Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Showing posts with label Short Story. Show all posts
Showing posts with label Short Story. Show all posts

Tuesday, October 8, 2024

An Alpine Divorce by Robert Barr



An Alpine Divorce


by Robert Barr


In some natures there are no half-tones; nothing but raw primary colours. John Bodman was a man who was always at one extreme or the other. This probably would have mattered little had he not married a wife whose nature was an exact duplicate of his own.

Doubtless there exists in this world precisely the right woman for any given man to marry and vice versa; but when you consider that a human being has the opportunity of being acquainted with only a few hundred people, and out of the few hundred that there are but a dozen or less whom he knows intimately, and out of the dozen, one or two friends at most, it will easily be seen, when we remember the number of millions who inhabit this world, that probably, since the earth was created, the right man has never yet met the right woman. The mathematical chances are all against such a meeting, and this is the reason that divorce courts exist. Marriage at best is but a compromise, and if two people happen to be united who are of an uncompromising nature there is trouble.

In the lives of these two young people there was no middle distance. The result was bound to be either love or hate, and in the case of Mr. and Mrs. Bodman it was hate of the most bitter and arrogant kind.

In some parts of the world incompatibility of temper is considered a just cause for obtaining a divorce, but in England no such subtle distinction is made, and so until the wife became criminal, or the man became both criminal and cruel, these two were linked together by a bond that only death could sever. Nothing can be worse than this state of things, and the matter was only made the more hopeless by the fact that Mrs. Bodman lived a blameless life, and her husband was no worse, but rather better, than the majority of men. Perhaps, however, that statement held only up to a certain point, for John Bodman had reached a state of mind in which he resolved to get rid of his wife at all hazards. If he had been a poor man he would probably have deserted her, but he was rich, and a man cannot freely leave a prospering business because his domestic life happens not to be happy.

When a man's mind dwells too much on any one subject, no one can tell just how far he will go. The mind is a delicate instrument, and even the law recognises that it is easily thrown from its balance. Bodman's friends--for he had friends--claim that his mind was unhinged; but neither his friends nor his enemies suspected the truth of the episode, which turned out to be the most important, as it was the most ominous, event in his life.

Whether John Bodman was sane or insane at the time he made up his mind to murder his wife, will never be known, but there was certainly craftiness in the method he devised to make the crime appear the result of an accident. Nevertheless, cunning is often a quality in a mind that has gone wrong.

Mrs. Bodman well knew how much her presence afflicted her husband, but her nature was as relentless as his, and her hatred of him was, if possible, more bitter than his hatred of her. Wherever he went she accompanied him, and perhaps the idea of murder would never have occurred to him if she had not been so persistent in forcing her presence upon him at all times and on all occasions. So, when he announced to her that he intended to spend the month of July in Switzerland, she said nothing, but made her preparations for the journey. On this occasion he did not protest, as was usual with him, and so to Switzerland this silent couple departed.

There is an hotel near the mountain-tops which stands on a ledge over one of the great glaciers. It is a mile and a half above the level of the sea, and it stands alone, reached by a toilsome road that zigzags up the mountain for six miles. There is a wonderful view of snow-peaks and glaciers from the verandahs of this hotel, and in the neighbourhood are many picturesque walks to points more or less dangerous.

John Bodman knew the hotel well, and in happier days he had been intimately acquainted with the vicinity. Now that the thought of murder arose in his mind, a certain spot two miles distant from this inn continually haunted him. It was a point of view overlooking everything, and its extremity was protected by a low and crumbling wall. He arose one morning at four o'clock, slipped unnoticed out of the hotel, and went to this point, which was locally named the Hanging Outlook. His memory had served him well. It was exactly the spot, he said to himself. The mountain which rose up behind it was wild and precipitous. There were no inhabitants near to overlook the place. The distant hotel was hidden by a shoulder of rock. The mountains on the other side of the valley were too far away to make it possible for any casual tourist or native to see what was going on on the Hanging Outlook. Far down in the valley the only town in view seemed like a collection of little toy houses.

One glance over the crumbling wall at the edge was generally sufficient for a visitor of even the strongest nerves. There was a sheer drop of more than a mile straight down, and at the distant bottom were jagged rocks and stunted trees that looked, in the blue haze, like shrubbery.

"This is the spot," said the man to himself, "and to-morrow morning is the time."

John Bodman had planned his crime as grimly and relentlessly, and as coolly, as ever he had concocted a deal on the Stock Exchange. There was no thought in his mind of mercy for his unconscious victim. His hatred had carried him far.

The next morning after breakfast, he said to his wife: "I intend to take a walk in the mountains. Do you wish to come with me?"

"Yes," she answered briefly.

"Very well, then," he said; "I shall be ready at nine o'clock."

"I shall be ready at nine o'clock," she repeated after him.

At that hour they left the hotel together, to which he was shortly to return alone. They spoke no word to each other on their way to the Hanging Outlook. The path was practically level, skirting the mountains, for the Hanging Outlook was not much higher above the sea than the hotel.

John Bodman had formed no fixed plan for his procedure when the place was reached. He resolved to be guided by circumstances. Now and then a strange fear arose in his mind that she might cling to him and possibly drag him over the precipice with her. He found himself wondering whether she had any premonition of her fate, and one of his reasons for not speaking was the fear that a tremor in his voice might possibly arouse her suspicions. He resolved that his action should be sharp and sudden, that she might have no chance either to help herself or to drag him with her. Of her screams in that desolate region he had no fear. No one could reach the spot except from the hotel, and no one that morning had left the house, even for an expedition to the glacier--one of the easiest and most popular trips from the place.

Curiously enough, when they came within sight of the Hanging Outlook, Mrs. Bodman stopped and shuddered. Bodman looked at her through the narrow slits of his veiled eyes, and wondered again if she had any suspicion. No one can tell, when two people walk closely together, what unconscious communication one mind may have with another.

"What is the matter?" he asked gruffly. "Are you tired?"

"John," she cried, with a gasp in her voice, calling him by his Christian name for the first time in years, "don't you think that if you had been kinder to me at first, things might have been different?"

"It seems to me," he answered, not looking at her, "that it is rather late in the day for discussing that question."

"I have much to regret," she said quaveringly. "Have you nothing?"

"No," he answered.

"Very well," replied his wife, with the usual hardness returning to her voice. "I was merely giving you a chance. Remember that."

Her husband looked at her suspiciously.

"What do you mean?" he asked, "giving me a chance? I want no chance nor anything else from you. A man accepts nothing from one he hates. My feeling towards you is, I imagine, no secret to you. We are tied together, and you have done your best to make the bondage insupportable."

"Yes," she answered, with her eyes on the ground, "we are tied together--we are tied together!"

She repeated these words under her breath as they walked the few remaining steps to the Outlook. Bodman sat down upon the crumbling wall. The woman dropped her alpenstock on the rock, and walked nervously to and fro, clasping and unclasping her hands. Her husband caught his breath as the terrible moment drew near.

"Why do you walk about like a wild animal?" he cried. "Come here and sit down beside me, and be still."

She faced him with a light he had never before seen in her eyes--a light of insanity and of hatred.

"I walk like a wild animal," she said, "because I am one. You spoke a moment ago of your hatred of me; but you are a man, and your hatred is nothing to mine. Bad as you are, much as you wish to break the bond which ties us together, there are still things which I know you would not stoop to. I know there is no thought of murder in your heart, but there is in mine. I will show you, John Bodman, how much I hate you."

The man nervously clutched the stone beside him, and gave a guilty start as she mentioned murder.

"Yes," she continued, "I have told all my friends in England that I believed you intended to murder me in Switzerland."

"Good God!" he cried. "How could you say such a thing?"

"I say it to show how much I hate you--how much I am prepared to give for revenge. I have warned the people at the hotel, and when we left two men followed us. The proprietor tried to persuade me not to accompany you. In a few moments those two men will come in sight of the Outlook. Tell them, if you think they will believe you, that it was an accident."

The mad woman tore from the front of her dress shreds of lace and scattered them around. Bodman started up to his feet, crying, "What are you about?" But before he could move toward her she precipitated herself over the wall, and went shrieking and whirling down the awful abyss.

The next moment two men came hurriedly round the edge of the rock, and found the man standing alone. Even in his bewilderment he realised that if he told the truth he would not be believed.

Monday, September 30, 2024

Witches' Loaves by O. Henry

 

Witches' Loaves


by O. Henry


Miss Martha Meacham kept the little bakery on the corner (the one where you go up three steps, and the bell tinkles when you open the door).


Miss Martha was forty, her bank-book showed a credit of two thousand dollars, and she possessed two false teeth and a sympathetic heart. Many people have married whose chances to do so were much inferior to Miss Martha's.


Two or three times a week a customer came in in whom she began to take an interest. He was a middle-aged man, wearing spectacles and a brown beard trimmed to a careful point.


He spoke English with a strong German accent. His clothes were worn and darned in places, and wrinkled and baggy in others. But he looked neat, and had very good manners.


He always bought two loaves of stale bread. Fresh bread was five cents a loaf. Stale ones were two for five. Never did he call for anything but stale bread.


Once Miss Martha saw a red and brown stain on his fingers. She was sure then that he was an artist and very poor. No doubt he lived in a garret, where he painted pictures and ate stale bread and thought of the good things to eat in Miss Martha's bakery.


Often when Miss Martha sat down to her chops and light rolls and jam and tea she would sigh, and wish that the gentle-mannered artist might share her tasty meal instead of eating his dry crust in that draughty attic. Miss Martha's heart, as you have been told, was a sympathetic one.


In order to test her theory as to his occupation, she brought from her room one day a painting that she had bought at a sale, and set it against the shelves behind the bread counter.


It was a Venetian scene. A splendid marble palazzio (so it said on the picture) stood in the foreground -- or rather forewater. For the rest there were gondolas (with the lady trailing her hand in the water), clouds, sky, and chiaro-oscuro in plenty. No artist could fail to notice it.


Two days afterward the customer came in.


"Two loafs of stale bread, if you blease.


"You haf here a fine bicture, madame," he said while she was wrapping up the bread.


