Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Showing posts with label Mark Twain. Show all posts
Showing posts with label Mark Twain. Show all posts

Monday, January 4, 2016

A Cure for the Blues by Mark Twain

Word Count:  7581

By courtesy of Mr. Cable I came into possession of a singular book eight or ten years ago. It is likely that mine is now the only copy in existence. Its title-page, unabbreviated, reads as follows:

"The Enemy Conquered; or, Love Triumphant. By G. Ragsdale McClintock, [1] author of 'An Address,' etc., delivered at Sunflower Hill, South Carolina, and member of the Yale Law School. New Haven: published by T. H. Pease, 83 Chapel Street, 1845."

No one can take up this book and lay it down again unread. Whoever reads one line of it is caught, is chained; he has become the contented slave of its fascinations; and he will read and read, devour and devour, and will not let it go out of his hand till it is finished to the last line, though the house be on fire over his head. And after a first reading he will not throw it aside, but will keep it by him, with his Shakespeare and his Homer, and will take it up many and many a time, when the world is dark and his spirits are low, and be straightway cheered and refreshed. Yet this work has been allowed to lie wholly neglected, unmentioned, and apparently unregretted, for nearly half a century.

The reader must not imagine that he is to find in it wisdom, brilliancy, fertility of invention, ingenuity of construction, excellence of form, purity of style, perfection of imagery, truth to nature, clearness of statement, humanly possible situations, humanly possible people, fluent narrative, connected sequence of events-- or philosophy, or logic, or sense. No; the rich, deep, beguiling charm of the book lies in the total and miraculous ABSENCE from it of all these qualities--a charm which is completed and perfected by the evident fact that the author, whose naive innocence easily and surely wins our regard, and almost our worship, does not know that they are absent, does not even suspect that they are absent. When read by the light of these helps to an understanding of the situation, the book is delicious--profoundly and satisfyingly delicious.

I call it a book because the author calls it a book, I call it a work because he calls it a work; but, in truth, it is merely a duodecimo pamphlet of thirty-one pages. It was written for fame and money, as the author very frankly--yes, and very hopefully, too, poor fellow-- says in his preface. The money never came--no penny of it ever came; and how long, how pathetically long, the fame has been deferred-- forty-seven years! He was young then, it would have been so much to him then; but will he care for it now?

As time is measured in America, McClintock's epoch is antiquity. In his long-vanished day the Southern author had a passion for "eloquence"; it was his pet, his darling. He would be eloquent, or perish. And he recognized only one kind of eloquence--the lurid, the tempestuous, the volcanic. He liked words--big words, fine words, grand words, rumbling, thundering, reverberating words; with sense attaching if it could be got in without marring the sound, but not otherwise. He loved to stand up before a dazed world, and pour forth flame and smoke and lava and pumice-stone into the skies, and work his subterranean thunders, and shake himself with earthquakes, and stench himself with sulphur fumes. If he consumed his own fields and vineyards, that was a pity, yes; but he would have his eruption at any cost. Mr. McClintock's eloquence-- and he is always eloquent, his crater is always spouting--is of the pattern common to his day, but he departs from the custom of the time in one respect: his brethren allowed sense to intrude when it did not mar the sound, but he does not allow it to intrude at all. For example, consider this figure, which he used in the village "Address" referred to with such candid complacency in the title-page above quoted--"like the topmost topaz of an ancient tower." Please read it again; contemplate it; measure it; walk around it; climb up it; try to get at an approximate realization of the size of it. Is the fellow to that to be found in literature, ancient or modern, foreign or domestic, living or dead, drunk or sober? One notices how fine and grand it sounds. We know that if it was loftily uttered, it got a noble burst of applause from the villagers; yet there isn't a ray of sense in it, or meaning to it.__

McClintock finished his education at Yale in 1843, and came to Hartford on a visit that same year. I have talked with men who at that time talked with him, and felt of him, and knew he was real. One needs to remember that fact and to keep fast hold of it; it is the only way to keep McClintock's book from undermining one's faith in McClintock's actuality.

As to the book. The first four pages are devoted to an inflamed eulogy of Woman--simply woman in general, or perhaps as an institution-- wherein, among other compliments to her details, he pays a unique one to her voice. He says it "fills the breast with fond alarms, echoed by every rill." It sounds well enough, but it is not true. After the eulogy he takes up his real work and the novel begins. It begins in the woods, near the village of Sunflower Hill.

Brightening clouds seemed to rise from the mist of the fair Chattahoochee, to spread their beauty over the thick forest, to guide the hero whose bosom beats with aspirations to conquer the enemy that would tarnish his name, and to win back the admiration of his long-tried friend.

It seems a general remark, but it is not general; the hero mentioned is the to-be hero of the book; and in this abrupt fashion, and without name or description, he is shoveled into the tale. "With aspirations to conquer the enemy that would tarnish his name" is merely a phrase flung in for the sake of the sound--let it not mislead the reader. No one is trying to tarnish this person; no one has thought of it. The rest of the sentence is also merely a phrase; the man has no friend as yet, and of course has had no chance to try him, or win back his admiration, or disturb him in any other way.

The hero climbs up over "Sawney's Mountain," and down the other side, making for an old Indian "castle"--which becomes "the red man's hut" in the next sentence; and when he gets there at last, he "surveys with wonder and astonishment" the invisible structure, "which time has buried in the dust, and thought to himself his happiness was not yet complete." One doesn't know why it wasn't, nor how near it came to being complete, nor what was still wanting to round it up and make it so. Maybe it was the Indian; but the book does not say. At this point we have an episode:

Beside the shore of the brook sat a young man, about eighteen or twenty, who seemed to be reading some favorite book, and who had a remarkably noble countenance--eyes which betrayed more than a common mind. This of course made the youth a welcome guest, and gained him friends in whatever condition of his life he might be placed. The traveler observed that he was a well-built figure which showed strength and grace in every movement. He accordingly addressed him in quite a gentlemanly manner, and inquired of him the way to the village. After he had received the desired information, and was about taking his leave, the youth said, "Are you not Major Elfonzo, the great musician [2]--the champion of a noble cause-- the modern Achilles, who gained so many victories in the Florida War?" "I bear that name," said the Major, "and those titles, trusting at the same time that the ministers of grace will carry me triumphantly through all my laudable undertakings, and if," continued the Major, "you, sir, are the patronizer of noble deeds, I should like to make you my confidant and learn your address." The youth looked somewhat amazed, bowed low, mused for a moment, and began: "My name is Roswell. I have been recently admitted to the bar, and can only give a faint outline of my future success in that honorable profession; but I trust, sir, like the Eagle, I shall look down from the lofty rocks upon the dwellings of man, and shall ever be ready to give you any assistance in my official capacity, and whatever this muscular arm of mine can do, whenever it shall be called from its buried GREATNESS." The Major grasped him by the hand, and exclaimed: "O! thou exalted spirit of inspiration--thou flame of burning prosperity, may the Heaven-directed blaze be the glare of thy soul, and battle down every rampart that seems to impede your progress!"

There is a strange sort of originality about McClintock; he imitates other people's styles, but nobody can imitate his, not even an idiot. Other people can be windy, but McClintock blows a gale; other people can blubber sentiment, but McClintock spews it; other people can mishandle metaphors, but only McClintock knows how to make a business of it. McClintock is always McClintock, he is always consistent, his style is always his own style. He does not make the mistake of being relevant on one page and irrelevant on another; he is irrelevant on all of them. He does not make the mistake of being lucid in one place and obscure in another; he is obscure all the time. He does not make the mistake of slipping in a name here and there that is out of character with his work; he always uses names that exactly and fantastically fit his lunatics. In the matter of undeviating consistency he stands alone in authorship. It is this that makes his style unique, and entitles it to a name of its own--McClintockian. It is this that protects it from being mistaken for anybody else's. Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognizable. When a boy nineteen years old, who had just been admitted to the bar, says, "I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man," we know who is speaking through that boy; we should recognize that note anywhere. There be myriads of instruments in this world's literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognizable, and about it there can be no blur of doubt.__

The novel now arrives at the point where the Major goes home to see his father. When McClintock wrote this interview he probably believed it was pathetic.

The road which led to the town presented many attractions Elfonzo had bid farewell to the youth of deep feeling, and was now wending his way to the dreaming spot of his fondness. The south winds whistled through the woods, as the waters dashed against the banks, as rapid fire in the pent furnace roars. This brought him to remember while alone, that he quietly left behind the hospitality of a father's house, and gladly entered the world, with higher hopes than are often realized. But as he journeyed onward, he was mindful of the advice of his father, who had often looked sadly on the ground, when tears of cruelly deceived hope moistened his eyes. Elfonzo had been somewhat a dutiful son; yet fond of the amusements of life-- had been in distant lands--had enjoyed the pleasure of the world, and had frequently returned to the scenes of his boyhood, almost destitute of many of the comforts of life. In this condition, he would frequently say to his father, "Have I offended you, that you look upon me as a stranger, and frown upon me with stinging looks? Will you not favor me with the sound of your voice? If I have trampled upon your veneration, or have spread a humid veil of darkness around your expectations, send me back into the world, where no heart beats for me--where the foot of man had never yet trod; but give me at least one kind word--allow me to come into the presence sometimes of thy winter-worn locks." "Forbid it, Heaven, that I should be angry with thee," answered the father, "my son, and yet I send thee back to the children of the world--to the cold charity of the combat, and to a land of victory. I read another destiny in thy countenance--I learn thy inclinations from the flame that has already kindled in my soul a strange sensation. It will seek thee, my dear ELFONZO, it will find thee--thou canst not escape that lighted torch, which shall blot out from the remembrance of men a long train of prophecies which they have foretold against thee. I once thought not so. Once, I was blind; but now the path of life is plain before me, and my sight is clear; yet, Elfonzo, return to thy worldly occupation--take again in thy hand that chord of sweet sounds-- struggle with the civilized world and with your own heart; fly swiftly to the enchanted ground--let the night-OWL send forth its screams from the stubborn oak--let the sea sport upon the beach, and the stars sing together; but learn of these, Elfonzo, thy doom, and thy hiding-place. Our most innocent as well as our most lawful DESIRES must often be denied us, that we may learn to sacrifice them to a Higher will."

