Welcome to the Writer's Library, dedicated to the classic short stories, novels, poetry and books on writing. Learn to write by studying the classics. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. "You learn by writing short stories. Keep writing short stories. The money’s in novels, but writing short stories keeps your writing lean and pointed." – Larry Niven
Read Like A Writer
There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.
John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction
Monday, January 4, 2016
A Entertaining Article by Mark Twain
I take the following paragraph from an article in the Boston ADVERTISER:
AN ENGLISH CRITIC ON MARK TWAIN
Perhaps the most successful flights of humor of Mark Twain have been descriptions of the persons who did not appreciate his humor at all. We have become familiar with the Californians who were thrilled with terror by his burlesque of a newspaper reporter's way of telling a story, and we have heard of the Pennsylvania clergyman who sadly returned his INNOCENTS ABROAD to the book-agent with the remark that "the man who could shed tears over the tomb of Adam must be an idiot." But Mark Twain may now add a much more glorious instance to his string of trophies. The SATURDAY REVIEW, in its number of October 8th, reviews his book of travels, which has been republished in England, and reviews it seriously. We can imagine the delight of the humorist in reading this tribute to his power; and indeed it is so amusing in itself that he can hardly do better than reproduce the article in full in his next monthly Memoranda.
(Publishing the above paragraph thus, gives me a sort of authority for reproducing the SATURDAY REVIEW'S article in full in these pages. I dearly wanted to do it, for I cannot write anything half so delicious myself. If I had a cast-iron dog that could read this English criticism and preserve his austerity, I would drive him off the door-step.)
(From the London "Saturday Review.")
REVIEWS OF NEW BOOKS
THE INNOCENTS ABROAD. A Book of Travels. By Mark Twain. London: Hotten, publisher. 1870.
Lord Macaulay died too soon. We never felt this so deeply as when we finished the last chapter of the above-named extravagant work. Macaulay died too soon--for none but he could mete out complete and comprehensive justice to the insolence, the impertinence, the presumption, the mendacity, and, above all, the majestic ignorance of this author.
To say that the INNOCENTS ABROAD is a curious book, would be to use the faintest language--would be to speak of the Matterhorn as a neat elevation or of Niagara as being "nice" or "pretty." "Curious" is too tame a word wherewith to describe the imposing insanity of this work. There is no word that is large enough or long enough. Let us, therefore, photograph a passing glimpse of book and author, and trust the rest to the reader. Let the cultivated English student of human nature picture to himself this Mark Twain as a person capable of doing the following-described things--and not only doing them, but with incredible innocence PRINTING THEM calmly and tranquilly in a book. For instance:
He states that he entered a hair-dresser's in Paris to get shaved, and the first "rake" the barber gave him with his razor it LOOSENED HIS "HIDE" and LIFTED HIM OUT OF THE CHAIR.
This is unquestionably exaggerated. In Florence he was so annoyed by beggars that he pretends to have seized and eaten one in a frantic spirit of revenge. There is, of course, no truth in this. He gives at full length a theatrical program seventeen or eighteen hundred years old, which he professes to have found in the ruins of the Coliseum, among the dirt and mold and rubbish. It is a sufficient comment upon this statement to remark that even a cast-iron program would not have lasted so long under such circumstances. In Greece he plainly betrays both fright and flight upon one occasion, but with frozen effrontery puts the latter in this falsely tamed form: "We SIDLED toward the Piraeus." "Sidled," indeed! He does not hesitate to intimate that at Ephesus, when his mule strayed from the proper course, he got down, took him under his arm, carried him to the road again, pointed him right, remounted, and went to sleep contentedly till it was time to restore the beast to the path once more. He states that a growing youth among his ship's passengers was in the constant habit of appeasing his hunger with soap and oakum between meals. In Palestine he tells of ants that came eleven miles to spend the summer in the desert and brought their provisions with them; yet he shows by his description of the country that the feat was an impossibility. He mentions, as if it were the most commonplace of matters, that he cut a Moslem in two in broad daylight in Jerusalem, with Godfrey de Bouillon's sword, and would have shed more blood IF HE HAD HAD A GRAVEYARD OF HIS OWN. These statements are unworthy a moment's attention. Mr. Twain or any other foreigner who did such a thing in Jerusalem would be mobbed, and would infallibly lose his life. But why go on? Why repeat more of his audacious and exasperating falsehoods? Let us close fittingly with this one: he affirms that "in the mosque of St. Sophia at Constantinople I got my feet so stuck up with a complication of gums, slime, and general impurity, that I wore out more than two thousand pair of bootjacks getting my boots off that night, and even then some Christian hide peeled off with them." It is monstrous. Such statements are simply lies--there is no other name for them. Will the reader longer marvel at the brutal ignorance that pervades the American nation when we tell him that we are informed upon perfectly good authority that this extravagant compilation of falsehoods, this exhaustless mine of stupendous lies, this INNOCENTS ABROAD, has actually been adopted by the schools and colleges of several of the states as a text-book!
