Welcome to the Writer's Library, dedicated to the classic short stories, novels, poetry and books on writing. Learn to write by studying the classics. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. "You learn by writing short stories. Keep writing short stories. The money’s in novels, but writing short stories keeps your writing lean and pointed." – Larry Niven
Read Like A Writer
There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.
John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction
Wednesday, December 16, 2015
Ambrose Bierce Biography
The Bierces moved to Indiana during Ambrose's childhood, settling in Warsaw and then Elkhart.
Bierce benefited a great deal from his father's farmhouse library, and late in life declared it to be his most important early educational influence.
Another early influence on Bierce was his uncle, General Lucius Verus Bierce of Akron, Ohio. Ambrose observed carefully the man's idealism, oratorical skills, public service, and social activism. All his life, Bierce held up the career of his uncle as a model for his own.
When about seventeen, Bierce enrolled at the Kentucky Military Institute. There he learned about military subjects and appears to have studied topographical engineering. He adapted well to military life and discipline.
He left the Institute on the eve of the Civil War, returning to Indiana in 1860.
Known for his satirical wit and sardonic view of human nature, Ambrose Bierce earned the nickname "Bitter Bierce." His mocking cynicism is on full display in The Devil's Dictionary, a work that originally appeared under the title The Cynic’s Word Book. This humorous and often strikingly insightful book is always worth a casual visit as he takes his turn handing out striking proclamations about human nature and daily life.
As a short story writer, Bierce gave us many treasures. His most famous and widely read short story, An Occurrence at Owl Creek Bridge is brilliantly written. One doesn’t need an expert to discern that, but for good measure Kurt Vonnegut considered An Occurrence at Owl Creek Bridge to be the greatest American short story and a work of flawless American genius. Though more predictable, A Horseman in the Sky is also stamped with literary genius.
In 1913, during the Mexican Revolutionary War, Bierce traveled to Mexico to gain first-hand experience of the conflict. He disappeared without a trace while traveling with rebel troops. Prior to his mysterious disappearance, Bierce served in the Civil War in the Union's 9th Indiana Regiment, gaining newspaper attention during the "first battle" of Philippi for his daring rescue, under fire, of a gravely wounded comrade at the Battle of Rich Mountain. He suffered a head injury in 1864 at the Battle of Kennesaw Mountain, taking a furlow, then later leaving the Army. He was commissioned Lieutenant for the Army in San Francisco, where he remained for many years, eventually becoming famous as a contributor and editor for a number of local newspapers and periodicals.
Bierce became one of the most influential writers on the West Coast, working for Hearst's The San Francisco Examiner, starting in 1887 when he published his column called "The Prattle," a searing criticism that embroiled the newspaper in several controversies that Hearst had to smooth over.
Bierce's short stories are based on the terrible things he had seen during war time, particularly The Boarded Window, Killed at Resaca, and Chickamauga.
Along with war and ghost stories, Bierce published several volumes of poetry. Favoring the ironic style of the grotesque, Fantastic Fables was followed by his more famous work, drawn from occasional newspaper items, The Devil's Dictionary, a satirical book of definitions published in 1906. This was the entire seventh volume of his twelve volume set, Collected Works, published in 1909.
At least three films have been made based on An Occurrence at Owl Creek Bridge. The Bridge, a silent film in 1929, and two versions of Twilight Zone episodes in 1964, one in French, the other American. Most recently, the ABC television series Lost episode entitled "The Long Con" is based on this Bierce story.
We hope you will enjoy his well-known works and also venture deeper into his collection to uncover your own favorites.
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