Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Showing posts with label Kate Chopin. Show all posts
Showing posts with label Kate Chopin. Show all posts

Friday, December 11, 2015

Ripe Figs by Kate Chopin

Word Count:  286

Maman-Nainaine said that when the figs were ripe Babette might go to visit her cousins down on Bayou-Boeuf, where the sugar cane grows. Not that the ripening of figs had the least thing to do with it, but that is the way Maman-Nainaine was.

It seemed to Babette a very long time to wait; for the leaves upon the trees were tender yet, and the figs were like little hard, green marbles.

But warm rains came along and plenty of strong sunshine; and though Maman-Nainaine was as patient as the statue of la Madone, and Babette as restless as a humming-bird, the first thing they both knew it was hot summer-time. Every day Babette danced out to where the fig-trees were in a long line against the fence. She walked slowly beneath them, carefully peering between the gnarled, spreading branches. But each time she came disconsolate away again. What she saw there finally was something that made her sing and dance the whole day long.

When Maman-Nainaine sat down in her stately way to breakfast, the following morning, her muslin cap standing like an aureole about her white, placid face, Babette approached. She bore a dainty porcelain platter, which she set down before her godmother. It contained a dozen purple figs, fringed around with their rich, green leaves.

"Ah," said Maman-Nainaine, arching her eyebrows, "how early the figs have ripened this year!"

"Oh," said Babette, "I think they have ripened very late."

"Babette," continued Maman-Nainaine, as she peeled the very plumpest figs with her pointed silver fruit-knife, "you will carry my love to them all down on Bayou-Boeuf. And tell your tante Frosine I shall look for her at Toussaint--when the chrysanthemums are in bloom."

Polydor by Kate Chopin

Word Count: 2799

It was often said that Polydore was the stupidest boy to be found "from the mouth of Cane river plumb to Natchitoches." Hence it was an easy matter to persuade him, as meddlesome and mischievous people sometimes tried to do, that he was an overworked and much abused individual.

It occurred one morning to Polydore to wonder what would happen if he did not get up. He hardly expected the world to stop turning on its axis; but he did in a way believe that the machinery of the whole plantation would come to a standstill.

He had awakened at the usual hour,-about daybreak,-and instead of getting up at once, as was his custom, he re-settled himself between the sheets. There he lay, peering out through the dormer window into the gray morning that was deliciously cool after the hot summer night, listening to familiar sounds that came from the barn-yard, the fields and woods beyond, heralding the approach of day.

A little later there were other sounds, no less familiar or significant; the roll of the wagon-wheels; the distant call of a negro's voice; Aunt Siney's shuffling step as she crossed the gallery, bearing to Mamzelle Adélaïde and old Monsieur José their early coffee.

Polydore had formed no plan and had thought only vaguely upon results. He lay in a half-slumber awaiting developments, and philosophically resigned to any turn which the affair might take. Still he was not quite ready with an answer when Jude came and thrust his head in at the door.

"Mista Polydore! O Mista Polydore! You 'sleep?"

"W'at you want?"

"Dan 'low he ain' gwine wait yonda wid de wagon all day. Say does you inspect 'im to pack dat freight f'om de landing by hisse'f?"

"I reckon he got it to do, Jude. I ain' going to get up, me."

"You ain' gwine git up?"

"No; I'm sick. I'm going stay in bed. Go 'long and le' me sleep."

The next one to invade Polydore's privacy was Mamzelle Adélaïde herself. It was no small effort for her to mount the steep, narrow stairway to Polydore's room. She seldom penetrated to these regions under the roof. He could hear the stairs creak beneath her weight, and knew that she was panting at every step. Her presence seemed to crowd the small room; for she was stout and rather tall, and her flowing muslin wrapper swept majestically from side to side as she walked.

Mamzelle Adélaïde had reached middle age, but her face was still fresh with its mignon features; and her brown eyes at the moment were round with astonishment and alarm.

"W'at's that I hear, Polydore? They tell me you're sick!" She went and stood beside the bed, lifting the mosquito bar that settled upon her head and fell about her like a veil.

Polydore's eyes blinked, and he made no attempt to answer. She felt his wrist softly with the tips of her fingers, and rested her hand for a moment on his low forehead beneath the shock of black hair.

"But you don't seem to have any fever, Polydore!"

"No," hesitatingly, feeling himself forced to make some reply. "It's a kine of - a kine of pain, like you might say. It kitch me yere in the knee, and it goes 'long like you stickin' a knife clean down in my heel. Aie! Oh, la-la!" expressions of pain wrung from him by Mamzelle Adélaïde gently pushing aside the covering to examine the afflicted member.

"My patience! but that leg is swollen, yes, Polydore." The limb, in fact, seemed dropsical, but if Mamzelle Adélaïde had bethought her of comparing it with the other one, she would have found the two corresponding in their proportions to a nicety. Her kind face expressed the utmost concern, and she quitted Polydore feeling pained and ill at ease.

For one of the aims of Mamzelle Adélaïde's existence was to do the right thing by this boy, whose mother, a 'Cadian hill woman, had begged her with dying breath to watch over the temporal and spiritual welfare of her son; above all, to see that he did not follow in the slothful footsteps of an over-indolent father.

Polydore's scheme worked so marvellously to his comfort and pleasure that he wondered at not having thought of it before. He ate with keen relish the breakfast which Jude brought to him on a tray. Even old Monsieur José was concerned, and made his way up to Polydore, bringing a number of picture-papers for his entertainment, a palm-leaf fan and a cow-bell, with which to summon Jude when necessary and which he placed within easy reach.

As Polydore lay on his back fanning luxuriously, it seemed to him that he was enjoying a foretaste of paradise. Only once did he shudder with apprehension. It was when he heard Aunt Siney, with lifted voice, recommending to "wrop the laig up in bacon fat; de oniest way to draw out de misery."

The thought of a healthy leg swathed in bacon fat on a hot day in July was enough to intimidate a braver heart than Polydore's. But the suggestion was evidently not adopted, for he heard no more of the bacon fat. In its stead he became acquainted with the not unpleasant sting of a soothing liniment which Jude rubbed into the leg at intervals during the day.

He kept the limb propped on a pillow, stiff and motionless, even when alone and unobserved. Toward evening he fancied that it really showed signs of inflammation, and he was quite sure it pained him.

It was a satisfaction to all to see Polydore appear down-stairs the following afternoon. He limped painfully, it is true, and clutched wildly at anything in his way that offered a momentary support. His acting was clumsily overdrawn; and by less guileless souls than Mamzelle Adélaïde and her father would have surely been suspected. But these two only thought with deep concern of means to make him comfortable.

They seated him on the shady back gallery in an easy-chair, with his leg propped up before him.

"He inhe'its dat rheumatism," proclaimed Aunt Siney, who affected the manner of an oracle. "I see dat boy's granpap, many times, all twis' up wid rheumatism twell his head sot down on his body, hine side befo'. He got to keep outen de jew in de mo'nin's, and he 'bleege to w'ar red flannen."

Monsieur José, with flowing white locks enframing his aged face, leaned upon his cane and contemplated the boy with unflagging attention. Polydore was beginning to believe himself a worthy object as a center of interest.

Mamzelle Adélaïde had but just returned from a long drive in the open buggy, from a mission which would have fallen to Polydore had he not been disabled by this unlooked-for illness. She had thoughtlessly driven across the country at an hour when the sun was hottest, and now she sat panting and fanning herself; her face, which she mopped incessantly with her handkerchief, was inflamed from the heat.

Mamzelle Adélaïde ate no supper that night, and went to bed early, with a compress of eau sédative bound tightly around her head. She thought it was a simple headache, and that she would be rid of it in the morning; but she was not better in the morning.

She kept her bed that day, and late in the afternoon Jude rode over to town for the doctor, and stopped on the way to tell Mamzelle Adélaïde's married sister that she was quite ill, and would like to have her come down to the plantation for a day or two.

Polydore made round, serious eyes and forgot to limp. He wanted to go for the doctor in Jude's stead; but Aunt Siney, assuming a brief authority, forced him to sit still by the kitchen door and talked further of bacon fat.

Old Monsieur José moved about uneasily and restlessly, in and out of his daughter's room. He looked vacantly at Polydore now, as if the stout young boy in blue jeans and a calico shirt were a sort of a transparency.

A dawning anxiety, coupled to the inertia of the past two days, deprived Polydore of his usual healthful night's rest. The slightest noises awoke him. Once it was the married sister breaking ice down on the gallery. One of the hands had been sent with the cart for ice late in the afternoon; and Polydore himself had wrapped the huge chunk in an old blanket and set it outside of Mamzelle Adélaïde's door.

Troubled and wakeful, he arose from bed and went and stood by the open window. There was a round moon in the sky, shedding its pale glamor over all the country; and the live-oak branches, stirred by the restless breeze, flung quivering, grotesque shadows slanting across the old roof. A mocking-bird had been singing for hours near Polydore's window, and farther away there were frogs croaking. He could see as through a silvery gauze the level stretch of the cotton-field, ripe and white; a gleam of water beyond, - that was the bend of the river, - and farther yet, the gentle rise of the pine hill.

There was a cabin up there on the hill that Polydore remembered well. Negroes were living in it now, but it had been his home once. Life had been pinched and wretched enough up there with the little chap. The bright days had been the days when his godmother, Mamzelle Adélaïde, would come driving her old white horse over the pine needles and crackling fallen twigs of the deserted hill-road. Her presence was connected with the earliest recollections of whatever he had known of comfort and well-being.

And one day when death had taken his mother from him, Mamzelle Adélaïde had brought him home to live with her always. Now she was sick down there in her room; very sick, for the doctor had said so, and the married sister had put on her longest face.

Polydore did not think of these things in any connected or very intelligent way. They were only impressions that penetrated him and made his heart swell, and the tears well up to his eyes. He wiped his eyes on the sleeve of his night-gown. The mosquitoes were stinging him and raising great welts on his brown legs. He went and crept back under the mosquito-bar, and soon he was asleep and dreaming that his nénaine was dead and he left alone in the cabin upon the pine hill.

In the morning, after the doctor had seen Mamzelle Adélaïde, he went and turned his horse into the lot and prepared to stay with his patient until he could feel it would be prudent to leave her.

Polydore tiptoed into her room and stood at the foot of the bed. Nobody noticed now whether he limped or not. She was talking very loud, and he could not believe at first that she could be as ill as they said, with such strength of voice. But her tones were unnatural, and what she said conveyed no meaning to his ears.

He understood, however, when she thought she was talking to his mother. She was in a manner apologizing for his illness; and seemed to be troubled with the idea that she had in a way been the indirect cause of it by some oversight or neglect.

Polydore felt ashamed, and went outside and stood by himself near the cistern till some one told him to go and attend to the doctor's horse.