Remembering such admonitions with gratitude, Elfonzo was immediately urged by the recollection of his father's family to keep moving.

McClintock has a fine gift in the matter of surprises; but as a rule they are not pleasant ones, they jar upon the feelings. His closing sentence in the last quotation is of that sort. It brings one down out of the tinted clouds in too sudden and collapsed a fashion. It incenses one against the author for a moment. It makes the reader want to take him by this winter-worn locks, and trample on his veneration, and deliver him over to the cold charity of combat, and blot him out with his own lighted torch. But the feeling does not last. The master takes again in his hand that concord of sweet sounds of his, and one is reconciled, pacified.

His steps became quicker and quicker--he hastened through the PINY woods, dark as the forest was, and with joy he very soon reached the little village of repose, in whose bosom rested the boldest chivalry. His close attention to every important object--his modest questions about whatever was new to him--his reverence for wise old age, and his ardent desire to learn many of the fine arts, soon brought him into respectable notice.

One mild winter day, as he walked along the streets toward the Academy, which stood upon a small eminence, surrounded by native growth-- some venerable in its appearance, others young and prosperous-- all seemed inviting, and seemed to be the very place for learning as well as for genius to spend its research beneath its spreading shades. He entered its classic walls in the usual mode of southern manners.

The artfulness of this man! None knows so well as he how to pique the curiosity of the reader--and how to disappoint it. He raises the hope, here, that he is going to tell all about how one enters a classic wall in the usual mode of Southern manners; but does he? No; he smiles in his sleeve, and turns aside to other matters.

The principal of the Institution begged him to be seated and listen to the recitations that were going on. He accordingly obeyed the request, and seemed to be much pleased. After the school was dismissed, and the young hearts regained their freedom, with the songs of the evening, laughing at the anticipated pleasures of a happy home, while others tittered at the actions of the past day, he addressed the teacher in a tone that indicated a resolution-- with an undaunted mind. He said he had determined to become a student, if he could meet with his approbation. "Sir," said he, "I have spent much time in the world. I have traveled among the uncivilized inhabitants of America. I have met with friends, and combated with foes; but none of these gratify my ambition, or decide what is to be my destiny. I see the learned world have an influence with the voice of the people themselves. The despoilers of the remotest kingdoms of the earth refer their differences to this class of persons. This the illiterate and inexperienced little dream of; and now if you will receive me as I am, with these deficiencies--with all my misguided opinions, I will give you my honor, sir, that I will never disgrace the Institution, or those who have placed you in this honorable station." The instructor, who had met with many disappointments, knew how to feel for a stranger who had been thus turned upon the charities of an unfeeling community. He looked at him earnestly, and said: "Be of good cheer--look forward, sir, to the high destination you may attain. Remember, the more elevated the mark at which you aim, the more sure, the more glorious, the more magnificent the prize." From wonder to wonder, his encouragement led the impatient listener. A strange nature bloomed before him--giant streams promised him success--gardens of hidden treasures opened to his view. All this, so vividly described, seemed to gain a new witchery from his glowing fancy.

It seems to me that this situation is new in romance. I feel sure it has not been attempted before. Military celebrities have been disguised and set at lowly occupations for dramatic effect, but I think McClintock is the first to send one of them to school. Thus, in this book, you pass from wonder to wonder, through gardens of hidden treasure, where giant streams bloom before you, and behind you, and all around, and you feel as happy, and groggy, and satisfied with your quart of mixed metaphor aboard as you would if it had been mixed in a sample-room and delivered from a jug.

Now we come upon some more McClintockian surprise--a sweetheart who is sprung upon us without any preparation, along with a name for her which is even a little more of a surprise than she herself is.

In 1842 he entered the class, and made rapid progress in the English and Latin departments. Indeed, he continued advancing with such rapidity that he was like to become the first in his class, and made such unexpected progress, and was so studious, that he had almost forgotten the pictured saint of his affections. The fresh wreaths of the pine and cypress had waited anxiously to drop once more the dews of Heaven upon the heads of those who had so often poured forth the tender emotions of their souls under its boughs. He was aware of the pleasure that he had seen there. So one evening, as he was returning from his reading, he concluded he would pay a visit to this enchanting spot. Little did he think of witnessing a shadow of his former happiness, though no doubt he wished it might be so. He continued sauntering by the roadside, meditating on the past. The nearer he approached the spot, the more anxious he became. At that moment a tall female figure flitted across his path, with a bunch of roses in her hand; her countenance showed uncommon vivacity, with a resolute spirit; her ivory teeth already appeared as she smiled beautifully, promenading--while her ringlets of hair dangled unconsciously around her snowy neck. Nothing was wanting to complete her beauty. The tinge of the rose was in full bloom upon her cheek; the charms of sensibility and tenderness were always her associates. In Ambulinia's bosom dwelt a noble soul--one that never faded-- one that never was conquered.

Ambulinia! It can hardly be matched in fiction. The full name is Ambulinia Valeer. Marriage will presently round it out and perfect it. Then it will be Mrs. Ambulinia Valeer Elfonzo. It takes the chromo.

Her heart yielded to no feeling but the love of Elfonzo, on whom she gazed with intense delight, and to whom she felt herself more closely bound, because he sought the hand of no other. Elfonzo was roused from his apparent reverie. His books no longer were his inseparable companions--his thoughts arrayed themselves to encourage him to the field of victory. He endeavored to speak to his supposed Ambulinia, but his speech appeared not in words. No, his effort was a stream of fire, that kindled his soul into a flame of admiration, and carried his senses away captive. Ambulinia had disappeared, to make him more mindful of his duty. As she walked speedily away through the piny woods, she calmly echoed: "O! Elfonzo, thou wilt now look from thy sunbeams. Thou shalt now walk in a new path--perhaps thy way leads through darkness; but fear not, the stars foretell happiness."

To McClintock that jingling jumble of fine words meant something, no doubt, or seemed to mean something; but it is useless for us to try to divine what it was. Ambulinia comes--we don't know whence nor why; she mysteriously intimates--we don't know what; and then she goes echoing away--we don't know whither; and down comes the curtain. McClintock's art is subtle; McClintock's art is deep.

Not many days afterward, as surrounded by fragrant flowers she sat one evening at twilight, to enjoy the cool breeze that whispered notes of melody along the distant groves, the little birds perched on every side, as if to watch the movements of their new visitor. The bells were tolling, when Elfonzo silently stole along by the wild wood flowers, holding in his hand his favorite instrument of music-- his eye continually searching for Ambulinia, who hardly seemed to perceive him, as she played carelessly with the songsters that hopped from branch to branch. Nothing could be more striking than the difference between the two. Nature seemed to have given the more tender soul to Elfonzo, and the stronger and more courageous to Ambulinia. A deep feeling spoke from the eyes of Elfonzo-- such a feeling as can only be expressed by those who are blessed as admirers, and by those who are able to return the same with sincerity of heart. He was a few years older than Ambulinia: she had turned a little into her seventeenth. He had almost grown up in the Cherokee country, with the same equal proportions as one of the natives. But little intimacy had existed between them until the year forty-one--because the youth felt that the character of such a lovely girl was too exalted to inspire any other feeling than that of quiet reverence. But as lovers will not always be insulted, at all times and under all circumstances, by the frowns and cold looks of crabbed old age, which should continually reflect dignity upon those around, and treat the unfortunate as well as the fortunate with a graceful mien, he continued to use diligence and perseverance. All this lighted a spark in his heart that changed his whole character, and like the unyielding Deity that follows the storm to check its rage in the forest, he resolves for the first time to shake off his embarrassment and return where he had before only worshiped.

At last we begin to get the Major's measure. We are able to put this and that casual fact together, and build the man up before our eyes, and look at him. And after we have got him built, we find him worth the trouble. By the above comparison between his age and Ambulinia's, we guess the war-worn veteran to be twenty-two; and the other facts stand thus: he had grown up in the Cherokee country with the same equal proportions as one of the natives-- how flowing and graceful the language, and yet how tantalizing as to meaning!--he had been turned adrift by his father, to whom he had been "somewhat of a dutiful son"; he wandered in distant lands; came back frequently "to the scenes of his boyhood, almost destitute of many of the comforts of life," in order to get into the presence of his father's winter-worn locks, and spread a humid veil of darkness around his expectations; but he was always promptly sent back to the cold charity of the combat again; he learned to play the fiddle, and made a name for himself in that line; he had dwelt among the wild tribes; he had philosophized about the despoilers of the kingdoms of the earth, and found out--the cunning creature-- that they refer their differences to the learned for settlement; he had achieved a vast fame as a military chieftain, the Achilles of the Florida campaigns, and then had got him a spelling-book and started to school; he had fallen in love with Ambulinia Valeer while she was teething, but had kept it to himself awhile, out of the reverential awe which he felt for the child; but now at last, like the unyielding Deity who follows the storm to check its rage in the forest, he resolves to shake off his embarrassment, and to return where before he had only worshiped. The Major, indeed, has made up his mind to rise up and shake his faculties together, and to see if HE can't do that thing himself. This is not clear. But no matter about that: there stands the hero, compact and visible; and he is no mean structure, considering that his creator had never structure, considering that his creator had never created anything before, and hadn't anything but rags and wind to build with this time. It seems to me that no one can contemplate this odd creature, this quaint and curious blatherskite, without admiring McClintock, or, at any rate, loving him and feeling grateful to him; for McClintock made him, he gave him to us; without McClintock we could not have had him, and would now be poor.

But we must come to the feast again. Here is a courtship scene, down there in the romantic glades among the raccoons, alligators, and things, that has merit, peculiar literary merit. See how Achilles woos. Dwell upon the second sentence (particularly the close of it) and the beginning of the third. Never mind the new personage, Leos, who is intruded upon us unheralded and unexplained. That is McClintock's way; it is his habit; it is a part of his genius; he cannot help it; he never interrupts the rush of his narrative to make introductions.

