Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Showing posts with label Supernatural Fiction. Show all posts
Showing posts with label Supernatural Fiction. Show all posts

Tuesday, September 24, 2024

Romance by Robert W. Chambers


Romance


by Robert W. Chambers


THE Volunteer Nurse sighed and spread out her slender, iodine-stained fingers on both knees, looking down at them retleetively.


“It is different now,” she said; “sentiment dies under the scalpel. In the filth and squalor of reality neither the belief in romance nor the capacity for desiring it endure long. . . . Even pity becomes atrophied—or at least a reflex habit; sympathy, sorrow, remain as mechanical reactions, not spontaneous emotions. . . . You can understand that, dear?”


“Partly,” said the Special Messenger, raising her pretty, dark eyes to her old schoolmate.


“In the beginning.” said the Nurse, dreamily, “the men in their uniforms, the drums and horses and glitter, and the flags passing, and youth—youth—not that you and I are yet old in years; do you know what I mean!”


“I know,” said the Special Messenger, smoothing out her riding gloves. “Do you remember the cadets at Oxley? You loved one of them.”


“Yes; you know how it was in the cities; and even afterward in Washington—I mean the hospitals after Bull Run. Young bravery—the Zouaves—the multicolored guard regiments—and a romance in every death!” She laid one stained hand over the other, fingers still wide. “But here in this blackened horror they call the ‘seat of war’—this festering bull-pen, choked with dreary regiments, all alike, all in filthy blue—here individuals vanish, men vanish. The schoolgirl dream of man dies here forever. Only unwashed, naked duty remains; and its inspiration, man—bloody, dirty, vermin-covered, terrible—sometimes; and sometimes whimpering, terrified, flinching, base, bereft of all his sex’s glamour, all his mystery, shorn of authority, devoid of pride, pitiable, screaming under the knife. … It is different now.” said the pretty Volunteer Nurse. . . . “The war kills more than human life.”


The Special Messenger drew her buckskin gloves carefully through her belt and buttoned the holster of her revolver.


“I have, seen war, too,” she said; “and the men who dealt death and the men who received it. Their mystery remains—the glamour of a man remains for me—because he is a man.”


“I have heard them crying like children in the stretchers.”


“So have I. That solves nothing.”


But the Nursre went on:


“And in the wards they are sometimes something betwixt devils and children. All the weakness and failings they attribute to women come out in them, too—fear, timidity, inconsequence. greed, malice, gossip! I tell you, women bear pain better.”


“Yes, I have learned that. . . . It is not difficult to beguile them either: to lead them, to read them. That is part of my work. I do it. I know they are afraid in battle—the intelligent ones. Yet they fight. I know they are really children—impulsive, passionate, selfish, often cruel—but, after all, they are here fighting this war—here encamped all around us as far as the eye can see. throughout these hills and forests. . . . They have lost none of their glamour for me. Their mystery remains.”


The Volunteer Nurse looked up with a tired smile:


“You always were emotional, dear.”


“I am still.”


“You don’t have to drain wounds and dry out sores and do the thousand unspeakable offices that we do.”


“Why do you do it?”


“I have to.”


“You didn’t have to enlist. Why did you?”


“Why do the men enlist?” asked the Nurse. “That’s why you and I did—whatever—the motive may have been, God knows. . . . And it’s killed part of me. . . . You don’t cleanse ulcers.”


“No; I am not fitted. I tried; and lost none of the romance in me. Only it happens that I can do—what I am doing—better.”


The Nurse looked at her a trifle awed.


“To think, dear, that you should turn out to be the celebrated Special Messenger. You were timid in school.”


“I am now. . . . You don’t know how afraid a woman can be. Suppose in school—suppose that for one moment we could have foreseen our destiny—here together, you and I, as we are now.”


The Nurse looked into the stained hollow of her right hand.


“I had the lines read once,” she said drearily, “but nobody ever said I’d be here, or that there’d be any war,” And she continued to examine her palm with a hurt expression in her blue eyes.


The Special Messenger laughed, and her lovely pale face lighted up with color.


“Don’t you really think you are ever going to be capable of caring for a man again?”


“No, I don’t, I know now how they’re fashioned, how they think—how—how revolting they can be. . . . No, no! It’s all gone—all the ideals, all the dreams. . . . Good Heavens, how romantic—how senseless we were in school!”


“I am still, I think,” said the Special Messenger thoughtfully. “I like men. . . . A man—the right one—could easily make me love him. And I am afraid there are more than one ‘right one. I have often been on the sentimental border. . . . But they died, or went away—or I did. . . . The trouble with me is. as you say, I am emotional, and very, very tender-hearted. . . . It is sometimes difficult to be loyal—to care for duty—the Union more than for a man. Not that there is any danger of my proving untrue—”


“No,” murmured the Nurse; “loyalty is your inheritance.”


“Yes, we—” she named her family under her breath—”are traditionally trustworthy. It is part of us—our race was always, will always be. . . . But—to see a man near death—and to care for him a little— even a rebel—and to know that one word might save him—only one little disloyal word!”


“No man would save you at that expense,” said the Nurse disdainfully, “I know men,”


“Do you? I don’t—in that way. There was once an offficer—a non-combatant. I could have cared for him. . . . Once there was a Confederate cavalryman. I struck him senseless with my revolver-butt—and I could have—loved him. He was very young. . . . I never can forget him. It is hard, dear, the business I am engaged in. . . . But it has never spoiled my interest in men—or my capacity for loving one of them. I am afraid I am easily moved.”


She rose and stood erect, to adjust her soft riding hat, every line and contour of her youthfully slender figure in charming relief against the window.


“Won’t you let me brew a little tea for you?” asked the Nurse, “Don’t leave me so soon.”


“When do you go on duty?”


“In about ten minutes. It will be easier to-morrow, when we send our sick North. Will you come in to-morrow?”


The Special Messenger shook her head dreamily.


“I don’t know—I don’t know. . . . Good-by.”


“Are you going on duty?”


“Yes.”


“When?”


“Now.”


The Nurse rose and put both arms around her.


“I am so afraid for you,” she said; “and it has been so good to see you. . . . I don’t know whether we’ll ever meet again—”


Her voice was drowned in the noisy outburst of bugles sounding the noon sick-call.


They went out together, where the Messenger’s horse was tied under the trees. Beyond, through the pines, glimmered the tents of an emergency hospital. And now, in the open air not very far away, they could hear picket firing,


“Do be careful,” said the blue-eyed Nurse. “They say you do such audacious things; and every day somebody says you have been taken or hanged or shot. Dear, you are so young and so pretty—”


“So are you. Don’t take fever or smallpox or die from a scratch from a poisoned knife, . . . Good-by once more.”


They kissed each other. A hospital orderly, passing hurriedly, stopped to hold her stirrup; she mounted, thanked the orderly, waved a smiling adieu to her old schoolmate, and. swinging her powerful horse westward, trotted off through the woods, passing the camp sentinels with a nod and a low-spoken word.


Farther out in the woods she encountered the first line of pickets; showed her credentials, then urged her horse forward at a gallop.


“Not that way!” shouted an officer, starting to run after her; “the Johnnies are out there!”


She turned in her saddle and nodded reassuringly, then spurred on again, expecting to jump the Union advance-guard every moment.


There seemed to be no firing anywhere in the vicinity; nothing to be seen but dusky pine woods; and after she had advanced almost to the edge of a little clearing, and not encountering the outer line of Union pickets, she drew bridle and sat stock still in her saddle, searching in every direction with alert dark eyes.


Nothing moved; the heated scent of the Southern pines hung heavy in the forest: in the long dry swale grass of the clearing, yellow butterflies were flying lazily; on a dead branch above her a huge woodpecker, with pointed, silky cap, uttered a querulous, lonely cry from moment to moment.


She strained her dainty, close-set ears; no sound of man stirred in this wilderness—only the strange birdery from above: only the ceaseless monotone of the pine-crests stirred by some high sky breeze unfelt below. A forest path, apparently leading west, attracted her attention into this she steered her horse and continued, even after her compass had warned her that the path was now running directly south.


The tree-growth was younger here; thickets of laurel and holly grew in the undergrowth, and, attempting a short cut out. she became entangled. For a few minutes her horse, stung by the holly, thrashed and floundered about in the maze of tough stems; and when at last she got him free, she was on the edge of another clearing—burnt one, lying like a path of black velvet in the sun. A cabin stood at the farther edge.


Three forest bridle-paths ran west, east, and south from this blackened clearing. She unbuttoned her waist, drew out a map, and, flattening it on her pommel, bent above it in eager silence. And, as she sat studying her map, she became aware of a faint tremor in the solid earth under her horse’s feet. It grew to a dull jarring vibration—nearer—nearer—nearer—and she hastily backed her horse into the depths of the laurel, sprang to the ground, and placed both gauntleted hands over her horse’s nostrils.


A moment later the Confederate cavalry swept through the clearing at a trot—a jaunty, gray column, riding two abreast, then falling into single file as they entered the bridle-path at a canter.


Breathless, she watched them as they flashed by among the pines, sitting their horses beautifully, the wind lifting the broad brims of their soft hats, the sun a bar of gold across each sunburnt face.


There were only a hundred of them—probably some of Stuart’s riders, for they seemed strangely familiar—but it was not long before they had passed on their gay course, and the last tremor in the forest soil—the last distant rattle of saber and carbine—died away in the forest silence.


What were they doing here? She did not know. There seemed no logical reason for their presence.