But if his falsehoods are distressing, his innocence and his ignorance are enough to make one burn the book and despise the author. In one place he was so appalled at the sudden spectacle of a murdered man, unveiled by the moonlight, that he jumped out of the window, going through sash and all, and then remarks with the most childlike simplicity that he "was not scared, but was considerably agitated." It puts us out of patience to note that the simpleton is densely unconscious that Lucrezia Borgia ever existed off the stage. He is vulgarly ignorant of all foreign languages, but is frank enough to criticize, the Italians' use of their own tongue. He says they spell the name of their great painter "Vinci, but pronounce it Vinchy"-- and then adds with a na:ivet'e possible only to helpless ignorance, "foreigners always spell better than they pronounce." In another place he commits the bald absurdity of putting the phrase "tare an ouns" into an Italian's mouth. In Rome he unhesitatingly believes the legend that St. Philip Neri's heart was so inflamed with divine love that it burst his ribs--believes it wholly because an author with a learned list of university degrees strung after his name endorses it--"otherwise," says this gentle idiot, "I should have felt a curiosity to know what Philip had for dinner." Our author makes a long, fatiguing journey to the Grotto del Cane on purpose to test its poisoning powers on a dog--got elaborately ready for the experiment, and then discovered that he had no dog. A wiser person would have kept such a thing discreetly to himself, but with this harmless creature everything comes out. He hurts his foot in a rut two thousand years old in exhumed Pompeii, and presently, when staring at one of the cinder-like corpses unearthed in the next square, conceives the idea that maybe it is the remains of the ancient Street Commissioner, and straightway his horror softens down to a sort of chirpy contentment with the condition of things. In Damascus he visits the well of Ananias, three thousand years old, and is as surprised and delighted as a child to find that the water is "as pure and fresh as if the well had been dug yesterday." In the Holy Land he gags desperately at the hard Arabic and Hebrew Biblical names, and finally concludes to call them Baldwinsville, Williamsburgh, and so on, "for convenience of spelling."
We have thus spoken freely of this man's stupefying simplicity and innocence, but we cannot deal similarly with his colossal ignorance. We do not know where to begin. And if we knew where to begin, we certainly would not know where to leave off. We will give one specimen, and one only. He did not know, until he got to Rome, that Michael Angelo was dead! And then, instead of crawling away and hiding his shameful ignorance somewhere, he proceeds to express a pious, grateful sort of satisfaction that he is gone and out of his troubles!
No, the reader may seek out the author's exhibition of his uncultivation for himself. The book is absolutely dangerous, considering the magnitude and variety of its misstatements, and the convincing confidence with which they are made. And yet it is a text-book in the schools of America.
The poor blunderer mouses among the sublime creations of the Old Masters, trying to acquire the elegant proficiency in art-knowledge, which he has a groping sort of comprehension is a proper thing for a traveled man to be able to display. But what is the manner of his study? And what is the progress he achieves? To what extent does he familiarize himself with the great pictures of Italy, and what degree of appreciation does he arrive at? Read:
"When we see a monk going about with a lion and looking up into heaven, we know that that is St. Mark. When we see a monk with a book and a pen, looking tranquilly up to heaven, trying to think of a word, we know that that is St. Matthew. When we see a monk sitting on a rock, looking tranquilly up to heaven, with a human skull beside him, and without other baggage, we know that that is St. Jerome. Because we know that he always went flying light in the matter of baggage. When we see other monks looking tranquilly up to heaven, but having no trade-mark, we always ask who those parties are. We do this because we humbly wish to learn."
He then enumerates the thousands and thousand of copies of these several pictures which he has seen, and adds with accustomed simplicity that he feels encouraged to believe that when he has seen "Some More" of each, and had a larger experience, he will eventually "begin to take an absorbing interest in them"--the vulgar boor.
That we have shown this to be a remarkable book, we think no one will deny. That is a pernicious book to place in the hands of the confiding and uniformed, we think we have also shown. That the book is a deliberate and wicked creation of a diseased mind, is apparent upon every page. Having placed our judgment thus upon record, let us close with what charity we can, by remarking that even in this volume there is some good to be found; for whenever the author talks of his own country and lets Europe alone, he never fails to make himself interesting, and not only interesting but instructive. No one can read without benefit his occasional chapters and paragraphs, about life in the gold and silver mines of California and Nevada; about the Indians of the plains and deserts of the West, and their cannibalism; about the raising of vegetables in kegs of gunpowder by the aid of two or three teaspoons of guano; about the moving of small arms from place to place at night in wheelbarrows to avoid taxes; and about a sort of cows and mules in the Humboldt mines, that climb down chimneys and disturb the people at night. These matters are not only new, but are well worth knowing. It is a pity the author did not put in more of the same kind. His book is well written and is exceedingly entertaining, and so it just barely escaped being quite valuable also.