Then there was confusion in the household, when mornings and afternoons seemed turned around; and meals, which were scarcely tasted, were served at irregular and unseasonable hours. And there came one awful night, when they did not know if Mamzelle Adélaïde would live or die.

Nobody slept. The doctor snatched moments of rest in the hammock. He and the priest, who had been summoned, talked a little together with professional callousness about the dry weather and the crops.

Old monsieur walked, walked, like a restless, caged animal. The married sister came out on the gallery every now and then and leaned up against the post and sobbed in her handkerchief. There were many negroes around, sitting on the steps and standing in small groups in the yard.

Polydore crouched on the gallery. It had finally come to him to comprehend the cause of his nénaine's sickness - that drive in the sweltering afternoon, when he was shamming illness. No one there could have comprehended the horror of himself, the terror that possessed him, squatting there outside her door like a savage. If she died - but he could not think of that. It was the point at which his reason was stunned and seemed to swoon.

A week or two later Mamzelle Adélaïde was sitting outside for the first time since her convalescence began. They had brought her own rocker around to the side where she could get a sight and whiff of the flower-garden and the blossom-laden rose-vine twining in and out of the banisters. Her former plumpness had not yet returned, and she looked much older, for the wrinkles were visible.

She was watching Polydore cross the yard. He had been putting up his pony. He approached with his heavy, clumsy walk; his round, simple face was hot and flushed from the ride. When he had mounted to the gallery he went and leaned against the railing, facing Mamzelle Adélaïde, mopping his face, his hands and neck with his handkerchief. Then he removed his hat and began to fan himself with it.

"You seem to be perfec'ly cu'ed of yo' rheumatism, Polydore. It doesn' hurt you any mo', my boy?" she questioned.

He stamped the foot and extended the leg violently, in proof of its perfect soundness.

"You know w'ere I been, nénaine?" he said. "I been to confession."

"That's right. Now you mus' rememba and not take a drink of water to-morrow morning, as you did las' time, and miss yo' communion, my boy. You are a good child, Polydore, to go like that to confession without bein told."

"No, I ain' good," he returned, doggedly. He began to twirl his hat on one finger. "Père Cassimelle say he always yeard I was stupid, but he never knew befo' how bad I been."

"Indeed!" muttered Mamzelle Adélaïde, not over well pleased with the priest's estimate of her protégé.

"He gave me a long penance," continued Polydore. "The 'Litany of the Saint' and the 'Litany of the Blessed Virgin,' and three 'Our Father' and three 'Hail Mary' to say ev'ry mo'ning fo' a week. But he say' that ain' enough."

"My patience! W'at does he expec' mo' from you, I like to know?" Polydore was now creasing and scanning his hat attentively.

"He say' w'at I need, it's to be wo' out with the raw-hide. He say' he knows M'sieur José is too ole and feeble to give it to me like I deserve; and if you want, he say' he's willing to give me a good taste of the raw-hide himse'f."

Mamzelle Adélaïde found it impossible to disguise her indignation:

"Père Cassimelle sho'ly fo'gets himse'f, Polydore. Don't repeat to me any further his inconsid'ate remarks."

"He's right, nénaine. Père Cassimelle is right."

Since the night he crouched outside her door, Polydore had lived with the weight of his unconfessed fault oppressing every moment of existence. He had tried to rid himself of it in going to Father Cassimelle; but that had only helped by indicating the way. He was awkward and unaccustomed to express emotions with coherent speech. The words would not come.

Suddenly he flung his hat to the ground, and falling on his knees, began to sob, with his face pressed down in Mamzelle Adélaïde's lap. She had never seen him cry before, and in her weak condition it made her tremble.

Then somehow he got it out; he told the whole story of his deceit. He told it simply, in a way that bared his heart to her for the first time. She said nothing; only held his hand close and stroked his hair. But she felt as if a kind of miracle had happened. Hitherto her first thought in caring for this boy had been a desire to fulfill his dead mother's wishes.

But now he seemed to belong to herself, and to be her very own. She knew that a bond of love had been forged that would hold them together always.

"I know I can't he'p being stupid," sighed Polydore, "but it's no call fo' me to be bad."

"Neva mine, Polydore; neva mine, my boy," and she drew him close to her and kissed him as mothers kiss.

Ozème's Holiday by Kate Chopin

Word Count:  2642

OZÈME often wondered why there was not a special dispensation of providence to do away with the necessity for work. There seemed to him so much created for man's enjoyment in this world, and so little time and opportunity to profit by it. To sit and do nothing but breathe was a pleasure to Ozème; but to sit in the company of a few choice companions, including a sprinkling of ladies, was even a greater delight; and the joy which a day's hunting or fishing or picnicking afforded him is hardly to be described. Yet he was by no means indolent. He worked faithfully on the plantation the whole year long, in a sort of methodical way; but when the time came around for his annual week's holiday, there was no holding him back. It was often decidedly inconvenient for the planter that Ozème usually chose to take his holiday during some very busy season of the year.

He started out one morning in the beginning of October. He had borrowed Mr. Laballière's buckboard and Padue's old gray mare, and a harness from the negro Severin. He wore a light blue suit which had been sent all the way from St. Louis, and which had cost him ten dollars; he had paid almost as much again for his boots; and his hat was a broad-rimmed gray felt which he had no cause to be ashamed of. When Ozème went "broading," he dressed-well, regardless of cost. His eyes were blue and mild; his hair was light, and he wore it rather long; he was clean shaven, and really did not look his thirty-five years.

Ozème had laid his plans weeks beforehand. He was going visiting along Cane River; the mere contemplation filled him with pleasure. He counted upon reaching Fédeaus' about noon, and he would stop and dine there. Perhaps they would ask him to stay all night. He really did not hold to staying all night, and was not decided to accept if they did ask him. There were only the two old people, and he rather fancied the notion of pushing on to Beltrans', where he would stay a night, or even two, if urged. He was quite sure that there would be something agreeable going on at Beltrans', with all those young people-perhaps a fish-fry, or possibly a ball!

Of course he would have to give a day to Tante Sophie and another to Cousine Victoire; but none to the St. Annes unless entreated-after St. Anne reproaching him last year with being a faineant for broading at such a season! At Cloutierville, where he would linger as long as possible, he meant to turn and retrace his course, zigzagging back and forth across Cane River so as to take in the Duplans, the Velcours, and others that he could not at the moment recall. A week seemed to Ozème a very, very little while in which to crowd so much pleasure.

There were steam-gins at work; he could hear them whistling far and near. On both sides of the river the fields were white with cotton, and everybody in the world seemed busy but Ozème. This reflection did not distress or disturb him in the least; he pursued his way at peace with himself and his surroundings.

At Lamérie's cross-roads store, where he stopped to buy a cigar, he learned that there was no use heading for Fédeaus', as the two old people had gone to town for a lengthy visit, and the house was locked up. It was at Fédeaus' that Ozème had intended to dine.

He sat in the buckboard, given up to a moment or two of reflection. The result was that he turned away from the river, and entered the road that led between two fields back to the woods and into the heart of the country. He had determined upon taking a short cut to the Beltrans' plantation, and on the way he meant to keep an eye open for old Aunt Tildy's cabin, which he knew lay in some remote part of this cut-off. He remembered that Aunt Tildy could cook an excellent meal if she had the material at hand. He would induce her to fry him a chicken, drip a cup of coffee, and turn him out a pone of corn-bread, which he thought would be sumptuous enough fare for the occasion.

Aunt Tildy dwelt in the not unusual log cabin, of one room, with its chimney of mud and stone, and its shallow gallery formed by the jutting of the roof. In close proximity to the cabin was a small cotton-field, which from a long distance looked like a field of snow. The cotton was bursting and overflowing foam-like from bolls on the drying stalk. On the lower branches it was hanging ragged and tattered, and much of it had already fallen to the ground. There were a few chinaberry-trees in the yard before the hut, and under one of them an ancient and rusty-looking mule was eating corn from a wood trough. Some common little Creole chickens were scratching about the mule's feet and snatching at the grains of corn that occasionally fell from the trough.

Aunt Tildy was hobbling across the yard when Ozème drew up before the gate. One hand was confined in a sling; in the other she carried a tin pan, which she let fall noisily to the ground when she recognized him. She was broad, black, and misshapen, with her body lent forward almost at an acute angle. She wore a blue cottonade of large plaids, and a bandana awkwardly twisted around her head.

"Good God A'mighty, man! Whar you come from?" was her startled exclamation at beholding him.

"F'om home, Aunt Tildy; w'ere else do you expec'?" replied Ozème, dismounting composedly.

He had not seen the old woman for several years-since she was cooking in town for the family with which he boarded at the time. She had washed and ironed for him, atrociously, it is true, but her intentions were beyond reproach if her washing was not. She had also been clumsily attentive to him during a spell of illness. He had paid her with an occasional bandana, a calico dress, or a checked apron, and they had always considered the account between themselves square, with no sentimental feeling of gratitude remaining on either side.

"I like to know," remarked Ozème, as he took the gray mare from the shafts, and led her up to the trough where the mule was-"I like to know w'at you mean by makin' a crop like that an' then lettin' it go to was'e? Who you reckon's goin' to pick that cotton? You think maybe the angels goin' to come down an' pick it to' you, an' gin it an' press it, an' then give you ten cents a poun' fo' it, hein?"

"Ef de Lord don' pick it, I don' know who gwine pick it, Mista Ozème. I tell you, me an' Sandy we wuk dat crap day in an' day out; it's him done de mos' of it."

"Sandy? That little-"

"He ain' dat li'le Sandy no ma' w'at you rec'lec's; he 'mos' a man, an' he wuk like a man now. He wuk mo' 'an fittin' to' his strenk, an' now he layin' in dab sick-God A'mighty knows how sick. An' me wid a risin' twell I bleeged to walk de flo' o' nights. an' don' know ef I ain' gwine to lose de han' after all."

"W'y, in the name o' conscience, you don' hire somebody to pick?"

"Whar I got money to hire? An' you knows well as me ev'y chick an' chile is pickin' roun' on de plantations an' gittin' good pay."

The whole outlook appeared to Ozème very depressing, and even menacing, to his personal comfort and peace of mind. He foresaw no prospect of dinner unless he should cook it himself. And there was that Sandy-he remembered well the little scamp of eight, always at his grandmother's heels when she was cooking or washing. Of course he would have to go in and look at the boy, and no doubt dive into his traveling-bag for quinine, without which he never traveled.

Sandy was indeed very ill, consumed with fever. He lay on a cot covered up with a faded patchwork quilt. His eyes were half closed, and he was muttering and rambling on about hoeing and bedding and cleaning and thinning out the cotton; he was hauling it to the gin, wrangling about weight and bagging and ties and the price offered per pound. That bale or two of cotton had not only sent Sandy to bed, but had pursued him there, holding him through his fevered dreams, and threatening to end him. Ozème would never have known the black boy, he was so tall, so thin, and seemingly so wasted, lying there in bed.