For a while, awaiting their possible collision with the Union outposts, she listened, expecting the far rattle of rifles. No sound came. They must have sheered off east. So very calmly she addressed herself to the task in hand.


This must be the burnt clearing; her map and the cabin corroborated her belief. Then it was here that she was to meet this unknown man in Confederate uniform and Union pay—a spy like herself—and give him certain information and receive certain information in return.


Her instructions had been unusually rigid; she was to take every precaution; use native disguise whether or not it might appear necessary, carry no papers, and let any man she might encounter make the advances until she was absolutely certain of him. For there was an ugly rumor afloat that he had been caught and hanged, and that a Confederate might attempt to impersonate him. So she looked very carefully at her map, then out of the thicket at the burnt clearing. There was the wretched cabin named as rendezvous, the little garden patch with standing corn and beans, and here and there a yellowing squash.


Why had the passing rebel cavalry left all that good food undisturbed?


Fear, which within her was always latent, always too ready to influence her by masquerading as caution, stirred now. For almost an hour she stood, balancing her field-glasses across her saddle, eyes focused on the open cabin door. Nothing stirred there.


At last, with a slight shiver, she opened her saddle bags and drew out the dress she meant to wear—a dingy, earth-colored thing of gingham.


Deep in the thicket she undressed, folded her fine linen and silken stockings, laid them away in the saddle bags together with waist and skirt, field-glasses, gauntlets, and whip, and the map and papers, which latter, while affording no information to the enemy, would certainly serve to convict her.


Dressed now in the scanty, colorless clothing of a “poor white” of the pine-woods, limbs and body tanned with walnut, her slender feet rubbed in dust and then thrust stockingless into shapeless shoes, she let down the dark, lustrous mass of her hair, braided it, tied it with faded ribbon, rubbed her hands in wood-mold and crushed green leaves over them till they seemed all stained and marred with toil. Then she gathered an armful of splinter-wood.


Now ready, she tethered her horse, leaving him bitted and saddled; spread out his sack of feed, turned and I looked once more at the cabin, then walked noiselessly to the clearing’s edge, carrying her aromatic splinters.


Underfoot, as she crossed it, the charred grass crumbled to powder; three wild doves flickered up into flight, making a soft clatter and displaying the four white feathers. A quail called from the bean-patch.


The heat was intense in tin; sun; perspiration streaked her features; her tender feet burned; the cabin seemed a long way off, a wavering blot through the dancing heat devils playing above the fire-scorched open.


Head bent, she moved on in the shiftless, hopeless fashion of the sort of humanity she was representing, furtively taking her bearings and making such sidelong observations as she dared. To know the shortest way back to her horse might mean life to her. She understood that. Also she fully realized that she might at that very instant be under hostile observation. In her easily excited imagination, all around her the forest seemed to conceal a hundred malevolent eyes. She shivered slightly, wiped the perspiration from her brow with one small bare fist, and plodded on, clutching her light- wood to her soft, rounded breast.


And now at last she was nearing the open cabin door; and she must not hesitate, must show no suspicion. So she went in, dragging her clumsily-shod feet.


A very young man in the uniform of a Confederate cavalry officer was seated inside before the empty fire. She looked at him, simulating dull surprise; he rose and greeted her gracefully.


“Howdy,” she murmured in response, still staring.


“Is this your house?” he asked.


“Suh?” blankly.


“Is this your house?”


“I reckon,” she nodded. “How come you-all in my house?”


He replied with another question:


“What were you doing in the woods?”


“Light-wood,” she answered briefly, stacking the fragrant splinters on the table.


“Do you live here all alone?”


“Reckon I’m alone when I live heah,” sullenly.


“What is your name?” He had a trick of coloring easily.


“What may be yoh name, suh?” she retorted with a little flash of Southern spirit, never entirely quenched even in such as she seemed to be.


Genuine surprise brought the red back into his face and made it, worn as it was, seem almost handsome. The curious idea came to her that she had seen him before somewhere. At the same moment speech seemed to tremble on his lips; he hesitated, looked at her with a new and sudden keenness, and stood looking.


“I expected to meet somebody here,” he said at length.


She did not seem to comprehend.


“I expected to meet a woman here.”


“Who? Me?” incredulously.


He looked her over for a while carefully; looked at her dusty bare ankles, at her walnut-smeared face and throat. She seemed so small, so round-shouldered—so different from what he had expected. They had said that the woman he must find was pretty.


“Was yuh-all fixin’ to meet up with me?” she repeated with a bold laugh.


“I—don’t know,” lie said. “By the Eternal, I don’t know, ma’am. But I’m going to find out in right smart time. Did you ever hear anybody speak Latin?”


“Suh?” blankly; and the audacity faded.


“Latin,” he repeated, a trifle discomfited. “For instance, ‘sic itur.’ Do you know what ‘sic itur‘ means?”


“Sick—what, suh?”


“‘Sic itur!‘ Oh, Lord, she is what she looks like!” he exclaimed in frank despair. He walked to the door, wheeled suddenly, came back, and confronted her.


“Either, ma’am, you are the most consummate actress in this war drama, or you don’t know what I’m saying, and you think me crazy . . . . And now I’ll ask you once for all: Is this the road?”


The Special Messenger looked him full in the eyes; then, as by magic, the loveliest of smiles transfigured the dull, blank features; her round shoulders, pendulous arms, slouching pose, melted into superb symmetry, quickening with grace and youth as she straightened him and faced him, erect, supple, laughing, adorable.


“Sic itur—ad Astra,” she said demurely, and offered him her hand. “Continue,” she added.


He neither stirred nor spoke; a deep flush mounted to the roots of his short, curly hair. She smiled encouragement, thinking him young and embarrassed, and a trifle chagrined.


“Continue the Latin formula,” she noddded, laughing; “what follows, if you please—”


“Good God!” he broke out hoarsely.


And suddenly she knew there was nothing to follow except death—his or hers—realized she made an awful mistake—divined in one dreadful instant the unsuspected counter-mine beneath her very feet—cried out as she struck him full in the face with clenched fist, sprang back, whipping the revolver from her ragged bodice, dark eyes ablaze.


“Now,” she panted, “hands high—and turn your back! Quickly!”


He stood still, very pale, one sun-burnt hand covering the cheek which she had struck. There was blood on it. He heard her breathless voice, warning him to obey, but he only took his hand from his face, looked at the blood on palm and finger, then turned his hopeless eyes on her.


“Too late,” he said heavily. “But—I’d rather be you than I. . . . Look out of that window, Messenger!”


“Put up your hands!”


“No.”


“Will you hold up your hands!”


“No, Messenger. . . . And I—didn’t—know it was you when I came here. It’s—it’s a dirty business—for an officer.” He sank down on the wooden chair, resting his head between both hands. A single drop of blood fell brightly from his cut cheek.


The Special Messenger stole a swift, sidelong glance toward the window, hesitated, and, always watching him warily, slid along the wall toward the door, menacing him at every step with leveled revolver. Then, at the door, she cast one rapid glance at the open field behind her and around. A thrill of horror stiffened her. The entire circle of the burnt clearing was ringed with the gray pickets of rebel cavalry.


The distant men sat motionless on their horses, carbine on thigh. Here and there a distant horse tossed his beautiful head, or perhaps some hat-brim fluttered. There was no other movement, not one sound.


Crouching to pass the windows beneath the sills she crept, heedless of her prisoner, to the rear door. That avenue to the near clustering woods was closed, too: she saw the glitter of carbines above the laurel.


“Special Messenger?” She turned, pale as a ghost. “I reckon we’ve got you.”


“Yes,” she said.


There was another chair by the table—the only other one. She seated herself, shaking all over, laid her revolver on the table, stared at the weapon, pushed it from her with a nervous shudder, and, ashy of lip and cheek, looked at the man she had struck.


“Will they—hang me?”


“I reckon, ma’am. They hung the other one—the man you took me for.”


“Will there be a—trial?”


“Drumhead. . . . They’ve been after you a long, long while.”


“Then—what are you waiting for?”


He was silent.


She found it hard to control the nervous tremor of her limbs and lips. The dryness in her throat made speech difficult.


“Then—if there is no chance—”


He bent forward swiftly and snatched her revolver from the table as her small hand fell heavily upon the spot where the weapon had rested.


“Would you do that?” he said in a low voice.


The desperate young eyes answered him. And, after a throbbing silence: “Won’t you let me?” she asked, “it is indecent to h-hang a—woman—before—men—”


He did not answer.


“Please—please—” she whispered, “Give it back to me—if you are a—soldier. . . . You can go to the door and call them. . . . Nobody will know. . . . You can turn your back. … It will only take a second!”


A big blue-bottle fly came blundering into the room and filled the silence with its noise. Years ago the big blue flies sometimes came into the quiet schoolroom; and how everybody giggled when the taller Miss Poucher, bristling from her prunella shoes to her side side-curls, charged indignantly upon the buzzing intruder.


Dry-eyed, dry-lipped, the Messenger straightened up quivering, and drew a quick, sharp breath; then her head fell forward, and, resting inert upon the table, she buried her face in her arms. The most dangerous spy in the Union service—the secret agent who had worked more evil to the Confederacy than any single Union army corps—the coolest, most resourceful, most trusted messenger on either side as long as the struggle lasted—caught at last.


The man, young, Southern, and a gentleman’s son, sat staring at her. He had driven his finger-nails deep into his palms, bitten his under lip till it was raw.


“Messenger!”


She made no response.


“Are you afraid?”