It could not escape Ambulinia's penetrating eye that he sought an interview with her, which she as anxiously avoided, and assumed a more distant calmness than before, seemingly to destroy all hope. After many efforts and struggles with his own person, with timid steps the Major approached the damsel, with the same caution as he would have done in a field of battle. "Lady Ambulinia," said he, trembling, "I have long desired a moment like this. I dare not let it escape. I fear the consequences; yet I hope your indulgence will at least hear my petition. Can you not anticipate what I would say, and what I am about to express? Will not you, like Minerva, who sprung from the brain of Jupiter, release me from thy winding chains or cure me--" "Say no more, Elfonzo," answered Ambulinia, with a serious look, raising her hand as if she intended to swear eternal hatred against the whole world; "another lady in my place would have perhaps answered your question in bitter coldness. I know not the little arts of my sex. I care but little for the vanity of those who would chide me, and am unwilling as well as ashamed to be guilty of anything that would lead you to think 'all is not gold that glitters'; so be no rash in your resolution. It is better to repent now, than to do it in a more solemn hour. Yes, I know what you would say. I know you have a costly gift for me--the noblest that man can make-- YOUR HEART! You should not offer it to one so unworthy. Heaven, you know, has allowed my father's house to be made a house of solitude, a home of silent obedience, which my parents say is more to be admired than big names and high-sounding titles. Notwithstanding all this, let me speak the emotions of an honest heart-- allow me to say in the fullness of my hopes that I anticipate better days. The bird may stretch its wings toward the sun, which it can never reach; and flowers of the field appear to ascend in the same direction, because they cannot do otherwise; but man confides his complaints to the saints in whom he believes; for in their abodes of light they know no more sorrow. From your confession and indicative looks, I must be that person; if so deceive not yourself."

Elfonzo replied, "Pardon me, my dear madam, for my frankness. I have loved you from my earliest days--everything grand and beautiful hath borne the image of Ambulinia; while precipices on every hand surrounded me, your GUARDIAN ANGEL stood and beckoned me away from the deep abyss. In every trial, in every misfortune, I have met with your helping hand; yet I never dreamed or dared to cherish thy love, till a voice impaired with age encouraged the cause, and declared they who acquired thy favor should win a victory. I saw how Leos worshiped thee. I felt my own unworthiness. I began to KNOW JEALOUSLY, a strong guest--indeed, in my bosom,-- yet I could see if I gained your admiration Leos was to be my rival. I was aware that he had the influence of your parents, and the wealth of a deceased relative, which is too often mistaken for permanent and regular tranquillity; yet I have determined by your permission to beg an interest in your prayers--to ask you to animate my drooping spirits by your smiles and your winning looks; for if you but speak I shall be conqueror, my enemies shall stagger like Olympus shakes. And though earth and sea may tremble, and the charioteer of the sun may forget his dashing steed, yet I am assured that it is only to arm me with divine weapons which will enable me to complete my long-tried intention."

"Return to yourself, Elfonzo," said Ambulinia, pleasantly: "a dream of vision has disturbed your intellect; you are above the atmosphere, dwelling in the celestial regions; nothing is there that urges or hinders, nothing that brings discord into our present litigation. I entreat you to condescend a little, and be a man, and forget it all. When Homer describes the battle of the gods and noble men fighting with giants and dragons, they represent under this image our struggles with the delusions of our passions. You have exalted me, an unhappy girl, to the skies; you have called me a saint, and portrayed in your imagination an angel in human form. Let her remain such to you, let her continue to be as you have supposed, and be assured that she will consider a share in your esteem as her highest treasure. Think not that I would allure you from the path in which your conscience leads you; for you know I respect the conscience of others, as I would die for my own. Elfonzo, if I am worthy of thy love, let such conversation never again pass between us. Go, seek a nobler theme! we will seek it in the stream of time, as the sun set in the Tigris." As she spake these words she grasped the hand of Elfonzo, saying at the same time--"Peace and prosperity attend you, my hero; be up and doing!" Closing her remarks with this expression, she walked slowly away, leaving Elfonzo astonished and amazed. He ventured not to follow or detain her. Here he stood alone, gazing at the stars; confounded as he was, here he stood.

Yes; there he stood. There seems to be no doubt about that. Nearly half of this delirious story has now been delivered to the reader. It seems a pity to reduce the other half to a cold synopsis. Pity! it is more than a pity, it is a crime; for to synopsize McClintock is to reduce a sky-flushing conflagration to dull embers, it is to reduce barbaric splendor to ragged poverty. McClintock never wrote a line that was not precious; he never wrote one that could be spared; he never framed one from which a word could be removed without damage. Every sentence that this master has produced may be likened to a perfect set of teeth, white, uniform, beautiful. If you pull one, the charm is gone.

Still, it is now necessary to begin to pull, and to keep it up; for lack of space requires us to synopsize.

We left Elfonzo standing there amazed. At what, we do not know. Not at the girl's speech. No; we ourselves should have been amazed at it, of course, for none of us has ever heard anything resembling it; but Elfonzo was used to speeches made up of noise and vacancy, and could listen to them with undaunted mind like the "topmost topaz of an ancient tower"; he was used to making them himself; he--but let it go, it cannot be guessed out; we shall never know what it was that astonished him. He stood there awhile; then he said, "Alas! am I now Grief's disappointed son at last?" He did not stop to examine his mind, and to try to find out what he probably meant by that, because, for one reason, "a mixture of ambition and greatness of soul moved upon his young heart," and started him for the village. He resumed his bench in school, "and reasonably progressed in his education." His heart was heavy, but he went into society, and sought surcease of sorrow in its light distractions. He made himself popular with his violin, "which seemed to have a thousand chords--more symphonious than the Muses of Apollo, and more enchanting than the ghost of the Hills." This is obscure, but let it go.

During this interval Leos did some unencouraged courting, but at last, "choked by his undertaking," he desisted.

Presently "Elfonzo again wends his way to the stately walls and new-built village." He goes to the house of his beloved; she opens the door herself. To my surprise--for Ambulinia's heart had still seemed free at the time of their last interview--love beamed from the girl's eyes. One sees that Elfonzo was surprised, too; for when he caught that light, "a halloo of smothered shouts ran through every vein." A neat figure--a very neat figure, indeed! Then he kissed her. "The scene was overwhelming." They went into the parlor. The girl said it was safe, for her parents were abed, and would never know. Then we have this fine picture--flung upon the canvas with hardly an effort, as you will notice.

Advancing toward him, she gave a bright display of her rosy neck, and from her head the ambrosial locks breathed divine fragrance; her robe hung waving to his view, while she stood like a goddess confessed before him.

There is nothing of interest in the couple's interview. Now at this point the girl invites Elfonzo to a village show, where jealousy is the motive of the play, for she wants to teach him a wholesome lesson, if he is a jealous person. But this is a sham, and pretty shallow. McClintock merely wants a pretext to drag in a plagiarism of his upon a scene or two in "Othello."

The lovers went to the play. Elfonzo was one of the fiddlers. He and Ambulinia must not been seen together, lest trouble follow with the girl's malignant father; we are made to understand that clearly. So the two sit together in the orchestra, in the midst of the musicians. This does not seem to be good art. In the first place, the girl would be in the way, for orchestras are always packed closely together, and there is no room to spare for people's girls; in the next place, one cannot conceal a girl in an orchestra without everybody taking notice of it. There can be no doubt, it seems to me, that this is bad art.

Leos is present. Of course, one of the first things that catches his eye is the maddening spectacle of Ambulinia "leaning upon Elfonzo's chair." This poor girl does not seem to understand even the rudiments of concealment. But she is "in her seventeenth," as the author phrases it, and that is her justification.

Leos meditates, constructs a plan--with personal violence as a basis, of course. It was their way down there. It is a good plain plan, without any imagination in it. He will go out and stand at the front door, and when these two come out he will "arrest Ambulinia from the hands of the insolent Elfonzo," and thus make for himself a "more prosperous field of immortality than ever was decreed by Omnipotence, or ever pencil drew or artist imagined." But, dear me, while he is waiting there the couple climb out at the back window and scurry home! This is romantic enough, but there is a lack of dignity in the situation.

At this point McClintock puts in the whole of his curious play-- which we skip.

Some correspondence follows now. The bitter father and the distressed lovers write the letters. Elopements are attempted. They are idiotically planned, and they fail. Then we have several pages of romantic powwow and confusion dignifying nothing. Another elopement is planned; it is to take place on Sunday, when everybody is at church. But the "hero" cannot keep the secret; he tells everybody. Another author would have found another instrument when he decided to defeat this elopement; but that is not McClintock's way. He uses the person that is nearest at hand.

The evasion failed, of course. Ambulinia, in her flight, takes refuge in a neighbor's house. Her father drags her home. The villagers gather, attracted by the racket.

Elfonzo was moved at this sight. The people followed on to see what was going to become of Ambulinia, while he, with downcast looks, kept at a distance, until he saw them enter the abode of the father, thrusting her, that was the sigh of his soul, out of his presence into a solitary apartment, when she exclaimed, "Elfonzo! Elfonzo! oh, Elfonzo! where art thou, with all thy heroes? haste, oh! haste, come thou to my relief. Ride on the wings of the wind! Turn thy force loose like a tempest, and roll on thy army like a whirlwind, over this mountain of trouble and confusion. Oh friends! if any pity me, let your last efforts throng upon the green hills, and come to the relief of Ambulinia, who is guilty of nothing but innocent love." Elfonzo called out with a loud voice, "My God, can I stand this! arouse up, I beseech you, and put an end to this tyranny. Come, my brave boys," said he, "are you ready to go forth to your duty?" They stood around him. "Who," said he, "will call us to arms? Where are my thunderbolts of war? Speak ye, the first who will meet the foe! Who will go forward with me in this ocean of grievous temptation? If there is one who desires to go, let him come and shake hands upon the altar of devotion, and swear that he will be a hero; yes, a Hector in a cause like this, which calls aloud for a speedy remedy." "Mine be the deed," said a young lawyer, "and mine alone; Venus alone shall quit her station before I will forsake one jot or tittle of my promise to you; what is death to me? what is all this warlike army, if it is not to win a victory? I love the sleep of the lover and the mighty; nor would I give it over till the blood of my enemies should wreak with that of my own. But God forbid that our fame should soar on the blood of the slumberer." Mr. Valeer stands at his door with the frown of a demon upon his brow, with his dangerous weapon [3] ready to strike the first man who should enter his door. "Who will arise and go forward through blood and carnage to the rescue of my Ambulinia?" said Elfonzo. "All," exclaimed the multitude; and onward they went, with their implements of battle. Others, of a more timid nature, stood among the distant hills to see the result of the contest.