(One month later)
Latterly I have received several letters, and see a number of newspaper paragraphs, all upon a certain subject, and all of about the same tenor. I here give honest specimens. One is from a New York paper, one is from a letter from an old friend, and one is from a letter from a New York publisher who is a stranger to me. I humbly endeavor to make these bits toothsome with the remark that the article they are praising (which appeared in the December GALAXY, and PRETENDED to be a criticism from the London SATURDAY REVIEW on my INNOCENTS ABROAD) WAS WRITTEN BY MYSELF, EVERY LINE OF IT:
The HERALD says the richest thing out is the "serious critique" in the London SATURDAY REVIEW, on Mark Twain's INNOCENTS ABROAD. We thought before we read it that it must be "serious," as everybody said so, and were even ready to shed a few tears; but since perusing it, we are bound to confess that next to Mark Twain's "Jumping Frog" it's the finest bit of humor and sarcasm that we've come across in many a day.
(I do not get a compliment like that every day.)
I used to think that your writings were pretty good, but after reading the criticism in THE GALAXY from the LONDON REVIEW, have discovered what an ass I must have been. If suggestions are in order, mine is, that you put that article in your next edition of the INNOCENTS, as an extra chapter, if you are not afraid to put your own humor in competition with it. It is as rich a thing as I ever read.
(Which is strong commendation from a book publisher.)
The London Reviewer, my friend, is not the stupid, "serious" creature he pretends to be, _I_ think; but, on the contrary, has a keep appreciation and enjoyment of your book. As I read his article in THE GALAXY, I could imagine him giving vent to many a hearty laugh. But he is writing for Catholics and Established Church people, and high-toned, antiquated, conservative gentility, whom it is a delight to him to help you shock, while he pretends to shake his head with owlish density. He is a magnificent humorist himself.
(Now that is graceful and handsome. I take off my hat to my life-long friend and comrade, and with my feet together and my fingers spread over my heart, I say, in the language of Alabama, "You do me proud.")
I stand guilty of the authorship of the article, but I did not mean any harm. I saw by an item in the Boston ADVERTISER that a solemn, serious critique on the English edition of my book had appeared in the London SATURDAY REVIEW, and the idea of SUCH a literary breakfast by a stolid, ponderous British ogre of the quill was too much for a naturally weak virtue, and I went home and burlesqued it-- reveled in it, I may say. I never saw a copy of the real SATURDAY REVIEW criticism until after my burlesque was written and mailed to the printer. But when I did get hold of a copy, I found it to be vulgar, awkwardly written, ill-natured, and entirely serious and in earnest. The gentleman who wrote the newspaper paragraph above quoted had not been misled as to its character.
If any man doubts my word now, I will kill him. No, I will not kill him; I will win his money. I will bet him twenty to one, and let any New York publisher hold the stakes, that the statements I have above made as to the authorship of the article in question are entirely true. Perhaps I may get wealthy at this, for I am willing to take all the bets that offer; and if a man wants larger odds, I will give him all he requires. But he ought to find out whether I am betting on what is termed "a sure thing" or not before he ventures his money, and he can do that by going to a public library and examining the London SATURDAY REVIEW of October 8th, which contains the real critique.
Bless me, some people thought that _I_ was the "sold" person!
P.S.--I cannot resist the temptation to toss in this most savory thing of all--this easy, graceful, philosophical disquisition, with his happy, chirping confidence. It is from the Cincinnati ENQUIRER:
Nothing is more uncertain than the value of a fine cigar. Nine smokers out of ten would prefer an ordinary domestic article, three for a quarter, to fifty-cent Partaga, if kept in ignorance of the cost of the latter. The flavor of the Partaga is too delicate for palates that have been accustomed to Connecticut seed leaf. So it is with humor. The finer it is in quality, the more danger of its not being recognized at all. Even Mark Twain has been taken in by an English review of his INNOCENTS ABROAD. Mark Twain is by no means a coarse humorist, but the Englishman's humor is so much finer than his, that he mistakes it for solid earnest, and "lafts most consumedly."
A man who cannot learn stands in his own light. Hereafter, when I write an article which I know to be good, but which I may have reason to fear will not, in some quarters, be considered to amount to much, coming from an American, I will aver that an Englishman wrote it and that it is copied from a London journal. And then I will occupy a back seat and enjoy the cordial applause.