"Yes?" says Miss Martha, reveling in her own cunning. "I do so admire art and" (no, it would not do to say "artists" thus early) "and paintings," she substituted. "You think it is a good picture?"


"Der balance," said the customer, is not in good drawing. Der bairspective of it is not true. Goot morning, madame."


He took his bread, bowed, and hurried out.


Yes, he must be an artist. Miss Martha took the picture back to her room.


How gentle and kindly his eyes shone behind his spectacles! What a broad brow he had! To be able to judge perspective at a glance -- and to live on stale bread! But genius often has to struggle before it is recognized.


What a thing it would be for art and perspective if genius were backed by two thousand dollars in bank, a bakery, and a sympathetic heart to -- But these were day-dreams, Miss Martha.


Often now when he came he would chat for a while across the showcase. He seemed to crave Miss Martha's cheerful words.


He kept on buying stale bread. Never a cake, never a pie, never one of her delicious Sally Lunns.


She thought he began to look thinner and discouraged. Her heart ached to add something good to eat to his meagre purchase, but her courage failed at the act. She did not dare affront him. She knew the pride of artists.


Miss Martha took to wearing her blue-dotted silk waist behind the counter. In the back room she cooked a mysterious compound of quince seeds and borax. Ever so many people use it for the complexion.


One day the customer came in as usual, laid his nickel on the showcase, and called for his stale loaves. While Miss Martha was reaching for them there was a great tooting and clanging, and a fire-engine came lumbering past.


The customer hurried to the door to look, as any one will. Suddenly inspired, Miss Martha seized the opportunity.


On the bottom shelf behind the counter was a pound of fresh butter that the dairyman had left ten minutes before. With a bread knife Miss Martha made a deep slash in each of the stale loaves, inserted a generous quantity of butter, and pressed the loaves tight again.


When the customer turned once more she was tying the paper around them.


When he had gone, after an unusually pleasant little chat, Miss Martha smiled to herself, but not without a slight fluttering of the heart.


Had she been too bold? Would he take offense? But surely not. There was no language of edibles. Butter was no emblem of unmaidenly forwardness.


For a long time that day her mind dwelt on the subject. She imagined the scene when he should discover her little deception.


He would lay down his brushes and palette. There would stand his easel with the picture he was painting in which the perspective was beyond criticism.


He would prepare for his luncheon of dry bread and water. He would slice into a loaf -- ah!


Miss Martha blushed. Would he think of the hand that placed it there as he ate? Would he --


The front door bell jangled viciously. Somebody was coming in, making a great deal of noise.


Miss Martha hurried to the front. Two men were there. One was a young man smoking a pipe -- a man she had never seen before. The other was her artist.


His face was very red, his hat was on the back of his head, his hair was wildly rumpled. He clinched his two fists and shook them ferociously at Miss Martha. At Miss Martha.


"Dummkopf!" he shouted with extreme loudness; and then "Tausendonfer!" or something like it in German.


The young man tried to draw him away.


"I vill not go," he said angrily, "else I shall told her."


He made a bass drum of Miss Martha's counter.


"You haf shpoilt me," he cried, his blue eyes blazing behind his spectacles. "I vill tell you. You vas von meddingsome old cat!"


Miss Martha leaned weakly against the shelves and laid one hand on her blue-dotted silk waist. The young man took the other by the collar.


"Come on," he said, "you've said enough." He dragged the angry one out at the door to the sidewalk, and then came back.


"Guess you ought to be told, ma'am," he said, "what the row is about. That's Blumberger. He's an architectural draftsman. I work in the same office with him.


"He's been working hard for three months drawing a plan for a new city hall. It was a prize competition. He finished inking the lines yesterday. You know, a draftsman always makes his drawing in pencil first. When it's done he rubs out the pencil lines with handfuls of stale bread crumbs. That's better than India rubber.


"Blumberger's been buying the bread here. Well, to-day -- well, you know, ma'am, that butter isn't -- well, Blumberger's plan isn't good for anything now except to cut up into railroad sandwiches."


Miss Martha went into the back room. She took off the blue-dotted silk waist and put on the old brown serge she used to wear. Then she poured the quince seed and borax mixture out of the window into the ash can.

Friday, September 27, 2024

The Selfish Giant by Oscar Wilde


The Selfish Giant


by Oscar Wilde


Every afternoon, as they were coming from school, the children used to go and play in the Giant's garden.

It was a large lovely garden, with soft green grass. Here and there over the grass stood beautiful flowers like stars, and there were twelve peach-trees that in the spring-time broke out into delicate blossoms of pink and pearl, and in the autumn bore rich fruit. The birds sat on the trees and sang so sweetly that the children used to stop their games in order to listen to them. "How happy we are here!" they cried to each other.

One day the Giant came back. He had been to visit his friend the Cornish ogre, and had stayed with him for seven years. After the seven years were over he had said all that he had to say, for his conversation was limited, and he determined to return to his own castle. When he arrived he saw the children playing in the garden.

"What are you doing here?" he cried in a very gruff voice, and the children ran away.

"My own garden is my own garden," said the Giant; "any one can understand that, and I will allow nobody to play in it but myself." So he built a high wall all round it, and put up a notice-board.

TRESPASSERS

WILL BE

PROSECUTED

He was a very selfish Giant.

The poor children had now nowhere to play. They tried to play on the road, but the road was very dusty and full of hard stones, and they did not like it. They used to wander round the high wall when their lessons were over, and talk about the beautiful garden inside. "How happy we were there," they said to each other.

Then the Spring came, and all over the country there were little blossoms and little birds. Only in the garden of the Selfish Giant it was still winter. The birds did not care to sing in it as there were no children, and the trees forgot to blossom. Once a beautiful flower put its head out from the grass, but when it saw the notice-board it was so sorry for the children that it slipped back into the ground again, and went off to sleep. The only people who were pleased were the Snow and the Frost. "Spring has forgotten this garden," they cried, "so we will live here all the year round." The Snow covered up the grass with her great white cloak, and the Frost painted all the trees silver. Then they invited the North Wind to stay with them, and he came. He was wrapped in furs, and he roared all day about the garden, and blew the chimney-pots down. "This is a delightful spot," he said, "we must ask the Hail on a visit." So the Hail came. Every day for three hours he rattled on the roof of the castle till he broke most of the slates, and then he ran round and round the garden as fast as he could go. He was dressed in grey, and his breath was like ice.

"I cannot understand why the Spring is so late in coming," said the Selfish Giant, as he sat at the window and looked out at his cold white garden; "I hope there will be a change in the weather."

But the Spring never came, nor the Summer. The Autumn gave golden fruit to every garden, but to the Giant's garden she gave none. "He is too selfish," she said. So it was always Winter there, and the North Wind, and the Hail, and the Frost, and the Snow danced about through the trees.

One morning the Giant was lying awake in bed when he heard some lovely music. It sounded so sweet to his ears that he thought it must be the King's musicians passing by. It was really only a little linnet singing outside his window, but it was so long since he had heard a bird sing in his garden that it seemed to him to be the most beautiful music in the world. Then the Hail stopped dancing over his head, and the North Wind ceased roaring, and a delicious perfume came to him through the open casement. "I believe the Spring has come at last," said the Giant; and he jumped out of bed and looked out.

What did he see?

He saw a most wonderful sight. Through a little hole in the wall the children had crept in, and they were sitting in the branches of the trees. In every tree that he could see there was a little child. And the trees were so glad to have the children back again that they had covered themselves with blossoms, and were waving their arms gently above the children's heads. The birds were flying about and twittering with delight, and the flowers were looking up through the green grass and laughing. It was a lovely scene, only in one corner it was still winter. It was the farthest corner of the garden, and in it was standing a little boy. He was so small that he could not reach up to the branches of the tree, and he was wandering all round it, crying bitterly. The poor tree was still quite covered with frost and snow, and the North Wind was blowing and roaring above it. "Climb up! little boy," said the Tree, and it bent its branches down as low as it could; but the boy was too tiny.

And the Giant's heart melted as he looked out. "How selfish I have been!" he said; "now I know why the Spring would not come here. I will put that poor little boy on the top of the tree, and then I will knock down the wall, and my garden shall be the children's playground for ever and ever." He was really very sorry for what he had done.

So he crept downstairs and opened the front door quite softly, and went out into the garden. But when the children saw him they were so frightened that they all ran away, and the garden became winter again. Only the little boy did not run, for his eyes were so full of tears that he did not see the Giant coming. And the Giant stole up behind him and took him gently in his hand, and put him up into the tree. And the tree broke at once into blossom, and the birds came and sang on it, and the little boy stretched out his two arms and flung them round the Giant's neck, and kissed him. And the other children, when they saw that the Giant was not wicked any longer, came running back, and with them came the Spring. "It is your garden now, little children," said the Giant, and he took a great axe and knocked down the wall. And when the people were going to market at twelve o'clock they found the Giant playing with the children in the most beautiful garden they had ever seen.

All day long they played, and in the evening they came to the Giant to bid him good-bye.

"But where is your little companion?" he said: "the boy I put into the tree." The Giant loved him the best because he had kissed him.

"We don't know," answered the children; "he has gone away."

"You must tell him to be sure and come here to-morrow," said the Giant. But the children said that they did not know where he lived, and had never seen him before; and the Giant felt very sad.

Every afternoon, when school was over, the children came and played with the Giant. But the little boy whom the Giant loved was never seen again. The Giant was very kind to all the children, yet he longed for his first little friend, and often spoke of him. "How I would like to see him!" he used to say.

Years went over, and the Giant grew very old and feeble. He could not play about any more, so he sat in a huge armchair, and watched the children at their games, and admired his garden. "I have many beautiful flowers," he said; "but the children are the most beautiful flowers of all."

One winter morning he looked out of his window as he was dressing. He did not hate the Winter now, for he knew that it was merely the Spring asleep, and that the flowers were resting.

Suddenly he rubbed his eyes in wonder, and looked and looked. It certainly was a marvellous sight. In the farthest corner of the garden was a tree quite covered with lovely white blossoms. Its branches were all golden, and silver fruit hung down from them, and underneath it stood the little boy he had loved.