Her head, prone in her arms, motioned dull negation. It was a lie and he knew it. He looked at the slender column of the neck—stained to a delicate amber—at the nape; and he thought of the rope and the knot under the left ear.


“Messenger,” he said once more. “I did not know it was you I was to meet. Look at me, in God’s name!”


She opened her eyes on him, then raised her head.


“Do you know me now?” he asked.


“No.”


“Look!”


He touched the scar on his forehead; but there was no recognition in her eyes.


“Look, I tell you!” he repeated almost fiercely.


She said wearily: “I have seen so many men—so many men. . . . I can’t remember you.”


“And I have seen many women, Messenger; but I have never forgotten you—or what you did—or what you did—”


“I?”


“You. . . . And from that night I have lived only to find you again. and—oh, God! To find you here! My Messenger! My little Messenger! ”


“Who are you?” she whispered, leaning forward on the table, dark eyes dilating with hope.


He sat heavily for a while, head bowed as though stunned to silence; then slowly the white misery returned to his face and he looked up.


“So—after all—you have forgotten. And my romance is dead.”


She did not answer, intent now on every word, every shade of his expression. And, as she looked, through the numbness of her desperation, hope stirred again, stealthily.


“Are you a friend?” Her voice scarcely sounded at all.


“Friends die for each other,” he said. “Do you expect that of me?”


The silence between them became terrible; and at last he broke it with a bitter laugh:


“You once turned a boy’s life to romance—riding through it—out of it—leaving scars on his brow and heart—and on his lips the touch of your own. And on his face your tears. Look at me once more!”


Her breath came quicker: far within her somewhere memory awoke, groping blindly for light.


“For three days we followed you,” he said. “On the Pennsylvania line we cornered you; but you changed garb and shape and speech, almost under our eyes—as a chameleon changes color, matching the leaf it hides on. . . . I halted at that squatter’s house—sure of you at last—and the pretty squatter’s daughter cooked for us while we hunted you in the hills—and when I returned she gave me her bed to sleep on—”


Her hand caught at her throat and she half-rose, staring at him.


“Her own bed to sleep on,” he repeated. “And I had been three days in the saddle; and I ate what she set before me, and slept on her bed—fell asleep—only a tired boy, not a soldier any longer. . . . And awoke to meet your startled eyes—to meet the blow from your revolver butt that made this scar—to fall back bewildered for a moment—half-stunned—Messenger! Do you know me now?”


“Yes,” she said.


They looked breathlessly at one another; suddenly a hot blush covered her neck and face: and his eyes flashed triumph.


“You have not forgotten!” he cried.


And there, on the very edge of death itself, the bright shame glowed and glowed in her cheeks, and her distressed eyes fell before his.


“You kissed me,” he said, looking at her.


“I—I thought I had—killed you—” she stammered.


“And you kissed me on the lips. . . . In that moment of peril you waited to do that. Your tears fell on my face. I felt them. And I tell you that, even had I been lying there dead instead of partly stunned, I would have known what you did to me after you struck me down.”


Her head sank lower; the color ran riot from throat to brow.


He spoke again, quietly, yet a strange undertone of exaltation thrilled his voice and transfigured the thin, war-worn features she had forgotten, so that, as she lifted her eyes to him again, the same boy looked back at her from the mist of the long dead years.


“Messenger,” he said, “I have never forgotten. And now it is too late to forget your tears on my face—the touch of your lips on mine. I would not if I could. . . . It was worth living for—dying for. . . . Once—I hoped—some day—after this—all this trouble ended—my romance might come—true—”


The boy choked, then:


“I came here under orders to take a woman spy whose password was the key to a Latin phrase. But until you stood straight in your rags and smiled at me, I did not know it was you—I did not know I was to take the Special Messenger! Do you believe me?”


“Yes.”


The boy colored painfully. Then a queer, pallid change came over his face; he rose, bent over her where she rested heavily on the table:


“Little Messenger,” he said. “I am in your debt for two blows and a kiss.”


She lifted a dazed face to meet his gaze; he trembled, leaned down, and kissed her on the mouth.


Then in one bound he was at the door, signaling troopers with drawn saber—as once, long ago, she had seen him signal them in the Northern woods.


And, through the window, she saw the scattered cavalry forming column at a gallop, obeying every saber signal, trotting forward, wheeling fours right—and then—and then! the gray column swung into the western forest at a canter, and were gone!


The boy leaning in the doorway looked back at her over his shoulder and sheathed his saber. There was not a vestige of color left in his face.


“Go!” he said hoarsely.


“What?” she faltered.


“Go—go, in God’s name! There’s a door there! Can’t you see it?”


SHE had been gone for full hour when at last he turned again. A bit of faded ribbon from her hair lay on the table. He went over to it, curiously. It was tied in a true lover’s knot.


He drew it through his buttonhole and walked slowly back to the door again. For a long while he stood there, vague-eyed, silent. It was nearly sunset when once more he drew his saber, examined it carefully, bent it over one knee, and snapped the blade in two.


Then, with a last look at the sky, and standing very erect, he closed the door, set his back firmly against it, drew his revolver, and looked curiously into the muzzle.


A moment later the racket of the shot echoed through the deserted house.


 

Monday, September 23, 2024

August Heat by William Fryer Harvey

 


August Heat


by William Fryer Harvey (1910)

PHENISTONE ROAD, CLAPHAM,

August 20th, 19—.
I HAVE HAD what I believe to be the most remarkable day in my life, and while the events are still fresh in my mind, I wish to put them down on paper as clearly as possible.
       Let me say at the outset that my name is James Clarence Withencroft.
       I am forty years old, in perfect health, never having known a day’s illness.
       By profession I am an artist, not a very successful one, but I earn enough money by my black-and-white work to satisfy my necessary wants.
       My only near relative, a sister, died five years ago, so that I am independent.
       I breakfasted this morning at nine, and after glancing through the morning paper I lighted my pipe and proceeded to let my mind wander in the hope that I might chance upon some subject for my pencil.
       The room, though door and windows were open, was oppressively hot, and I had just made up my mind that the coolest and most comfortable place in the neighbourhood would be the deep end of the public swimming bath, when the idea came.
       I began to draw. So intent was I on my work that I left my lunch untouched, only stopping work when the clock of St. Jude’s struck four.
       The final result, for a hurried sketch, was, I felt sure, the best thing I had done.
       It showed a criminal in the dock immediately after the judge had pronounced sentence. The man was fat—enormously fat. The flesh hung in rolls about his chin; it creased his huge, stumpy neck. He was clean shaven (perhaps I should say a few days before he must have been clean shaven) and almost bald. He stood in the dock, his short, clumsy fingers clasping the rail, looking straight in front of him. The feeling that his expression conveyed was not so much one of horror as of utter, absolute collapse.
       There seemed nothing in the man strong enough to sustain that mountain of flesh.
       I rolled up the sketch, and without quite knowing why, placed it in my pocket. Then with the rare sense of happiness which the knowledge of a good thing well done gives, I left the house.
       I believe that I set out with the idea of calling upon Trenton, for I remember walking along Lytton Street and turning to the right along Gilchrist Road at the bottom of the hill where the men were at work on the new tram lines.
       From there onwards I have only the vaguest recollection of where I went. The one thing of which I was fully conscious was the awful heat, that came up from the dusty asphalt pavement as an almost palpable wave. I longed for the thunder promised by the great banks of copper-coloured cloud that hung low over the western sky.
       I must have walked five or six miles, when a small boy roused me from my reverie by asking the time.
       It was twenty minutes to seven.
       When he left me I began to take stock of my bearings. I found myself standing before a gate that led into a yard bordered by a strip of thirsty earth, where there were flowers, purple stock and scarlet geranium. Above the entrance was a board with the inscription—

CHAS. ATKINSON
MONUMENTAL MASON
WORKER IN ENGLISH AND ITALIAN MARBLES

       From the yard itself came a cheery whistle, the noise of hammer blows, and the cold sound of steel meeting stone.
       A sudden impulse made me enter.
       A man was sitting with his back towards me, busy at work on a slab of curiously veined marble. He turned round as he heard my steps and I stopped short.
       It was the man I had been drawing, whose portrait lay in my pocket.
       He sat there, huge and elephantine, the sweat pouring from his scalp, which he wiped with a red silk handkerchief. But though the face was the same, the expression was absolutely different.
       He greeted me smiling, as if we were old friends, and shook my hand.
       I apologised for my intrusion.
       “Everything is hot and glary outside,” I said. “This seems an oasis in the wilderness.”
       “I don’t know about the oasis,” he replied, “but it certainly’s hot, as hot as hell. Take a seat, sir!”
       He pointed to the end of the gravestone on which he was at work, and I sat down.
       “That’s a beautiful piece of stone you’ve got hold of,” I said.
       He shook his head. “In a way it is,” he answered; “the surface here is as fine as anything you could wish, but there’s a big flaw at the back, though I don’t expect you’d ever notice it. I could never make really a good job of a bit of marble like that. It would be all right in the summer like this; it wouldn’t mind the blasted heat. But wait till the winter comes. There’s nothing quite like frost to find out the weak points in stone.”
       “Then what’s it for?” I asked.
       The man burst out laughing.
       “You’d hardly believe me if I was to tell you it’s for an exhibition, but it’s the truth. Artists have exhibitions: so do grocers and butchers; we have them too. All the latest little things in headstones, you know.”
       He went on to talk of marbles, which sort best withstood wind and rain, and which were easiest to work; then of his garden and a new sort of carnation he had bought. At the end of every other minute he would drop his tools, wipe his shining head, and curse the heat.
       I said little, for I felt uneasy. There was something unnatural, uncanny, in meeting this man.
       I tried at first to persuade myself that I had seen him before, that his face, unknown to me, had found a place in some out-of-the-way corner of my memory, but I knew that I was practising little more than a plausible piece of self-deception.
       Mr. Atkinson finished his work, spat on the ground, and got up with a sigh of relief.
       “There! what do you think of that?” he said, with an air of evident pride.
       The inscription which I read for the first time was this—

SACRED TO THE MEMORY
OF
JAMES CLARENCE WITHENCROFT
BORN JAN. 18TH, 1860
HE PASSED AWAY VERY SUDDENLY
ON AUGUST 20TH, 19—

“In the midst of life we are in death.”