"See yere, Aunt Tildy," said Ozème, after he had, as was usual with him when in doubt, abandoned himself to a little reflection; "between us-you an' me-we got to manage to kill an' cook one o' those chickens I see scratchin' out yonda, fo' I'm jus' about starved. I reckon you ain't got any quinine in the house? No; I didn't suppose an instant you had. Well, I'm goin' to give Sandy a good dose o' quinine to-night, an' I'm goin' stay an' see how that'll work on 'im. But sun-up, min' you, I mus' get out o' yere."

Ozème had spent more comfortable nights than the one passed in Aunt Tildy's bed, which she considerately abandoned to him.

In the morning Sandy's fever was somewhat abated, but had not taken a decided enough turn to justify Ozème in quitting him before noon, unless he was willing "to feel like a dog," as he told himself. He appeared before Aunt Tildy stripped to the undershirt, and wearing his second-best pair of trousers.

"That's a nice pickle o' fish you got me in, ol' woman. I guarantee, nex' time I go abroad, 'tain't me that'll take any cut-off. W'ere's that cotton-basket an' cotton-sack o' yo's?"

"I knowed it!" chanted Aunt Tildy-"I knowed de Lord war gwine sen' somebody to holp me out. He war n' gwine let de crap was'e atter he give Sandy an' me de strenk to make hit. De Lord gwine shove you 'long de row, Mista Ozème. De Lord gwine give you plenty mo' fingers an' han's to pick dat cotton nimble an' clean."

"Neva you min' w'at the Lord's goin' to do; go get me that cotton-sack. An' you put that poultice like I tol' you on yo' han', an' set down there an' watch Sandy. It looks like you are 'bout as helpless as a' ol' cow tangled up in a potato-vine."

Ozème had not picked cotton for many years, and he took to it a little awkwardly at first; but by the time he had reached the end of the first row the old dexterity of youth had come back to his hands, which flew rapidly back and forth with the motion of a weaver's shuttle; and his ten fingers became really nimble in clutching the cotton from its dry shell. By noon he had gathered about fifty pounds. Sandy was not then quite so well as he had promised to be, and Ozème concluded to stay that day and one more night. If the boy were no better in the morning, he would go off in search of a doctor for him, and he himself would continue on down to Tante Sophie's; the Beltrans' was out of the question now.

Sandy hardly needed a doctor in the morning. Ozème's doctoring was beginning to tell favorably; but he would have considered it criminal indifference and negligence to go away and leave the boy to Aunt Tildy's awkward ministrations just at the critical moment when there was a turn for the better; so he stayed that day out, and picked his hundred and fifty pounds.

On the third day it looked like rain, and a heavy rain just then would mean a heavy loss to Aunt Tildy and Sandy, and Ozème again went to the field, this time urging Aunt Tildy with him to do what she might with her one good hand.

"Aunt Tildy," called out Ozème to the bent old woman moving ahead of him between the white rows of cotton, "if the Lord gets me safe out o' this ditch, 't ain't to-morro' I'll fall in anotha with my eyes open, I bet you."

"Keep along, Mista Ozème; don' grumble, don' stumble; de Lord's a-watchin' you. Look at yo' Aunt Tildy; she doin' mo' wid her one han' 'an you doin' wid yo' two, man. Keep right along, honey. Watch dat cotton how it fallin' in yo' Aunt Tildy's bag."

"I am watchin' you, ol' woman; you don' fool me. You got to work that han' o' yo's spryer than you doin', or I'll take the rawhide. You done fo'got w'at the rawhide tas'e like, I reckon"-a reminder which amused Aunt Tildy so powerfully that her big negro-laugh resounded over the whole cotton-patch, and even caused Sandy, who heard it, to turn in his bed.

The weather was still threatening on the succeeding day, and a sort of dogged determination or characteristic desire to see his undertakings carried to a satisfactory completion urged Ozème to continue his efforts to drag Aunt Tildy out of the mire into which circumstances seemed to have thrust her.

One night the rain did come, and began to beat softly on the roof of the old cabin. Sandy opened his eyes, which were no longer brilliant with the fever flame. "Granny," he whispered, "de rain! Des listen, granny; de rain a-comin', an' I ain' pick dat cotton yit. W'at time it is? Gi' me my pants-I got to go-"

"You lay whar you is, chile alive. Dat cotton put aside clean and dry. Me an' de Lord an' Mista Ozème done pick dat cotton."

Ozème drove away in the morning looking quite as spick and span as the day he left home in his blue suit and his light felt drawn a little over his eyes.

"You want to take care o' that boy," he instructed Aunt Tildy at parting, "an' get 'im on his feet. An', let me tell you, the nex' time I start out to broad, if you see me passin' in this yere cut-off, put on yo' specs an' look at me good, because it won't be me; it'll be my ghos', ol' woman."

Indeed, Ozème, for some reason or other, felt quite shamefaced as he drove back to the plantation. When he emerged from the lane which he had entered the week before, and turned into the river road, Lamérie, standing in the store door, shouted out:

"He, Ozème! you had good times yonda? I bet you danced holes in the sole of them new boots."

"Don't talk, Lamérie!" was Ozème's rather ambiguous reply, as he flourished the remainder of a whip over the old gray mare's sway-back, urging her to a gentle trot.

When he reached home, Bode, one of Padue's boys, who was assisting him to unhitch, remarked:

"How come you didn' go yonda down de coas' like you said, Mista Ozème? Nobody didn' see you in Cloutierville, an' Mailitt say you neva cross' de twenty-fo'-mile ferry, an' nobody didn' see you no place."

Ozème returned, after his customary moment of reflection:

"You see, it's 'mos' always the same thing on Cane riva, my boy; a man gets tired o that a la fin. This time I went back in the woods, 'way yonda in the Fédeau cut-off kin' o' campin' an' roughin' like, you might say. I tell you, it was sport, Bode."

Old Aunt Peggy by Kate Chopin

Word Count:  325

WHEN the war was over, old Aunt Peggy went to Monsieur, and said: -

"Massa, I ain't never gwine to quit yer. I 'm gittin' ole an' feeble, an' my days is few in dis heah lan' o' sorrow an' sin. All I axes is a li'le co'ner whar I kin set down an' wait peaceful fu de en'."

Monsieur and Madame were very much touched at this mark of affection and fidelity from Aunt Peggy. So, in the general reconstruction of the plantation which immediately followed the surrender, a nice cabin, pleasantly appointed, was set apart for the old woman. Madame did not even forget the very comfortable rocking-chair in which Aunt Peggy might "set down," as she herself feelingly expressed it, "an' wait fu de en'."

She has been rocking ever since.

At intervals of about two years Aunt Peggy hobbles up to the house, and delivers the stereotyped address which has become more than familiar: -

"Mist'ess, I 's come to take a las' look at you all. Le' me look at you good. Le' me look at de chillun, - de big chillun an' de li'le chillun. Le' me look at de picters an' de photygraphts an' de pianny, an' eve'ything 'fo' it 's too late. One eye is done gone, an' de udder' s a-gwine fas'. Any mo'nin' yo' po' ole Aunt Peggy gwine wake up an' fin' herse'f stone-bline."

After such a visit Aunt Peggy invariably returns to her cabin with a generously filled apron.

The scruple which Monsieur one time felt in supporting a woman for so many years in idleness has entirely disappeared. Of late his attitude towards Aunt Peggy is simply one of profound astonishment, - wonder at the surprising age which an old black woman may attain when she sets her mind to it, for Aunt Peggy is a hundred and twenty-five, so she says.

It may not be true, however. Possibly she is older.

Odalie Misses Mass by Kate Chopin

Word Count:  1869

ODALIE sprang down from the mule- cart, shook out her white skirts, and firmly grasping her parasol, which was blue to correspond with her sash, entered Aunt Pinky's gate and proceeded towards the old woman's cabin. She was a thick-waisted young thing who walked with a firm tread and carried her head with a determined poise. Her straight brown hair had been rolled up over night in papillotes, and the artificial curls stood out in clusters, stiff and uncompromising beneath the rim of her white chip hat. Her mother, sister and brother remained seated in the cart before the gate.

It was the fifteenth of August, the great feast of the Assumption, so generally observed in the Catholic parishes of Louisiana. The Chotard family were on their way to mass, and Odalie had insisted upon stopping to "show herself" to her old friend and protégée, Aunt Pinky.

The helpless, shrivelled old negress sat in the depths of a large, rudely-fashioned chair. A loosely hanging unbleached cotton gown enveloped her mite of a figure. What was visible of her hair beneath the bandana turban, looked like white sheep's wool. She wore round, silver-rimmed spectacles, which gave her an air of wisdom and respectability, and she held in her hand the branch of a hickory sapling, with which she kept mosquitoes and flies at bay, and even chickens and pigs that sometimes penetrated the heart of her domain.

Odalie walked straight up to the old woman and kissed her on the cheek.

"Well, Aunt Pinky, yere I am," she announced with evident self-complacency, turning herself slowly and stiffly around like a mechanical dummy. In one hand she held her prayer-book, fan and handkerchief, in the other the blue parasol, still open; and on her plump hands were blue cotton mitts. Aunt Pinky beamed and chuckled; Odalie hardly expected her to be able to do more.

"Now you saw me," the child continued. "I reckon you satisfied. I mus' go; I ain't got a minute to was'e." But at the threshold she turned to inquire, bluntly:

"W'ere's Pug?"

"Pug," replied Aunt Pinky, in her tremulous old-woman's voice. "She's gone to chu'ch; done gone; she done gone," nodding her head in seeming approval of Pug's action.

"To church!" echoed Odalie with a look of consternation settling in her round eyes.

"She gone to chu'ch," reiterated Aunt Pinky. "Say she kain't miss chutch on de fifteent'; de debble gwine pester her twell jedgment, she miss chu'ch on de fifteent'."

Odalie's plump cheeks fairly quivered with indignation and she stamped her foot. She looked up and down the long, dusty road that skirted the river. Nothing was to be seen save the blue cart with its dejected looking mule and patient occupants. She walked to the end of the gallery and called out to a negro boy whose black bullet-head showed up in bold relief against the white of the cotton patch:

"He, Baptiste! w'ere's yo' ma? Ask yo' ma if she can't come set with Aunt Pinky."

"Mammy, she gone to chu'ch," screamed Baptiste in answer.

"Bonté! w'at's taken you all darkies with yo' 'church' to-day? You come along yere Baptiste an' set with Aunt Pinky. That Pug! I'm goin' to make yo' ma wear her out fo' that trick of hers - leavin' Aunt Pinky like that."

But at the first intimation of what was wanted of him, Baptiste dipped below the cotton like a fish beneath water, leaving no sight nor sound of himself to answer Odalie's repeated calls. Her mother and sister were beginning to show signs of impatience.