It will hardly be believed that after all this thunder and lightning not a drop of rain fell; but such is the fact. Elfonzo and his gang stood up and black-guarded Mr. Valeer with vigor all night, getting their outlay back with interest; then in the early morning the army and its general retired from the field, leaving the victory with their solitary adversary and his crowbar. This is the first time this has happened in romantic literature. The invention is original. Everything in this book is original; there is nothing hackneyed about it anywhere. Always, in other romances, when you find the author leading up to a climax, you know what is going to happen. But in this book it is different; the thing which seems inevitable and unavoidable never happens; it is circumvented by the art of the author every time.

Another elopement was attempted. It failed.

We have now arrived at the end. But it is not exciting. McClintock thinks it is; but it isn't. One day Elfonzo sent Ambulinia another note--a note proposing elopement No. 16. This time the plan is admirable; admirable, sagacious, ingenious, imaginative, deep-- oh, everything, and perfectly easy. One wonders why it was never thought of before. This is the scheme. Ambulinia is to leave the breakfast-table, ostensibly to "attend to the placing of those flowers, which should have been done a week ago"--artificial ones, of course; the others wouldn't keep so long--and then, instead of fixing the flowers, she is to walk out to the grove, and go off with Elfonzo. The invention of this plan overstrained the author that is plain, for he straightway shows failing powers. The details of the plan are not many or elaborate. The author shall state them himself-- this good soul, whose intentions are always better than his English:

"You walk carelessly toward the academy grove, where you will find me with a lightning steed, elegantly equipped to bear you off where we shall be joined in wedlock with the first connubial rights."

Last scene of all, which the author, now much enfeebled, tries to smarten up and make acceptable to his spectacular heart by introducing some new properties--silver bow, golden harp, olive branch--things that can all come good in an elopement, no doubt, yet are not to be compared to an umbrella for real handiness and reliability in an excursion of that kind.

And away she ran to the sacred grove, surrounded with glittering pearls, that indicated her coming. Elfonzo hails her with his silver bow and his golden harp. They meet--Ambulinia's countenance brightens-- Elfonzo leads up the winged steed. "Mount," said he, "ye true-hearted, ye fearless soul--the day is ours." She sprang upon the back of the young thunderbolt, a brilliant star sparkles upon her head, with one hand she grasps the reins, and with the other she holds an olive branch. "Lend thy aid, ye strong winds," they exclaimed, "ye moon, ye sun, and all ye fair host of heaven, witness the enemy conquered." "Hold," said Elfonzo, "thy dashing steed." "Ride on," said Ambulinia, "the voice of thunder is behind us." And onward they went, with such rapidity that they very soon arrived at Rural Retreat, where they dismounted, and were united with all the solemnities that usually attended such divine operations.

There is but one Homer, there is but one Shakespeare, there is but one McClintock--and his immortal book is before you. Homer could not have written this book, Shakespeare could not have written it, I could not have done it myself. There is nothing just like it in the literature of any country or of any epoch. It stands alone; it is monumental. It adds G. Ragsdale McClintock's to the sum of the republic's imperishable names.

- - -

1. The name here given is a substitute for the one actually attached to the pamphlet.

2. Further on it will be seen that he is a country expert on the fiddle, and has a three-township fame.

3. It is a crowbar.

A Curious Experience by Mark Twain

Word Count:  10735

This is the story which the Major told me, as nearly as I can recall it:--

In the winter of 1862-3, I was commandant of Fort Trumbull, at New London, Conn. Maybe our life there was not so brisk as life at "the front"; still it was brisk enough, in its way -- one`s brains did n`t cake together there for lack of something to keep them stirring. For one thing, all the Northern atmosphere at that time was thick with mysterious rumors -- rumors to the effect that rebel spies were flitting everywhere, and getting ready to blow up our Northern forts, burn our hotels, send infected clothing into our towns, and all that sort of thing. You remember it. All this had a tendency to keep us awake, and knock the traditional dulness out of garrison life. Besides, ours was a recruiting station -- which is the same as saying we had n`t any time to waste in dozing, or dreaming, or fooling around. Why, with all our watchfulness, fifty per cent. of a day`s recruits would leak out of our hands and give us the slip the same night. The bounties were so prodigious that a recruit could pay a sentinel three or four hundred dollars to let him escape, and still have enough of his bounty-money left to constitute a fortune for a poor man. Yes, as I said before, our life was not drowsy.

Well, one day I was in my quarters alone, doing some writing, when a pale and ragged lad of fourteen or fifteen entered, made a neat bow, and said,--

"I believe recruits are received here?"

"Yes."

"Will you please enlist me, sir?"

"Dear me, no! You are too young, my boy, and too small."

A disappointed look came into his face, and quickly deepened into an expression of despondency. He turned slowly away, as if to go; hesitated, then faced me again, and said, in a tone which went to my heart,--

"I have no home, and not a friend in the world. If you could only enlist me!"

But of course the thing was out of the question, and I said so as gently as I could. Then I told him to sit down by the stove and warm himself, and added,--

"You shall have something to eat, presently. You are hungry?"

He did not answer; he did not need to; the gratitude in his big soft eyes was more eloquent than any words could have been. He sat down by the stove, and I went on writing. Occasionally I took a furtive glance at him. I noticed that his clothes and shoes, although soiled and damaged, were of good style and material. This fact was suggestive. To it I added the facts that his voice was low and musical; his eyes deep and melancholy; his carriage and address gentlemanly; evidently the poor chap was in trouble. As a result, I was interested.

However, I became absorbed in my work, by and by, and forgot all about the boy. I don`t know how long this lasted; but, at length, I happened to look up. The boy`s back was toward me, but his face was turned in such a way that I could see one of his cheeks -- and down that cheek a rill of noiseless tears was flowing.

"God bless my soul!" I said to myself; "I forgot the poor rat was starving." Then I made amends for my brutality by saying to him, "Come along, my lad; you shall dine with me; I am alone to-day."

He gave me another of those grateful looks, and a happy light broke in his face. At the table he stood with his hand on his chair-back until I was seated, then seated himself. I took up my knife and fork and -- well, I simply held them, and kept still; for the boy had inclined his head and was saying a silent grace. A thousand hallowed memories of home and my childhood poured in upon me, and I sighed to think how far I had drifted from religion and its balm for hurt minds, its comfort and solace and support.

As our meal progressed, I observed that young Wicklow -- Robert Wicklow was his full name -- knew what to do with his napkin; and -- well, in a word, I observed that he was a boy of good breeding; never mind the details. He had a simple frankness, too, which won upon me. We talked mainly about himself, and I had no difficulty in getting his history out of him. When he spoke of his having been born and reared in Louisiana, I warmed to him decidedly, for I had spent some time down there. I knew all the "coast" region of the Mississippi, and loved it, and had not been long enough away from it for my interest in it to begin to pale. The very names that fell from his lips sounded good to me, -- so good that I steered the talk in directions that would bring them out. Baton Rouge, Plaquemine, Donaldsonville, Sixty-mile Point, Bonnet-Carre, the Stock-Landing, Carrollton, the Steamship Landing, the Steamboat Landing, New Orleans, Tchoupitoulas Street, the Esplanade, the Rue des Bons Enfants, the St. Charles Hotel, the Tivoli Circle, the Shell Road, Lake Pontchartrain; and it was particularly delightful to me to hear once more of the "R. E. Lee," the "Natchez," the "Eclipse," the "General Quitman," the "Duncan F. Kenner," and other old familiar steamboats. It was almost as good as being back there, these names so vividly reproduced in my mind the look of the things they stood for. Briefly, this was little Wicklow`s history:--

When the war broke out, he and his invalid aunt and his father were living near Baton Rouge, on a great and rich plantation which had been in the family for fifty years. The father was a Union man. He was persecuted in all sorts of ways, but clung to his principles. At last, one night, masked men burned his mansion down, and the family had to fly for their lives. They were hunted from place to place, and learned all there was to know about poverty, hunger, and distress. The invalid aunt found relief at last: misery and exposure killed her; she died in an open field, like a tramp, the rain beating upon her and the thunder booming overhead. Not long afterward, the father was captured by an armed band; and while the son begged and pleaded, the victim was strung up before his face. [At this point a baleful light shone in the youth`s eyes, and he said, with the manner of one who talks to himself: "If I cannot be enlisted, no matter -- I shall find a way -- I shall find a way."] As soon as the father was pronounced dead, the son was told that if he was not out of that region within twenty-four hours, it would go hard with him. That night he crept to the riverside and hid himself near a plantation landing. By and by the "Duncan F. Kenner," stopped there, and he swam out and concealed himself in the yawl that was dragging at her stern. Before daylight the boat reached the Stock-Landing, and he slipped ashore. He walked the three miles which lay between that point and the house of an uncle of his in Good-Children Street, in New Orleans, and then his troubles were over for the time being. But this uncle was a Union man, too, and before very long he concluded that he had better leave the South. So he and young Wicklow slipped out of the country on board a sailing vessel, and in due time reached New York. They put up at the Astor House. Young Wicklow had a good time of it for a while, strolling up and down Broadway, and observing the strange Northern sights; but in the end a change came, -- and not for the better. The uncle had been cheerful at first, but now he began to look troubled and despondent; moreover, he became moody and irritable; talked of money giving out, and no way to get more, -- "not enough left for one, let alone two." Then, one morning, he was missing -- did not come to breakfast. The boy inquired at the office, and was told that the uncle had paid his bill the night before and gone away -- to Boston, the clerk believed, but was not certain.