FOR SOME TIME I sat in silence. Then a cold shudder ran down my spine. I asked him where he had seen the name.
       “Oh, I didn’t see it anywhere,” replied Mr. Atkinson. “I wanted some name, and I put down the first that came into my head. Why do you want to know?”
       “It’s a strange coincidence, but it happens to be mine.”
       He gave a long, low whistle.
       “And the dates?”
       “I can only answer for one of them, and that’s correct.”
       “It’s a rum go!” he said.
       But he knew less than I did. I told him of my morning’s work. I took the sketch from my pocket and showed it to him. As he looked, the expression of his face altered until it became more and more like that of the man I had drawn.
       “And it was only the day before yesterday,” he said, “that I told Maria there were no such things as ghosts!”
       Neither of us had seen a ghost, but I knew what he meant.
       “You probably heard my name,” I said.
       “And you must have seen me somewhere and have forgotten it! Were you at Clacton-on-Sea last July?”
       I had never been to Clacton in my life. We were silent for some time. We were both looking at the same thing, the two dates on the gravestone, and one was right.
       “Come inside and have some supper,” said Mr. Atkinson.
       His wife is a cheerful little woman, with the flaky red cheeks of the country-bred. Her husband introduced me as a friend of his who was an artist. The result was unfortunate, for after the sardines and watercress had been removed, she brought out a Doré Bible, and I had to sit and express my admiration for nearly half an hour.
       I went outside, and found Atkinson sitting on the gravestone smoking.
       We resumed the conversation at the point we had left off.
       “You must excuse my asking,” I said, “but do you know of anything you’ve done for which you could be put on trial?”
       He shook his head.
       “I’m not a bankrupt, the business is prosperous enough. Three years ago I gave turkeys to some of the guardians at Christmas, but that’s all I can think of. And they were small ones, too,” he added as an afterthought.
       He got up, fetched a can from the porch, and began to water the flowers. “Twice a day regular in the hot weather,” he said, “and then the heat sometimes gets the better of the delicate ones. And ferns, good Lord! they could never stand it. Where do you live?”
       I told him my address. It would take an hour’s quick walk to get back home.
       “It’s like this,” he said. “We’ll look at the matter straight. If you go back home tonight, you take your chance of accidents. A cart may run over you, and there’s always banana skins and orange peel, to say nothing of fallen ladders.”
       He spoke of the improbable with an intense seriousness that would have been laughable six hours before. But I did not laugh.
       “The best thing we can do,” he continued, “is for you to stay here till twelve o’clock. We’ll go upstairs and smoke; it may be cooler inside.”
       To my surprise I agreed.

WE ARE SITTING now in a long, low room beneath the eaves. Atkinson has sent his wife to bed. He himself is busy sharpening some tools at a little oilstone, smoking one of my cigars the while.
       The air seems charged with thunder. I am writing this at a shaky table before the open window. The leg is cracked, and Atkinson, who seems a handy man with his tools, is going to mend it as soon as he has finished putting an edge on his chisel.
       It is after eleven now. I shall be gone in less than an hour.
       But the heat is stifling.
       It is enough to send a man mad.


Tuesday, June 25, 2024

The Nameless City By H. P. Lovecraft


"When I drew nigh the Nameless city, I knew it was accursed."

 

The Nameless City

 

By H. P. LOVECRAFT

 

It lay silent and dead under the cold desert moonlight, but what strange race
inhabited the abyss under those cyclopean ruins?

 

WHEN I drew nigh the nameless city I knew it was accursed. I was traveling in a parched and terrible valley under the moon, and afar I saw it protruding uncannily above the sands as parts of a corpse might protrude from an ill-made grave. Fear spoke from the age-worn stones of this hoary survivor of the deluge, this great-grandmother of the eldest pyramid; and a viewless aura repelled me and bade retreat from antique and sinister secrets that no man should see, and no man else had ever dared to see.

Remote in the desert of Araby lies the nameless city, crumbling and inarticulate, its low walls nearly hidden by the sands of uncounted ages. It must have been thus before the first stones of Memphis were laid, and while the bricks of Babylon were yet unbaked. There is no legend so old as to give it a name, or to recall that it was ever alive; but it is told of in whispers around campfires and muttered about by grandams in the tents of sheiks so that all the tribes shun it without wholly knowing why. It was of this place that Abdul Alhazred the mad poet dreamed on the night before he sang his unexplainable couplet:

That is not dead which can eternal lie,
And with strange eons, even death may die.

I should have known that the Arabs had good reason for shunning the nameless city, the city told of in strange tales but seen by no living man; yet I defied them and went into the untrodden waste with my camel. I alone have seen it, and that is why no other face bears such hideous lines of fear as mine; why no other man shivers so horribly when the night wind rattles the windows. When I came upon it in the ghastly stillness of unending sleep it looked at me, chilly from the rays of a cold moon amidst the desert's heat. And as I returned its look I forgot my triumph at finding it, and stopped still with my camel to wait for the dawn.

For hours I waited, till the east grew gray and the stars faded, and the gray turned to roseate light edged with gold. I heard a moaning and saw a storm of sand stirring among the antique stones, though the sky was clear and the vast reaches of the desert still. Then suddenly above the desert's far rim came the blazing edge of the sun, seen through the tiny sandstorm which was passing away, and in my fevered state I fancied that from some remote depth there came a crash of musical metal to hail the fiery disk as Memnon hails it from the banks of the Nile. My ears rang and my imagination seethed as I led my camel slowly across the sand to that unvocal stone place; that place too old for Egypt and Meroë to remember; that place which I alone of living men had seen.

In and out amongst the shapeless foundations of houses and palaces I wandered, finding never a carving or inscription to tell of these men, if men they were, who built this city and dwelt therein so long ago. The antiquity of the spot was unwholesome, and I longed to encounter some sign or device to prove that the city was indeed fashioned by mankind. There were certain proportions and dimensions in the ruins which I did not like. I had with me many tools, and dug much within the walls of the obliterated edifices; but progress was slow, and nothing significant was revealed. When night and the moon returned I felt a chill wind which brought new fear, so that I did not dare to remain in the city. And as I went outside the antique walls to sleep, a small sighing sandstorm gathered behind me, blowing over the gray stones though the moon was bright and most of the desert still.


I awaked just at dawn from a pageant of horrible dreams, my ears ringing as from some metallic peal. I saw the sun peering redly through the last gusts of a little sandstorm that hovered over the nameless city, and marked the quietness of the rest of the landscape. Once more I ventured within those brooding ruins that swelled beneath the sand like an ogre under a coverlet, and again dug vainly for relics of the forgotten race. At noon I rested, and in the afternoon I spent much time tracing the walls and the bygone streets, and the outlines of the nearly vanished buildings. I saw that the city had been mighty indeed, and wondered at the sources of its greatness. To myself I pictured all the splendors of an age so distant that Chaldea could not recall it, and thought of Sarnath the Doomed, that stood in the land Mnar when mankind was young, and of Ib, that was carven of gray stone before mankind existed.

All at once I came upon a place where the bed-rock rose stark through the sand and formed a low cliff; and here I saw with joy what seemed to promise further traces of the antediluvian people. Hewn rudely on the face of the cliff were the unmistakable facades of several small, squat rock houses or temples, whose interiors might preserve many secrets of ages too remote for calculation, though sandstorms had long since effaced any carvings which may have been outside.

Very low and sand-choked were all of the dark apertures near me, but I cleared one with my spade and crawled through it, carrying a torch to reveal whatever mysteries it might hold. When I was inside I saw that the cavern was indeed a temple, and beheld plain signs of the race that had lived and worshipped before the desert was a desert. Primitive altars, pillars, and niches, all curiously low, were not absent; and though I saw no sculptures nor frescoes, there were many singular stones clearly shaped into symbols by artificial means. The lowness of the chiselled chamber was very strange, for I could hardly kneel upright; but the area was so great that my torch showed only part of it at a time. I shuddered oddly in some of the far corners; for certain altars and stones suggested forgotten rites of terrible, revolting, and inexplicable nature and made me wonder what manner of men could have made and frequented such a temple. When I had seen all that the place contained, I crawled out again, avid to find what the other temples might yield.


Night had now approached, yet the tangible things I had seen made curiosity stronger than fear, so that I did not flee from the long moon-cast shadows that had daunted me when first I saw the nameless city. In the twilight I cleared another aperture and with a new torch crawled into it, finding more vague stones and symbols, though nothing more definite than the other temple had contained. The room was just as low, but much less broad, ending in a very narrow passage crowded with obscure and cryptical shrines. About these shrines I was prying when the noise of a wind and of my camel outside broke through the stillness and drew me forth to see what could have frightened the beast.