"But, I can't go," she cried out to them. "It's nobody to stay with Aunt Pinky. I can't leave Aunt Pinky like that, to fall out of her chair, maybe, like she already fell out once."

"You goin' to miss mass on the fifteenth, you, Odalie! W'at you thinkin' about?" came in shrill rebuke from her sister. But her mother offering no objection, the boy lost not a moment in starting the mule forward at a brisk trot. She watched them disappear in a cloud of dust; and turning with a dejected, almost tearful countenance, re-entered the room.

Aunt Pinky seemed to accept her reappearance as a matter of course; and even evinced no surprise at seeing her remove her hat and mitts, which she laid carefully, almost religiously, on the bed, together with her book, fan and handkerchief.

Then Odalie went and seated herself some distance from the old woman in her own small, low rocking-chair. She rocked herself furiously, making a great clatter with the rockers over the wide, uneven boards of the cabin floor; and she looked out through the open door.

"Puggy, she done gone to chu'ch; done gone. Say de debble gwine pester her twell jedgment - "

"You done tole me that, Aunt Pinky; neva mine; don't le's talk about it."

Aunt Pinky thus rebuked, settled back into silence and Odalie continued to rock and stare out of the door.

Once she arose, and taking the hickory branch from Aunt Pinky's nerveless hand, made a bold and sudden charge upon a little pig that seemed bent upon keeping her company. She pursued him with flying heels and loud cries as far as the road. She came back flushed and breathless and her curls hanging rather limp around her face; she began again to rock herself and gaze silently out of the door.

"You gwine make yo' fus' c'mmunion?"

This seemingly sober inquiry on the part of Aunt Pinky at once shattered Odalie's ill- humor and dispelled every shadow of it. She leaned back and laughed with wild abandonment.

"Mais w'at you thinkin' about, Aunt Pinky? How you don't remember I made my firs' communion las' year, with this same dress w'at maman let out the tuck," holding up the altered skirt for Aunt Pinky's inspection. "An' with this same petticoat w'at maman added this ruffle an' crochet' edge; excep' I had a w'ite sash."

These evidences proved beyond question convincing and seemed to satisfy Aunt Pinky. Odalie rocked as furiously as ever, but she sang now, and the swaying chair had worked its way nearer to the old woman.

"You gwine git mar'ied?"

"I declare, Aunt Pinky," said Odalie, when she had ceased laughing and was wiping her eyes, "I declare, sometime' I think you gittin' plumb foolish. How you expec' me to git married w'en I'm on'y thirteen?"

Evidently Aunt Pinky did not know why or how she expected anything so preposterous; Odalie's holiday attire that filled her with contemplative rapture, had doubtless incited her to these vagaries.

The child now drew her chair quite close to the old woman's knee after she had gone out to the rear of the cabin to get herself some water and had brought a drink to Aunt Pinky in the gourd dipper.

There was a strong, hot breeze blowing from the river, and it swept fitfully and in gusts through the cabin, bringing with it the weedy smell of cacti that grew thick on the bank, and occasionally a shower of reddish dust from the road. Odalie for a while was greatly occupied in keeping in place her filmy skirt, which every gust of wind swelled balloon-like about her knees. Aunt Pinky's little black, scrawny hand had found its way among the droopy curls, and strayed often caressingly to the child's plump neck and shoulders.

"You riclics, honey, dat day yo' granpappy say it wur pinchin' times an' he reckin he bleege to sell Yallah Tom an' Susan an' Pinky? Don' know how come he think 'bout Pinky, 'less caze he sees me playin' an' trapsin' roun' wid you alls, day in an' out. I riclics yit how you tu'n w'ite like milk an' fling yo' arms roun' li'le black Pinky; an' you cries out you don' wan' no saddle-mar'; you don' wan' no silk dresses and fing' rings an' sich; an' don' wan' no idication; des wants Pinky. An' you cries an' screams an' kicks, an' 'low you gwine kill fus' pusson w'at dar come an' buy Pinky an' kiars her off. You riclics cat, honey?"

Odalie had grown accustomed to these flights of fancy on the part of her old friend; she liked to humor her as she chose to sometimes humor very small children; so she was quite used to impersonating one dearly beloved but impetuous, "Paulette," who seemed to have held her place in old Pinky's heart and imagination through all the years of her suffering life.

"I rec'lec' like it was yesterday, Aunt Pinky. How I scream an' kick an' maman gave me some med'cine; an' how you scream en' kick en' Susan took you down to the quarters an' give you 'twenty.' "

"Des so, honey; des like you says," chuckled Aunt Pinky. "But you don' riclic dat time you cotch Pinky cryin' down in de holler behine de gin; an' you say you gwine give me 'twenty' ef I don' tell you w'at I cryin' 'bout?"

"I rec'lec' like it happen'd to-day, Aunt Pinky. You been cryin' because you want to marry Hiram, ole Mr. Benitou's servant."

"Des true like you says, Miss Paulette; an' you goes home an' cries and kiars on an' won' eat, an' breaks dishes, an' pesters yo' gran'pap 'tell he bleedge to buy Hi'um f'om de Benitous."

"Don't talk, Aunt Pink! I can see all that jus' as plain!" responded Odalie sympathetically, yet in truth she took but a languid interest in these reminiscences which she had listened to so often before.

She leaned her flushed cheek against Aunt Pinky's knee.

The air was rippling now, and hot and caressing. There was the hum of bumble bees outside; and busy mud-daubers kept flying in and out through the door. Some chickens had penetrated to the very threshold in their aimless roamings, and the little pig was approaching more cautiously. Sleep was fast overtaking the child, but she could still hear through her drowsiness the familiar tones of Aunt Pinky's voice.

"But Hi'um, he done gone; he nuva come back; an' Yallah Tom nuva come back; an' ole Marster an' de chillun - all gone - nuva come back. Nobody nuva come back to Pinky 'cep you, my honey. You ain' gwine 'way f'om Pinky no mo', is you, Miss Paulette?"

"Don' fret, Aunt Pinky - I'm goin' - to stay with - you."

"No pussun nuva come back 'cep' you."

Odalie was fast asleep. Aunt Pinky was asleep with her head leaning back on her chair and her fingers thrust into the mass of tangled brown hair that swept across her lap. The chickens and little pig walked fearlessly in and out. The sunlight crept close up to the cabin door and stole away again.

Odalie awoke with a start. Her mother was standing over her arousing her from sleep. She sprang up and rubbed her eyes. "Oh, I been asleep!" she exclaimed. The cart was standing in the road waiting. "An' Aunt Pinky, she's asleep, too."

"Yes, chérie, Aunt Pinky is asleep," replied her mother, leading Odalie away. But she spoke low and trod softly as gentle-souled women do, in the presence of the dead.

Nég Créol by Kate Chopin

Word Count:  2636

AT the remote period of his birth he had been named César François Xavier, but no one ever thought of calling him anything but Chicot, or Nég, or Maringouin. Down at the French market, where he worked among the fishmongers, they called him Chicot, when they were not calling him names that are written less freely than they are spoken. But one felt privileged to call him almost anything, he was so black, lean, lame, and shriveled. He wore a head-kerchief, and whatever other rags the fishermen and their wives chose to bestow upon him. Throughout one whole winter he wore a woman's discarded jacket with puffed sleeves.

Among some startling beliefs entertained by Chicot was one that "Michié St. Pierre et Michié St. Paul" had created him. Of "Michié bon Dieu" he held his own private opinion, and not a too flattering one at that. This fantastic notion concerning the origin of his being he owed to the early teaching of his young master, a lax believer, and a great farceur in his day. Chicot had once been thrashed by a robust young Irish priest for expressing his religious views, and at another time knifed by a Sicilian. So he had come to hold his peace upon that subject.

Upon another theme he talked freely and harped continuously. For years he had tried to convince his associates that his master had left a progeny, rich, cultured, powerful, and numerous beyond belief. This prosperous race of beings inhabited the most imposing mansions in the city of New Orleans. Men of note and position, whose names were familiar to the public, he swore were grandchildren, great-grandchildren, or, less frequently, distant relatives of his master, long deceased, Ladies who came to the market in carriages, or whose elegance of attire attracted the attention and admiration of the fishwomen, were all des 'tites cousines to his former master, Jean Boisduré. He never looked for recognition from any of these superior beings, but delighted to discourse by the hour upon their dignity and pride of birth and wealth.

Chicot always carried an old gunny-sack, and into this went his earnings. He cleaned stalls at the market, scaled fish, and did many odd offices for the itinerant merchants, who usually paid in trade for his service. Occasionally he saw the color of silver and got his clutch upon a coin, but he accepted anything, and seldom made terms. He was glad to get a handkerchief from the Hebrew, and grateful if the Choctaws would trade him a bottle of filé for it. The butcher flung him a soup bone, and the fishmonger a few crabs or a paper bag of shrimps. It was the big mulatresse , vendeuse de café , who cared for his inner man.

Once Chicot was accused by a shoe-vender of attempting to steal a pair of ladies' shoes. He declared he was only examining them. The clamor raised in the market was terrific. Young Dagoes assembled and squealed like rats; a couple of Gascon butchers bellowed like bulls. Matteo's wife shook her fist in the accuser's face and called him incomprehensible names. The Choctaw women, where they squatted, turned their slow eyes in the direction of the fray, taking no further notice; while a policeman jerked Chicot around by the puffed sleeve and brandished a club. It was a narrow escape.

Nobody knew where Chicot lived. A man - even a nég créol - who lives among the reeds and willows of Bayou St. John, in a deserted chicken-coop constructed chiefly of tarred paper, is not going to boast of his habitation or to invite attention to his domestic appointments. When, after market hours, he vanished in the direction of St. Philip street, limping, seemingly bent under the weight of his gunny-bag, it was like the disappearance from the stage of some petty actor whom the audience does not follow in imagination beyond the wings, or think of till his return in another scene.

There was one to whom Chicot's coming or going meant more than this. In la maison grise they called her La Chouette, for no earthly reason unless that she perched high under the roof of the old rookery and scolded in shrill sudden outbursts. Forty or fifty years before, when for a little while she acted minor parts with a company of French players (an escapade that had brought her grandmother to the grave), she was known as Mademoiselle de Montallaine. Seventy-five years before she had been christened Aglaé Boisduré.

No matter at what hour the old negro appeared at her threshold, Mamzelle Aglaé always kept him waiting till she finished her prayers. She opened the door for him and silently motioned him to a seat, returning to prostrate herself upon her knees before a crucifix, and a shell filled with holy water that stood on a small table; it represented in her imagination an altar. Chicot knew that she did it to aggravate him; he was convinced that she timed her devotions to begin when she heard his footsteps on the stairs. He would sit with sullen eyes contemplating her long, spare, poorly clad figure as she knelt and read from her book or finished her prayers. Bitter was the religious warfare that had raged for years between them, and Mamzelle Aglaé had grown, on her side, as intolerant as Chicot. She had come to hold St. Peter and St. Paul in such utter detestation that she had cut their pictures out of her prayer-book.