(Still later)
Mark Twain at last sees that the SATURDAY REVIEW'S criticism of his INNOCENTS ABROAD was not serious, and he is intensely mortified at the thought of having been so badly sold. He takes the only course left him, and in the last GALAXY claims that HE wrote the criticism himself, and published it in THE GALAXY to sell the public. This is ingenious, but unfortunately it is not true. If any of our readers will take the trouble to call at this office we sill show them the original article in the SATURDAY REVIEW of October 8th, which, on comparison, will be found to be identical with the one published in THE GALAXY. The best thing for Mark to do will be to admit that he was sold, and say no more about it.
The above is from the Cincinnati ENQUIRER, and is a falsehood. Come to the proof. If the ENQUIRER people, through any agent, will produce at THE GALAXY office a London SATURDAY REVIEW of October 8th, containing an article which, on comparison, will be found to be identical with the one published in THE GALAXY, I will pay to that agent five hundred dollars cash. Moreover, if at any specified time I fail to produce at the same place a copy of the London SATURDAY REVIEW of October 8th, containing a lengthy criticism upon the INNOCENTS ABROAD, entirely different, in every paragraph and sentence, from the one I published in THE GALAXY, I will pay to the ENQUIRER agent another five hundred dollars cash. I offer Sheldon & Co., publishers, 500 Broadway, New York, as my "backers." Any one in New York, authorized by the ENQUIRER, will receive prompt attention. It is an easy and profitable way for the ENQUIRER people to prove that they have not uttered a pitiful, deliberate falsehood in the above paragraphs. Will they swallow that falsehood ignominiously, or will they send an agent to THE GALAXY office. I think the Cincinnati ENQUIRER must be edited by children.
A Fable by Mark Twain
Once upon a time an artist who had painted a small and very beautiful picture placed it so that he could see it in the mirror. He said, "This doubles the distance and softens it, and it is twice as lovely as it was before."
The animals out in the woods heard of this through the housecat, who was greatly admired by them because he was so learned, and so refined and civilized, and so polite and high-bred, and could tell them so much which they didn't know before, and were not certain about afterward. They were much excited about this new piece of gossip, and they asked questions, so as to get at a full understanding of it. They asked what a picture was, and the cat explained.
"It is a flat thing," he said; "wonderfully flat, marvelously flat, enchantingly flat and elegant. And, oh, so beautiful!"
That excited them almost to a frenzy, and they said they would give the world to see it. Then the bear asked:
"What is it that makes it so beautiful?"
"It is the looks of it," said the cat.
This filled them with admiration and uncertainty, and they were more excited than ever. Then the cow asked:
"What is a mirror?"
"It is a hole in the wall," said the cat. "You look in it, and there you see the picture, and it is so dainty and charming and ethereal and inspiring in its unimaginable beauty that your head turns round and round, and you almost swoon with ecstasy."
The ass had not said anything as yet; he now began to throw doubts. He said there had never been anything as beautiful as this before, and probably wasn't now. He said that when it took a whole basketful of sesquipedalian adjectives to whoop up a thing of beauty, it was time for suspicion.
It was easy to see that these doubts were having an effect upon the animals, so the cat went off offended. The subject was dropped for a couple of days, but in the meantime curiosity was taking a fresh start, aid there was a revival of interest perceptible. Then the animals assailed the ass for spoiling what could possibly have been a pleasure to them, on a mere suspicion that the picture was not beautiful, without any evidence that such was the case. The ass was not, troubled; he was calm, and said there was one way to find out who was in the right, himself or the cat: he would go and look in that hole, and come back and tell what he found there. The animals felt relieved and grateful, and asked him to go at once--which he did.
But he did not know where he ought to stand; and so, through error, he stood between the picture and the mirror. The result was that the picture had no chance, and didn't show up. He returned home and said:
"The cat lied. There was nothing in that hole but an ass. There wasn't a sign of a flat thing visible. It was a handsome ass, and friendly, but just an ass, and nothing more."
The elephant asked:
"Did you see it good and clear? Were you close to it?"
"I saw it good and clear, O Hathi, King of Beasts. I was so close that I touched noses with it."
"This is very strange," said the elephant; "the cat was always truthful before--as far as we could make out. Let another witness try. Go, Baloo, look in the hole, and come and report."
So the bear went. When he came back, he said:
"Both the cat and the ass have lied; there was nothing in the hole but a bear."
Great was the surprise and puzzlement of the animals. Each was now anxious to make the test himself and get at the straight truth. The elephant sent them one at a time.
First, the cow. She found nothing in the hole but a cow.
The tiger found nothing in it but a tiger.
The lion found nothing in it but a lion.
The leopard found nothing in it but a leopard.