The moon was gleaming vividly over the primitive ruins, lighting a dense cloud of sand that seemed blown by a strong but decreasing wind from some point along the cliff ahead of me. I knew it was this chilly, sandy wind which had disturbed the camel and was about to lead him to a place of better shelter when I chanced to glance up and saw that there was no wind atop the cliff. This astonished me and made me fearful again, but I immediately recalled the sudden local winds that I had seen and heard before at sunrise and sunset, and judged it was a normal thing. I decided it came from some rock fissure leading to a cave, and watched the troubled sand to trace it to its source; soon perceiving that it came from the black orifice of a temple a long distance south of me almost out of sight. Against the choking sand-cloud I plodded toward this temple, which, as I neared it, loomed larger than the rest, and showed a doorway far less clogged with caked sand. I would have entered had not the terrific force of the icy wind almost quenched my torch. It poured madly out of the dark door, sighing uncannily as it ruffled the sand and spread among the weird ruins. Soon it grew fainter and the sand grew more and more still, till finally all was at rest again; but a presence seemed stalking among the spectral stones of the city, and when I glanced at the moon it seemed to quiver as though mirrored in unquiet waters. I was more afraid than I could explain, but not enough to dull my thirst for wonder; so as soon as the wind was quite gone I crossed into the dark chamber from which it had come.


This temple, as I had fancied from the outside, was larger than either of those I had visited before; and was presumably a natural cavern since it bore winds from some region beyond. Here I could stand quite upright, but saw that the stones and altars were as low as those in the other temples. On the walls and roof I beheld for the first time some traces of the pictorial art of the ancient race, curious curling streaks of paint that had almost faded or crumbled away; and on two of the altars I saw with rising excitement a maze of well-fashioned curvilinear carvings. As I held my torch aloft it seemed to me that the shape of the roof was too regular to be natural, and I wondered what the prehistoric cutters of stone had first worked upon. Their engineering skill must have been vast.

Then a bright flare of the fantastic flame showed me that for which I had been seeking, the opening to those remoter abysses whence the sudden wind had blown; and I grew faint when I saw that it was a small and plainly artificial door chiselled in the solid rock. I thrust my torch within, beholding a black tunnel with the roof arching low over a rough flight of very small, numerous, and steeply descending steps. I shall always see those steps in my dreams, for I came to learn what they meant. At the time I hardly knew whether to call them steps or mere footholds in a precipitous descent. My mind was whirling with mad thoughts, and the words and warnings of Arab prophets seemed to float across the desert from the lands that men know to the nameless city that men dare not know. Yet I hesitated only a moment before advancing through the portal and commencing to climb cautiously down the steep passage, feet first, as though on a ladder.

It is only in the terrible phantasms of drugs or delirium that any other man can have such a descent as mine. The narrow passage led infinitely down like some hideous haunted well, and the torch I held above my head could not light the unknown depths toward which I was crawling. I lost track of the hours and forgot to consult my watch, though I was frightened when I thought of the distance I must be traversing. There were changes of direction and of steepness; and once I came to a long, low level passage where I had to wriggle feet first along the rocky floor, holding the torch at arm's length beyond my head. The place not high enough for kneeling. After that were more of the steep steps, and I was still scrambling down interminably when my failing torch died out. I do not think I noticed it at the time, for when I did notice it I was still holding it above me as if it were ablaze. I was quite unbalanced with that instinct for the strange and the unknown which had made me a wanderer upon earth and a haunter of far, ancient, and forbidden places.

In the darkness there flashed before my mind fragments of my cherished treasury of demoniac lore; sentences from Alhazred the mad Arab, paragraphs from the apocryphal nightmares of Damascus, and infamous lines from the delirious Image du Monde of Gauthier de Metz. I repeated queer extracts, and muttered of Afrasiab and the demons that floated with him down the Oxus; later chanting over and over again a phrase from one of Lord Dunsany's tales—"the unreverberate blackness of the abyss." Once when the descent grew amazingly steep I recited something in singsong from Thomas Moore until I feared to recite more:

A reservoir of darkness, black
As witches' cauldrons are, when fill'd
With moon-drugs in th' eclipse distill'd.
Leaning to look if foot might pass
Down thro' that chasm, I saw, beneath,
As far as vision could explore,
The jetty sides as smooth as glass,
Looking as if just varnish'd o'er
With that dark pitch the Sea of Death
Throws out upon its slimy shore.


Time had quite ceased to exist when my feet again felt a level floor, and I found myself in a place slightly higher than the rooms in the two smaller temples now so incalculably far above my head. I could not quite stand, but could kneel upright, and in the dark I shuffled and crept hither and thither at random. I soon knew that I was in a narrow passage whose walls were lined with cases of wood having glass fronts. As in that paleozotic and abysmal place I felt of such things as polished wood and glass I shuddered at the possible implications. The cases were apparently ranged along each side of the passage at regular intervals, and were oblong and horizontal, hideously like coffins in shape and size. When I tried to move two or three for further examination, I found that they were firmly fastened.

I saw that the passage was a long one, so floundered ahead rapidly in a creeping run that would have seemed horrible had any eye watched me in the blackness; crossing from side to side occasionally to feel of my surroundings and be sure the walls and rows of cases still stretched on. Man is so used to thinking visually that I almost forgot the darkness and pictured the endless corridor of wood and glass in its low-studded monotony as though I saw it. And then in a moment of indescribable emotion I did see it.

Just when my fancy merged into real sight I cannot tell; but there came a gradual glow ahead, and all at once I knew that I saw the dim outlines of the corridor and the cases, revealed by some unknown subterranean phosphorescence. For a little while all was exactly as I had imagined it, since the glow was very faint; but as I mechanically kept stumbling ahead into the stronger light I realized that my fancy had been but feeble. This hall was no relic of crudity like the temples in the city above, but a monument of the most magnificent and exotic art. Rich, vivid, and daringly fantastic designs and pictures formed a continuous scheme of mural painting whose lines and colors were beyond description. The cases were of a strange golden wood, with fronts of exquisite glass, and containing the mummified forms of creatures outreaching in grotesqueness the most chaotic dreams of man.

To convey any idea of these monstrosities is impossible. They were of the reptile kind, with body lines suggesting sometimes the crocodile, sometimes the seal, but more often nothing of which either the naturalist or the paleontologist ever heard. In size they approximated a small man, and their forelegs bore delicate and evidently flexible feet curiously like human hands and fingers. But strangest of all were their heads, which presented a contour violating all known biological principles. To nothing can such things be well compared—in one flash I thought of comparisons as varied as the cat, the bulldog, the mythic satyr, and the human being. Not Jove himself had had so colossal and protuberant a forehead; yet the horns and the noselessness and the alligator-like jaw placed the things outside all established categories. I debated for a time on the reality of the mummies, half suspecting they were artificial idols; but soon decided they were indeed some paleogean species which had lived when the nameless city was alive. To crown their grotesqueness, most of them were gorgeously enrobed in the costliest of fabrics, and lavishly laden with ornaments of gold, jewels, and unknown shining metals.

The importance of these crawling creatures must have been vast, for they held first place among the wild designs on the frescoed walls and ceiling. With matchless skill had the artist drawn them in a world of their own, wherein they had cities and gardens fashioned to suit their dimensions; and I could not help but think that their pictured history was allegorical, perhaps showing the progress of the race that worshipped them. These creatures, I said to myself, were to the men of the nameless city what the she-wolf was to Rome, or some totem-beast is to a tribe of Indians.

Holding this view, I thought I could trace roughly a wonderful epic of the nameless city; the tale of a mighty seacoast metropolis that ruled the world before Africa rose out of the waves, and of its struggles as the sea shrank away, and the desert crept into the fertile valley that held it. I saw its wars and triumphs, its troubles and defeats, and afterward its terrible fight against the desert when thousands of its people here represented in allegory by the grotesque reptiles were driven to chisel their way down through the rocks in some marvelous manner to another world whereof their prophets had told them. It was all vividly weird and realistic, and its connection with the awesome descent I had made was unmistakable. I even recognized the passages.


As I crept along the corridor toward the brighter light I saw later stages of the painted epic—the leave-taking of the race that had dwelt in the nameless city and the valley around for ten million years; the race whose souls shrank from quitting scenes their bodies had known so long where they had settled as nomads in the earth's youth, hewing in the virgin rock those primal shrines at which they had never ceased to worship. Now that the light was better I studied the pictures more closely and, remembering that the strange reptiles must represent the unknown men, pondered upon the customs of the nameless city. Many things were peculiar and inexplicable. The civilization, which included a written alphabet, had seemingly risen to a higher order than those immeasurably later civilizations of Egypt and Chaldea, yet there were curious omissions. I could, for example, find no pictures to represent deaths or funeral customs, save such as were related to wars, violence, and plagues; and I wondered at the reticence shown concerning natural death. It was as though an ideal of immortality had been fostered as a cheering illusion.

Still nearer the end of the passage were painted scenes of the utmost picturesqueness and extravagance; contrasted views of the nameless city in its desertion and growing ruin, and of the strange new realm of paradise to which the race had hewed its way through the stone. In these views the city and the desert valley were shown always by moonlight, a golden nimbus hovering over the fallen walls and half revealing the splendid perfection of former times, shown spectrally and elusively by the artist. The paradisal scenes were almost too extravagant to be believed, portraying a hidden world of eternal day filled with glorious cities and ethereal hills and valleys.