Downstairs ran the Giant in great joy, and out into the garden. He hastened across the grass, and came near to the child. And when he came quite close his face grew red with anger, and he said, "Who hath dared to wound thee?" For on the palms of the child's hands were the prints of two nails, and the prints of two nails were on the little feet.

"Who hath dared to wound thee?" cried the Giant; "tell me, that I may take my big sword and slay him."

"Nay!" answered the child; "but these are the wounds of Love."

"Who art thou?" said the Giant, and a strange awe fell on him, and he knelt before the little child.

And the child smiled on the Giant, and said to him, "You let me play once in your garden, to-day you shall come with me to my garden, which is Paradise."

And when the children ran in that afternoon, they found the Giant lying dead under the tree, all covered with white blossoms.

Tuesday, September 24, 2024

Romance by Robert W. Chambers


Romance


by Robert W. Chambers


THE Volunteer Nurse sighed and spread out her slender, iodine-stained fingers on both knees, looking down at them retleetively.


“It is different now,” she said; “sentiment dies under the scalpel. In the filth and squalor of reality neither the belief in romance nor the capacity for desiring it endure long. . . . Even pity becomes atrophied—or at least a reflex habit; sympathy, sorrow, remain as mechanical reactions, not spontaneous emotions. . . . You can understand that, dear?”


“Partly,” said the Special Messenger, raising her pretty, dark eyes to her old schoolmate.


“In the beginning.” said the Nurse, dreamily, “the men in their uniforms, the drums and horses and glitter, and the flags passing, and youth—youth—not that you and I are yet old in years; do you know what I mean!”


“I know,” said the Special Messenger, smoothing out her riding gloves. “Do you remember the cadets at Oxley? You loved one of them.”


“Yes; you know how it was in the cities; and even afterward in Washington—I mean the hospitals after Bull Run. Young bravery—the Zouaves—the multicolored guard regiments—and a romance in every death!” She laid one stained hand over the other, fingers still wide. “But here in this blackened horror they call the ‘seat of war’—this festering bull-pen, choked with dreary regiments, all alike, all in filthy blue—here individuals vanish, men vanish. The schoolgirl dream of man dies here forever. Only unwashed, naked duty remains; and its inspiration, man—bloody, dirty, vermin-covered, terrible—sometimes; and sometimes whimpering, terrified, flinching, base, bereft of all his sex’s glamour, all his mystery, shorn of authority, devoid of pride, pitiable, screaming under the knife. … It is different now.” said the pretty Volunteer Nurse. . . . “The war kills more than human life.”


The Special Messenger drew her buckskin gloves carefully through her belt and buttoned the holster of her revolver.


“I have, seen war, too,” she said; “and the men who dealt death and the men who received it. Their mystery remains—the glamour of a man remains for me—because he is a man.”


“I have heard them crying like children in the stretchers.”


“So have I. That solves nothing.”


But the Nursre went on:


“And in the wards they are sometimes something betwixt devils and children. All the weakness and failings they attribute to women come out in them, too—fear, timidity, inconsequence. greed, malice, gossip! I tell you, women bear pain better.”


“Yes, I have learned that. . . . It is not difficult to beguile them either: to lead them, to read them. That is part of my work. I do it. I know they are afraid in battle—the intelligent ones. Yet they fight. I know they are really children—impulsive, passionate, selfish, often cruel—but, after all, they are here fighting this war—here encamped all around us as far as the eye can see. throughout these hills and forests. . . . They have lost none of their glamour for me. Their mystery remains.”


The Volunteer Nurse looked up with a tired smile:


“You always were emotional, dear.”


“I am still.”


“You don’t have to drain wounds and dry out sores and do the thousand unspeakable offices that we do.”


“Why do you do it?”


“I have to.”


“You didn’t have to enlist. Why did you?”


“Why do the men enlist?” asked the Nurse. “That’s why you and I did—whatever—the motive may have been, God knows. . . . And it’s killed part of me. . . . You don’t cleanse ulcers.”


“No; I am not fitted. I tried; and lost none of the romance in me. Only it happens that I can do—what I am doing—better.”


The Nurse looked at her a trifle awed.


“To think, dear, that you should turn out to be the celebrated Special Messenger. You were timid in school.”


“I am now. . . . You don’t know how afraid a woman can be. Suppose in school—suppose that for one moment we could have foreseen our destiny—here together, you and I, as we are now.”


The Nurse looked into the stained hollow of her right hand.


“I had the lines read once,” she said drearily, “but nobody ever said I’d be here, or that there’d be any war,” And she continued to examine her palm with a hurt expression in her blue eyes.


The Special Messenger laughed, and her lovely pale face lighted up with color.


“Don’t you really think you are ever going to be capable of caring for a man again?”


“No, I don’t, I know now how they’re fashioned, how they think—how—how revolting they can be. . . . No, no! It’s all gone—all the ideals, all the dreams. . . . Good Heavens, how romantic—how senseless we were in school!”


“I am still, I think,” said the Special Messenger thoughtfully. “I like men. . . . A man—the right one—could easily make me love him. And I am afraid there are more than one ‘right one. I have often been on the sentimental border. . . . But they died, or went away—or I did. . . . The trouble with me is. as you say, I am emotional, and very, very tender-hearted. . . . It is sometimes difficult to be loyal—to care for duty—the Union more than for a man. Not that there is any danger of my proving untrue—”


“No,” murmured the Nurse; “loyalty is your inheritance.”


“Yes, we—” she named her family under her breath—”are traditionally trustworthy. It is part of us—our race was always, will always be. . . . But—to see a man near death—and to care for him a little— even a rebel—and to know that one word might save him—only one little disloyal word!”


“No man would save you at that expense,” said the Nurse disdainfully, “I know men,”


“Do you? I don’t—in that way. There was once an offficer—a non-combatant. I could have cared for him. . . . Once there was a Confederate cavalryman. I struck him senseless with my revolver-butt—and I could have—loved him. He was very young. . . . I never can forget him. It is hard, dear, the business I am engaged in. . . . But it has never spoiled my interest in men—or my capacity for loving one of them. I am afraid I am easily moved.”


She rose and stood erect, to adjust her soft riding hat, every line and contour of her youthfully slender figure in charming relief against the window.


“Won’t you let me brew a little tea for you?” asked the Nurse, “Don’t leave me so soon.”


“When do you go on duty?”


“In about ten minutes. It will be easier to-morrow, when we send our sick North. Will you come in to-morrow?”


The Special Messenger shook her head dreamily.


“I don’t know—I don’t know. . . . Good-by.”


“Are you going on duty?”


“Yes.”


“When?”


“Now.”


The Nurse rose and put both arms around her.


“I am so afraid for you,” she said; “and it has been so good to see you. . . . I don’t know whether we’ll ever meet again—”


Her voice was drowned in the noisy outburst of bugles sounding the noon sick-call.


They went out together, where the Messenger’s horse was tied under the trees. Beyond, through the pines, glimmered the tents of an emergency hospital. And now, in the open air not very far away, they could hear picket firing,


“Do be careful,” said the blue-eyed Nurse. “They say you do such audacious things; and every day somebody says you have been taken or hanged or shot. Dear, you are so young and so pretty—”


“So are you. Don’t take fever or smallpox or die from a scratch from a poisoned knife, . . . Good-by once more.”


They kissed each other. A hospital orderly, passing hurriedly, stopped to hold her stirrup; she mounted, thanked the orderly, waved a smiling adieu to her old schoolmate, and. swinging her powerful horse westward, trotted off through the woods, passing the camp sentinels with a nod and a low-spoken word.


Farther out in the woods she encountered the first line of pickets; showed her credentials, then urged her horse forward at a gallop.


“Not that way!” shouted an officer, starting to run after her; “the Johnnies are out there!”


She turned in her saddle and nodded reassuringly, then spurred on again, expecting to jump the Union advance-guard every moment.


There seemed to be no firing anywhere in the vicinity; nothing to be seen but dusky pine woods; and after she had advanced almost to the edge of a little clearing, and not encountering the outer line of Union pickets, she drew bridle and sat stock still in her saddle, searching in every direction with alert dark eyes.


Nothing moved; the heated scent of the Southern pines hung heavy in the forest: in the long dry swale grass of the clearing, yellow butterflies were flying lazily; on a dead branch above her a huge woodpecker, with pointed, silky cap, uttered a querulous, lonely cry from moment to moment.


She strained her dainty, close-set ears; no sound of man stirred in this wilderness—only the strange birdery from above: only the ceaseless monotone of the pine-crests stirred by some high sky breeze unfelt below. A forest path, apparently leading west, attracted her attention into this she steered her horse and continued, even after her compass had warned her that the path was now running directly south.


The tree-growth was younger here; thickets of laurel and holly grew in the undergrowth, and, attempting a short cut out. she became entangled. For a few minutes her horse, stung by the holly, thrashed and floundered about in the maze of tough stems; and when at last she got him free, she was on the edge of another clearing—burnt one, lying like a path of black velvet in the sun. A cabin stood at the farther edge.


Three forest bridle-paths ran west, east, and south from this blackened clearing. She unbuttoned her waist, drew out a map, and, flattening it on her pommel, bent above it in eager silence. And, as she sat studying her map, she became aware of a faint tremor in the solid earth under her horse’s feet. It grew to a dull jarring vibration—nearer—nearer—nearer—and she hastily backed her horse into the depths of the laurel, sprang to the ground, and placed both gauntleted hands over her horse’s nostrils.


A moment later the Confederate cavalry swept through the clearing at a trot—a jaunty, gray column, riding two abreast, then falling into single file as they entered the bridle-path at a canter.


Breathless, she watched them as they flashed by among the pines, sitting their horses beautifully, the wind lifting the broad brims of their soft hats, the sun a bar of gold across each sunburnt face.


There were only a hundred of them—probably some of Stuart’s riders, for they seemed strangely familiar—but it was not long before they had passed on their gay course, and the last tremor in the forest soil—the last distant rattle of saber and carbine—died away in the forest silence.


What were they doing here? She did not know. There seemed no logical reason for their presence.


For a while, awaiting their possible collision with the Union outposts, she listened, expecting the far rattle of rifles. No sound came. They must have sheered off east. So very calmly she addressed herself to the task in hand.