The camel found a camel, and nothing more.
Then Hathi was wroth, and said he would have the truth, if he had to go and fetch it himself. When he returned, he abused his whole subjectry for liars, and was in an unappeasable fury with the moral and mental blindness of the cat. He said that anybody but a near-sighted fool could see that there was nothing in the hole but an elephant.
MORAL, BY THE CAT
You can find in a text whatever you bring, if you will stand between it and the mirror of your imagination. You may not see your ears, but they will be there.
A Fashion Item by Mark Twain
At General G----'s reception the other night, the most fashionably dressed lady was Mrs. G. C. She wore a pink satin dress, plain in front but with a good deal of rake to it--to the train, I mean; it was said to be two or three yards long. One could see it creeping along the floor some little time after the woman was gone. Mrs. C. wore also a white bodice, cut bias, with Pompadour sleeves, flounced with ruches; low neck, with the inside handkerchief not visible, with white kid gloves. She had on a pearl necklace, which glinted lonely, high up the midst of that barren waste of neck and shoulders. Her hair was frizzled into a tangled chaparral, forward of her ears, aft it was drawn together, and compactly bound and plaited into a stump like a pony's tail, and furthermore was canted upward at a sharp angle, and ingeniously supported by a red velvet crupper, whose forward extremity was made fast with a half-hitch around a hairpin on the top of her head. Her whole top hamper was neat and becoming. She had a beautiful complexion when she first came, but it faded out by degrees in an unaccountable way. However, it is not lost for good. I found the most of it on my shoulder afterward. (I stood near the door when she squeezed out with the throng.) There were other ladies present, but I only took notes of one as a specimen. I would gladly enlarge upon the subject were I able to do it justice.
A Fine Old Man by Mark Twain
John Wagner, the oldest man in Buffalo--one hundred and four years old --recently walked a mile and a half in two weeks.
He is as cheerful and bright as any of these other old men that charge around so persistently and tiresomely in the newspapers, and in every way as remarkable.
Last November he walked five blocks in a rainstorm, without any shelter but an umbrella, and cast his vote for Grant, remarking that he had voted for forty-seven presidents--which was a lie.
His "second crop" of rich brown hair arrived from New York yesterday, and he has a new set of teeth coming from Philadelphia.
He is to be married next week to a girl one hundred and two years old, who still takes in washing.
They have been engaged eighty years, but their parents persistently refused their consent until three days ago.
John Wagner is two years older than the Rhode Island veteran, and yet has never tasted a drop of liquor in his life--unless-unless you count whisky.
After-Dinner Speech by Mark Twain
[AT A FOURTH OF JULY GATHERING, IN LONDON, OF AMERICANS]
MR. CHAIRMAN AND LADIES AND GENTLEMEN: I thank you for the compliment which has just been tendered me, and to show my appreciation of it I will not afflict you with many words. It is pleasant to celebrate in this peaceful way, upon this old mother soil, the anniversary of an experiment which was born of war with this same land so long ago, and wrought out to a successful issue by the devotion of our ancestors. It has taken nearly a hundred years to bring the English and Americans into kindly and mutually appreciative relations, but I believe it has been accomplished at last. It was a great step when the two last misunderstandings were settled by arbitration instead of cannon. It is another great step when England adopts our sewing-machines without claiming the invention--as usual. It was another when they imported one of our sleeping-cars the other day. And it warmed my heart more than I can tell, yesterday, when I witnessed the spectacle of an Englishman ordering an American sherry cobbler of his own free will and accord--and not only that but with a great brain and a level head reminding the barkeeper not to forget the strawberries. With a common origin, a common language, a common literature, a common religion and--common drinks, what is longer needful to the cementing of the two nations together in a permanent bond of brotherhood?
This is an age of progress, and ours is a progressive land. A great and glorious land, too--a land which has developed a Washington, a Franklin, a William M. Tweed, a Longfellow, a Motley, a Jay Gould, a Samuel C. Pomeroy, a recent Congress which has never had its equal (in some respects), and a United States Army which conquered sixty Indians in eight months by tiring them out--which is much better than uncivilized slaughter, God knows. We have a criminal jury system which is superior to any in the world; and its efficiency is only marred by the difficulty of finding twelve men every day who don't know anything and can't read. And I may observe that we have an insanity plea that would have saved Cain. I think I can say,--and say with pride, that we have some legislatures that bring higher prices than any in the world.