At the very last I thought I saw signs of an artistic anticlimax. The paintings were less skilful, and much more bizarre than even the wildest of the earlier scenes. They seemed to record a slow decadence of the ancient stock, coupled with a growing ferocity toward the outside world from which it was driven by the desert. The forms of the people—always represented by the sacred reptiles—appeared to be gradually wasting away, though their spirits as shown hovering above the ruins by moonlight gained in proportion. Emaciated priests, displayed as reptiles in ornate robes, cursed the upper air and all who breathed it; and one terrible final scene showed a primitive-looking man, perhaps a pioneer of ancient Irem, the City of Pillars, torn to pieces by members of the older race. I remembered how the Arabs fear the nameless city, and was glad that beyond this place the gray walls and ceiling were bare.

As I viewed the pageant of mural history I had approached very closely the end of the low-ceiled hall, and was aware of a gate through which came all of the illuminating phosphorescence. Creeping up to it, I cried aloud in transcendent amazement at what lay beyond; for instead of other and brighter chambers there was only an illimitable void of uniform radiance, such as one might fancy when gazing down from the peak of Mount Everest upon a sea of sunlit mist. Behind me was a passage so cramped that I could not stand upright in it; before me was an infinity of subterranean effulgence.

Reaching down from the passage into the abyss was the head of a steep flight of steps—small, numerous steps like those of the black passages I had traversed—but after a few feet the glowing vapors concealed everything. Swung back open against the left-hand wall of the passage was a massive door of brass, incredibly thick and decorated with fantastic bas-reliefs, which could if closed shut the whole inner world of light away from the vaults and passages of rock. I looked at the steps, and for the nonce dared not try them. I touched the open brass door, and could not move it. Then I sank prone to the stone floor, my mind aflame with prodigious reflections which not even a death-like exhaustion could banish.

As I lay still with closed eyes, free to ponder, many things I had lightly noted in the frescoes came back to me with new and terrible significance—scenes representing the nameless city in its heyday, the vegetation of the valley around it, and the distant lands with which its merchants traded. The allegory of the crawling creatures puzzled me by its universal prominence, and I wondered that it should be so closely followed in a pictured history of such importance. In the frescoes the nameless city had been shown in proportions fitted to the reptiles. I wondered what its real proportions and magnificence had been, and reflected a moment on certain oddities I had noticed in the ruins. I thought curiously of the lowness of the primal temples and of the underground corridor, which were doubtless hewn thus out of deference to the reptile deities there honored; though it perforce reduced the worshippers to crawling. Perhaps the very rites here involved a crawling in imitation of the creatures. No religious theory, however, could easily explain why the level passage in the awesome descent should be as low as the temples—or lower, since one could not even kneel in it. As I thought of the crawling creatures, whose hideous mummified forms were so close to me, I felt a new throb of fear. Mental associations are curious, and I shrank from the idea that except for the poor primitive man torn to pieces in the last painting, mine was the only human form amidst the many relics and symbols of primordial life.

But as always in my strange and roving existence, wonder soon drove out fear; for the luminous abyss and what it might contain presented a problem worthy of the greatest explorer. That a weird world of mystery lay far down that flight of peculiarly small steps I could not doubt, and I hoped to find there those human memorials which the painted corridor had failed to give. The frescoes had pictured unbelievable cities and valleys in this lower realm, and my fancy dwelt on the rich and colossal ruins that awaited me.

My fears, indeed, concerned the past rather than the future. Not even the physical horror of my position in that cramped corridor of dead reptiles and antediluvian frescoes, miles below the world I knew and faced by another world of eery light and mist, could match the lethal dread I felt at the abysmal antiquity of the scene and its soul. An ancientness so vast that measurement is feeble seemed to leer down from the primal stones and rock-hewn temples of the nameless city, while the very latest of the astounding maps in the frescoes showed oceans and continents that man has forgotten, with only here and there some vaguely familiar outline. Of what could have happened in the geological ages since the paintings ceased and the death-hating race resentfully succumbed to decay, no man might say. Life had once teemed in these caverns and in the luminous realm beyond; now I was alone with vivid relics, and I trembled to think of the countless ages through which these relics had kept a silent, deserted vigil.

Suddenly there came another burst of that acute fear which had intermittently seized me ever since I first saw the terrible valley and the nameless city under a cold moon, and despite my exhaustion I found myself starting frantically to a sitting posture and gazing back along the black corridor toward the tunnels that rose to the outer world. My sensations were like those which had made me shun the nameless city at night, and were as inexplicable as they were poignant. In another moment, however, I received a still greater shock in the form of a definite sound—the first which had broken the utter silence of these tomb-like depths. It was a deep, low moaning, as of a distant throng of condemned spirits, and came from the direction in which I was staring. Its volume rapidly grew, till soon it reverberated frightfully through the low passage, and at the same time I became conscious of an increasing draft of cold air, likewise flowing from the tunnels and the city above.

The touch of this air seemed to restore my balance, for I instantly recalled the sudden gusts which had risen around the mouth of the abyss each sunset and sunrise, one of which had indeed revealed the hidden tunnels to me. I looked at my watch and saw that sunrise was near, so braced myself to resist the gale that was sweeping down to its cavern home as it had swept forth at evening. My fear again waned low, since a natural phenomenon tends to dispel broodings over the unknown.

More and more madly poured the shrieking, moaning night wind into that gulf of the inner earth. I dropped prone again and clutched vainly at the floor for fear of being swept bodily through the open gate into the phosphorescent abyss. Such fury I had not expected, and as I grew aware of an actual slipping of my form toward the abyss I was beset by a thousand new terrors of apprehension and imagination.

The malignancy of the blast awakened incredible fancies; once more I compared myself shudderingly to the only human image in that frightful corridor, the man who was torn to pieces by the nameless race, for in the fiendish clawing of the swirling currents there seemed to abide a vindictive rage all the stronger because it was largely impotent.

I think I screamed frantically near the last—I was almost mad—but if I did so my cries were lost in the hell-born babel of the howling wind-wraiths. I tried to crawl against the murderous invisible torrent, but I could not even hold my own as I was pushed slowly and inexorably toward the unknown world. Finally reason must have wholly snapped; for I fell to babbling over and over that unexplainable couplet of the mad Arab Alhazred, who dreamed of the nameless city:

That is not dead which can eternal lie,
And with strange eons, even death may die.

Only the grim brooding desert gods know what really took place—what indescribable struggles and scrambles in the dark I endured or what Abaddon guided me back to life, where I must always remember and shiver in the night wind till oblivion—or worse—claims me. Monstrous, unnatural, colossal, was the thing—too far beyond all the ideas of man to be believed except in the silent damnable small hours of the morning when one cannot sleep.


I have said that the fury of the rushing blast was infernal—cacodemoniacal—and that its voices were hideous with the pent-up viciousness of desolate eternities. Presently these voices, while still chaotic before me, seemed to my beating brain to take articulate form behind me; and down there in the grave of unnumbered eon-dead antiquities, leagues below the dawn-lit world of men, I heard the ghastly cursing and snarling of strange-tongued fiends. Turning, I saw outlined against the luminous aether of the abyss what could not be seen against the dusk of the corridor—a nightmare horde of rushing devils; hate-distorted, grotesquely panoplied, half-transparent devils of a race no man might mistake—the crawling reptiles of the nameless city.

And as the wind died away I was plunged into the ghoul-peopled darkness of earth's bowels; for behind the last of the creatures the great brazen door clanged shut with a deafening peal of metallic music whose reverberations swelled out to the distant world to hail the rising sun as Memnon hails it from the banks of the Nile.

 

About the Author 

Howard Phillips Lovecraft
Howard Phillips Lovecraft was an American writer of weird, science, fantasy, and horror fiction. He is best known for his creation of the Cthulhu Mythos.
 

Born in Providence, Rhode Island, Lovecraft spent most of his life in New England. Wikipedia
 

Born: August 20, 1890, Providence, RI
Died: March 15, 1937, Providence, RI
Full Name: Howard Phillips Lovecraft
Spouse: Sonia Greene (m. 1924–1937)

👉Buy H. P. Lovecraft Books at Amazon

Sunday, June 23, 2024

Beyond the Wall of Sleep By H. P. Lovecraft


"We shall meet again, perhaps in the shining mists of Orion's Sword."


Beyond the Wall of Sleep


By H. P. LOVECRAFT


What strange, splendid yet terrible experiences came to the poor mountaineer in the hours of sleep?—a story of a supernal being from Algol, the Demon-Star


I have often wondered if the majority of mankind ever pause to reflect upon the occasionally titanic significance of dreams, and of the obscure world to which they belong. Whilst the greater number of our nocturnal visions are perhaps no more than faint and fantastic reflections of our waking experiences—Freud to the contrary with his puerile symbolism—there are still a certain remainder whose immundane and ethereal character permits of no ordinary interpretation, and whose vaguely exciting and disquieting effect suggests possible minute glimpses into a sphere of mental existence no less important than physical life, yet separated from that life by an all but impassable barrier. From my experience I cannot doubt but that man, when lost to terrestrial consciousness, is indeed sojourning in another and uncorporeal life of far different nature from the life we know, and of which only the slightest and most indistinct memories linger after waking. From those blurred and fragmentary memories we may infer much, yet prove little. We may guess that in dreams life, matter, and vitality, as the earth knows such things, are not necessarily constant; and that time and space do not exist as our waking selves comprehend them. Sometimes I believe that this less material life is our truer life, and that our vain presence on the terraqueous globe is itself the secondary or merely virtual phenomenon.