The lad was alone and friendless. He did not know what to do, but concluded he had better try to follow and find his uncle. He went down to the steamboat landing; learned that the trifle of money in his pocket would not carry him to Boston; however, it would carry him to New London; so he took passage for that port, resolving to trust to Providence to furnish him means to travel the rest of the way. He had now been wandering about the streets of New London three days and nights, getting a bite and a nap here and there for charity`s sake. But he had given up at last; courage and hope were both gone. If he could enlist, nobody could be more thankful; if he could not get in as a soldier, couldn`t he be a drummer-boy? Ah, he would work so hard to please, and would be so grateful!

Well, there`s the history of young Wicklow, just as he told it to me, barring details. I said,--

"My boy, you are among friends, now, -- don`t you be troubled any more." How his eyes glistened! I called in Sergeant John Rayburn, -- he was from Hartford; lives in Hartford yet; maybe you know him, -- and said, "Rayburn, quarter this boy with the musicians. I am going to enroll him as a drummer-boy, and I want you to look after him and see that he is well treated."

Well, of course, intercourse between the commandant of the post and the drummer-boy came to an end, now; but the poor little friendless chap lay heavy on my heart, just the same. I kept on the lookout, hoping to see him brighten up and begin to be cheery and gay; but no, the days went by, and there was no change. He associated with nobody; he was always absent-minded, always thinking; his face was always sad. One morning Rayburn asked leave to speak to me privately. Said he, --

"I hope I don`t offend, sir; but the truth is, the musicians are in such a sweat it seems as if somebody`s got to speak."

"Why, what is the trouble?"

"It`s the Wicklow boy, sir. The musicians are down on him to an extent you can`t imagine."

"Well, go on, go on. What has he been doing?"

"Prayin`, sir."

"Praying!"

"Yes, sir; the musicians haven`t any peace of their life for that boy`s prayin`. First thing in the morning he`s at it; noons he`s at it; and nights -- well, nights he just lays into `em like all possessed! Sleep? Bless you, they can`t sleep: he`s got the floor, as the sayin` is, and then when he once gets his supplication-mill agoin`, there just simply ain`t any let-up to him. He starts in with the band-master, and he prays for him; next he takes the head bugler, and he prays for him; next the bass drum, and he scoops him in; and so on, right straight through the band, givin` them all a show, and takin` that amount of interest in it which would make you think he thought he warn`t but a little while for this world, and believed he couldn`t be happy in heaven without he had a brass band along, and wanted to pick `em out for himself, so he could depend on `em to do up the national tunes in a style suitin` to the place. Well, sir, heavin` boots at him don`t have no effect; it`s dark in there; and, besides, he don`t pray fair, anyway, but kneels down behind the big drum; so it don`t make no difference if they rain boots at him, he don`t give a dern -- warbles right along, same as if it was applause. They sing out, `Oh, dry up!` `Give us a rest!` `Shoot him!` `Oh, take a walk!` and all sorts of such things. But what of it? It don`t phaze him. He don`t mind it." After a pause: "Kind of a good little fool, too; gits up in the mornin` and carts all that stock of boots back, and sorts `em out and sets each man`s pair where they belong. And they`ve been thronged at him so much now, that he knows every boot in the band, -- can sort `em out with his eyes shut."

After another pause, which I forebore to interrupt,--

"But the roughest thing about it is, that when he`s done prayin`, -- when he ever does get done, -- he pipes up and begins to sing. Well, you know what a honey kind of a voice he`s got when he talks; you know how it would persuade a cast-iron dog to come down off of a doorstep and lick his hand. Now if you`ll take my word for it, sir, it ain`t a circumstance to his singin`! Flute music is harsh to that boy`s singin`. Oh, he just gurgles it out so soft and sweet and low, there in the dark, that it makes you think you are in heaven."

"What is there `rough` about that?"

"Ah, that`s just it, sir. You hear him sing

"`Just as I am -- poor, wretched, blind,`

-- just you hear him sing that, once, and see if you don`t melt all up and the water come into your eyes! I don`t care what he sings, it goes plum straight home to you -- it goes deep down to where you live -- and it fetches you every time! Just you hear him sing:--


"`Child of sin and sorrow, filled with dismay, Wait not till to-morrow, yield thee to-day; Grieve not that love Which, from above`-- and so on. It makes a body feel like the wickedest, ungratefulest brute that walks. And when he sings them songs of his about home, and mother, and childhood, and old memories, and things that`s vanished, and old friends dead and gone, it fetches everything before your face that you`ve ever loved and lost in all your life -- and it`s just beautiful, it`s just divine to listen to, sir -- but, Lord, Lord, the heart-break of it! The band -- well, they all cry -- every rascal of them blubbers, and don`t try to hide it, either; and first you know, that very gang that`s been slammin` boots at that boy will skip out of their bunks all of a sudden, and rush over in the dark and hug him! Yes, they do -- and slobber all over him, and call him pet names, and beg him to forgive them. And just at that time, if a regiment was to offer to hurt a hair of that cub`s head, they`d go for that regiment, if it was a whole army corps!"

Another pause.

"Is that all?" said I.

"Yes, sir."

"Well, dear me, what is the complaint? What do they want done?"

"Done? Why, bless you, sir, they want you to stop him from singin`."

"What an idea! You said his music was divine."

"That`s just it. It`s too divine. Mortal man can`t stand it. It stirs a body up so; it turns a body inside out; it racks his feelin`s all to rags; it makes him feel bad and wicked, and not fit for any place but perdition. It keeps a body in such an everlastin` state of repentin`, that nothin` don`t taste good and there ain`t no comfort in life. And then the cryin`, you see -- every mornin` they are ashamed to look one another in the face."

"Well, this is an odd case, and a singular complaint. So they really want the singing stopped?"

"Yes, sir, that is the idea. They don`t wish to ask too much; they would like powerful well to have the prayin` shut down on, or leastways trimmed off around the edges; but the main thing`s the singin`. If they can only get the singin` choked off, they think they can stand the prayin`, rough as it is to be bully-ragged so much that way."

I told the sergeant I would take the matter under consideration. That night I crept into the musicians` quarters and listened. The sergeant had not overstated the case. I heard the praying voice pleading in the dark; I heard the execrations of the harassed men; I heard the rain of boots whiz through the air, and bang and thump around the big drum. The thing touched me, but it amused me, too. By and by, after an impressive silence, came the singing. Lord, the pathos of it, the enchantment of it! Nothing in the world was ever so sweet, so gracious, so tender, so holy, so moving. I made my stay very brief; I was beginning to experience emotions of a sort not proper to the commandant of a fortress.

Next day I issued orders which stopped the praying and singing. Then followed three or four days which were so full of bounty-jumping excitements and irritations that I never once thought of my drummer-boy. But now comes Sergeant Rayburn, one morning, and says, --

"That new boy acts mighty strange, sir."

" How?"

"Well, sir, he`s all the time writing."

"Writing? What does he write -- letters?"

"I don`t know, sir; but whenever he`s off duty, he is always poking and nosing around the fort, all by himself, -- blest if I think there`s a hole or corner in it he hasn`t been into, -- and every little while he outs with pencil and paper and scribbles something down."

This gave me a most unpleasant sensation. I wanted to scoff at it, but it was not a time to scoff at anything that had the least suspicious tinge about it. Things were happening all around us, in the North, then, that warned us to be always on the alert, and always suspecting. I recalled to mind the suggestive fact that this boy was from the South, -- the extreme South, Louisiana, -- and the thought was not of a reassuring nature, under the circumstances. Nevertheless, it cost me a pang to give the orders which I now gave to Rayburn. I felt like a father who plots to expose his own child to shame and injury. I told Rayburn to keep quiet, bide his time, and get me some of those writings whenever he could manage it without the boy`s finding it out. And I charged him not to do anything which might let the boy discover that he was being watched. I also ordered that he allow the lad his usual liberties, but that he be followed at a distance when he went out into the town.

During the next two days, Rayburn reported to me several times. No success. The boy was still writing, but he always pocketed his paper with a careless air whenever Rayburn appeared in his vicinity. He had gone twice to an old deserted stable in the town, remained a minute or two, and come out again. One could not pooh-pooh these things -- they had an evil look. I was obliged to confess to myself that I was getting uneasy. I went into my private quarters and sent for my second in command -- an officer of intelligence and judgment, son of General James Watson Webb. He was surprised and troubled. We had a long talk over the matter, and came to the conclusion that it would be worth while to institute a secret search. I determined to take charge of that myself. So I had myself called at two in the morning; and, pretty soon after, I was in the musicians` quarters, crawling along the floor on my stomach among the snorers. I reached my slumbering waif`s bunk at last, without disturbing anybody, captured his clothes and kit, and crawled stealthily back again. When I got to my own quarters, I found Webb there, waiting and eager to know the result. We made search immediately. The clothes were a disappointment. In the pockets we found blank paper and a pencil; nothing else, except a jackknife and such queer odds and ends and useless trifles as boys hoard and value. We turned to the kit hopefully. Nothing there but a rebuke for us! -- a little Bible with this written on the fly-leaf: "Stranger, be kind to my boy, for his mother`s sake."

I looked at Webb -- he dropped his eyes; he looked at me -- I dropped mine. Neither spoke. I put the book reverently back in its place. Presently Webb got up and went away, without remark. After a little I nerved myself up to my unpalatable job, and took the plunder back to where it belonged, crawling on my stomach as before. It seemed the peculiarly appropriate attitude for the business I was in.

I was most honestly glad when it was over and done with.

About noon next day Rayburn came, as usual, to report. I cut him short. I said,--

"Let this nonsense be dropped. We are making a bugaboo out of a poor little cub who has got no more harm in him than a hymn-book."

The sergeant looked surprised, and said,--

"Well, you know it was your orders, sir, and I`ve got some of the writing."

"And what does it amount to? How did you get it?"

"I peeped through the key-hole, and see him writing. So when I judged he was about done, I made a sort of a little cough, and I see him crumple it up and throw it in the fire, and look all around to see if anybody was coming. Then he settled back as comfortable and careless as anything. Then I comes in, and passes the time of day pleasantly, and sends him of an errand. He never looked uneasy, but went right along. It was a coal-fire and new-built; the writing had gone over behind a chunk, out of sight; but I got it out; there it is; it ain`t hardly scorched, you see."

I glanced at the paper and took in a sentence or two. Then I dismissed the sergeant and told him to send Webb to me. Here is the paper in full: --

"FORT TRUMBULL, the 8th.