This must be the burnt clearing; her map and the cabin corroborated her belief. Then it was here that she was to meet this unknown man in Confederate uniform and Union pay—a spy like herself—and give him certain information and receive certain information in return.


Her instructions had been unusually rigid; she was to take every precaution; use native disguise whether or not it might appear necessary, carry no papers, and let any man she might encounter make the advances until she was absolutely certain of him. For there was an ugly rumor afloat that he had been caught and hanged, and that a Confederate might attempt to impersonate him. So she looked very carefully at her map, then out of the thicket at the burnt clearing. There was the wretched cabin named as rendezvous, the little garden patch with standing corn and beans, and here and there a yellowing squash.


Why had the passing rebel cavalry left all that good food undisturbed?


Fear, which within her was always latent, always too ready to influence her by masquerading as caution, stirred now. For almost an hour she stood, balancing her field-glasses across her saddle, eyes focused on the open cabin door. Nothing stirred there.


At last, with a slight shiver, she opened her saddle bags and drew out the dress she meant to wear—a dingy, earth-colored thing of gingham.


Deep in the thicket she undressed, folded her fine linen and silken stockings, laid them away in the saddle bags together with waist and skirt, field-glasses, gauntlets, and whip, and the map and papers, which latter, while affording no information to the enemy, would certainly serve to convict her.


Dressed now in the scanty, colorless clothing of a “poor white” of the pine-woods, limbs and body tanned with walnut, her slender feet rubbed in dust and then thrust stockingless into shapeless shoes, she let down the dark, lustrous mass of her hair, braided it, tied it with faded ribbon, rubbed her hands in wood-mold and crushed green leaves over them till they seemed all stained and marred with toil. Then she gathered an armful of splinter-wood.


Now ready, she tethered her horse, leaving him bitted and saddled; spread out his sack of feed, turned and I looked once more at the cabin, then walked noiselessly to the clearing’s edge, carrying her aromatic splinters.


Underfoot, as she crossed it, the charred grass crumbled to powder; three wild doves flickered up into flight, making a soft clatter and displaying the four white feathers. A quail called from the bean-patch.


The heat was intense in tin; sun; perspiration streaked her features; her tender feet burned; the cabin seemed a long way off, a wavering blot through the dancing heat devils playing above the fire-scorched open.


Head bent, she moved on in the shiftless, hopeless fashion of the sort of humanity she was representing, furtively taking her bearings and making such sidelong observations as she dared. To know the shortest way back to her horse might mean life to her. She understood that. Also she fully realized that she might at that very instant be under hostile observation. In her easily excited imagination, all around her the forest seemed to conceal a hundred malevolent eyes. She shivered slightly, wiped the perspiration from her brow with one small bare fist, and plodded on, clutching her light- wood to her soft, rounded breast.


And now at last she was nearing the open cabin door; and she must not hesitate, must show no suspicion. So she went in, dragging her clumsily-shod feet.


A very young man in the uniform of a Confederate cavalry officer was seated inside before the empty fire. She looked at him, simulating dull surprise; he rose and greeted her gracefully.


“Howdy,” she murmured in response, still staring.


“Is this your house?” he asked.


“Suh?” blankly.


“Is this your house?”


“I reckon,” she nodded. “How come you-all in my house?”


He replied with another question:


“What were you doing in the woods?”


“Light-wood,” she answered briefly, stacking the fragrant splinters on the table.


“Do you live here all alone?”


“Reckon I’m alone when I live heah,” sullenly.


“What is your name?” He had a trick of coloring easily.


“What may be yoh name, suh?” she retorted with a little flash of Southern spirit, never entirely quenched even in such as she seemed to be.


Genuine surprise brought the red back into his face and made it, worn as it was, seem almost handsome. The curious idea came to her that she had seen him before somewhere. At the same moment speech seemed to tremble on his lips; he hesitated, looked at her with a new and sudden keenness, and stood looking.


“I expected to meet somebody here,” he said at length.


She did not seem to comprehend.


“I expected to meet a woman here.”


“Who? Me?” incredulously.


He looked her over for a while carefully; looked at her dusty bare ankles, at her walnut-smeared face and throat. She seemed so small, so round-shouldered—so different from what he had expected. They had said that the woman he must find was pretty.


“Was yuh-all fixin’ to meet up with me?” she repeated with a bold laugh.


“I—don’t know,” lie said. “By the Eternal, I don’t know, ma’am. But I’m going to find out in right smart time. Did you ever hear anybody speak Latin?”


“Suh?” blankly; and the audacity faded.


“Latin,” he repeated, a trifle discomfited. “For instance, ‘sic itur.’ Do you know what ‘sic itur‘ means?”


“Sick—what, suh?”


“‘Sic itur!‘ Oh, Lord, she is what she looks like!” he exclaimed in frank despair. He walked to the door, wheeled suddenly, came back, and confronted her.


“Either, ma’am, you are the most consummate actress in this war drama, or you don’t know what I’m saying, and you think me crazy . . . . And now I’ll ask you once for all: Is this the road?”


The Special Messenger looked him full in the eyes; then, as by magic, the loveliest of smiles transfigured the dull, blank features; her round shoulders, pendulous arms, slouching pose, melted into superb symmetry, quickening with grace and youth as she straightened him and faced him, erect, supple, laughing, adorable.


“Sic itur—ad Astra,” she said demurely, and offered him her hand. “Continue,” she added.


He neither stirred nor spoke; a deep flush mounted to the roots of his short, curly hair. She smiled encouragement, thinking him young and embarrassed, and a trifle chagrined.


“Continue the Latin formula,” she noddded, laughing; “what follows, if you please—”


“Good God!” he broke out hoarsely.


And suddenly she knew there was nothing to follow except death—his or hers—realized she made an awful mistake—divined in one dreadful instant the unsuspected counter-mine beneath her very feet—cried out as she struck him full in the face with clenched fist, sprang back, whipping the revolver from her ragged bodice, dark eyes ablaze.


“Now,” she panted, “hands high—and turn your back! Quickly!”


He stood still, very pale, one sun-burnt hand covering the cheek which she had struck. There was blood on it. He heard her breathless voice, warning him to obey, but he only took his hand from his face, looked at the blood on palm and finger, then turned his hopeless eyes on her.


“Too late,” he said heavily. “But—I’d rather be you than I. . . . Look out of that window, Messenger!”


“Put up your hands!”


“No.”


“Will you hold up your hands!”


“No, Messenger. . . . And I—didn’t—know it was you when I came here. It’s—it’s a dirty business—for an officer.” He sank down on the wooden chair, resting his head between both hands. A single drop of blood fell brightly from his cut cheek.


The Special Messenger stole a swift, sidelong glance toward the window, hesitated, and, always watching him warily, slid along the wall toward the door, menacing him at every step with leveled revolver. Then, at the door, she cast one rapid glance at the open field behind her and around. A thrill of horror stiffened her. The entire circle of the burnt clearing was ringed with the gray pickets of rebel cavalry.


The distant men sat motionless on their horses, carbine on thigh. Here and there a distant horse tossed his beautiful head, or perhaps some hat-brim fluttered. There was no other movement, not one sound.


Crouching to pass the windows beneath the sills she crept, heedless of her prisoner, to the rear door. That avenue to the near clustering woods was closed, too: she saw the glitter of carbines above the laurel.


“Special Messenger?” She turned, pale as a ghost. “I reckon we’ve got you.”


“Yes,” she said.


There was another chair by the table—the only other one. She seated herself, shaking all over, laid her revolver on the table, stared at the weapon, pushed it from her with a nervous shudder, and, ashy of lip and cheek, looked at the man she had struck.


“Will they—hang me?”


“I reckon, ma’am. They hung the other one—the man you took me for.”


“Will there be a—trial?”


“Drumhead. . . . They’ve been after you a long, long while.”


“Then—what are you waiting for?”


He was silent.


She found it hard to control the nervous tremor of her limbs and lips. The dryness in her throat made speech difficult.


“Then—if there is no chance—”


He bent forward swiftly and snatched her revolver from the table as her small hand fell heavily upon the spot where the weapon had rested.


“Would you do that?” he said in a low voice.


The desperate young eyes answered him. And, after a throbbing silence: “Won’t you let me?” she asked, “it is indecent to h-hang a—woman—before—men—”


He did not answer.


“Please—please—” she whispered, “Give it back to me—if you are a—soldier. . . . You can go to the door and call them. . . . Nobody will know. . . . You can turn your back. … It will only take a second!”


A big blue-bottle fly came blundering into the room and filled the silence with its noise. Years ago the big blue flies sometimes came into the quiet schoolroom; and how everybody giggled when the taller Miss Poucher, bristling from her prunella shoes to her side side-curls, charged indignantly upon the buzzing intruder.


Dry-eyed, dry-lipped, the Messenger straightened up quivering, and drew a quick, sharp breath; then her head fell forward, and, resting inert upon the table, she buried her face in her arms. The most dangerous spy in the Union service—the secret agent who had worked more evil to the Confederacy than any single Union army corps—the coolest, most resourceful, most trusted messenger on either side as long as the struggle lasted—caught at last.


The man, young, Southern, and a gentleman’s son, sat staring at her. He had driven his finger-nails deep into his palms, bitten his under lip till it was raw.


“Messenger!”


She made no response.


“Are you afraid?”


Her head, prone in her arms, motioned dull negation. It was a lie and he knew it. He looked at the slender column of the neck—stained to a delicate amber—at the nape; and he thought of the rope and the knot under the left ear.


“Messenger,” he said once more. “I did not know it was you I was to meet. Look at me, in God’s name!”


She opened her eyes on him, then raised her head.


“Do you know me now?” he asked.


“No.”


“Look!”


He touched the scar on his forehead; but there was no recognition in her eyes.


“Look, I tell you!” he repeated almost fiercely.


She said wearily: “I have seen so many men—so many men. . . . I can’t remember you.”


“And I have seen many women, Messenger; but I have never forgotten you—or what you did—or what you did—”


“I?”


“You. . . . And from that night I have lived only to find you again. and—oh, God! To find you here! My Messenger! My little Messenger! ”


“Who are you?” she whispered, leaning forward on the table, dark eyes dilating with hope.


