Welcome to the Writer's Library, dedicated to the classic short stories, novels, poetry and books on writing. Learn to write by studying the classics. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. "You learn by writing short stories. Keep writing short stories. The money’s in novels, but writing short stories keeps your writing lean and pointed." – Larry Niven
Read Like A Writer
There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.
John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction
Thursday, December 10, 2015
Emancipation. A Life Fable by Kate Chopin
There was once an animal born into this world, and opening his eyes upon Life, he saw above and about him confining walls, and before him were bars of iron through which came air and light from without; this animal was born in a cage.
Here he grew, and throve in strength and beauty under the care of an invisible protecting hand. Hungering, food was ever at hand. When he thirsted water was brought, and when he felt the need to rest, there was provided a bed of straw upon which to lie; and here he found it good, licking his handsome flanks, to bask in the sun beam that he thought existed but to lighten his home.
Awaking one day from his slothful rest, lo! the door of his cage stood open: accident had opened it. In the corner he crouched, wondering and fearingly. Then slowly did he approach the door, dreading the unaccustomed, and would have closed it, but for such a task his limbs were purposeless. So out the opening he thrust his head, to see the canopy of the sky grow broader, and the world waxing wider.
Back to his corner but not to rest, for the spell of the Unknown was over him, and again and again he goes to the open door, seeing each time more Light.
Then one time standing in the flood of it; a deep in-drawn breath – a bracing of strong limbs, and with a bound he was gone.
On he rushes, in his mad flight, heedless that he is wounding and tearing his sleek sides – seeing, smelling, touching of all things; even stopping to put his lips to the noxious pool, thinking it may be sweet.
Hungering there is no food but such as he must seek and ofttimes fight for; and his limbs are weighted before he reaches the water that is good to his thirsting throat.
So does he live, seeking, finding, joying and suffering. The door which accident had opened is opened still, but the cage remains forever empty!
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