Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Showing posts with label E. A. Cross. Show all posts
Showing posts with label E. A. Cross. Show all posts

Wednesday, November 25, 2015

The Short Story a Technical and Literary Study by E. A. Cross, (Ethan Allen), (1914).

The Short Story a Technical and Literary Study by E. A. Cross, (Ethan Allen), (1914).
The Short Story a Technical and Literary Study by E. A. Cross, (Ethan Allen), (1914). The Short Story is a literary form as distinct as the novel or epic poem and almost as uniformly true to its technical type as the ballade or sonnet. This book is written for the numerous readers who enjoy the best short stories in the magazines, in the hope that it may be an aid to them in getting at the meaning of these stories through an understanding of their construction. One who occasionally reads poetry may get some pleasure from the reading of a poem composed in one of the standard poetic forms without knowing anything about the kinds of lyrics, but the reader who understands the technic of the sonnet or ballade derives an added pleasure from reading poems in these forms when he is aware that the author's meaning, his theme, has been embodied skillfully in an exquisite fixed form. An observer who is acquainted with the details of architecture delights in looking upon a finished structure, beautiful, stately, well adapted to its intended use, in which he recognizes a conformity to the laws of construction, an embodiment of historic lines in the decoration and total effect, and the successful conquest of difficulties in order to accomplish the result in the standard technical requirements of architecture.

 
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