Then Mamzelle Aglaé pretended not to care what Chicot had in his bag. He drew forth a small hunk of beef and laid it in her basket that stood on the bare floor. She looked from the corner of her eye, and went on dusting the table. He brought out a handful of potatoes, some pieces of sliced fish, a few herbs, a yard of calico, and a small pat of butter wrapped in lettuce leaves. He was proud of the butter, and wanted her to notice it. He held it out and asked her for something to put it on. She handed him a saucer, and looked indifferent and resigned, with lifted eyebrows.

"Pas d' sucre, Nég?"

Chicot shook his head and scratched it, and looked like a black picture of distress and mortification. No sugar! But tomorrow he would get a pinch here and a pinch there, and would bring as much as a cupful.

Mamzelle Aglaé then sat down, and talked to Chicot uninterruptedly and confidentially. She complained bitterly, and it was all about a pain that lodged in her leg; that crept and acted like a live, stinging serpent, twining about her waist and up her spine, and coiling round the shoulder-blade. And then les rheumatismes in her fingers! He could see for himself how they were knotted. She could not bend them; she could hold nothing in her hands, and had let a saucer fall that morning and broken it in pieces. And if she were to tell him that she had slept a wink through the night, she would be a liar, deserving of perdition. She had sat at the window la nuit blanche , hearing the hours strike and the market- wagons rumble. Chicot nodded, and kept up a running fire of sympathetic comment and suggestive remedies for rheumatism and insomnia: herbs, or tisanes , or grigris , or all three. As if he knew! There was Purgatory Mary, a perambulating soul whose office in life was to pray for the shades in purgatory, - she had brought Mamzelle Aglaé a bottle of eau de Lourdes , but so little of it! She might have kept her water of Lourdes, for all the good it did, - a drop! Not so much as would cure a fly or a mosquito! Mamzelle Aglaé was going to show Purgatory Mary the door when she came again, not only because of her avarice with the Lourdes water, but, beside that, she brought in on her feet dirt that could only be removed with a shovel after she left.

And Mamzelle Aglaé wanted to inform Chicot that there would be slaughter and bloodshed in la maison grise if the people below stairs did not mend their ways. She was convinced that they lived for no other purpose than to torture and molest her. The woman kept a bucket of dirty water constantly on the landing with the hope of Mamzelle Aglaé falling over it or into it. And she knew that the children were instructed to gather in the hall and on the stairway, and scream and make a noise and jump up and down like galloping horses, with the intention of driving her to suicide. Chicot should notify the policeman on the beat, and have them arrested, if possible, and thrust into the parish prison, where they belonged.

Chicot would have been extremely alarmed if he had ever chanced to find Mamzelle Aglaé in an uncomplaining mood. It never occurred to him that she might be otherwise. He felt that she had a right to quarrel with fate, if ever mortal had. Her poverty was a disgrace, and he hung his head before it and felt ashamed.

One day he found Mamzelle Aglaé stretched on the bed, with her head tied up in a handkerchief. Her sole complaint that day was, "Aïe - aïe - aïe! Aïe - aïe - aïe!" uttered with every breath. He had seen her so before, especially when the weather was damp.

"Vous pas bézouin tisane, Mamzelle Aglaé? Vous pas veux mo cri gagni docteur?"

She desired nothing. "Aïe - aïe - aïe!"

He emptied his bag very quietly, so as not to disturb her; and he wanted to stay there with her and lie down on the floor in case she needed him, but the woman from below had come up. She was an Irishwoman with rolled sleeves.

"It's a shtout shtick I'm afther giving her, Nég, and she do but knock on the flure it's me or Janie or wan of us that'll be hearing her."

"You too good, Brigitte. Aïe - aïe - aïe! Une goutte d'eau sucré, Nég! That Purg'tory Marie, - you see hair, ma bonne Brigitte, you tell hair go say li'le prayer là-bas au Cathédral. Aïe - aïe - aïe!"

Nég could hear her lamentation as he descended the stairs. It followed him as he limped his way through the city streets, and seemed part of the city's noise; he could hear it in the rumble of wheels and jangle of carbells, and in the voices of those passing by.

He stopped at Mimotte the Voudou's shanty and bought a grigri - a cheap one for fifteen cents. Mimotte held her charms at all prices. This he intended to introduce next day into Mamzelle Anglaé's room, - somewhere about the altar, - to the confusion and discomfort of "Michié bon Dieu," who persistently declined to concern himself with the welfare of a Boisduré.

At night, among the reeds on the bayou, Chicot could still hear the woman's wail, mingled now with the croaking of the frogs. If he could have been convinced that giving up his life down there in the water would in any way have bettered her condition, he would not have hesitated to sacrifice the remnant of his existence that was wholly devoted to her. He lived but to serve her. He did not know it himself; but Chicot knew so little, and that little in such a distorted way! He could scarcely have been expected, even in his most lucid moments, to give himself over to self- analysis.

Chicot gathered an uncommon amount of dainties at market the following day. He had to work hard, and scheme and whine a little; but he got hold of an orange and a lump of ice and a chou-fleur . He did not drink his cup of café au lait , but asked Mimi Lambeau to put it in the little new tin pail that the Hebrew notion-vender had just given him in exchange for a mess of shrimps. This time, however, Chicot had his trouble for nothing. When he reached the upper room of la maison grise , it was to find that Mamzelle Aglaé had died during the night. He set his bag down in the middle of the floor, and stood shaking, and whined low like a dog in pain.

Everything had been done. The Irish-woman had gone for the doctor, and Purgatory Mary had summoned a priest. Furthermore, the woman had arranged Mamzelle Aglaé decently. She had covered the table with a white cloth, and had placed it at the head of the bed, with the crucifix and two lighted candles in silver candlesticks upon it; the little bit of ornamentation brightened and embellished the poor room. Purgatory Mary, dressed in shabby black, fat and breathing hard, sat reading half audibly from a prayer- book. She was watching the dead and the silver candlesticks, which she had borrowed from a benevolent society, and for which she held herself responsible. A young man was just leaving, - a reporter snuffing the air for items, who had scented one up there in the top room of la maison grise .

All the morning Janie had been escorting a procession of street Arabs up and down the stairs to view the remains. One of them - a little girl, who had had her face washed and had made a species of toilet for the occasion - refused to be dragged away. She stayed seated as if at an entertainment, fascinated alternately by the long, still figure of Mamzelle Aglaé, the mumbling lips of Purgatory Mary, and the silver candlesticks.

"Will ye get down on yer knees, man, and say a prayer for the dead!" commanded the woman.

But Chicot only shook his head, and refused to obey. He approached the bed, and laid a little black paw for a moment on the stiffened body of Mamzelle Aglaé. There was nothing for him to do here. He picked up his old ragged hat and his bag and went away.

"The black h'athen!" the woman muttered. "Shut the dure, child."

The little girl slid down from her chair, and went on tiptoe to shut the door which Chicot had left open. Having resumed her seat, she fastened her eyes upon Purgatory Mary's heaving chest.

"You, Chicot!" cried Matteo's wife the next morning. "My man, he read in paper 'bout woman name' Boisduré, use' b'long to big-a famny. She die roun' on St. Philip - po', same-a like church rat. It's any them Boisdurés you alla talk 'bout?"

Chicot shook his head in slow but emphatic denial. No, indeed, the woman was not of kin to his Boisdurés. He surely had told Matteo's wife often enough - how many times did he have to repeat it! - of their wealth, their social standing. It was doubtless some Boisduré of les Attakapas ; it was none of his.

The next day there was a small funeral procession passing a little distance away, - a hearse and a carriage or two. There was the priest who had attended Mamzelle Aglaé, and a benevolent Creole gentleman whose father had known the Boisdurés in his youth. There was a couple of player-folk, who, having got wind of the story, had thrust their hands into their pockets.

"Look, Chicot!" cried Matteo's wife. "Yonda go the fune'al. Mus-a be that-a Boisduré woman we talken 'bout yesaday."

But Chicot paid no heed. What was to him the funeral of a woman who had died in St. Philip street? He did not even turn his head in the direction of the moving procession. He went on scaling his red-snapper.

Miss McEnders by Kate Chopin

Word Count:  2973

I

When Miss Georgie McEnders had finished an elaborately simple toilet of gray and black, she divested herself completely of rings, bangles, brooches – everything to suggest that she stood in friendly relations with fortune. For Georgie was going to read a paper upon “The Dignity of Labor” before the Woman’s Reform Club; and if she was blessed with the abundance of wealth, she possessed a no less amount of good taste.

Before entering the neat Victoria that stood at her father’s too-sumptuous door – and that was her special property – she turned to give certain directions to the coachman. First upon the list from which she read was inscribed: “Look up Mademoiselle Salambre.”

“James,” said Georgie, flushing a pretty pink, as she always did with the slightest effort of speech, “we want to look up a person named Mademoiselle Salambre, in the southern part of town, on Arsenal street,” indicating a certain number and locality. Then she seated herself in the carriage, and as it drove away proceeded to study her engagement list further and to knit her pretty brows in deep and complex thought.

“Two o’clock – look up M. Salambre,” said the list. “Three-thirty – read paper before Woman’s Ref. Club. Four-thirty – “and here followed cabalistic abbreviations which meant: “Join committee of ladies to investigate moral condition of St. Louis factory-girls. Six o’clock – dine with papa. Eight o’clock – hear Henry George’s lecture on Single Tax.”

So far, Mademoiselle Salambre was only a name to Georgie McEnders, one of several submitted to her at her own request by her furnishers, Push and Prodem, an enterprising firm charged with the construction of Miss McEnders’ very elaborate trosseau. Georgie liked to know the people who worked for her, as far as she could.

She was a charming young woman of twenty-five, though almost too white-souled for a creature of flesh and blood. She possessed ample wealth and time to squander, and a burning desire to do good – to elevate the human race, and start the world over again on a comfortable footing for everybody.

When Georgie had pushed open the very high gate of a very small yard she stood confronting a robust German woman who, with dress tucked carefully between her knees, was in the act of noisily “redding” the bricks.

“Does M’selle Salambre live here?” Georgie’s tall, slim figure was very erect. Her face suggested a sweet peach blossom, and she held a severely simple lorgnon up to her short-sighted blue eyes.

“Ya! Ya! Aber oop stairs!” cried the woman brusquely and impatiently. But Georgie did not mind. She was used to greetings that lacked the ring of cordiality.

When she had ascended the stairs that led to an upper porch she knocked at the first door that presented itself, and was told to enter by Mlle. Salambre herself.

