Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Saturday, September 21, 2024

Afterward by Edith Wharton (1910)

 


Afterward


by Edith Wharton


(eText)



Foreword


In the realm of American literature, few authors have captured the intricate dance of social mores and the human psyche as poignantly as Edith Wharton. Her novella "Afterward," first published in 1910, stands as a testament to her mastery of psychological insight and her meticulous attention to the subtleties of human relationships. Set against the backdrop of a post-Victorian society, Wharton deftly weaves a tale that explores themes of guilt, morality, and the haunting specters of the past.

At the heart of "Afterward" lies the story of a couple, Mr. and Mrs. Jimson, who purchase a grand estate in New England, blissfully unaware of the dark history that envelops it. As they settle into their new life, the couple is confronted by the lingering echoes of a tragic event that transpired in the house, forcing them to grapple with their own desires and fears. Wharton's narrative style blends elements of suspense with a profound examination of character, drawing readers into a world where the past is an inescapable specter that shapes the present.

Wharton’s exploration of the psychological impact of guilt and the burden of unacknowledged wrongs resonates deeply, inviting readers to reflect on their own lives and the hidden narratives that shape their realities. Her ability to infuse a sense of unease and tension within the domestic sphere highlights her keen understanding of the complexities of human nature.

As we delve into "Afterward," we encounter not just a ghost story, but a profound commentary on the moral dilemmas that accompany human ambition and the often-unseen consequences of our choices. Wharton's incisive prose and rich characterization compel us to confront the shadows that linger in our own lives, making this novella not only a captivating read but also a thought-provoking exploration of the human condition.

In celebrating this work, we honor Edith Wharton's legacy as a pioneer of modern literature, whose insights into the human spirit continue to resonate with readers today. "Afterward" remains a compelling exploration of the interplay between past and present, illuminating the delicate threads that bind us to our choices and the echoes of those choices in our lives.

Olivia Salter
09/22/2024


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