so good," the lady continued suavely after a moment's thought, "as to go to him and ask him in my name to . . . refrain from using expressions. . . . Tell him that Madame Nashatyrin begs him. . . . Tell him she is staying with her daughters in No. 47 . . . that she has come up from her estate in the country. . . ."

"Certainly."

"Tell him, a colonel's lady and her daughters. He might even come and apologize. . . . We are always at home after dinner. Oh, Mila, shut the window!"

"Why, what do you want with that . . . black sheep, mamma?" drawled Lilya when the hotel-keeper had retired. "A queer person to invite! A drunken, rowdy rascal!"

"Oh, don't say so, ma chère! You always talk like that; and there . . . sit down! Why, whatever he may be, we ought not to despise him. . . . There's something good in everyone. Who knows," sighed the colonel's lady, looking her daughters up and down anxiously, "perhaps your fate is here. Change your dresses anyway. . . ."

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