"COLONEL, -- I was mistaken as to the calibre of the three guns I ended my list with. They are 18-pounders; all the rest of the armament is as I stated. The garrison remains as before reported, except that the two light infantry companies that were to be detached for service at the front are to stay here for the present -- can`t find out for how long, just now, but will soon. We are satisfied that, all things considered, matters had better be postponed un--"

There it broke off -- there is where Rayburn coughed and interrupted the writer. All my affection for the boy, all my respect for him and charity for his forlorn condition, withered in a moment under the blight of this revelation of cold-blooded baseness.

But never mind about that. Here was business, -- business that required profound and immediate attention, too. Webb and I turned the subject over and over, and examined it all around. Webb said,--

"What a pity he was interrupted! Something is going to be postponed until -- when? And what is the something? Possibly he would have mentioned it, the pious little reptile!"

"Yes," I said, "we have missed a trick. And who is `we,` in the letter? Is it conspirators inside the fort or outside?"

That "we"was uncomfortably suggestive. However, it was not worth while to be guessing around that, so we proceeded to matters more practical. In the first place, we decided to double the sentries and keep the strictest possible watch. Next, we thought of calling Wicklow in and making him divulge everything; but that did not seem wisest until other methods should fail. We must have some more of the writings; so we began to plan to that end. And now we had an idea: Wicklow never went to the post-office, -- perhaps the deserted stable was his post-office. We sent for my confidential clerk -- a young German named Sterne, who was a sort of natural detective -- and told him all about the case and ordered him to go to work on it. Within the hour we got word that Wicklow was writing again. Shortly afterward, word came that he had asked leave to go out into the town. He was detained awhile, and meantime Sterne hurried off and concealed himself in the stable. By and by he saw Wicklow saunter in, look about him, then hide something under some rubbish in a corner, and take leisurely leave again. Sterne pounced upon the hidden article -- a letter -- and brought it to us. It had no superscription and no signature. It repeated what we had already read, and then went on to say:--

"We think it best to postpone till the two companies are gone. I mean the four inside think so; have not communicated with the others -- afraid of attracting attention. I say four because we have lost two; they had hardly enlisted and got inside when they were shipped off to the front. It will be absolutely necessary to have two in their places. The two that went were the brothers from Thirty-mile Point. I have something of the greatest importance to reveal, but must not trust it to this method of communication; will try the other."

"The little scoundrel!" said Webb; "who could have supposed he was a spy? However, never mind about that; let us add up our particulars, such as they are, and see how the case stands to date. First, we`ve got a rebel spy in our midst, whom we know; secondly, we`ve got three more in our midst whom we don`t know; thirdly, these spies have been introduced among us through the simple and easy process of enlisting as soldiers in the Union army -- and evidently two of them have got sold at it, and been shipped off to the front; fourthly, there are assistant spies `outside` -- number indefinite; fifthly, Wicklow has very important matter which he is afraid to communicate by the `present method` -- will `try the other.` That is the case, as it now stands. Shall we collar Wicklow and make him confess? Or shall we catch the person who removes the letters from the stable and make him tell? Or shall we keep still and find out more?"

We decided upon the last course. We judged that we did not need to proceed to summary measures now, since it was evident that the conspirators were likely to wait till those two light infantry companies were out of the way. We fortified Sterne with pretty ample powers, and told him to use his best endeavors to find out Wicklow`s "other method"of communication. We meant to play a bold game; and to this end we proposed to keep the spies in an unsuspecting state as long as possible. So we ordered Sterne to return to the stable immediately, and, if he found the coast clear, to conceal Wicklow`s letter where it was before, and leave it there for the conspirators to get.

The night closed down without further event. It was cold and dark and sleety, with a raw wind blowing; still I turned out of my warm bed several times during the night, and went the rounds in person, to see that all was right and that every sentry was on the alert. I always found them wide awake and watchful; evidently whispers of mysterious dangers had been floating about, and the doubling of the guards had been a kind of indorsement of those rumors. Once, toward morning, I encountered Webb, breasting his way against the bitter wind, and learned then that he, also, had been the rounds several times to see that all was going right.

Next day`s events hurried things up somewhat. Wicklow wrote another letter; Sterne preceded him to the stable and saw him deposit it; captured it as soon as Wicklow was out of the way, then slipped out and followed the little spy at a distance, with a detective in plain clothes at his own heels, for we thought it judicious to have the law`s assistance handy in case of need. Wicklow went to the railway station, and waited around till the train from New York came in, then stood scanning the faces of the crowd as they poured out of the cars. Presently an aged gentleman, with green goggles and a cane, came limping along, stopped in Wicklow`s neighborhood, and began to look about him expectantly. In an instant Wicklow darted forward, thrust an envelope into his hand, then glided away and disappeared in the throng. The next instant Sterne had snatched the letter; and as he hurried past the detective, he said: "Follow the old gentleman -- don`t lose sight of him." Then Sterne skurried out with the crowd, and came straight to the fort.

We sat with closed doors, and instructed the guard outside to allow no interruption.

First we opened the letter captured at the stable. It read as follows: --

"HOLY ALLIANCE, -- Found, in the usual gun, commands from the Master, left there last night, which set aside the instructions heretofore received from the subordinate quarter. Have left in the gun the usual indication that the commands reached the proper hand--"

Webb, interrupting: `Is n`t the boy under constant surveillance now?"

I said yes; he had been under strict surveillance ever since the capturing of his former letter.

"Then how could he put anything into a gun, or take anything out of it, and not get caught?"

"Well," I said, "I don`t like the look of that very well."

"I don`t, either,"said Webb. "It simply means that there are conspirators among the very sentinels. Without their connivance in some way or other, the thing could n`t have been done."

I sent for Rayburn, and ordered him to examine the batteries and see what he could find. The reading of the letter was then resumed: --

"The new commands are peremptory, and require that the MMMM shall be FFFFF at 3 o`clock to-morrow morning. Two hundred will arrive, in small parties, by train and otherwise, from various directions, and will be at appointed place at right time. I will distribute the sign to-day. Success is apparently sure, though something must have got out, for the sentries have been doubled, and the chiefs went the rounds last night several times. W. W. comes from southerly to-day and will receive secret orders -- by the other method. All six of you must be in 166 at sharp 2 A. M. You will find B. B. there, who will give you detailed instructions. Password same as last time, only reversed -- put first syllable last and last syllable first. REMEMBER XXXX. Do not forget. Be of good heart; before the next sun rises you will be heroes; your fame will be permanent; you will have added a deathless page to history. Amen."

"Thunder and Mars,"said Webb, "but we are getting into mighty hot quarters, as I look at it!"

I said there was no question but that things were beginning to wear a most serious aspect. Said I,--

"A desperate enterprise is on foot, that is plain enough. To-night is the time set for it, -- that, also, is plain. The exact nature of the enterprise -- I mean the manner of it -- is hidden away under those blind bunches of M`s and F`s, but the end and aim, I judge, is the surprise and capture of the post. We must move quick and sharp now. I think nothing can be gained by continuing our clandestine policy as regards Wicklow. We must know, and as soon as possible, too, where `166` is located, so that we can make a descent upon the gang there at 2 A. M.; and doubtless the quickest way to get that information will be to force it out of that boy. But first of all, and before we make any important move, I must lay the facts before the War Department, and ask for plenary powers."

The despatch was prepared in cipher to go over the wires; I read it, approved it, and sent it along.

We presently finished discussing the letter which was under consideration, and then opened the one which had been snatched from the lame gentleman. It contained nothing but a couple of perfectly blank sheets of notepaper! It was a chilly check to our hot eagerness and expectancy. We felt as blank as the paper, for a moment, and twice as foolish. But it was for a moment only; for, of course, we immediately afterward thought of "sympathetic ink." We held the paper close to the fire and watched for the characters to come out, under the influence of the heat; but nothing appeared but some faint tracings, which we could make nothing of. We then called in the surgeon, and sent him off with orders to apply every test he was acquainted with till he got the right one, and report the contents of the letter to me the instant he brought them to the surface. This check was a confounded annoyance, and we naturally chafed under the delay; for we had fully expected to get out of that letter some of the most important secrets of the plot.

Now appeared Sergeant Rayburn, and drew from his pocket a piece of twine string about a foot long, with three knots tied in it, and held it up.

"I got it out of a gun on the water-front,"said he. "I took the tompions out of all the guns and examined close; this string was the only thing that was in any gun."

So this bit of string was Wicklow`s "sign" to signify that the "Master`s"commands had not miscarried. I ordered that every sentinel who had served near that gun during the past twenty-four hours be put in confinement at once and separately, and not allowed to communicate with any one without my privity and consent.

A telegram now came from the Secretary of War. It read as follows: --

"Suspend habeas corpus. Put town under martial law. Make necessary arrests. Act with vigor and promptness. Keep the Department informed."

We were now in shape to go to work. I sent out and had the lame gentleman quietly arrested and as quietly brought into the fort; I placed him under guard, and forbade speech to him or from him. He was inclined to bluster at first, but he soon dropped that.

Next came word that Wicklow had been seen to give something to a couple of our new recruits; and that, as soon as his back was turned, these had been seized and confined. Upon each was found a small bit of paper, bearing these words and signs in pencil:--


EAGLE`S THIRD FLIGHT. REMEMBER XXXX. 166.

In accordance with instructions, I telegraphed to the Department, in cipher, the progress made, and also described the above ticket. We seemed to be in a strong enough position now to venture to throw off the mask as regarded Wicklow; so I sent for him. I also sent for and received back the letter written in sympathetic ink, the surgeon accompanying it with the information that thus far it had resisted his tests, but that there were others he could apply when I should be ready for him to do so.

Presently Wicklow entered. He had a somewhat worn and anxious look, but he was composed and easy, and if he suspected anything it did not appear in his face or manner. I allowed him to stand there a moment or two, then I said pleasantly, --

"My boy, why do you go to that old stable so much?"

He answered, with simple demeanor and without embarrassment,--

"Well, I hardly know, sir; there isn`t any particular reason, except that I like to be alone, and I amuse myself there."

"You amuse yourself there, do you?"