He sat heavily for a while, head bowed as though stunned to silence; then slowly the white misery returned to his face and he looked up.


“So—after all—you have forgotten. And my romance is dead.”


She did not answer, intent now on every word, every shade of his expression. And, as she looked, through the numbness of her desperation, hope stirred again, stealthily.


“Are you a friend?” Her voice scarcely sounded at all.


“Friends die for each other,” he said. “Do you expect that of me?”


The silence between them became terrible; and at last he broke it with a bitter laugh:


“You once turned a boy’s life to romance—riding through it—out of it—leaving scars on his brow and heart—and on his lips the touch of your own. And on his face your tears. Look at me once more!”


Her breath came quicker: far within her somewhere memory awoke, groping blindly for light.


“For three days we followed you,” he said. “On the Pennsylvania line we cornered you; but you changed garb and shape and speech, almost under our eyes—as a chameleon changes color, matching the leaf it hides on. . . . I halted at that squatter’s house—sure of you at last—and the pretty squatter’s daughter cooked for us while we hunted you in the hills—and when I returned she gave me her bed to sleep on—”


Her hand caught at her throat and she half-rose, staring at him.


“Her own bed to sleep on,” he repeated. “And I had been three days in the saddle; and I ate what she set before me, and slept on her bed—fell asleep—only a tired boy, not a soldier any longer. . . . And awoke to meet your startled eyes—to meet the blow from your revolver butt that made this scar—to fall back bewildered for a moment—half-stunned—Messenger! Do you know me now?”


“Yes,” she said.


They looked breathlessly at one another; suddenly a hot blush covered her neck and face: and his eyes flashed triumph.


“You have not forgotten!” he cried.


And there, on the very edge of death itself, the bright shame glowed and glowed in her cheeks, and her distressed eyes fell before his.


“You kissed me,” he said, looking at her.


“I—I thought I had—killed you—” she stammered.


“And you kissed me on the lips. . . . In that moment of peril you waited to do that. Your tears fell on my face. I felt them. And I tell you that, even had I been lying there dead instead of partly stunned, I would have known what you did to me after you struck me down.”


Her head sank lower; the color ran riot from throat to brow.


He spoke again, quietly, yet a strange undertone of exaltation thrilled his voice and transfigured the thin, war-worn features she had forgotten, so that, as she lifted her eyes to him again, the same boy looked back at her from the mist of the long dead years.


“Messenger,” he said, “I have never forgotten. And now it is too late to forget your tears on my face—the touch of your lips on mine. I would not if I could. . . . It was worth living for—dying for. . . . Once—I hoped—some day—after this—all this trouble ended—my romance might come—true—”


The boy choked, then:


“I came here under orders to take a woman spy whose password was the key to a Latin phrase. But until you stood straight in your rags and smiled at me, I did not know it was you—I did not know I was to take the Special Messenger! Do you believe me?”


“Yes.”


The boy colored painfully. Then a queer, pallid change came over his face; he rose, bent over her where she rested heavily on the table:


“Little Messenger,” he said. “I am in your debt for two blows and a kiss.”


She lifted a dazed face to meet his gaze; he trembled, leaned down, and kissed her on the mouth.


Then in one bound he was at the door, signaling troopers with drawn saber—as once, long ago, she had seen him signal them in the Northern woods.


And, through the window, she saw the scattered cavalry forming column at a gallop, obeying every saber signal, trotting forward, wheeling fours right—and then—and then! the gray column swung into the western forest at a canter, and were gone!


The boy leaning in the doorway looked back at her over his shoulder and sheathed his saber. There was not a vestige of color left in his face.


“Go!” he said hoarsely.


“What?” she faltered.


“Go—go, in God’s name! There’s a door there! Can’t you see it?”


SHE had been gone for full hour when at last he turned again. A bit of faded ribbon from her hair lay on the table. He went over to it, curiously. It was tied in a true lover’s knot.


He drew it through his buttonhole and walked slowly back to the door again. For a long while he stood there, vague-eyed, silent. It was nearly sunset when once more he drew his saber, examined it carefully, bent it over one knee, and snapped the blade in two.


Then, with a last look at the sky, and standing very erect, he closed the door, set his back firmly against it, drew his revolver, and looked curiously into the muzzle.


A moment later the racket of the shot echoed through the deserted house.


 

Monday, September 23, 2024

August Heat by William Fryer Harvey

 


August Heat


by William Fryer Harvey (1910)

PHENISTONE ROAD, CLAPHAM,

August 20th, 19—.
I HAVE HAD what I believe to be the most remarkable day in my life, and while the events are still fresh in my mind, I wish to put them down on paper as clearly as possible.
       Let me say at the outset that my name is James Clarence Withencroft.
       I am forty years old, in perfect health, never having known a day’s illness.
       By profession I am an artist, not a very successful one, but I earn enough money by my black-and-white work to satisfy my necessary wants.
       My only near relative, a sister, died five years ago, so that I am independent.
       I breakfasted this morning at nine, and after glancing through the morning paper I lighted my pipe and proceeded to let my mind wander in the hope that I might chance upon some subject for my pencil.
       The room, though door and windows were open, was oppressively hot, and I had just made up my mind that the coolest and most comfortable place in the neighbourhood would be the deep end of the public swimming bath, when the idea came.
       I began to draw. So intent was I on my work that I left my lunch untouched, only stopping work when the clock of St. Jude’s struck four.
       The final result, for a hurried sketch, was, I felt sure, the best thing I had done.
       It showed a criminal in the dock immediately after the judge had pronounced sentence. The man was fat—enormously fat. The flesh hung in rolls about his chin; it creased his huge, stumpy neck. He was clean shaven (perhaps I should say a few days before he must have been clean shaven) and almost bald. He stood in the dock, his short, clumsy fingers clasping the rail, looking straight in front of him. The feeling that his expression conveyed was not so much one of horror as of utter, absolute collapse.
       There seemed nothing in the man strong enough to sustain that mountain of flesh.
       I rolled up the sketch, and without quite knowing why, placed it in my pocket. Then with the rare sense of happiness which the knowledge of a good thing well done gives, I left the house.
       I believe that I set out with the idea of calling upon Trenton, for I remember walking along Lytton Street and turning to the right along Gilchrist Road at the bottom of the hill where the men were at work on the new tram lines.
       From there onwards I have only the vaguest recollection of where I went. The one thing of which I was fully conscious was the awful heat, that came up from the dusty asphalt pavement as an almost palpable wave. I longed for the thunder promised by the great banks of copper-coloured cloud that hung low over the western sky.
       I must have walked five or six miles, when a small boy roused me from my reverie by asking the time.
       It was twenty minutes to seven.
       When he left me I began to take stock of my bearings. I found myself standing before a gate that led into a yard bordered by a strip of thirsty earth, where there were flowers, purple stock and scarlet geranium. Above the entrance was a board with the inscription—

CHAS. ATKINSON
MONUMENTAL MASON
WORKER IN ENGLISH AND ITALIAN MARBLES

       From the yard itself came a cheery whistle, the noise of hammer blows, and the cold sound of steel meeting stone.
       A sudden impulse made me enter.
       A man was sitting with his back towards me, busy at work on a slab of curiously veined marble. He turned round as he heard my steps and I stopped short.
       It was the man I had been drawing, whose portrait lay in my pocket.
       He sat there, huge and elephantine, the sweat pouring from his scalp, which he wiped with a red silk handkerchief. But though the face was the same, the expression was absolutely different.
       He greeted me smiling, as if we were old friends, and shook my hand.
       I apologised for my intrusion.
       “Everything is hot and glary outside,” I said. “This seems an oasis in the wilderness.”
       “I don’t know about the oasis,” he replied, “but it certainly’s hot, as hot as hell. Take a seat, sir!”
       He pointed to the end of the gravestone on which he was at work, and I sat down.
       “That’s a beautiful piece of stone you’ve got hold of,” I said.
       He shook his head. “In a way it is,” he answered; “the surface here is as fine as anything you could wish, but there’s a big flaw at the back, though I don’t expect you’d ever notice it. I could never make really a good job of a bit of marble like that. It would be all right in the summer like this; it wouldn’t mind the blasted heat. But wait till the winter comes. There’s nothing quite like frost to find out the weak points in stone.”
       “Then what’s it for?” I asked.
       The man burst out laughing.
       “You’d hardly believe me if I was to tell you it’s for an exhibition, but it’s the truth. Artists have exhibitions: so do grocers and butchers; we have them too. All the latest little things in headstones, you know.”
       He went on to talk of marbles, which sort best withstood wind and rain, and which were easiest to work; then of his garden and a new sort of carnation he had bought. At the end of every other minute he would drop his tools, wipe his shining head, and curse the heat.
       I said little, for I felt uneasy. There was something unnatural, uncanny, in meeting this man.
       I tried at first to persuade myself that I had seen him before, that his face, unknown to me, had found a place in some out-of-the-way corner of my memory, but I knew that I was practising little more than a plausible piece of self-deception.
       Mr. Atkinson finished his work, spat on the ground, and got up with a sigh of relief.
       “There! what do you think of that?” he said, with an air of evident pride.
       The inscription which I read for the first time was this—

SACRED TO THE MEMORY
OF
JAMES CLARENCE WITHENCROFT
BORN JAN. 18TH, 1860
HE PASSED AWAY VERY SUDDENLY
ON AUGUST 20TH, 19—

“In the midst of life we are in death.”