It was from a youthful revery filled with speculations of this sort that I arose one afternoon in the winter of 1900-01, when to the state psychopathic institution in which I served as an interne was brought the man whose case has ever since haunted me so unceasingly. His name, as given on the records, was Joe Slater, or Slaader, and his appearance was that of the typical denizen of the Catskill Mountain region; one of those strange, repellent scions of a primitive Colonial peasant stock whose isolation for nearly three centuries in the hilly fastnesses of a little-traveled countryside has caused them to sink to a kind of barbaric degeneracy, rather than advance with their more fortunately placed brethren of the thickly settled districts. Among these odd folk, who correspond exactly to the decadent element of "white trash" in the South, law and morals are non-existent; and their general mental status is probably below that of any other section of the native American people.

Joe Slater, who came to the institution in the vigilant custody of four state policemen, and who was described as a highly dangerous character, certainly presented no evidence of his perilous disposition when I first beheld him. Though well above the middle stature, and of somewhat brawny frame, he was given an absurd appearance of harmless stupidity by the pale, sleepy blueness of his small watery eyes, the scantiness of his neglected and never-shaven growth of yellow beard, and the listless drooping of his heavy nether lip. His age was unknown, since among his kind neither family records nor permanent family ties exist; but from the baldness of his head in front, and from the decayed condition of his teeth, the head surgeon wrote him down as a man of about forty.

From the medical and court documents we learned all that could be gathered of his case: This man, a vagabond, hunter and trapper, had always been strange in the eyes of his primitive associates. He had habitually slept at night beyond the ordinary time, and upon waking would often talk of unknown things in a manner so bizarre as to inspire fear even in the hearts of an unimaginative populace. Not that his form of language was at all unusual, for he never spoke save in the debased patois of his environment; but the tone and tenor of his utterances were of such mysterious wildness, that none might listen without apprehension. He himself was generally as terrified and baffled as his auditors, and within an hour after awakening would forget all that he had said, or at least all that had caused him to say what he did; relapsing into a bovine, half-amiable normality like that of the other hill-dwellers.

As Slater grew older, it appeared, his matutinal aberrations had gradually increased in frequency and violence; till about a month before his arrival at the institution had occurred the shocking tragedy which caused his arrest by the authorities. One day near noon, after a profound sleep begun in a whisky debauch at about five of the previous afternoon, the man had roused himself most suddenly, with ululations so horrible and unearthly that they brought several neighbors to his cabin—a filthy sty where he dwelt with a family as indescribable as himself. Rushing out into the snow, he had flung his arms aloft and commenced a series of leaps directly upward in the air; the while shouting his determination to reach some "big, big cabin with brightness in the roof and walls and floor and the loud queer music far away." As two men of moderate size sought to restrain him, he had struggled with maniacal force and fury, screaming of his desire and need to find and kill a certain "thing that shines and shakes and laughs." At length, after temporarily felling one of his detainers with a sudden blow, he had flung himself upon the other in a demoniac ecstasy of blood-thirstiness, shrieking fiendishly that he would "jump high in the air and burn his way through anything that stopped him."

Family and neighbors had now fled in a panic, and when the more courageous of them returned, Slater was gone, leaving behind an unrecognizable pulp-like thing that had been a living man but an hour before. None of the mountaineers had dared to pursue him, and it is likely that they would have welcomed his death from the cold; but when several mornings later they heard his screams from a distant ravine they realized that he had somehow managed to survive, and that his removal in one way or another would be necessary. Then had followed an armed searching-party, whose purpose (whatever it may have been originally) became that of a sheriff's posse after one of the seldom popular state troopers had by accident observed, then questioned, and finally joined the seekers.


On the third day Slater was found unconscious in the hollow of a tree, and taken to the nearest jail, where alienists from Albany examined him as soon as his senses returned. To them he told a simple story. He had, he said, gone to sleep one afternoon about sundown after drinking much liquor. He had awaked to find himself standing bloody-handed in the snow before his cabin, the mangled corpse of his neighbor Peter Slader at his feet. Horrified, he had taken to the woods in a vague effort to escape from the scene of what must have been his crime. Beyond these things he seemed to know nothing, nor could the expert questioning of his interrogators bring out a single additional fact.

That night Slater slept quietly, and the next morning he wakened with no singular feature save a certain alteration of expression. Doctor Barnard, who had been watching the patient, thought he noticed in the pale blue eyes a certain gleam of peculiar quality, and in the flaccid lips an all but imperceptible tightening, as if of intelligent determination. But when questioned, Slater relapsed into the habitual vacancy of the mountaineer, and only reiterated what he had said on the preceding day.

On the third morning occurred the first of the man's mental attacks. After some show of uneasiness in sleep, he burst forth into a frenzy so powerful that the combined efforts of four men were needed to bind him in a straitjacket. The alienists listened with keen attention to his words, since their curiosity had been aroused to a high pitch by the suggestive yet mostly conflicting and incoherent stories of his family and neighbors. Slater raved for upward of fifteen minutes, babbling in his backwoods dialect of green edifices of light, oceans of space, strange music, and shadowy mountains and valleys. But most of all did he dwell upon some mysterious blazing entity that shook and laughed and mocked at him. This vast, vague personality seemed to have done him a terrible wrong, and to kill it in triumphant revenge was his paramount desire. In order to reach it, he said, he would soar through abysses of emptiness, burning every obstacle that stood in his way. Thus ran his discourse, until with the greatest suddenness he ceased. The fire of madness died from his eyes, and in dull wonder he looked at his questioners and asked why he was bound. R. Barnard unbuckled the leather harness and did not restore it till night, when he succeeded in persuading Slater to don it of his own volition, for his own good. The man had now admitted that he sometimes talked queerly, though he knew not why.

Within a week two more attacks appeared, but from them the doctors learned little. On the source of Slater's visions they speculated at length, for since he could neither read nor write, and had apparently never heard a legend or fairy-tale, his gorgeous imagery was quite inexplicable. That it could not come from any known myth or romance was made especially clear by the fact that the unfortunate lunatic expressed himself only in his own simple manner. He raved of things he did not understand and could not interpret; things which he claimed to have experienced, but which he could not have learned through any normal or connected narration. The alienists soon agreed that abnormal dreams were the foundation of the trouble; dreams whose vividness could for a time completely dominate the waking mind of this basically inferior man. With due formality Slater was tried for murder, acquitted on the ground of insanity, and committed to the institution wherein I held so humble a post.


I have said that I am a constant speculator concerning dream-life, and from this you may judge of the eagerness with which I applied myself to the study of the new patient as soon as I had fully ascertained the facts of his case. He seemed to sense a certain friendliness in me, born no doubt of the interest I could not conceal, and the gentle manner in which I questioned him. Not that he ever recognized me during his attacks, when I hung breathlessly upon his chaotic but cosmic word-pictures; but he knew me in his quiet hours, when he would sit by his barred window weaving baskets of straw and willow, and perhaps pining for the mountain freedom he could never again enjoy. His family never called to see him; probably it had found another temporary head, after the manner of decadent mountain folk.

By degrees I commenced to feel an overwhelming wonder at the mad and fantastic conceptions of Joe Slater. The man himself was pitiably inferior in mentality and language alike; but his glowing, titanic visions, though described in a barbarous disjointed jargon, were assuredly things which only a superior or even exceptional brain could conceive. How, I often asked myself, could the stolid imagination of a Catskill degenerate conjure up sights whose very possession argued a lurking spark of genius? How could any backwoods dullard have gained so much as an idea of those glittering realms of supernal radiance and space about which Slater ranted in his furious delirium? More and more I inclined to the belief that in the pitiful personality who cringed before me lay the disordered nucleus of something beyond my comprehension; something infinitely beyond the comprehension of my more experienced but less imaginative medical and scientific colleagues.

And yet I could extract nothing definite from the man. The sum of all my investigation was, that in a kind of semi-corporeal dream-life Slater wandered or floated through resplendent and prodigious valleys, meadows, gardens, cities, and palaces of light, in a region unbounded and unknown to man; that there he was no peasant or degenerate, but a creature of importance and vivid life, moving proudly and dominantly, and checked only by a certain deadly enemy, who seemed to be a being of visible yet ethereal structure, and who did not appear to be of human shape, since Slater never referred to it as a man, or as aught save a thing. This thing had done Slater some hideous but unnamed wrong, which the maniac (if maniac he were) yearned to avenge.

From the manner in which Slater alluded to their dealings, I judged that he and the luminous thing had met on equal terms; that in his dream existence the man was himself a luminous thing of the same race as his enemy. This impression was sustained by his frequent references to flying through space and burning all that impeded his progress. Yet these conceptions were formulated in rustic words wholly inadequate to convey them, a circumstance which drove me to the conclusion that if a true dream world indeed existed, oral language was not its medium for the transmission of thought. Could it be that the dream soul inhabiting this inferior body was desperately struggling to speak things which the simple and halting tongue of dullness could not utter? Could it be that I was face to face with intellectual emanations which would explain the mystery if I could but learn to discover and read them? I did not tell the older physicians of these things, for middle age is skeptical, cynical, and disinclined to accept new ideas. Besides, the head of the institution had but lately warned me in his paternal way that I was overworking; that my mind needed a rest.

It had long been my belief that human thought consists basically of atomic or molecular motion, convertible into ether waves of radiant energy like heat, light and electricity. This belief had early led me to contemplate the possibility of telepathy or mental communication by means of suitable apparatus, and I had in my college days prepared a set of transmitting and receiving instruments somewhat similar to the cumbrous devices employed in wireless telegraphy at that crude, pre-radio period. These I had tested with a fellow-student, but achieving no result, had soon packed them away with other scientific odds and ends for possible future use.