The woman sat at an opposite window, bending over a bundle of misty white goods that lay in a fluffy heap in her lap. She was not young. She might have been thirty, or she might have been forty. There were lines about her round, piquante face that denoted close acquaintance with struggles, hardships and all manner of unkind experiences.

Georgie had heard a whisper here and there touching the private character of Mlle. Salambre which had determined her to go in person and make the acquaintance of the woman and her surroundings; which latter were poor and simple enough, and not too neat. There was a little child at play upon the floor.

Mlle. Salambre had not expected so unlooked-for an apparition as Miss McEnders, and seeing the girl standing there in the door she removed the eye-glasses that had assisted her in the delicate work, and stood up also.

“Mlle. Salambre, I suppose?” said Georgie, with a courteous inclination.

“Ah! Mees McEndairs! What an agree’ble surprise! Will you be so kind to take a chair.” Mademoiselle had lived many years in the city, in various capacities, which brought her in touch with the fashionable set. There were few people in polite society whom Mademoiselle did not know – by sight, at least; and their private histories were as familiar to her as her own.

“You ‘ave come to see your the work?” the woman went on with a smile that quite brightened her face. “It is a pleasure to handle such fine, such delicate quality of goods, Mees,” and she went and laid several pieces of her handiwork upon the table beside Georgie, at the same time indicating such details as she hoped would call forth her visitor’s approval.

There was something about the woman and her surroundings, and the atmosphere of the place, that affected the girl unpleasantly. She shrank instinctively, drawing her invisible mantle of chastity closely about her. Mademoiselle saw that her visitor’s attention was divided between the lingerie and the child upon the floor, who was engaged in battering a doll’s unyielding head against the unyielding floor.

“The child of my neighbor down-stairs,” said Mademoiselle, with a wave of the hand which expressed volumes of unutterable ennui. But at that instant the little one, with instinctive mistrust, and in seeming defiance of the repudiation, climbed to her feet and went rolling and toddling towards her mother, clasping the woman about the knees, and calling her by the endearing title which was her own small right.

A spasm of annoyance passed over Mademoiselle’s face, but still she called the child “Chene,” as she grasped its arm to keep it from falling. Miss McEnders turned every shade of carmine.

“Why did you tell me an untruth?” she asked, looking indignantly into the woman’s lowered face. “Why do you call yourself ‘Mademoiselle’ if this child is yours?”

“For the reason that it is more easy to obtain employment. For reasons that you would not understand,” she continued, with a shrug of the shoulders that expressed some defiance and a sudden disregard for consequences. “Life is not all couleur de rose, Mees McEndairs; you do not know what life is, you!” And drawing a handkerchief from an apron pocket she mopped an imaginary tear from the corner of her eye, and blew her nose till it glowed again.

Georgie could hardly recall the words or actions with which she quitted Mademoiselle’s presence. As much as she wanted to, it had been impossible to stand and read the woman a moral lecture. She had simply thrown what disapproval she could into her hasty leave-taking, and that was all for the moment. But as she drove away, a more practical form of rebuke suggested itself to her not too nimble intelligence – one that she promised herself to act upon as soon as her home was reached.

When she was alone in her room, during an interval between her many engagements, she then attended to the affair of Mlle. Salambre.

Georgie believed in discipline. She hated unrighteousness. When it pleased God to place the lash in her hand she did not hesitate to apply it. Here was this Mlle. Salambre living in her sin. Not as one who is young and blinded by the glamour of pleasure, but with cool and deliberate intention. Since she chose to transgress, she ought to suffer, and be made to feel that her ways were iniquitous and invited rebuke. It lay in Georgie’s power to mete out a small dose of that chastisement which the woman deserved, and she was glad that the opportunity was hers.

She seated herself forthwith at her writing table, and penned the following note to her furnishers:

    “MESSERS. PUSH & PRODEM.
    “Gentlemen – Please withdraw from Mademoiselle Salambre all work of mine, and return same to me at once – finished or unfinished.
    Yours truly,
    GEORGIE MCENDERS.”

II

On the second day following this summary proceeding, Georgie sat at her writing-table, looking prettier and pinker than ever, in a luxurious and soft-toned robe de chamber that suited her own delicate coloring, and fitted the pale amber tints of her room decorations.

There were books, pamphlets, and writing material set neatly upon the table before her. In the midst of them were two framed photographs, which she polished one after another with a silken scarf that was near.

One of these was a picture of her father, who looked like an Englishman, with his clean-shaved mouth and chin, and closely-cropped side-whiskers, just turning grey. A good-humored shrewdness shone in his eyes. From the set of his thin, firm lips one might guess that he was in the foremost rank in the interesting game of “push” that occupies mankind. One might further guess that his cleverness in using opportunities had brought him there, and that a dexterous management of elbows had served him no less. The other picture was that of Georgie’s fiancé, Mr. Meredith Holt, approaching more closely than he liked to his forty-fifth year and an unbecoming corpulence. Only one who knew beforehand that he was a viveur could have detected evidence of such in his face, which told little more than that he was a good-looking and amiable man of the world, who might be counted on to do the gentlemanly thing always. Georgie was going to marry him because his personality pleased her; because his easy knowledge of life – such as she apprehended it – commended itself to her approval; because he was likely to interfere in no way with her “work”. Yet she might not have given any of these reasons if asked for one. Mr. Meredith Holt was simply an eligible man, whom almost any girl in her set would have accepted for a husband.

Georgie had just discovered that she had yet an hour to spare before starting out with the committee of four to further investigate the moral condition of the factory-girl, when a maid appeared with the announcement that a person was below who wished to see her.

“A person? Surely not a visitor at this hour?”

“I left her in the hall, miss, and she says her name is Mademoiselle Sal-Sal-“

“Oh, yes! Ask her to kindly walk up to my room, and show her the way, please, Hannah.”

Mademoiselle Salambre came in with a sweep of skirts that bristled defiance, and a poise of the head that was aggressive in its backward tilt. She seated herself, and with an air of challenge waited to be questioned or addressed.

Georgie felt at ease amid her own familiar surroundings. While she made some idle tracings with a pencil upon a discarded envelope, she half turned to say:

“This visit of yours is very surprising, madam, and wholly useless. I suppose you guess my motive in recalling my work, as I have done.”

“Maybe I do, and maybe I do not, Mees McEndairs,” replied the woman, with an impertinent uplifting of the eyebrows.

Georgie felt the same shrinking which had overtaken her before in the woman’s presence. But she knew her duty, and from that there was no shrinking.

“You must be made to understand, madam, that there is a right way to live, and that there is a wrong way,” said Georgie with more condescension than she knew. “We cannot defy God’s laws with impunity, and without incurring His displeasure. But in His infinite justice and mercy He offers forgiveness, love and protection to those who turn away from evil and repent. It is for each of us to follow the divine way as well as may be. And I am only humbly striving to do His will.”

“A most charming sermon, Mees McEndairs!” mademoiselle interrupted with a nervous laugh; “it seems a great pity to waste it upon so small an audience. And it grieves me, I cannot express, that I have not the time to remain and listen to its close.”

She arose and began to talk volubly, swiftly, in a jumble of French and English, and with a wealth of expression and gesture which Georgie could hardly believe was natural, and not something acquired and rehearsed.

She had come to inform Miss McEnders that she did not want her work; that she would not touch it with the tips of her fingers. And her little, gloved hands recoiled from an imaginary pile of lingerie with unspeakable disgust. Her eyes had traveled nimbly over the room, and had been arrested by the two photographs on the table. Very small, indeed, were her worldly possessions, she informed the young lady; but as Heaven was her witness – not a mouthful of bread that she had not earned. And her parents over yonder in France! As honest as the sunlight! Poor, ah! For that – poor as rats. God only knew how poor; and God only knew how honest. Her eyes remained fixed upon the picture of Horace McEnders. Some people might like fine houses, and servants, and horses, and all the luxury which dishonest wealth brings. Some people might enjoy such surroundings. As for her! – and she drew up her skirts ever so carefully and daintily, as though she feared contamination to her petticoats from the touch of the rich rug upon which she stood.

Georgie’s blue eyes were filled with astonishment as they followed the woman’s gestures. Her face showed aversion and perplexity.

“Please let this interview come to an end at once,” spoke the girl. She would not deign to ask an explanation of the mysterious allusions to ill-gotten wealth. But mademoiselle had not yet said all that she had come there to say.

“If it was only me to say so,” she went on, still looking at the likeness, “but, cher maître! Go, yourself Mees McEndairs, and stand for a while on the street and ask the people passing by how your dear papa has made his money, and see what they will say.”

Then shifting her glance to the photograph of Meredith Holt, she stood in an attitude of amused contemplation, with a smile of commiseration playing about her lips.

“Mr. Meredith Holt!” she pronounced with quiet suppressed emphasis – “ah! C’est un propre, celui la! You know him very well, no doubt, Mees McEndairs. You would not care to have my opinion of Mr. Meredith Holt. It would make no difference to you, Mees McEndairs, to know that he is not fit to be the husband of a self-respecting bar-maid. Oh! You know a good deal, my dear young lady. You can preach sermons in merveille!”

When Georgie was finally alone, there came to her, through all her disgust and indignation, an indefinable uneasiness. There was no misunderstanding the intention of the woman’s utterances in regard to the girl’s fiancé and her father. A sudden, wild, defiant desire came to her to test the suggestion which Mademoiselle Salambre had let fall.

Yes, she would go stand there on the corner and ask the passers-by how Horace McEnders made his money. She could not yet collect her thoughts for calm reflection; and the house stifled her. It was fully time for her to join her committee of four, but she would meddle no further with morals till her own were adjusted, she thought. Then she quitted the house, very pale, even to her lips that were tightly set.

Georgie stationed herself on the opposite side of the street, on the corner, and waited there as though she had appointed to meet some one.

The first to approach her was a kind-looking old gentleman, very much muffled for the pleasant spring day. Georgie did not hesitate an instant to accost him:

“I beg pardon, sir. Will you kindly tell me whose house that is?” pointing to her own domicile across the way.

“That is Mr. Horace McEnders’ residence, Madam,” replied the old gentleman, lifting his hat politely.

“Could you tell me how he made the money with which to build so magnificent a home?”

“You should not ask indiscreet questions, my dear young lady,” answered the mystified old gentleman, as he bowed and walked away.

The girl let one or two persons pass her. Then she stopped a plumber, who was going cheerily along with his bag of tools on his shoulder.

“I beg pardon,” began Georgie again; “but may I ask whose residence that is across the street?”

“Yes’um. That’s the McEnderses.”

“Thank you; and can you tell me how Mr. McEnders made such an immense fortune?”

“Oh, that ain’t my business; but they say he made the biggest pile of it in the Whisky Ring.”

So the truth would come to her somehow! These were the people from whom to seek it – who had not learned to veil their thoughts and opinions in polite subterfuge.