FOR SOME TIME I sat in silence. Then a cold shudder ran down my spine. I asked him where he had seen the name.
       “Oh, I didn’t see it anywhere,” replied Mr. Atkinson. “I wanted some name, and I put down the first that came into my head. Why do you want to know?”
       “It’s a strange coincidence, but it happens to be mine.”
       He gave a long, low whistle.
       “And the dates?”
       “I can only answer for one of them, and that’s correct.”
       “It’s a rum go!” he said.
       But he knew less than I did. I told him of my morning’s work. I took the sketch from my pocket and showed it to him. As he looked, the expression of his face altered until it became more and more like that of the man I had drawn.
       “And it was only the day before yesterday,” he said, “that I told Maria there were no such things as ghosts!”
       Neither of us had seen a ghost, but I knew what he meant.
       “You probably heard my name,” I said.
       “And you must have seen me somewhere and have forgotten it! Were you at Clacton-on-Sea last July?”
       I had never been to Clacton in my life. We were silent for some time. We were both looking at the same thing, the two dates on the gravestone, and one was right.
       “Come inside and have some supper,” said Mr. Atkinson.
       His wife is a cheerful little woman, with the flaky red cheeks of the country-bred. Her husband introduced me as a friend of his who was an artist. The result was unfortunate, for after the sardines and watercress had been removed, she brought out a Doré Bible, and I had to sit and express my admiration for nearly half an hour.
       I went outside, and found Atkinson sitting on the gravestone smoking.
       We resumed the conversation at the point we had left off.
       “You must excuse my asking,” I said, “but do you know of anything you’ve done for which you could be put on trial?”
       He shook his head.
       “I’m not a bankrupt, the business is prosperous enough. Three years ago I gave turkeys to some of the guardians at Christmas, but that’s all I can think of. And they were small ones, too,” he added as an afterthought.
       He got up, fetched a can from the porch, and began to water the flowers. “Twice a day regular in the hot weather,” he said, “and then the heat sometimes gets the better of the delicate ones. And ferns, good Lord! they could never stand it. Where do you live?”
       I told him my address. It would take an hour’s quick walk to get back home.
       “It’s like this,” he said. “We’ll look at the matter straight. If you go back home tonight, you take your chance of accidents. A cart may run over you, and there’s always banana skins and orange peel, to say nothing of fallen ladders.”
       He spoke of the improbable with an intense seriousness that would have been laughable six hours before. But I did not laugh.
       “The best thing we can do,” he continued, “is for you to stay here till twelve o’clock. We’ll go upstairs and smoke; it may be cooler inside.”
       To my surprise I agreed.

WE ARE SITTING now in a long, low room beneath the eaves. Atkinson has sent his wife to bed. He himself is busy sharpening some tools at a little oilstone, smoking one of my cigars the while.
       The air seems charged with thunder. I am writing this at a shaky table before the open window. The leg is cracked, and Atkinson, who seems a handy man with his tools, is going to mend it as soon as he has finished putting an edge on his chisel.
       It is after eleven now. I shall be gone in less than an hour.
       But the heat is stifling.
       It is enough to send a man mad.


Tuesday, September 17, 2024

Everything That Rises Must Converge by Flannery O'Connor




Everything That Rises Must Converge


by Flannery O'Connor


HER DOCTOR had told Julian's mother that she must lose twenty pounds on account of her blood pressure, so on Wednesday nights Julian had to take her downtown on the bus for a reducing class at the Y. The reducing class was designed for working girls over fifty, who weighed from 165 to 200 pounds. His mother was one of the slimmer ones, but she said ladies did not tell their age or weight. She would not ride the buses by herself at night since they had been integrated, and because the reducing class was one of her few pleasures, necessary for her health, and free, she said Julian could at least put himself out to take her, considering all she did for him. Julian did not like to consider all she did for him, but every Wednesday night he braced himself and took her.

    She was almost ready to go, standing before the hall mirror, putting on her hat, while he, his hands behind him, appeared pinned to the door frame, waiting like Saint Sebastian for the arrows to begin piercing him. The hat was new and had cost her seven dollars and a half. She kept saying, “Maybe I shouldn't have paid that for it. No, I shouldn't have. I'll take it off and return it tomorrow. I shouldn't have bought it.”

    Julian raised his eyes to heaven. “Yes, you should have bought it,” he said. “Put it on and let's go.” It was a hideous hat A purple velvet flap came down on one side of it and mood up on the other; the rest of it was green and looked like a cushion with the stuffing out. He decided it was less comical than jaunty and pathetic. Everything that gave her pleasure was small and depressed him.

    She lifted the hat one more time and set it down slowly on top of her head. Two wings of gray hair protruded on either side of her florid face, but her eyes, sky-blue, were as innocent and untouched by experience as they must have been when she was ten. Were it not that she was a widow who had struggled fiercely to feed and clothe and put him through school and who was supporting him still, “until he got on his feet,” she might have been a little girl that he had to take to town. “It's all right, it's all right,” he said. “Let's go.” He opened door himself and started down the walk to get her going. The sky was a dying violet and the houses stood out darkly against it, bulbous liver-colored monstrosities of a uniform ugliness though no two were alike. Since this had been a fashionable neighborhood forty years ago, his mother persisted in thinking they did well to have an apartment in it. Each house had a narrow collar of dirt around it in which sat, usually, a grubby child. Julian walked with his hands in his pockets, his head down and thrust forward and his eyes glazed with the determination to make himself completely numb during the time he would be sacrificed to her pleasure.

    The door closed and he turned to find the dumpy figure, surmounted by the atrocious hat, coming toward him.  “Well,” she said, “you only live once and paying a little more for it, I at least won't meet myself coming and going.”

    “Some day I'll start making money,” Julian said gloomily- he knew he never would - “and you can have one of those jokes whenever you take the fit.” But first they would move.  He visualized a place where the nearest neighbors would be three miles away on either side.

    “I think you're doing fine,” she said, drawing on her gloves. “You've only been out of school a year. Rome wasn't built in a day.”

    She was one of the few members of the Y reducing class who arrived in hat and gloves and who had a son who had been to college. “It takes time,” she said, “and the world is in such a mess. This hat looked better on me than any of the others, though when she brought it out I said, ‘Take that thing back. I wouldn't have it on my head,’ and she said, ‘Now wait till you see it on,’ and when she put it on me, I said, ‘We-ull,’ and she said, ‘If you ask me, that hat does something for you and you do something for the hat, and besides,’ she said, ‘with that hat, you won't meet yourself coming and going.’”

    Julian thought he could have stood his lot better if she had been selfish, if she had been an old hag who drank and screamed at him. He walked along, saturated in depression, as if in the midst of his martyrdom he had lost his faith.  Catching sight of his long, hopeless, irritated face, she stopped suddenly with a grief-stricken look, and pulled back on his arm. “Wait on me,” she said. “I'm going back to the house and take this thing off and tomorrow I'm going to return it. I was out of my head. I can pay the gas bill with that seven-fifty.”

    He caught her arm in a vicious grip. “You are not going to take it back,” he said. “I like it.”

    “Well,” she said, “I don't think I ought. . .”“Shut up and enjoy it,” he muttered, more depressed than ever.

    “With the world in the mess it's in,” she said, “it's a wonder we can enjoy anything. I tell you, the bottom rail is on the top.”

    Julian sighed.

    “Of course,” she said, “if you know who you are, you can go anywhere.” She said this every time he took her to the reducing class. “Most of them in it are not our kind of people,” she said, “but I can be gracious to anybody. I know who I am.”

    “They don't give a damn for your graciousness,” Julian said savagely. “Knowing who you are is good for one generation only. You haven't the foggiest idea where you stand now or who you are.”

    She stopped and allowed her eyes to flash at him. “I most certainly do know who I am,” she said, “and if you don't know who you are, I'm ashamed of you.”

    “Oh hell,” Julian said.

    “Your great-grandfather was a former governor of this state,” she said. “Your grandfather was a prosperous land-owner. Your grandmother was a Godhigh.”

    “Will you look around you,” he said tensely, “and see where you are now?” and he swept his arm jerkily out to indicate the neighborhood, which the growing darkness at least made less dingy.

    “You remain what you are,” she said. “Your great-grand-father had a plantation and two hundred slaves.”

    “There are no more slaves,” he said irritably.

    “They were better off when they were,” she said. He groaned to see that she was off on that topic. She rolled onto it every few days like a train on an open track. He knew every stop, every junction, every swamp along the way, and knew the exact point at which her conclusion would roil majestically into the station: “It's ridiculous. It's simply not realistic. They should rise, yes, but on their own side of the fence.”

    “Let's skip it,” Julian said.

    “The ones I feel sorry for,” she said, “are the ones that are half white. They're tragic.”

    “Will you skip it?”

    “Suppose we were half white. We would certainly have mixed feelings.”

    “I have mixed feelings now,” he groaned.

    “Well let's talk about something pleasant,” she said. “I remember going to Grandpa's when I was a little girl. Then the house had double stairways that went up to what was really the second floor - all the cooking was done on the first. I used to like to stay down in the kitchen on account of the way the walls smelled. I would sit with my nose pressed against the plaster and take deep breaths. Actually the place belonged to the Godhighs but your grandfather Chestny paid the mortgage and saved it for them. They were in reduced circumstances,” she said, “but reduced or not, they never forgot who they were.”

    “Doubtless that decayed mansion reminded them,” Julian muttered. He never spoke of it without contempt or thought of it without longing. He had seen it once when he was a child before it had been sold. The double stairways had rotted and been torn down. Negroes were living in it. But it remained in his mind as his mother had known it. It appeared in his dreams regularly. He would stand on the wide porch, listening to the rustle of oak leaves, then wander through the high-ceilinged hall into the parlor that opened onto it and gaze at the worn rugs and faded draperies. It occurred to him that it was he, not she, who could have appreciated it. He preferred its threadbare elegance to anything he could name and it was because of it that all the neighborhoods they had lived in had been a torment to him - whereas she had hardly known the difference. She called her insensitivity “being adjustable.”

    “And I remember the old darky who was my nurse, Caroline. There was no better person in the world. I've always had a great respect for my colored friends,” she said. “I’d do anything in the world for them and they'd. . .”

    “Will you for God's sake get off that subject?” Julian said. When he got on a bus by himself, he made it a point to sit down beside a Negro, in reparation as it were for his mother's sins.

    “You're mighty touchy tonight,” she said. “Do you feel all right?”

    “Yes I feel all right” he said. “Now lay off.”

    She pursed her lips. “Well, you certainly are in a vile humor,” she observed “I just won't speak to you at all.”

    They had reached the bus stop. There was no bus in sight and Julian, his hands still jammed in his pockets and his head thrust forward, scowled down the empty street. The frustration of having to wait on the bus as well as ride on it began to creep up his neck like a hot hand. The presence of his mother was borne in upon him as she gave a pained sigh. He looked at her bleakly. She was holding herself very erect under the preposterous hat wearing it like a banner of her imaginary dignity. There was in him an evil urge to break her spirit. He suddenly unloosened his tie and pulled it off and put it in his pocket

    She stiffened. “Why must you look like that when you take me to town?” she said. “Why must you deliberately embarrass me?”