"Yes, sir," he replied, as innocently and simply as before.

"Is that all you do there?"

"Yes, sir," he said, looking up with childlike wonderment in his big soft eyes.

"You are sure?"

"Yes, sir, sure."

After a pause, I said,--

"Wicklow, why do you write so much?"

"I? I do not write much, sir."

"You don`t?"

"No, sir. Oh, if you mean scribbling, I do scribble some, for amusement."

"What do you do with your scribblings?"

"Nothing, sir -- throw them away."

"Never send them to anybody?"

"No, sir."

I suddenly thrust before him the letter to the "Colonel." He started slightly, but immediately composed himself. A slight tinge spread itself over his cheek.

"How came you to send this piece of scribbling, then?"

"I nev -- never meant any harm, sir."

"Never meant any harm! You betray the armament and condition of the post, and mean no harm by it?"

He hung his head and was silent.

"Come, speak up, and stop lying. Whom was this letter intended for?"

He showed signs of distress, now; but quickly collected himself, and replied, in a tone of deep earnestness,--

"I will tell you the truth, sir -- the whole truth. The letter was never intended for anybody at all. I wrote it only to amuse myself. I see the error and foolishness of it, now, -- but it is the only offence, sir, upon my honor."

"Ah, I am glad of that. It is dangerous to be writing such letters. I hope you are sure this is the only one you wrote?"

"Yes, sir, perfectly sure."

His hardihood was stupefying. He told that lie with as sincere a countenance as any creature ever wore. I waited a moment to soothe down my rising temper, and then said,--

"Wicklow, jog your memory now, and see if you can help me with two or three little matters which I wish to inquire about."

"I will do my very best, sir."

"Then, to begin with -- who is `the Master`?"

It betrayed him into darting a startled glance at our faces, but that was all. He was serene again in a moment, and tranquilly answered,--

"I do not know, sir."

"You do not know?"

"I do not know."

"You are sure you do not know?"

He tried hard to keep his eyes on mine, but the strain was too great; his chin sunk slowly toward his breast and he was silent; he stood there nervously fumbling with a button, an object to command one`s pity, in spite of his base acts. Presently I broke the stillness with the question,--

"Who are the `Holy Alliance`?"

His body shook visibly, and he made a slight random gesture with his hands, which to me was like the appeal of a despairing creature for compassion. But he made no sound. He continued to stand with his face bent toward the ground. As we sat gazing at him, waiting for him to speak, we saw the big tears begin to roll down his cheeks. But he remained silent. After a little, I said,--

"You must answer me, my boy, and you must tell me the truth. Who are the Holy Alliance?"

He wept on in silence. Presently I said, somewhat sharply,

"Answer the question!"

He struggled to get command of his voice; and then, looking up appealingly, forced the words out between his sobs,--

"Oh, have pity on me, sir! I cannot answer it, for I do not know."

"What!"

"Indeed, sir, I am telling the truth. I never have heard of the Holy Alliance till this moment. On my honor, sir, this is so."

"Good heavens! Look at this second letter of yours; there, do you see those words, `Holy Alliance?` What do you say now?"

He gazed up into my face with the hurt look of one upon whom a great wrong had been wrought, then said, feelingly,--

"This is some cruel joke, sir; and how could they play it upon me, who have tried all I could to do right, and have never done harm to anybody? Some one has counterfeited my hand; I never wrote a line of this; I have never seen this letter before!"

"Oh, you unspeakable liar! Here, what do you say to this?" -- and I snatched the sympathetic-ink letter from my pocket and thrust it before his eyes.

His face turned white! -- as white as a dead person`s. He wavered slightly in his tracks, and put his hand against the wall to steady himself. After a moment he asked, in so faint a voice that it was hardly audible,--

"Have you -- read it?"

Our faces must have answered the truth before my lips could get out a false "yes," for I distinctly saw the courage come back into that boy`s eyes. I waited for him to say something, but he kept silent. So at last I said,--

"Well, what have you to say as to the revelations in this letter?"

He answered, with perfect composure,--

"Nothing, except that they are entirely harmless and innocent; they can hurt nobody."

I was in something of a corner now, as I couldn`t disprove his assertion. I did not know exactly how to proceed. However, an idea came to my relief, and I said,--

"You are sure you know nothing about the Master and the Holy Alliance, and did not write the letter which you say is a forgery?"

"Yes, sir -- sure."

I slowly drew out the knotted twine string and held it up without speaking. He gazed at it indifferently, then looked at me inquiringly. My patience was sorely taxed. However, I kept my temper down, and said in my usual voice, --

"Wicklow, do you see this?"

"Yes, sir."

"What is it?"

"It seems to be a piece of string."

"Seems? It is a piece of string. Do you recognize it?"

"No, sir," he replied, as calmly as the words could be uttered.

His coolness was perfectly wonderful! I paused now for several seconds, in order that the silence might add impressiveness to what I was about to say; then I rose and laid my hand on his shoulder, and said gravely,--

"It will do you no good, poor boy, none in the world. This sign to the `Master,` this knotted string, found in one of the guns on the water-front--"

"Found in the gun! Oh, no, no, no! do not say in the gun, but in a crack in the tompion! -- it must have been in the crack!" and down he went on his knees and clasped his hands and lifted up a face that was pitiful to see, so ashy it was, and wild with terror.

"No, it was in the gun."

"Oh, something has gone wrong! My God, I am lost!" and he sprang up and darted this way and that, dodging the hands that were put out to catch him, and doing his best to escape from the place. But of course escape was impossible. Then he flung himself on his knees again, crying with all his might, and clasped me around the legs; and so he clung to me and begged and pleaded, saying, "Oh, have pity on me! Oh, be merciful to me! Do not betray me; they would not spare my life a moment! Protect me, save me. I will confess everything!"

It took us some time to quiet him down and modify his fright, and get him into something like a rational frame of mind. Then I began to question him, he answering humbly, with downcast eyes, and from time to time swabbing away his constantly flowing tears.

"So you are at heart a rebel?"

"Yes, sir."

"And a spy?"

"Yes, sir."

"And have been acting under distinct orders from outside?"

"Yes, sir."

"Willingly?"

"Yes, sir."

"Gladly, perhaps?"

"Yes, sir; it would do no good to deny it. The South is my country; my heart is Southern, and it is all in her cause."

"Then the tale you told me of your wrongs and the persecution of your family was made up for the occasion?"

"They -- they told me to say it, sir."

"And you would betray and destroy those who pitied and sheltered you. Do you comprehend how base you are, you poor misguided thing?"

He replied with sobs only.

"Well, let that pass. To business. Who is the `Colonel,` and where is he?"

He began to cry hard, and tried to beg off from answering. He said he would be killed if he told. I threatened to put him in the dark cell and lock him up if he did not come out with the information. At the same time I promised to protect him from all harm if he made a clean breast. For all answer, he closed his mouth firmly and put on a stubborn air which I could not bring him out of. At last I started with him; but a single glance into the dark cell converted him. He broke into a passion of weeping and supplicating, and declared he would tell everything.

So I brought him back, and he named the "Colonel," and described him particularly. Said he would be found at the principal hotel in the town, in citizen`s dress. I had to threaten him again, before he would describe and name the "Master." Said the Master would be found at No. 15 Bond Street, New York, passing under the name of R. F. Gaylord. I telegraphed name and description to the chief of police of the metropolis, and asked that Gaylord be arrested and held till I could send for him.

"Now," said I, "it seems that there are several of the conspirators `outside,` presumably in New London. Name and describe them."

He named and described three men and two women, -- all stopping at the principal hotel. I sent out quietly, and had them and the "Colonel" arrested and confined in the fort.

"Next, I want to know all about your three fellow-conspirators who are here in the fort."

He was about to dodge me with a falsehood, I thought; but I produced the mysterious bits of paper which had been found upon two of them, and this had a salutary effect upon him. I said we had possession of two of the men, and he must point out the third. This frightened him badly, and he cried out,--

"Oh, please don`t make me; he would kill me on the spot!"

I said that that was all nonsense; I would have somebody near by to protect him, and, besides, the men should be assembled without arms. I ordered all the raw recruits to be mustered, and then the poor trembling little wretch went out and stepped along down the line, trying to look as indifferent as possible. Finally he spoke a single word to one of the men, and before he had gone five steps the man was under arrest.

As soon as Wicklow was with us again, I had those three men brought in. I made one of them stand forward, and said,--

"Now, Wicklow, mind, not a shade`s divergence from the exact truth. Who is this man, and what do you know about him?

Being "in for it," he cast consequences aside, fastened his eyes on the man`s face, and spoke straight along without hesitation, -- to the following effect.

"His real name is George Bristow. He is from New Orleans; was second mate of the coast-packet `Capitol,` two years ago; is a desperate character, and has served two terms for manslaughter, -- one for killing a deck-hand named Hyde with a capstan-bar, and one for killing a roustabout for refusing to heave the lead, which is no part of a roustabout`s business. He is a spy, and was sent here by the Colonel, to act in that capacity. He was third mate of the `St. Nicholas,` when she blew up in the neighborhood of Memphis, in `58, and came near being lynched for robbing the dead and wounded while they were being taken ashore in an empty wood-boat."

And so forth and so on -- he gave the man`s biography in full. When he had finished, I said to the man,--

"What have you to say to this?"

"Barring your presence, sir, it is the infernalest lie that ever was spoke!"

I sent him back into confinement, and called the others forward in turn. Same result. The boy gave a detailed history of each, without ever hesitating for a word or a fact; but all I could get out of either rascal was the indignant assertion that it was all a lie. They would confess nothing. I returned them to captivity, and brought out the rest of my prisoners, one by one. Wicklow told all about them -- what towns in the South they were from, and every detail of their connection with the conspiracy.

But they all denied his facts, and not one of them confessed a thing. The men raged, the women cried. According to their stories, they were all innocent people from out West, and loved the Union above all things in this world. I locked the gang up, in disgust, and fell to catechising Wicklow once more.

"Where is No. 166, and who is B. B.?"

