Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Friday, December 11, 2015

Charles Ashmore's Trail by Ambrose Bierce

Word Count:  653

The family of Christian Ashmore consisted of his wife, his mother, two grown daughters, and a son of sixteen years. They lived in Troy, New York, were well-to-do, respectable persons, and had many friends, some of whom, reading these lines, will doubtless learn for the first time the extraordinary fate of the young man. From Troy the Ashmores moved in 1871 or 1872 to Richmond, Indiana, and a year or two later to the vicinity of Quincy, Illinois, where Mr. Ashmore bought a farm and lived on it. At some little distance from the farmhouse was a spring with a constant flow of clear, cold water, whence the family derived its supply for domestic use at all seasons.

On the evening of the 9th of November in 1878, at about nine o'clock, young Charles Ashmore left the family circle about the hearth, took a tin bucket and started toward the spring. As he did not return, the family became uneasy, and going to the door by which he had left the house, his father called without receiving an answer. He then lighted a lantern and with the eldest daughter, Martha, who insisted on accompanying him, went in search. A light snow had fallen, obliterating the path, but making the young man's trail conspicuous; each footprint was plainly defined. After going a little more than half-way--perhaps seventy-five yards--the father, who was in advance, halted, and elevating his lantern stood peering intently into the darkness ahead.

"What is the matter, father?" the girl asked.

This was the matter: the trail of the young man had abruptly ended, and all beyond was smooth, unbroken snow. The last footprints were as conspicuous as any in the line; the very nail-marks were distinctly visible. Mr. Ashmore looked upward, shading his eyes with his hat held between them and the lantern. The stars were shining; there was not a cloud in the sky; he was denied the explanation which had suggested itself, doubtful as it would have been--a new snowfall with a limit so plainly defined. Taking a wide circuit round the ultimate tracks, so as to leave them undisturbed for further examination, the man proceeded to the spring, the girl following, weak and terrified. Neither had spoken a word of what both had observed. The spring was covered with ice, hours old.

Returning to the house they noted the appearance of the snow on both sides of the trail its entire length. No tracks led away from it.

The morning light showed nothing more. Smooth, spotless, unbroken, the shallow snow lay everywhere.

Four days later the grief-stricken mother herself went to the spring for water. She came back and related that in passing the spot where the footprints had ended she had heard the voice of her son and had been eagerly calling to him, wandering about the place, as she had fancied the voice to be now in one direction, now in another, until she was exhausted with fatigue and emotion.

Questioned as to what the voice had said, she was unable to tell, yet averred that the words were perfectly distinct. In a moment the entire family was at the place, but nothing was heard, and the voice was believed to be an hallucination caused by the mother's great anxiety and her disordered nerves. But for months afterward, at irregular intervals of a few days, the voice was heard by the several members of the family, and by others. All declared it unmistakably the voice of Charles Ashmore; all agreed that it seemed to come from a great distance, faintly, yet with entire distinctness of articulation; yet none could determine its direction, nor repeat its words. The intervals of silence grew longer and longer, the voice fainter and farther, and by midsummer it was heard no more.

If anybody knows the fate of Charles Ashmore it is probably his mother. She is dead.

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