    “If you'll never learn where you arc,” he said, “you can at least learn where I am.”

    “You look like a thug,” she said.

    “Then I must be one” he murmured.

    “I'll just go home” she said. “I will not bother you. If you can’t do a little thing’ like that for me . . .”

    Rolling his eyes upward, he put his tie back on. “Restored to my class,” he muttered. He thrust his face toward her and hissed, “True culture is in the mind, the mind,” he said, and tapped his head, “the mind.”

    “It's in the heart,” she said, “and in how you do things and how you do things is because of who you are.”

    “Nobody in the damn bus cares who you are.”

    “I care who I am” she said icily.

    The lighted bus appeared on top of the next hill and as it approached, they moved out into the street to meet it. He put his hand under her elbow and hoisted her up On the creaking step. She entered with a little smile, as if she were going into a drawing room where everyone had been waiting for her. While he put in the tokens, she sat down on one of the broad front seats for three which faced the aisle. A thin woman with protruding teeth and long yellow hair was sitting on the end of it. His mother moved up beside her and left room for Julian beside herself. He sat down and looked at the floor across the aisle where a pair of thin feet in red and white canvas sandals were planted.

    His mother immediately began a general conversation meant to attract anyone who felt like talking. “Can it get any hotter?” she said and removed from her purse a folding fan, black with a Japanese scene on it, which she began to flutter before her.

    “I reckon it might could,” the woman with the protruding teeth said, “but I know for a fact my apartment couldn’t get no hotter.”

    “It must get the afternoon sun, " his mother said. She sat forward and looked up and down the bus. It was half filled. Everybody was white. “I see we have the bus to ourselves,” she said. Julian cringed.

    “For a change,” said the woman across the aisle, the owner of the red and white canvas sandals. “I come on one the other day and they were thick as fleas—up front and all through.”

    “The world is in a mess everywhere,” his mother said. “I don't know how we’ve let it get in this fix.”

    “What gets my goat is all those boys from good families stealing automobile tires,” the woman with the protruding teeth said. “I told my boy, I said you may not be rich but you been raised right and if I ever catch you in any such mess, they can send you on to the reformatory. Be exactly where you belong.”

    “Training tells,” his mother said. “Is your boy in high school?”

    “Ninth grade,” the woman said.

    “My son just finished college last year. He wants to write but he’s selling typewriters until he gets started,” his mother said.

    The woman leaned forward and peered at Julian. He threw her such a malevolent look that she subsided against the seat.  On the floor across the aisle there was an abandoned newspaper. He got up and got it and opened it out in front of him. His mother discreetly continued the conversation in a lower tone but the woman across the aisle said in a loud voice, “Well that’s nice. Selling typewriters is close to writing. He can go right from one to the other.”

    “I tell him,” his mother said, “that Rome wasn't built in a day.”

    Behind the newspaper Julian was withdrawing into the inner compartment of his mind where he spent most of his time. This was a kind of mental bubble in which he established himself when he could not bear to be a part of what was going on around him. From it he could see out and judge but in it he was safe from any kind of penetration from without. It was the only place where he felt free of the general idiocy of his fellows. His mother had never entered it but from it he could see her with absolute clarity.

    The old lady was clever enough and he thought that if she had started from any of the right premises, more might have been expected of her. She lived according to the laws of her own fantasy world outside of which he had never seen her set foot. The law of it was to sacrifice herself for him after she had first created the necessity to do so by making a mess of things. If he had permitted her sacrifices, it was only because her lack of foresight had made them necessary. All of her life had been a struggle to act like a Chestny and to give him everything she thought a Chestny ought to have without the goods a Chestny ought to have;  but since, said she, it was fun to struggle, why complain? And when you had won, as she had won, what fun to look back on the hard times! He could not forgive her that she had enjoyed the struggle and that she thought she had won.

    What she meant when she said she had won was that she had brought him up successfully and had sent him to college and that he had turned out so well-good looking (her teeth had gone unfilled so that his could be straightened), intelligent (he realized he was too intelligent to be a success), and with a future ahead of him (there was of course no future ahead of him). She excused his gloominess on the grounds that he was still growing up and his radical ideas on his lack of practical experience. She said he didn’t yet know a thing about “life,” that he hadn’t even entered the real world—when already he was as disenchanted with it as a man of fifty.

    The further irony of all this was that in spite of her, he had turned out so well. In spite of going to only a third-rate college, he had, on his own initiative, come out with a first-rate education; in spite of growing up dominated by a small mind, he had ended up with a large one; in spite of all her foolish views, he was free of prejudice and unafraid to face facts. Most miraculous of all, instead of being blinded by love for her as she was for him, he had cut himself emotionally free of her and could see her with complete objectivity. He was not dominated by his mother.

    The bus stopped with a sudden jerk and shook him from his meditation. A woman from the back lurched forward with little steps and barely escaped falling in his newspaper as she righted herself. She got off and a large Negro got on. Julian kept his paper lowered to watch. It gave him a certain satisfaction to see injustice in daily operation. It confirmed his view that with a few exceptions there was no one worth knowing within a radius of three hundred miles. The Negro was well dressed and carried a briefcase. He looked around and then sat down on the other end of the seat where the woman with the red and white canvas sandals was sitting. He immediately unfolded a newspaper and obscured himself behind it. Julian's mother's elbow at once prodded insistently into his ribs. “Now you see why I won't ride on these buses by myself,” she whispered.

    The woman with the red and white canvas sandals had risen at the same time the Negro sat down and had gone farther back in the bus and taken the seat of the woman who had got off His mother leaned forward and cast her an approving look.

    Julian rose, crossed the aisle, and sat down in the place of the woman with the canvas sandals. From this position, he looked serenely across at his mother. Her face had turned an angry red. He stared at her, making his eyes the eyes of a stranger. He felt his tension suddenly lift as if he had openly declared war on her.

    He would have liked to get in conversation with the Negro and to talk with him about art or politics or any subject that would be above the comprehension of those around them, but the man remained entrenched behind his paper. He was either ignoring the change of seating or had never noticed it.  There was no way for Julian to convey his sympathy.

    His mother kept her eyes fixed reproachfully on his face. The woman with the protruding teeth was looking at him avidly as if he were a type of monster new to her.

    “Do you have a light?” he asked the Negro.

    Without looking away from his paper, the man reached in his pocket and handed him a packet of matches.

    “Thanks,” Julian said. For a moment he held the matches foolishly. A NO SMOKING sign looked down upon him from over the door. This alone would not have deterred him; he had no cigarettes. He had quit smoking some months before because he could not afford it. “Sorry,” he muttered and handed back the matches. The Negro lowered the paper and gave him an annoyed look. He took the matches and raised the paper again.

    His mother continued to gaze at him but she did not take advantage of his momentary discomfort. Her eyes retained their battered look. Her face seemed to be unnaturally red, as if her blood pressure had risen. Julian allowed no glimmer of sympathy to show on his face. Having got the advantage, he wanted desperately to keep it and carry it through. He would have liked to teach her a lesson that would last her a while, but there seemed no way to continue the point. The Negro refused to come out from behind his paper.

    Julian folded his arms and looked stolidly before him, facing her but as if he did not see her, as if he had ceased to recognize her existence. He visualized a scene in which, the bus  having reached their stop, he would remain in his seat and when she said, “Aren’t you going to get off?” he would look at her as at a stranger who had rashly addressed him. The corner they got off on was usually deserted, but it was well lighted and it would not hurt her to walk by herself the four blocks to the Y. He decided to wait until the time came and then decide whether or not he would let her get off by herself He would have to be at the Y at ten to bring her back, but he could leave her wondering if he was going to show up. There was no reason for her to think she could always depend on him.

    He retired again into the high-ceilinged room sparsely settled with large pieces of antique furniture. His soul expanded momentarily but then he became aware of his mother across from him and the vision shriveled. He studied her coldly. Her feet in little pumps dangled like a child’s and did not quite reach the floor. She was training on him an exaggerated look of reproach. He felt completely detached from her. At that moment he could with pleasure have slapped her as he would have slapped a particularly obnoxious child in his charge.

    He began to imagine various unlikely ways by which he could teach her a lesson. He might make friends with some distinguished Negro professor or lawyer and bring him home to spend the evening. He would be entirely justified but her blood pressure would rise to 300. He could not push her to the extent of making her have a stroke, and moreover, he had never been successful at making any Negro friends. He had tried to strike up an acquaintance on the bus with some of the better types, with ones that looked like professors or ministers or lawyers. One morning he had sat down next to a distinguished-looking dark brown man who had answered his questions with a sonorous solemnity but who had turned out to be an undertaker. Another day he had sat down beside a cigar-smoking Negro with a diamond ring on his finger, but after a few stilted pleasantries, the Negro had rung the buzzer and risen, slipping two lottery tickets into Julian's hand as he climbed over him to leave.

    He imagined his mother lying desperately ill and his being able to secure only a Negro doctor for her. He toyed with that idea for a few minutes and then dropped it for a momentary vision of himself participating as a sympathizer in a sit-in demonstration. This was possible but he did not linger with it. Instead, he approached the ultimate horror. He brought home a beautiful suspiciously Negroid woman. Prepare yourself, he said. There is nothing you can do about it. This is the woman I've chosen. She’s intelligent, dignified, even good, and she’s suffered and she hasn’t thought it fun. Now persecute us, go ahead and persecute us. Drive her out of here, but remember, you’re driving me too. His eyes were narrowed and through the indignation he had generated, he saw his mother across the aisle, purple-faced, shrunken to the dwarf-like proportions of her moral nature, sitting like a mummy beneath the ridiculous banner of her hat.

    He was tilted out of his fantasy again as the bus stopped. The door opened with a sucking hiss and out of the dark a large, gaily dressed, sullen-looking colored woman got on with a little boy. The child, who might have been four, had on a short plaid suit and a Tyrolean hat with a blue feather in it. Julian hoped that he would sit down beside him and that the woman would push in beside his mother. He could think of no better arrangement.