But there he was determined to draw the line. Neither coaxing nor threats had any effect upon him. Time was flying -- it was necessary to institute sharp measures. So I tied him up a-tiptoe by the thumbs. As the pain increased, it wrung screams from him which were almost more than I could bear. But I held my ground, and pretty soon he shrieked out,--

"Oh, please let me down, and I will tell!"

"No -- you`ll tell before I let you down."

Every instant was agony to him, now, so out it came,--

"No. 166, Eagle Hotel!" -- naming a wretched tavern down by the water, a resort of common laborers, `longshoremen, and less reputable folk.

So I released him, and then demanded to know the object of the conspiracy.

"To take the fort to-night," said he, doggedly and sobbing.

"Have I got all the chiefs of the conspiracy?"

"No. You`ve got all except those that are to meet at 166."

"What does `Remember XXXX` mean?"

No reply.

"What is the password to No. 166?"

No reply.

"What do those bunches of letters mean, -- `FFFFF` and `MMMM`? Answer! or you will catch it again."

"I never will answer! I will die first. Now do what you please."

"Think what you are saying, Wicklow. Is it final?"

He answered steadily, and without a quiver in his voice,--

"It is final. As sure as I love my wronged country and hate everything this Northern sun shines on, I will die before I will reveal those things."

I triced him up by the thumbs again. When the agony was full upon him, it was heartbreaking to hear the poor thing`s shrieks, but we got nothing else out of him. To every question he screamed the same reply: "I can die, and I will die; but I will never tell."

Well, we had to give it up. We were convinced that he certainly would die rather than confess. So we took him down and imprisoned him, under strict guard.

Then for some hours we busied ourselves with sending telegrams to the War Department, and with making preparations for a descent upon No. 166.

It was stirring times, that black and bitter night. Things had leaked out, and the whole garrison was on the alert. The sentinels were trebled, and nobody could move, outside or in, without being brought to a stand with a musket levelled at his head. However, Webb and I were less concerned now than we had previously been, because of the fact that the conspiracy must necessarily be in a pretty crippled condition, since so many of its principals were in our clutches.

I determined to be at No. 166 in good season, capture and gag B. B., and be on hand for the rest when they arrived. At about a quarter past one in the morning I crept out of the fortress with half a dozen stalwart and gamy U. S. regulars at my heels -- and the boy Wicklow, with his hands tied behind him. I told him we were going to No. 166, and that if I found he had lied again and was misleading us, he would have to show us the right place or suffer the consequences.

We approached the tavern stealthily and reconnoitred. A light was burning in the small bar-room, the rest of the house was dark. I tried the front door; it yielded, and we softly entered, closing the door behind us. Then we removed our shoes, and I led the way to the bar-room. The German landlord sat there, asleep in his chair. I woke him gently, and told him to take off his boots and precede us; warning him at the same time to utter no sound. He obeyed without a murmur, but evidently he was badly frightened. I ordered him to lead the way to 166. We ascended two or three flights of stairs as softly as a file of cats; and then, having arrived near the farther end of a long hall, we came to a door through the glazed transom of which we could discern the glow of a dim light from within. The landlord felt for me in the dark and whispered me that that was 166. I tried the door -- it was locked on the inside. I whispered an order to one of my biggest soldiers; we set our ample shoulders to the door and with one heave we burst it from its hinges. I caught a half-glimpse of a figure in a bed -- saw its head dart toward the candle; out went the light, and we were in pitch darkness. With one big bound I lit on that bed and pinned its occupant down with my knees. My prisoner struggled fiercely, but I got a grip on his throat with my left hand, and that was a good assistance to my knees in holding him down. Then straightway I snatched out my revolver, cocked it, and laid the cold barrel warningly against his cheek.

"Now somebody strike a light!" said I. "I`ve got him safe."

It was done. The flame of the match burst up. I looked at my captive, and, by George, it was a young woman!

I let go and got off the bed, feeling pretty sheepish. Everybody stared stupidly at his neighbor. Nobody had any wit or sense left, so sudden and overwhelming had been the surprise. The young woman began to cry, and covered her face with the sheet. The landlord said, meekly,--

"My daughter, she has been doing something that is not right, nicht wahr?"

"Your daughter? Is she your daughter?"

"Oh, yes, she is my daughter. She is just to-night come home from Cincinnati a little bit sick."

"Confound it, that boy has lied again. This is not the right 166; this is not B. B. Now, Wicklow, you will find the correct 166 for us, or -- hello! where is that boy?"

Gone, as sure as guns! And, what is more, we failed to find a trace of him. Here was an awkward predicament. I cursed my stupidity in not tying him to one of the men; but it was of no use to bother about that now. What should I do in the present circumstances? -- that was the question. That girl might be B. B., after all. I did not believe it, but still it would not answer to take unbelief for proof. So I finally put my men in a vacant room across the hall from 166, and told them to capture anybody and everybody that approached the girl`s room, and to keep the landlord with them, and under strict watch, until further orders. Then I hurried back to the fort to see if all was right there yet.

Yes, all was right. And all remained right. I stayed up all night to make sure of that. Nothing happened. I was unspeakably glad to see the dawn come again, and be able to telegraph the Department that the Stars and Stripes still floated over Fort Trumbull.

An immense pressure was lifted from my breast. Still I did not relax vigilance, of course, nor effort either; the case was too grave for that. I had up my prisoners, one by one, and harried them by the hour, trying to get them to confess, but it was a failure. They only gnashed their teeth and tore their hair, and revealed nothing.

About noon came tidings of my missing boy. He had been seen on the road, tramping westward, some eight miles out, at six in the morning. I started a cavalry lieutenant and a private on his track at once. They came in sight of him twenty miles out. He had climbed a fence and was wearily dragging himself across a slushy field toward a large old-fashioned mansion in the edge of a village. They rode through a bit of woods, made a detour, and closed up on the house from the opposite side; then dismounted and skurried into the kitchen. Nobody there. They slipped into the next room, which was also unoccupied; the door from that room into the front or sitting room was open. They were about to step through it when they heard a low voice; it was somebody praying. So they halted reverently, and the lieutenant put his head in and saw an old man and an old woman kneeling in a corner of that sitting-room. It was the old man that was praying, and just as he was finishing his prayer, the Wicklow boy opened the front door and stepped in. Both of those old people sprang at him and smothered him with embraces, shouting,--

"Our boy! our darling! God be praised. The lost is found! He that was dead is alive again!"

Well, sir, what do you think! That young imp was born and reared on that homestead, and had never been five miles away from it in all his life, till the fortnight before he loafed into my quarters and gulfed me with that maudlin yarn of his! It`s as true as gospel. That old man was his father -- a learned old retired clergyman; and that old lady was his mother.

Let me throw in a word or two of explanation concerning that boy and his performances. It turned out that he was a ravenous devourer of dime novels and sensation-story papers -- therefore, dark mysteries and gaudy heroisms were just in his line. Then he had read newspaper reports of the stealthy goings and comings of rebel spies in our midst, and of their lurid purposes and their two or three startling achievements, till his imagination was all aflame on that subject. His constant comrade for some months had been a Yankee youth of much tongue and lively fancy, who had served for a couple of years as "mud clerk" (that is, subordinate purser) on certain of the packet-boats plying between New Orleans and points two or three hundred miles up the Mississippi -- hence his easy facility in handling the names and other details pertaining to that region. Now I had spent two or three months in that part of the country before the war; and I knew just enough about it to be easily taken in by that boy, whereas a born Louisianian would probably have caught him tripping before he had talked fifteen minutes. Do you know the reason he said he would rather die than explain certain of his treasonable enigmas? Simply because he could n`t explain them! -- they had no meaning; he had fired them out of his imagination without forethought or afterthought; and so, upon sudden call, he was n`t able to invent an explanation of them. For instance, he could n`t reveal what was hidden in the "sympathetic ink" letter, for the ample reason that there was n`t anything hidden in it; it was blank paper only. He had n`t put anything into a gun, and had never intended to -- for his letters were all written to imaginary persons, and when he hid one in the stable he always removed the one he had put there the day before; so he was not acquainted with that knotted string, since he was seeing it for the first time when I showed it to him; but as soon as I had let him find out where it came from, he straightway adopted it, in his romantic fashion, and got some fine effects out of it. He invented Mr. "Gaylord;" there was n`t any 15 Bond Street, just then -- it had been pulled down three months before. He invented the "Colonel;" he invented the glib histories of those unfortunates whom I captured and confronted with him; he invented "B. B.;" he even invented No. 166, one may say, for he did n`t know there was such a number in the Eagle Hotel until we went there. He stood ready to invent anybody or anything whenever it was wanted. If I called for "outside" spies, he promptly described strangers whom he had seen at the hotel, and whose names he had happened to hear. Ah, he lived in a gorgeous, mysterious, romantic world during those few stirring days, and I think it was real to him, and that he enjoyed it clear down to the bottom of his heart.

But he made trouble enough for us, and just no end of humiliation. You see, on account of him we had fifteen or twenty people under arrest and confinement in the fort, with sentinels before their doors. A lot of the captives were soldiers and such, and to them I did n`t have to apologize; but the rest were first-class citizens, from all over the country, and no amount of apologies was sufficient to satisfy them. They just fumed and raged and made no end of trouble! And those two ladies, -- one was an Ohio Congressman`s wife, the other a Western bishop`s sister, -- well, the scorn and ridicule and angry tears they poured out on me made up a keepsake that was likely to make me remember them for a considerable time, -- and I shall. That old lame gentleman with the goggles was a college president from Philadelphia, who had come up to attend his nephew`s funeral. He had never seen young Wicklow before, of course. Well, he not only missed the funeral, and got jailed as a rebel spy, but Wicklow had stood up there in my quarters and coldly described him as a counterfeiter, rigger-trader, horse-thief, and fire-bug from the most notorious rascal-nest in Galveston; and this was a thing which that poor old gentleman could n`t seem to get over at all.

And the War Department! But, O my soul, let`s draw the curtain over that part!

NOTE. -- I showed my manuscript to the Major, and he said: "Your unfamiliarity with military matters has betrayed you into some little mistakes. Still, they are picturesque ones -- let them go; military men will smile at them, the rest won`t detect them. You have got the main facts of the history right, and have set them down just about as they occurred." -- M. T.