I refer with effusion to our railway system, which consents to let us live, though it might do the opposite, being our owners. It only destroyed three thousand and seventy lives last year by collisions, and twenty-seven thousand two hundred and sixty by running over heedless and unnecessary people at crossings. The companies seriously regretted the killing of these thirty thousand people, and went so far as to pay for some of them--voluntarily, of course, for the meanest of us would not claim that we possess a court treacherous enough to enforce a law against a railway company. But, thank Heaven, the railway companies are generally disposed to do the right and kindly thing without compulsion. I know of an instance which greatly touched me at the time. After an accident the company sent home the remains of a dear distant old relative of mine in a basket, with the remark, "Please state what figure you hold him at--and return the basket." Now there couldn't be anything friendlier than that.
But I must not stand here and brag all night. However, you won't mind a body bragging a little about his country on the fourth of July. It is a fair and legitimate time to fly the eagle. I will say only one more word of brag--and a hopeful one. It is this. We have a form of government which gives each man a fair chance and no favor. With us no individual is born with a right to look down upon his neighbor and hold him in contempt. Let such of us as are not dukes find our consolation in that. And we may find hope for the future in the fact that as unhappy as is the condition of our political morality to-day, England has risen up out of a far fouler since the days when Charles I. ennobled courtesans and all political place was a matter of bargain and sale. There is hope for us yet.
[At least the above is the speech which I was going to make, but our minister, General Schenck, presided, and after the blessing, got up and made a great long inconceivably dull harangue, and wound up by saying that inasmuch as speech-making did not seem to exhilarate the guests much, all further oratory would be dispensed with during the evening, and we could just sit and talk privately to our elbow- neighbors and have a good sociable time. It is known that in consequence of that remark forty-four perfected speeches died in the womb. The depression, the gloom, the solemnity that reigned over the banquet from that time forth will be a lasting memory with many that were there. By that one thoughtless remark General Schenck lost forty-four of the best friends he had in England. More than one said that night, "And this is the sort of person that is sent to represent us in a great sister empire!"]
"After" Jenkins by Mark Twain
A grand affair of a ball--the Pioneers'--came off at the Occidental some time ago. The following notes of the costumes worn by the belles of the occasion may not be uninteresting to the general reader, and Jenkins may get an idea therefrom:
Mrs. W. M. was attired in an elegant 'pate de foie gras,' made expressly for her, and was greatly admired. Miss S. had her hair done up. She was the center of attraction for the envy of all the ladies. Mrs. G. W. was tastefully dressed in a 'tout ensemble,' and was greeted with deafening applause wherever she went. Mrs. C. N. was superbly arrayed in white kid gloves. Her modest and engaging manner accorded well with the unpretending simplicity of her costume and caused her to be regarded with absorbing interest by every one.
The charming Miss M. M. B. appeared in a thrilling waterfall, whose exceeding grace and volume compelled the homage of pioneers and emigrants alike. How beautiful she was!
The queenly Mrs. L. R. was attractively attired in her new and beautiful false teeth, and the 'bon jour' effect they naturally produced was heightened by her enchanting and well-sustained smile.
Miss R. P., with that repugnance to ostentation in dress which is so peculiar to her, was attired in a simple white lace collar, fastened with a neat pearl-button solitaire. The fine contrast between the sparkling vivacity of her natural optic, and the steadfast attentiveness of her placid glass eye, was the subject of general and enthusiastic remark.
Miss C. L. B. had her fine nose elegantly enameled, and the easy grace with which she blew it from time to time marked her as a cultivated and accomplished woman of the world; its exquisitely modulated tone excited the admiration of all who had the happiness to hear it.
A Ghost Story by Mark Twain
I took a large room, far up Broadway, in a huge old building whose upper stories had been wholly unoccupied for years until I came. The place had long been given up to dust and cobwebs, to solitude and silence. I seemed groping among the tombs and invading the privacy of the dead, that first night I climbed up to my quarters. For the first time in my life a superstitious dread came over me; and as I turned a dark angle of the stairway and an invisible cobweb swung its slazy woof in my face and clung there, I shuddered as one who had encountered a phantom.
I was glad enough when I reached my room and locked out the mold and the darkness. A cheery fire was burning in the grate, and I sat down before it with a comforting sense of relief. For two hours I sat there, thinking of bygone times; recalling old scenes, and summoning half- forgotten faces out of the mists of the past; listening, in fancy, to voices that long ago grew silent for all time, and to once familiar songs that nobody sings now. And as my reverie softened down to a sadder and sadder pathos, the shrieking of the winds outside softened to a wail, the angry beating of the rain against the panes diminished to a tranquil patter, and one by one the noises in the street subsided, until the hurrying footsteps of the last belated straggler died away in the distance and left no sound behind.
The fire had burned low. A sense of loneliness crept over me. I arose and undressed, moving on tiptoe about the room, doing stealthily what I had to do, as if I were environed by sleeping enemies whose slumbers it would be fatal to break. I covered up in bed, and lay listening to the rain and wind and the faint creaking of distant shutters, till they lulled me to sleep.