    As she waited for her tokens, the woman was surveying the seating possibilities—he hoped with the idea of sitting where she was least wanted. There was something familiar-looking about her but Julian could not place what it was. She was a giant of a woman. Her face was set not only to meet opposition but to seek it out. The downward tilt of her large lower lip was like a warning sign: DON’T TAMPER WITH ME. Her bulging figure was encased in a green crepe dress and her feet overflowed in red shoes. She had on a hideous hat. A purple velvet flap came down on one side of it and stood up on the other; the rest of it was green and looked like a cushion with the stuffing out. She carried a mammoth red pocketbook that bulged throughout as if it were stuffed with rocks.

    To Julian's disappointment, the little boy climbed up on the empty seat beside his mother. His mother lumped all children, black and white, into the common category, “cute,” and she thought little Negroes were on the whole cuter than little white children. She smiled at the little boy as he climbed on the seat.

    Meanwhile the woman was bearing down upon the empty seat beside Julian. To his annoyance, she squeezed herself into it. He saw his mother's face change as the woman settled herself next to him and he realized with satisfaction that this was more objectionable to her than it was to him. Her face seemed almost gray and there was a look of dull recognition in her eyes, as if suddenly she had sickened at some awful confrontation. Julian saw that it was because she and the woman had, in a sense, swapped sons. Though his mother would not realize the symbolic significance of this, she would feel it. His amusement showed plainly on his face.

    The woman next to him muttered something unintelligible to herself. He was conscious of a kind of bristling next to him, a muted growling like that of an angry cat. He could not see anything but the red pocketbook upright on the bulging green thighs. He visualized the woman as she had stood waiting for her tokens-the ponderous figure, rising from the red shoes upward over the solid hips, the mammoth bosom, the haughty face, to the green and purple hat.

    His eyes widened.

    The vision of the two hats, identical, broke upon him with the radiance of a brilliant sunrise. His face was suddenly lit with joy. He could not believe that Fate had thrust upon his mother such a lesson. He gave a loud chuckle so that she would look at him and see that he saw. She turned her eyes on him slowly. The blue in them seemed to have turned a bruised purple. For a moment he had an uncomfortable sense of her innocence, but it lasted only a second before principle rescued him. Justice entitled him to laugh. His grin hardened until it said to her as plainly as if he were saying aloud: Your punishment exactly fits your pettiness. This should teach you a permanent lesson.

    Her eyes shifted to the woman. She seemed unable to bear looking at him and to find the woman preferable. He became conscious again of the bristling presence at his side. The woman was rumbling like a volcano about to become active. His mother's mouth began to twitch slightly at one corner. With a sinking heart, he saw incipient signs of recovery on her face and realized that this was going to strike her suddenly as funny and was going to be no lesson at all. She kept her eyes on the woman and an amused smile came over her face as if the woman were a monkey that had stolen her hat. The little Negro was looking up at her with large fascinated eyes. He had been trying to attract her attention for some time.

    “Carver!” the woman said suddenly. “Come heah!”

    When he saw that the spotlight was on him at last, Carver drew his feet up and turned himself toward Julian's mother and giggled.

    “Carver!” the woman said. “You heah me? Come heah!”

    Carver slid down from the seat but remained squatting with his back against the base of it, his head turned slyly around toward Julian's mother, who was smiling at him. The woman reached a hand across the aisle and snatched him to her. He righted himself and hung backwards on her knees, grinning at Julian's mother. “Isn’t he cute?” Julian's mother said to the woman with the protruding teeth.

    “I reckon he is,” the woman said without conviction.

    The Negress yanked him upright but he eased out of her grip and shot across the aisle and scrambled, giggling wildly, onto the seat beside his love.

    “I think he likes me,” Julian's mother said, and smiled at the woman. It was the smile she used when she was being particularly gracious to an inferior. Julian saw everything lost. The lesson had rolled off her like rain on a roof.

    The woman stood up and yanked the little boy off the seat as if she were snatching him from contagion. Julian could feel the rage in her at having no weapon like his mother's smile. She gave the child a sharp slap across his leg. He howled once and then thrust his head into her stomach and kicked his fret against her shins. “Be-have,” she said vehemently.

    The bus stopped and the Negro who had been reading the newspaper got off. The woman moved over and set the little boy down with a thump between herself and Julian. She held him firmly by the knee. In a moment he put his hands in front of his face and peeped at Julian's mother through his fingers.

    “I see yoooooooo !” she said and put her hand in front of her face and peeped at him.

    The woman slapped his hand down. “Quit yo’ foolishness,” she said, “before I knock the living Jesus out of you!”

    Julian was thankful that the next stop was theirs. He reached up and pulled the cord. The woman reached up and pulled it at the same time. Oh my God, he thought. He had the terrible intuition that when they got off the bus together, his mother would open her purse and give the little boy a nickel. The gesture would be as natural to her as breathing. The bus stopped and the woman got up and lunged to the front, dragging the child, who wished to stay on, after her. […] His mother got up and followed. As they neared the door, Julian tried to relieve her of her pocketbook.

    “No,” she murmured, “I want to give the little boy a nickel.”

    “No!” Julian hissed. “No!”

    She smiled down at the child and opened her bag. The bus door opened and the woman picked him up by the arm and descended with him, hanging at her hip. Once in the street she set him down and shook him.

    Julian's mother had to close her purse while she got down the bus step but as soon as her feet were on the ground, she opened it again and began to rummage inside. “I can’t find but a penny,” she whispered, “but it looks like a new one.”

    “Don’t do it!” Julian said fiercely between his teeth. There was a streetlight on the corner and she hurried to get under it so that she could better see into her pocketbook. The woman was heading off rapidly down the street with the child still hanging backward on her hand.

    “Oh little boy!” Julian's mother called and took a few quick steps and caught up with them just beyond the lamppost. “Here’s a bright new penny for you,” and she held out the coin, which shone bronze in the dim light.

    The huge woman turned and for a moment stood, her shoulders lifted and her face frozen with frustrated rage, and stared at Julian's mother. Then all at once she seemed to explode like a piece of machinery that had been given one ounce of pressure too much. Julian saw the black fist swing out with the red pocketbook. He shut his eyes and cringed as he heard the woman shout, “He don't take nobody’s pennies!” When he opened his eyes, the woman was disappearing down the street with the little boy staring wide-eyed over her shoulder. Julian's mother was sitting on the sidewalk.

    “I told you not to do that,” Julian said angrily. “I told you not to do that!”

    He stood over her for a minute, gritting his teeth. Her legs were stretched out in front of her and her hat was on her lap. He squatted down and looked her in the face. It was totally expressionless. “You got exactly what you deserved,” he said. “Now get up.”

    He picked up her pocketbook and put what had fallen out back in it. He picked the hat up off her lap. The penny caught his eye on the sidewalk and he picked that up and let it drop before her eyes into the purse. Then he stood up and leaned over and held his hands out to pull her up. She remained immobile. He sighed. Rising above them on either side were black apartment buildings, marked with irregular rectangles of light. At the end of the block a man came out of a door and walked off in the opposite direction. “All right,” he said, “suppose somebody happens by and wants to know why you’re sitting on the sidewalk?”

    She took the hand and, breathing hard, pulled heavily up on it and then stood for a moment, swaying slightly as if the spots of light in the darkness were circling around her. Her eyes, shadowed and confused, finally settled on his face. He did not try to conceal his irritation. “I hope this teaches you a lesson,” he said. She leaned forward and her eyes raked his face. She seemed trying to determine his identity. Then, as if she found nothing familiar about him, she started off with a headlong movement in the wrong direction.

    “Aren’t you going on to the Y?” he asked.

    “Home,” she muttered.

    “Well, are we walking?”

    For answer she kept going. Julian followed along, his hands behind him. He saw no reason to let the lesson she had had go without backing it up with an explanation of its meaning. She might as well be made to understand what had happened to her. “Don’t think that was just an uppity Negro woman,” he said. “That was the whole colored race which will no longer take your condescending pennies. That was your black double. She can wear the same hat as you, and to be sure,” he added gratuitously (because he thought it was funny), “it looked better on her than it did on you. What all this means,” he said, “is that the old world is gone. The old manners are obsolete and your graciousness is not worth a damn.” He thought bitterly of the house that had been lost for him. “You aren’t who you think you are,” he said.

    She continued to plow ahead, paying no attention to him. Her hair had come undone on one side. She dropped her pocketbook and took no notice. He stooped and picked it up and handed it to her but she did not take it.

    ”You needn’t act as if the world had come to an end,” he aid, “because it hasn’t. From now on you’ve got to live in a new world and face a few realities for a change. Buck up,” he said, “it won't kill you.”

    She was breathing fast.

    “Let's wait on the bus,” he said.

    “Home,” she said thickly.

    “I hate to see you behave like this,” he said. “Just like a child. I should be able to expect more of you.” He decided to stop where he was and make her stop and wait for a bus. “I'm not going any farther,” he said, stopping. “We’re going on the bus.”

    She continued to go on as if she had not heard him. He took a few steps and caught her arm and stopped her. He looked into her face and caught his breath. He was looking into a face he had never seen before. “Tell Grandpa to come get me,” she said.

    He stared, stricken.

    “Tell Caroline to come get me,” she said.

    Stunned, he let her go and she lurched forward again, walking as if one leg were shorter than the other. A tide of darkness seemed to be sweeping her from him. “Mother!” he cried. “Darling, sweetheart, wait!” Crumpling, she fell to the pavement. He dashed forward and fell at her side, crying, “Mamma, Mamma!” He turned her over. Her face was fiercely distorted. One eye, large and staring, moved slightly to the left as if it had become unmoored. The other remained fixed on him, raked his face again, found nothing and closed.

    “Wait here, wait here!” he cried and jumped up and began to run for help toward a cluster of lights he saw in the distance ahead of him. “Help, help!” he shouted, but his voice was thin, scarcely a thread of sound. The lights drifted farther away the faster he ran and his feet moved numbly as if they carried him nowhere. The tide of darkness seemed to sweep him back to her, postponing from moment to moment his entry into the world of guilt and sorrow.