Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

Header

Liquid Story Binder XE by Black Obelisk Software

Disable Copy Paste

Amazon Quick Linker

Friday, May 10, 2024

Embracing Imperfection in Fiction Writing: Finding Beauty in Scars, Failure, and Disorder


 

Embracing Imperfection in Fiction Writing: Finding Beauty in Scars, Failure, and Disorder

 

by Olivia Salter


In the world of fiction writing, there is often pressure to strive for perfection. Writers may feel the need to create flawless characters, flawless plots, and flawless prose. However, renowned fashion designer Yohji Yamamoto offers a refreshing perspective on imperfection in his quote, "I think perfection is ugly. Somewhere in the things humans make, I want to see scars, failure, disorder, distortion."

Yamamoto's words remind us that imperfections are what make us human, and they can also be what make our stories come alive. In fiction writing, embracing scars, failure, disorder, and distortion can lead to more authentic and compelling storytelling.

Scars in fiction can add depth to characters, revealing their past struggles and vulnerabilities. Failure can drive the plot forward, creating tension and conflict. Disorder can mirror the chaos of real life, making the story more relatable. And distortion can challenge readers' perspectives, sparking thought and discussion.

By incorporating imperfections into our writing, we can create narratives that resonate with readers on a deeper level. So, instead of striving for perfection, let's embrace the beauty of scars, failure, disorder, and distortion in our fiction writing. Let's dare to be imperfect and create stories that are truly human. 

 

Posted by at
Labels: , , ,

No comments:

Post a Comment

Subscribe to: Post Comments (Atom)