I slept profoundly, but how long I do not know. All at once I found myself awake, and filled with a shuddering expectancy. All was still. All but my own heart--I could hear it beat. Presently the bedclothes began to slip away slowly toward the foot of the bed, as if some one were pulling them! I could not stir; I could not speak. Still the blankets slipped deliberately away, till my breast was uncovered. Then with a great effort I seized them and drew them over my head. I waited, listened, waited. Once more that steady pull began, and once more I lay torpid a century of dragging seconds till my breast was naked again. At last I roused my energies and snatched the covers back to their place and held them with a strong grip. I waited. By and by I felt a faint tug, and took a fresh grip. The tug strengthened to a steady strain--it grew stronger and stronger. My hold parted, and for the third time the blankets slid away. I groaned. An answering groan came from the foot of the bed! Beaded drops of sweat stood upon my forehead. I was more dead than alive. Presently I heard a heavy footstep in my room--the step of an elephant, it seemed to me--it was not like anything human. But it was moving from me--there was relief in that. I heard it approach the door-- pass out without moving bolt or lock--and wander away among the dismal corridors, straining the floors and joists till they creaked again as it passed--and then silence reigned once more.
When my excitement had calmed, I said to myself, "This is a dream--simply a hideous dream." And so I lay thinking it over until I convinced myself that it was a dream, and then a comforting laugh relaxed my lips and I was happy again. I got up and struck a light; and when I found that the locks and bolts were just as I had left them, another soothing laugh welled in my heart and rippled from my lips. I took my pipe and lit it, and was just sitting down before the fire, when-down went the pipe out of my nerveless fingers, the blood forsook my cheeks, and my placid breathing was cut short with a gasp! In the ashes on the hearth, side by side with my own bare footprint, was another, so vast that in comparison mine was but an infant's! Then I had had a visitor, and the elephant tread was explained.
I put out the light and returned to bed, palsied with fear. I lay a long time, peering into the darkness, and listening.--Then I heard a grating noise overhead, like the dragging of a heavy body across the floor; then the throwing down of the body, and the shaking of my windows in response to the concussion. In distant parts of the building I heard the muffled slamming of doors. I heard, at intervals, stealthy footsteps creeping in and out among the corridors, and up and down the stairs. Sometimes these noises approached my door, hesitated, and went away again. I heard the clanking of chains faintly, in remote passages, and listened while the clanking grew nearer--while it wearily climbed the stairways, marking each move by the loose surplus of chain that fell with an accented rattle upon each succeeding step as the goblin that bore it advanced. I heard muttered sentences; half-uttered screams that seemed smothered violently; and the swish of invisible garments, the rush of invisible wings. Then I became conscious that my chamber was invaded--that I was not alone. I heard sighs and breathings about my bed, and mysterious whisperings. Three little spheres of soft phosphorescent light appeared on the ceiling directly over my head, clung and glowed there a moment, and then dropped --two of them upon my face and one upon the pillow. They, spattered, liquidly, and felt warm. Intuition told me they had--turned to gouts of blood as they fell--I needed no light to satisfy myself of that. Then I saw pallid faces, dimly luminous, and white uplifted hands, floating bodiless in the air--floating a moment and then disappearing. The whispering ceased, and the voices and the sounds, anal a solemn stillness followed. I waited and listened. I felt that I must have light or die. I was weak with fear. I slowly raised myself toward a sitting posture, and my face came in contact with a clammy hand! All strength went from me apparently, and I fell back like a stricken invalid. Then I heard the rustle of a garment it seemed to pass to the door and go out.
When everything was still once more, I crept out of bed, sick and feeble, and lit the gas with a hand that trembled as if it were aged with a hundred years. The light brought some little cheer to my spirits. I sat down and fell into a dreamy contemplation of that great footprint in the ashes. By and by its outlines began to waver and grow dim. I glanced up and the broad gas-flame was slowly wilting away. In the same moment I heard that elephantine tread again. I noted its approach, nearer and nearer, along the musty halls, and dimmer and dimmer the light waned. The tread reached my very door and paused--the light had dwindled to a sickly blue, and all things about me lay in a spectral twilight. The door did not open, and yet I felt a faint gust of air fan my cheek, and presently was conscious of a huge, cloudy presence before me. I watched it with fascinated eyes. A pale glow stole over the Thing; gradually its cloudy folds took shape--an arm appeared, then legs, then a body, and last a great sad face looked out of the vapor. Stripped of its filmy housings, naked, muscular and comely, the majestic Cardiff Giant loomed above me!