When a careless little news-boy came strolling along, she stopped him with the apparent intention of buying a paper from him.

“Do you know whose house that is?” she asked him, handing him a piece of money and nodding over the way.

“W’y, dats ole MicAndrus’ house.”

“I wonder where he got the money to build such a fine house.”

“He stole it. Dats where he got it. Thank you,” pocketing the change which Georgie declined to take, and he whistled a popular air as he disappeared around the corner.

Georgie had heard enough. Her heart was beating violently now, and her cheeks were flaming. So everybody knew it; even to the street gamins! The men and women who visited her and broke bread at her father’s table, knew it. Her coworkers, who strove with her in Christian endeavor, knew. The very servants who waited upon her doubtless knew this, and had their jests about it.

She shrank within herself as she climbed the stairway to her room.

Upon the table there she found a box of exquisite white spring blossoms that a messenger had brought from Meredith Holt, during her absence. Without an instant’s hesitation, Georgie cast the spotless things into the wide, sooty, fireplace. Then she sank into a chair and wept bitterly.

Mamouche by Kate Chopin

Word Count:  2775

MAMOUCHE stood within the open doorway, which he had just entered. It was night; the rain was falling in torrents, and the water trickled from him as it would have done from an umbrella, if he had carried one.

Old Doctor John-Luis, who was toasting his feet before a blazing hickory-wood fire, turned to gaze at the youngster through his spectacles. Marshall, the old negro who had opened the door at the boy's knock, also looked down at him, and indignantly said:

"G'long back on de gall'ry an' drip yo'se'f! W'at Cynthy gwine say tomorrow w'en she see dat flo' mess' up dat away?"

"Come to the fire and sit down," said Doctor John-Luis.

Doctor John-Luis was a bachelor. He was small and thin; he wore snuff-colored clothes that were a little too large for him, and spectacles. Time had not deprived him of an abundant crop of hair that had once been red, and was not now more than half-bleached.

The boy looked irresolutely from master to man; then went and sat down beside the fire on a splint-bottom chair. He sat so close to the blaze that had he been an apple he would have roasted. As he was but a small boy, clothed in wet rags, he only steamed.

Marshall grumbled audibly, and Doctor John-Luis continued to inspect the boy through his glasses.

"Marsh, bring him something to eat," he commanded, tentatively.

Marshall hesitated, and challenged the child with a speculating look.

"Is you w'ite o' is you black?" he asked. "Dat w'at I wants ter know 'fo' I kiar' victuals to yo in de settin'-room."

"I'm w'ite, me," the boy responded, promptly.

"I ain't disputin'; go ahead. All right fer dem w'at wants ter take yo' wud fer it." Doctor John-Luis coughed behind his hand and said nothing.

Marshall brought a platter of cold food to the boy, who rested the dish upon his knees and ate from it with keen appetite.

"Where do you come from?" asked Doctor John-Luis' when his caller stopped for breath. Mamouche turned a pair of big, soft, dark eyes upon his questioner.

"I come frum Cloutierville this mo'nin'. I been try to git to the twenty-fo'-mile ferry w'en de rain ketch me."

"What were you going to do at the twenty-four-mile ferry?"

The boy gazed absently into the fire. "I don' know w'at I was goin' to do yonda to the twenty-fo'-mile ferry," he said.

"Then you must be a tramp, to be wandering aimlessly about the country in that way!" exclaimed the doctor.

"No; I don' b'lieve I'm a tramp, me." Mamouche was wriggling his toes with enjoyment of the warmth and palatable food.

"Well, what's your name?" continued Doctor John-Luis.

"My name it's Mamouche."

" 'Mamouche.' Fiddlesticks! That's no name."

The boy looked as if he regretted the fact, while not being able to help it.

"But my pa, his name it was Mathurin Peloté," he offered in some palliation.

"Peloté! Peloté!" mused Doctor John-Luis. "Any kin to Théodule Peloté who lived formerly in Avoyelles parish?"

"W'y, yes!" laughed Mamouche. "Théodule Peloté, it was my gran'pa."

"Your grandfather? Well, upon my word!" He looked again, critically, at the youngster's rags. "Then Stéphanie Galopin must have been your grandmother!"

"Yas," responded Mamouche, complacently; "that who was my gran'ma. She die two year ago down by Alexandria."

"Marsh," called Doctor John-Luis, turning in his chair, "bring him a mug of milk and another piece of pie!"

When Mamouche had eaten all the good things that were set before him, he found that one side of him was quite dry, and he transferred himself over to the other corner of the fire so as to turn to the blaze the side which was still wet.

The action seemed to amuse Doctor John-Luis, whose old head began to fill with recollections.

"That reminds me of Théodule," he laughed. "Ah, he was a great fellow, your father, Théodule!"

"My gran'pa," corrected Mamouche.

"Yes, yes, your grandfather. He was handsome; I tell you, he was good-looking. And the way he could dance and play the fiddle and sing! Let me see, how did that song go that he used to sing when we went out serenading: 'A ta-à ta-'


'A ta fenêtre
Daignes paraître-tra la la la!' " Doctor John-Luis's voice, even in his youth, could not have been agreeable; and now it bore no resemblance to any sound that Mamouche had ever heard issue from a human throat. The boy kicked his heels and rolled sideward on his chair with enjoyment. Doctor John-Luis laughed even more heartily, finished the stanza, and sang another one through.

"That's what turned the girls' heads, I tell you, my boy," said he, when he had recovered his breath; "that fiddling and dancing and tra la la."

During the next hour the old man lived again through his youth; through any number of alluring experiences with his friend Théodule, that merry fellow who had never done a steady week's work in his life; and Stéphanie, the pretty Acadian girl, whom he had never wholly understood, even to this day.

It was quite late when Doctor John-Luis climbed the stairs that led from the sitting-room up to his bedchamber. As he went, followed by the ever attentive Marshall, he was singing:


"A ta fenêtre
Daignes paraître,"

but very low, so as not to awaken Mamouche, whom he left sleeping upon a bed that Marshall at his order had prepared for the boy beside the sitting-room fire.

At a very early hour next morning Marshall appeared at his master's bedside with the accustomed morning coffee.

"What is he doing?" asked Doctor John-Luis, as he sugared and stirred the tiny cup of black coffee.

"Who dat, sah?"

"Why, the boy, Mamouche. What is he doing?"

"He gone, sah. He done gone."

"Gone!"

"Yes, sah. He roll his bed up in de corner; he onlock de do'; he gone. But de silver an' ev'thing dah; he ain't kiar' nuttin' off."

"Marshall," snapped Doctor John-Luis, ill-humoredly, "there are times when you don't seem to have sense and penetration enough to talk about! I think I'll take another nap" he grumbled, as he turned his back upon Marshall. "Wake me at seven."

It was no ordinary thing for Doctor John-Luis to be in a bad humor, and perhaps it is not strictly true to say that he was now. He was only in a little less amiable mood than usual when he pulled on his high rubber boots and went splashing out in the wet to see what his people were doing.

He might have owned a large plantation had he wished to own one, for a long life of persistent, intelligent work had left him with a comfortable fortune in his old age; but he preferred the farm on which he lived contentedly and raised an abundance to meet his modest wants.

He went down to the orchard, where a couple of men were busying themselves in setting out a line of young fruit-trees

"Tut, tut, tut!" They u ere doing it all wrong; the line was not straight; the holes were not deep. It was strange that he had to come down there and discover such things with his old eyes!

He poked his head into the kitchen to complain to Prudence about the ducks that she had not seasoned properly the day before, and to hope that the accident would never occur again.

He tramped over to where a carpenter was working on a gate; securing it - as he meant to secure all the gates upon his place - with great patent clamps and ingenious hinges, intended to baffle utterly the designs of the evil-disposed persons who had lately been tampering with them. For there had been a malicious spirit abroad, who played tricks, it seemed, for pure wantonness upon the farmers and planters, and caused them infinite annoyance.

As Dr. John-Luis contemplated the carpenter at work, and remembered how his gates had recently all been lifted from their hinges one night and left lying upon the ground, the provoking nature of the offense dawned upon him as it had not done before. He turned swiftly, prompted by a sudden determination, and re-entered the house.

Then he proceeded to write out in immense black characters a half-dozen placards. It was an offer of twenty-five dollars' reward for the capture of the person guilty of the malicious offence already described. These placards were sent abroad with the same eager haste that had conceived and executed them.

After a day or two, Doctor John-Luis' ill humor had resolved itself into a pensive melancholy.

"Marsh," he said, "you know, after all, it's rather dreary to be living alone as I do, without any companion - of my own color, you understand."

"I knows dat, sah. It sho' am lonesome," replied the sympathetic Marshall.

"You see, Marsh, I've been thinking lately," and Doctor John-Luis coughed, for he disliked the inaccuracy of that "lately." "I've been thinking that this property and wealth that I've worked so hard to accumulate, are after all doing no permanent, practical good to any one. Now, if I could find some well-disposed boy whom I might train to work, to study, to lead a decent, honest life - a boy of good heart who would care for me in my old age; for I am still comparatively - hem - not old? hey, Marsh?"

"Dey ain't one in de pa'ish hole yo' own like you does, sah."

"That's it. Now, can you think of such a boy? Try to think. "

Marshall slowly scratched his head and looked reflective.

"If you can think of such a boy," said Doctor John-Luis, "you might bring him here to spend an evening with me, you know, without hinting at my intentions, of course. In that way I could sound him; study him up, as it were. For a step of such importance is not to be taken without due consideration, Marsh."

Well, the first whom Marshall brought was one of Baptiste Choupic's boys. He was a very timid child, and sat on the edge of his chair, fearfully. He replied in jerky mono-syllables when Doctor John-Luis spoke to him, "Yes, sah - no, sah," as the case might be; with a little nervous bob of the head.

His presence made the doctor quite uncomfortable. He was glad to be rid of the boy at nine o'clock, when he sent him home with some oranges and a few sweetmeats.

Then Marshall had Theodore over; an unfortunate selection that evinced little judgment on Marshall's part. Not to mince matters, the boy was painfully forward. He monopolized the conversation; asked impertinent questions and handled and inspected everything in the room. Dr. John-Luis sent him home with an orange and not a single sweet.

Then there was Hyppolite, who was too ugly to be thought of; and Cami, who was heavy and stupid, and fell asleep in his chair with his mouth wide open. And so it went. If Doctor John-Luis had hoped in the company of any of these boys to repeat the agreeable evening he had passed with Mamouche, he was sadly deceived.

At last he instructed Marshall to discontinue the search of that ideal companion he had dreamed of. He was resigned to spend the remainder of his days without one.

Then, one day when it was raining again, and very muddy and chill, a red-faced man came driving up to Doctor John-Luis' door in a dilapidated buggy. He lifted a boy from the vehicle, whom he held with a vise-like clutch, and whom he straightway dragged into the astonished presence of Doctor John- Luis.