Now, in my intense desire to probe into the dream-life of Joe Slater, I sought these instruments again, and spent several days in repairing them for action. When they were complete once more I missed no opportunity for their trial. At each outburst of Slater's violence, I would fit the transmitter to his forehead and the receiver to my own, constantly making delicate adjustments for various hypothetical wave-lengths of intellectual energy. I had but little notion of how the thought-impressions would, if successfully conveyed, arouse an intelligent response in my brain, but I felt certain that I could detect and interpret them. Accordingly I continued my experiments, though informing no one of their nature.


It was on the twenty-first of February, 1901, that the thing occurred. As I look back across the years I realize how unreal it seems, and sometimes half wonder if old Doctor Fenton was not right when he charged it all to my excited imagination. I recall that he listened with great kindness and patience when I told him, but afterward gave me a nerve-powder and arranged for the half-year's vacation on which I departed the next week.

That fateful night I was wildly agitated and perturbed, for despite the excellent care he had received, Joe Slater was unmistakably dying. Perhaps it was his mountain freedom that he missed, or perhaps the turmoil in his brain had grown too acute for his rather sluggish physique; but at all events the flame of vitality flickered low in the decadent body. He was drowsy near the end, and as darkness fell he dropped off into a troubled sleep.

I did not strap on the straitjacket as was customary when he slept, since I saw that he was too feeble to be dangerous, even if he woke in mental disorder once more before passing away. But I did place upon his head and mine the two ends of my cosmic "radio," hoping against hope for a first and last message from the dream world in the brief time remaining. In the cell with us was one nurse, a mediocre fellow who did not understand the purpose of the apparatus, or think to inquire into my course. As the hours wore on I saw his head droop awkwardly in sleep, but I did not disturb him. I myself, lulled by the rhythmical breathing of the healthy and the dying man, must have nodded a little later.

The sound of weird lyric melody was what aroused me. Chords, vibrations, and harmonic ecstasies echoed passionately on every hand, while on my ravished sight burst the stupendous spectacle of ultimate beauty. Walls, columns, and architraves of living fire blazed effulgently around the spot where I seemed to float in air, extending upward to an infinitely high vaulted dome of indescribable splendor. Blending with this display of palatial magnificence, or rather, supplanting it at times in kaleidoscopic rotation, were glimpses of wide plains and graceful valleys, high mountains and inviting grottoes, covered with every lovely attribute of scenery which my delighted eyes could conceive of, yet formed wholly of some glowing, ethereal plastic entity, which in consistency partook as much of spirit as of matter. As I gazed, I perceived that my own brain held the key to these enchanting metamorphoses; for each vista which appeared to me was the one my changing mind most wished to behold. Amidst this elysian realm I dwelt not as a stranger, for each sight and sound was familiar to me; just as it had been for uncounted eons of eternity before, and would be for like eternities to come.

Then the resplendent aura of my brother of light drew near and held colloquy with me, soul to soul, with silent and perfect interchange of thought. The hour was one of approaching triumph, for was not my fellow-being escaping at last from a degrading periodic bondage; escaping for ever, and preparing to follow the accursed oppressor even unto the uttermost fields of ether, that upon it might be wrought a flaming cosmic vengeance which would shake the spheres? We floated thus for a little time, when I perceived a slight blurring and fading of the objects around us, as though some force were recalling me to earth—where I least wished to go. The form near me seemed to feel a change also, for it gradually brought its discourse toward a conclusion, and itself prepared to quit the scene, fading from my sight at a rate somewhat less rapid than that of the other objects. A few more thoughts were exchanged, and I knew that the luminous one and I were being recalled to bondage, though for my brother of light it would be the last time. The sorry planet shell being well-nigh spent, in less than an hour my fellow would be free to pursue the oppressor along the Milky Way and past the hither stars to the very confines of infinity.


A well-defined shock separates my final impression of the fading scene of light from my sudden and somewhat shamefaced awakening and straightening up in my chair as I saw the dying figure on the couch move hesitantly. Joe Slater was indeed awaking, though probably for the last time. As I looked more closely, I saw that in the sallow cheeks shone spots of color which had never before been present. The lips, too, seemed unusual, being tightly compressed, as if by the force of a stronger character than had been Slater's. The whole face finally began to grow tense, and the head turned restlessly with closed eyes.

I did not rouse the sleeping nurse, but readjusted the slightly disarranged headbands of my telepathic "radio," intent to catch any parting message the dreamer might have to deliver. All at once the head turned sharply in my direction and the eyes fell open, causing me to stare in blank amazement at what I beheld. The man who had been Joe Slater, the Catskill decadent, was now gazing at me with a pair of luminous, expanding eyes whose blue seemed subtly to have deepened. Neither mania nor degeneracy was visible in that gaze, and I felt beyond a doubt that I was viewing a face behind which lay an active mind of high order.

At this juncture my brain became aware of a steady external influence operating upon it. I closed my eyes to concentrate my thoughts more profoundly, and was rewarded by the positive knowledge that my long-sought mental message had come at last. Each transmitted idea formed rapidly in my mind, and though no actual language was employed, my habitual association of conception and expression was so great that I seemed to be receiving the message in ordinary English.

"Joe Slater is dead," came the soul-petrifying voice of an agency from beyond the wall of sleep. My opened eyes sought the couch of pain in curious horror, but the blue eyes were still calmly gazing, and the countenance was still intelligently animated. "He is better dead, for he was unfit to bear the active intellect of cosmic entity. His gross body could not undergo the needed adjustments between ethereal life and planet life. He was too much an animal, too little a man; yet it is through his deficiency that you have come to discover me, for the cosmic and planet souls rightly should never meet. He has been in my torment and diurnal prison for forty-two of your terrestrial years.

"I am an entity like that which you yourself become in the freedom of dreamless sleep. I am your brother of light, and have floated with you in the effulgent valleys. It is not permitted me to tell your waking earth-self of your real self, but we are all roamers of vast spaces and travelers in many ages. Next year I may be dwelling in the Egypt which you call ancient, or in the cruel empire of Tsan Chan which is to come three thousand years hence. You and I have drifted to the worlds that reel about the red Arcturus, and dwelt in the bodies of the insect-philosophers that crawl proudly over the fourth moon of Jupiter. How little does the earth self know life and its extent! How little, indeed, ought it to know for its own tranquillity!

"Of the oppressor I cannot speak. You on earth have unwittingly felt its distant presence—you who without knowing idly gave the blinking beacon the name of Algol, the Demon-Star. It is to meet and conquer the oppressor that I have vainly striven for eons, held back by bodily encumbrances. Tonight I go as a Nemesis bearing just and blazingly cataclysmic vengeance. Watch me in the sky close by the Demon-Star.

"I cannot speak longer, for the body of Joe Slater grows cold and rigid, and the coarse brains are ceasing to vibrate as I wish. You have been my only friend on this planet—the only soul to sense and seek for me within the repellent form which lies on this couch. We shall meet again—perhaps in the shining mists of Orion's Sword, perhaps on a bleak plateau in prehistoric Asia, perhaps in unremembered dreams tonight, perhaps in some other form an eon hence, when the solar system shall have been swept away."

At this point the thought-waves abruptly ceased, and the pale eyes of the dreamer—or can I say dead man?—commenced to glaze fishily. In a half-stupor I crossed over to the couch and felt of his wrist, but found it cold, stiff, and pulseless. The sallow cheeks paled again, and the thick lips fell open, disclosing the repulsively rotten fangs of the degenerate Joe Slater. I shivered, pulled a blanket over the hideous face, and awakened the nurse. Then I left the cell and went silently to my room. I had an instant and unaccountable craving for a sleep whose dreams I should not remember.


The climax? What plain tale of science can boast of such a rhetorical effect? I have merely set down certain things appealing to me as facts, allowing you to construe them as you will. As I have already admitted, my superior, old Doctor Fenton, denies the reality of everything I have related. He vows that I was broken down with nervous strain, and badly in need of the long vacation on full pay which he so generously gave me. He assures me on his professional honor that Joe Slater was but a low-grade paranoiac, whose fantastic notions must have come from the crude hereditary folk-tales which circulated in even the most decadent of communities. All this he tells me—yet I cannot forget what I saw in the sky on the night after Slater died. Lest you think me a biased witness, another pen must add this final testimony, which may perhaps supply the climax you expect. I will quote the following account of the star Nova Persei verbatim from the pages of that eminent astronomical authority, Professor Garrett P. Serviss:

"On February 22, 1901, a marvelous new star was discovered by Doctor Anderson of Edinburgh, not very far from Algol. No star had been visible at that point before. Within twenty-four hours the stranger had become so bright that it outshone Capella. In a week or two it had visibly faded, and in the course of a few months it was hardly discernible with the naked eye." 

 

About the Author 

Howard Phillips Lovecraft
Howard Phillips Lovecraft was an American writer of weird, science, fantasy, and horror fiction. He is best known for his creation of the Cthulhu Mythos.
 

Born in Providence, Rhode Island, Lovecraft spent most of his life in New England. Wikipedia
 

Born: August 20, 1890, Providence, RI
Died: March 15, 1937, Providence, RI
Full Name: Howard Phillips Lovecraft
Spouse: Sonia Greene (m. 1924–1937)

👉Buy H. P. Lovecraft Books at Amazon