All my misery vanished--for a child might know that no harm could come with that benignant countenance. My cheerful spirits returned at once, and in sympathy with them the gas flamed up brightly again. Never a lonely outcast was so glad to welcome company as I was to greet the friendly giant. I said:
"Why, is it nobody but you? Do you know, I have been scared to death for the last two or three hours? I am most honestly glad to see you. I wish I had a chair--Here, here, don't try to sit down in that thing--"
But it was too late. He was in it before I could stop him and down he went--I never saw a chair shivered so in my life.
"Stop, stop, you'll ruin ev--"
Too late again. There was another crash, and another chair was resolved into its original elements.
"Confound it, haven't you got any judgment at' all? Do you want to ruin all the furniture on the place? Here, here, you petrified fool--"
But it was no use. Before I could arrest him he had sat down on the bed, and it was a melancholy ruin.
"Now what sort of a way is that to do? First you come lumbering about the place bringing a legion of vagabond goblins along with you to worry me to death, and then when I overlook an indelicacy of costume which would not be tolerated anywhere by cultivated people except in a respectable theater, and not even there if the nudity were of your sex, you repay me by wrecking all the furniture you can find to sit down on. And why will you? You damage yourself as much as you do me. You have broken off the end of your spinal column, and littered up the floor with chips of your hams till the place looks like a marble yard. You ought to be ashamed of yourself--you are big enough to know better."
"Well, I will not break any more furniture. But what am I to do? I have not had a chance to sit down for a century." And the tears came into his eyes.
"Poor devil," I said, "I should not have been so harsh with you. And you are an orphan, too, no doubt. But sit down on the floor here--nothing else can stand your weight--and besides, we cannot be sociable with you away up there above me; I want you down where I can perch on this high counting-house stool and gossip with you face to face." So he sat down on the floor, and lit a pipe which I gave him, threw one of my red blankets over his shoulders, inverted my sitz-bath on his head, helmet fashion, and made himself picturesque and comfortable. Then he crossed his ankles, while I renewed the fire, and exposed the flat, honeycombed bottoms of his prodigious feet to the grateful warmth.
"What is the matter with the bottom of your feet and the back of your legs, that they are gouged up so?"
"Infernal chilblains--I caught them clear up to the back of my head, roosting out there under Newell's farm. But I love the place; I love it as one loves his old home. There is no peace for me like the peace I feel when I am there."
We talked along for half an hour, and then I noticed that he looked tired, and spoke of it.
"Tired?" he said. "Well, I should think so. And now I will tell you all about it, since you have treated me so well. I am the spirit of the Petrified Man that lies across the street there in the museum. I am the ghost of the Cardiff Giant. I can have no rest, no peace, till they have given that poor body burial again. Now what was the most natural thing for me to do, to make men satisfy this wish? Terrify them into it! haunt the place where the body lay! So I haunted the museum night after night. I even got other spirits to help me. But it did no good, for nobody ever came to the museum at midnight. Then it occurred to me to come over the way and haunt this place a little. I felt that if I ever got a hearing I must succeed, for I had the most efficient company that perdition could furnish. Night after night we have shivered around through these mildewed halls, dragging chains, groaning, whispering, tramping up and down stairs, till, to tell you the truth, I am almost worn out. But when I saw a light in your room to-night I roused my energies again and went at it with a deal of the old freshness. But I am tired out--entirely fagged out. Give me, I beseech you, give me some hope!" I lit off my perch in a burst of excitement, and exclaimed:
"This transcends everything! everything that ever did occur! Why you poor blundering old fossil, you have had all your trouble for nothing-- you have been haunting a plaster cast of yourself--the real Cardiff Giant is in Albany!--[A fact. The original fraud was ingeniously and fraudfully duplicated, and exhibited in New York as the "only genuine" Cardiff Giant (to the unspeakable disgust of the owners of the real colossus) at the very same time that the latter was drawing crowds at a museum is Albany,]--Confound it, don't you know your own remains?"
I never saw such an eloquent look of shame, of pitiable humiliation, overspread a countenance before.
The Petrified Man rose slowly to his feet, and said:
"Honestly, is that true?"
"As true as I am sitting here."
He took the pipe from his mouth and laid it on the mantel, then stood irresolute a moment (unconsciously, from old habit, thrusting his hands where his pantaloons pockets should have been, and meditatively dropping his chin on his breast); and finally said:
"Well-I never felt so absurd before. The Petrified Man has sold everybody else, and now the mean fraud has ended by selling its own ghost! My son, if there is any charity left in your heart for a poor friendless phantom like me, don't let this get out. Think how you would feel if you had made such an ass of yourself."
I heard his stately tramp die away, step by step down the stairs and out into the deserted street, and felt sorry that he was gone, poor fellow-- and sorrier still that he had carried off my red blanket and my bath-tub.