"Here he is, sir," shouted the red-faced man. "We've got him at last! Here he is."

It was Mamouche, covered with mud, the picture of misery. Doctor John-Luis stood with his back to the fire. He was startled, and visibly and painfully moved at the sight of the boy.

"Is it possible!" he exclaimed. "Then it was you, Mamouche, who did this mischievous thing to me? Lifting my gates from their hinges; letting the chickens in among my flowers to ruin them; and the hogs and cattle to trample and uproot my vegetables!"

"Ha! ha!" laughed the red-faced man, "that game's played out, now;" and Doctor John-Luis looked as if he wanted to strike him.

Mamouche seemed unable to reply. His lower lip was quivering.

"Yes, it's me!" he burst out. "It's me w'at take yo' gates off the hinge. It's me w'at turn loose Mr. Morgin's hoss, w'en Mr. Morgin was passing veillee wid his sweetheart. It's me w'at take down Ma'ame Angèle's fence, an' lef her calf loose to tramp in Mr. Billy's cotton. It's me w'at play like a ghos' by the graveyard las' Toussaint to scare the darkies passin' in the road. It's me w'at - "

The confession had burst out from the depth of Mamouche's heart like a torrent, and there is no telling when it would have stopped if Doctor John-Luis had not enjoined silence.

"And pray tell me," he asked, as severely as he could, "why you left my house like a criminal, in the morning, secretly?"

The tears had begun to course down Mamouche's brown cheeks.

"I was 'shame' of myself, that's w'y. If you wouldn' gave me po suppa, an' no bed, an' no fire, I don' say.' I wouldn' been 'shame' then."

"Well, sir," interrupted the red-faced man, "you've got a pretty square case against him, I see. Not only for malicious trespass, but of theft. See this bolt?" producing a piece of iron from his coat pocket "That's what gave him away."

"I en't no thief!" blurted Mamouche, indignantly. "It's one piece o' iron w'at I pick up in the road."

"Sir," said Doctor John-Luis with dignity, "I can understand how the grandson of Théodule Peloté might be guilty of such mischievous pranks as this boy has confessed to. But I know that the grandson of Stéphanie Galopin could not be a thief."

And he at once wrote out the check for twenty-five dollars, and handed it to the red- faced man with the tips of his fingers.

It seemed very good to Doctor John-Luis to have the boy sitting again at his fireside; and so natural, too. He seemed to be the incarnation of unspoken hopes; the realization of vague and fitful memories of the past.

When Mamouche kept on crying, Doctor John-Luis wiped away the tears with his own brown silk handkerchief.

"Mamouche," he said, "I want you to stay here; to live here with me always. To learn how to work; to learn how to study; to grow up to be an honorable man. An honorable man, Mamouche, for I want you for my own child."

His voice was pretty low and husky when he said that.

"I shall not take the key from the door tonight," he continued. "If you do not choose to stay and be all this that I say, you may open the door and walk out. I shall use no force to keep you."

"What is he doing, Marsh?" asked Doctor John-Luis the following morning, when he took the coffee that Marshall had brought to him in bed.

"Who dat, sah?"

"Why, the boy Mamouche, of course. What is he doing?"

Marshall laughed.

"He kneelin' down dah on de flo'. He keep on sayin', 'Hail, Mary, full o' grace, de Lord is wid dee. Hail, Mary, full o' grace' - t'ree, fo' times, sah. I tell 'im, 'W'at you sayin' yo' prayer dat away, boy?' He 'low dat w'at his gran'ma larn 'im, ter keep outen mischief. W'en de devil say, 'Take dat gate offen de hinge; do dis; do dat,' he gwine say t'ree Hail Mary, an' de devil gwine tu'n tail an' run."

"Yes, yes," laughed Doctor John-Luis. "That's Stéphanie all over."

"An' I tell 'im: See heah, boy, you drap a couple o' dem Hail Mary, an' quit studyin' 'bout de devil, an' sot yo'se'f down ter wuk. Dat the oniest way to keep outen mischief."

"What business is it of yours to interfere?" broke in Doctor John-Luis, irritably. "Let the boy do as his grandmother instructed him."

"I ain't desputin', sah," apologized Marshall.

"But you know, Marsh," continued the doctor, recovering his usual amiability. "I think we'll be able to do something with the boy. I'm pretty sure of it. For, you see, he has his grandmother's eyes; and his grandmother was a very intelligent woman; a clever woman, Marsh. Her one great mistake was when she married Théodule Peloté."

Madame Célestin's Divorce by Kate Chopin

Word Count:  1337

MADAME CÉLESTIN always wore a neat and snugly fitting calico wrapper when she went out in the morning to sweep her small gallery. Lawyer Paxton thought she looked very pretty in the gray one that was made with a graceful Watteau fold at the back: and with which she invariably wore a bow of pink ribbon at the throat. She was always sweeping her gallery when lawyer Paxton passed by in the morning on his way to his office in St. Denis Street.

Sometimes he stopped and leaned over the fence to say good-morning at his ease; to criticise or admire her rosebushes; or, when he had time enough, to hear what she had to say. Madame Célestin usually had a good deal to say. She would gather up the train of her calico wrapper in one hand, and balancing the broom gracefully in the other, would go tripping down to where the lawyer leaned, as comfortably as he could, over her picket fence.

Of course she had talked to him of her troubles. Every one knew Madame Célestin's troubles.

"Really, madame," he told her once, in his deliberate, calculating, lawyer-tone, "it 's more than human nature - woman's nature - should be called upon to endure. Here you are, working your fingers off" - she glanced down at two rosy finger-tips that showed through the rents in her baggy doeskin gloves - "taking in sewing; giving music lessons; doing God knows what in the way of manual labor to support yourself and those two little ones" - Madame Célestin's pretty face beamed with satisfaction at this enumeration of her trials.

"You right, Judge. Not a picayune, not one, not one, have I lay my eyes on in the pas' fo' months that I can say Célestin give it to me or sen' it to me."

"The scoundrel!" muttered lawyer Paxton in his beard.

"An' pourtant ," she resumed, "they say he 's making money down roun' Alexandria w'en he wants to work."

"I dare say you have n't seen him for months?" suggested the lawyer.

"It 's good six month' since I see a sight of Célestin," she admitted.

"That 's it, that 's what I say; he has practically deserted you; fails to support you. It wouldn't surprise me a bit to learn that he has ill treated you."

"Well, you know, Judge," with an evasive cough, "a man that drinks - w'at can you expec'? An' if you would know the promises he has made me! Ah, if I had as many dolla' as I had promise from Célestin, I would n' have to work, je vous garantis ."

"And in my opinion, madame, you would be a foolish woman to endure it longer, when the divorce court is there to offer you redress."

"You spoke about that befo', Judge; I 'm goin' think about that divo'ce. I believe you right."

Madame Célestin thought about the divorce and talked about it, too; and lawyer Paxton grew deeply interested in the theme.

"You know, about that divo'ce, Judge," Madame Célestin was waiting for him that morning, "I been talking to my family an' my frien's, an' it 's me that tells you, they all plumb agains' that divo'ce."

"Certainly to be sure; that 's to be expected, madame, in this community of Creoles. I warned you that you would meet with opposition, and would have to face it and brave it."

"Oh, don't fear, I 'm going to face it! Maman says it 's a disgrace like it 's neva been in the family. But it 's good for Maman to talk, her. W'at trouble she ever had? She says I mus' go by all means consult with Père Duchéron - it 's my confessor, you undastan' - Well, I 'll go, Judge, to please Maman. But all the confessor' in the worl' ent goin' make me put up with that conduc' of Célestin any longa."

A day or two later, she was there waiting for him again. "You know, Judge, about that divo'ce."

"Yes, yes," responded the lawyer, well pleased to trace a new determination in her brown eyes and in the curves of her pretty mouth. "I suppose you saw Père Duchéron and had to brave it out with him, too."

"Oh, fo' that, a perfec' sermon, I assho you. A talk of giving scandal an' bad example that I thought would neva en'! He says, fo' him, he wash' his hands; I mus' go see the bishop."

"You won't let the bishop dissuade you, I trust," stammered the lawyer more anxiously than he could well understand.

"You don't know me yet, Judge," laughed Madame Célestin with a turn of the head and a flirt of the broom which indicated that the interview was at an end.

"Well, Madame Célestin! And the bishop!" Lawyer Paxton was standing there holding to a couple of the shaky pickets. She had not seen him. "Oh, it 's you, Judge?" and she hastened towards him with an empressement that could not but have been flattering.

"Yes, I saw Monseigneur," she began. The lawyer had already gathered from her expressive countenance that she had not wavered in her determination. "Ah, he 's a eloquent man. It 's not a mo' eloquent man in Natchitoches parish. I was fo'ced to cry, the way he talked to me about my troubles; how he undastan's them, an' feels for me. It would move even you, Judge, to hear how he talk' about that step I want to take; its danga, its temptation. How it is the duty of a Catholic to stan' everything till the las' extreme. An' that life of retirement an' self-denial I would have to lead, - he tole me all that."

"But he has n't turned you from your resolve, I see," laughed the lawyer complacently.

"For that, no," she returned emphatically. "The bishop don't know w'at it is to be married to a man like Célestin, an' have to endu' that conduc' like I have to endu' it. The Pope himse'f can't make me stan' that any longer, if you say I got the right in the law to sen' Célestin sailing."

A noticeable change had come over lawyer Paxton. He discarded his work-day coat and began to wear his Sunday one to the office. He grew solicitous as to the shine of his boots, his collar, and the set of his tie. He brushed and trimmed his whiskers with a care that had not before been apparent. Then he fell into a stupid habit of dreaming as he walked the streets of the old town. It would be very good to take unto himself a wife, he dreamed. And he could dream of no other than pretty Madame Célestin filling that sweet and sacred office as she filled his thoughts, now. Old Natchitoches would not hold them comfortably, perhaps; but the world was surely wide enough to live in, outside of Natchitoches town.

His heart beat in a strangely irregular manner as he neared Madame Célestin's house one morning, and discovered her behind the rosebushes, as usual plying her broom. She had finished the gallery and steps and was sweeping the little brick walk along the edge of the violet border.

"Good-morning, Madame Célestin."

"Ah, it 's you, Judge? Good-morning." He waited. She seemed to be doing the same. Then she ventured, with some hesitancy, "You know, Judge, about that divo'ce. I been thinking, - I reckon you betta neva mine about that divo'ce." She was making deep rings in the palm of her gloved hand with the end of the broom-handle, and looking at them critically. Her face seemed to the lawyer to be unusually rosy; but maybe it was only the reflection of the pink bow at the throat. "Yes, I reckon you need n' mine. You see, Judge, Célestin came home las' night. An' he 's promise me on his word an' honor he 's going to turn ova a new leaf."