Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Showing posts with label Robert Zacks. Show all posts
Showing posts with label Robert Zacks. Show all posts

Saturday, January 30, 2016

Don't Shoot by Robert Zacks


Don't Shoot

By ROBERT ZACKS

Illustrated by ASHMAN

[Transcriber's Note: This etext was produced from
Galaxy Science Fiction April 1955.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]


A man has to have a place to confess a horrible
sin ... and this is as good as any other!


I can no longer keep my terrible secret, although the thought of what will happen to me, when I tell my story, gives me a trembling from head to toe. Without doubt, word will flash to the proper authorities and stern-faced men with sympathetic eyes will bring straitjacket and sedatives, and hunt me down to tear me from Mary's clinging arms. A padded cell will be made ready for another unfortunate.

Nevertheless what we have just read in the newspapers has made us fearfully agree that I must tell all, regardless of my own fate. So let me say this:

If it is true that an expedition is being organized in London to go to the cold and rocky wastes of the Himalayas for the purpose of investigating that astonishing primeval creature called 'The Abominable Snowman,' then I am forced to tell you immediately ... the Abominable Snowman is none other than Mr. Eammer, the famous movie magnate.

And I am the one responsible for this amazing situation. I and my invention which Mr. Eammer had hired me to develop, an invention which would put 3-D and Cinemascope and the new Largoscope process so far behind in the fierce Hollywood battle for supremacy that Mr. Eammer would at last have complete control of the industry, and, for that matter, television also.

You will say this is impossible because one or two glimpses of the Abominable Snowman have shown it to be an apelike creature?

And the animal's body is covered with thick, coarse hair?

Well, did you ever see Mr. Eammer lounging beside his elaborate Beverly Hills swimming pool? He looks as if he's just climbed down from a tree. The last young movie lovely an agent had brought around to talk contracts took one look, screamed and fainted. It is said she was hysterical for two days.


But let me tell how it all started. Remember those awful days when television, like a monster with a wild pituitary gland, grew until it took the word 'colossal' away from filmdom? What a battle! Like two giant bears rearing up face to face, roaring, screaming, swapping terrible blows of mighty paws, the two industries fought, with the film industry reeling bloodily, at first, then rallying with 3-D, then Cinemascope, and television pressing home the fierce attack with color TV.

And who was caught in the middle of all this, without any protection? Mr. Eammer. Why? Well, let me give you some background on that character. When talkies killed the era of silent films, Mr. Eammer nearly got shaken loose in the change. He'd scornfully dismissed the new development.

"Ha," he'd said. "People come to my movies for one of two things. To fall asleep, or to look at the pretty girlies."

When the movie industry began to look for good stories and material that stimulated the mind as well as the emotion, Mr. Eammer had jeered. "Ha. People are stupid, people are sheep. They don't want to think, they just want to see the pretty girlies."

Six months later, Mr. Eammer had sent emissaries to England to try to hire this guy Billy Shakespeare. "Offer him anything," ordered Mr. Eammer grimly. "Tell him we'll fill the water cooler in his office with gin, he can pick any secretary he likes from among our starlets, and ... and ..." he swallowed, then recklessly added, "we'll even give him screen credit."

Of course the men he'd sent out searching knew Billy Shakespeare had kicked off, though they weren't sure whether it was last year or ten years ago. But it was a fine trip on the expense account and after a few weeks of riotous searching in London's gayer areas, they wired that Shakespeare had caught a bad cold, the penicillin had run out and he'd not lasted the night.

But Mr. Eammer pulled out of his situation. He bought up just the right to use the titles of great classic novels, ignored the contents, and had entirely different stories written.

"Not enough girlies in their versions," he explained, frowning. "Them hack writers don't have stuff with real interest to it."


By the time the customers were in the packed movie houses, they were so stunned with the spectacle of unclad femininity that they'd completely forgotten what they'd come to see. Half of them had never read the classics anyway.

So the dough rolled in and Mr. Eammer's estate was photographed in color and published in "Beautiful Homes" magazines, and high school newspapers sent nervous young reporters to ask advice for graduates yearning to get into the movie business. How, they asked humbly, could they carve a place for themselves?

Mr. Eammer beamed and said, "Girlies. Use plenty of girlies. It gets them every time."

The printed interview, as approved and edited by high school faculty advisors, did not contain this advice.

But the girlies weren't enough to save Mr. Eammer when television hit the movies on its glass jaw. He didn't believe what was happening, until it was too late. When his studio started hitting the skids, he hastily withdrew funds and liquidated assets and rented a number of safe-deposit boxes. Then he sat back and let his creditors scream a symphony of threats.

It was at that time that Mr. Eammer heard that I, a young physicist interested in optics, had stumbled across an oddity which might revolutionize the movie industry. He'd heard of this through Mary, whom I love with all my heart, and who will sometimes embarrass me by proudly telling people how intelligent I am.

As Mr. Eammer's secretary, she let him know all about me, just as she let me know all I have just told you about him. Mary is not a reticent person; she is too loving of her fellow man to withhold even the slightest information and perhaps I should have kept my astonishing discovery to myself.

In any case the phone rang in my very small laboratory one day and Mary's excited voice said, "Joe, darling. It's me. I told him about your invention. Come down right away."

"Who?" I said. "Where? What are you talking about?"

"To the studio," she said impatiently. "To see my boss, Mr. Eammer. He says if your invention is...."

"Now wait a minute," I shouted with indignation. "I told you not to tell anybody about it. It's not perfected. In fact, I don't understand how it works exactly."

"Stop being so modest," she said firmly. "I know you. You're a genius and genius is never, never satisfied. I read all about it. You want us to get married, don't you?"

"Yes," I said, sudden longing surging through my heart.

"Can we afford to? No. So come on down. Anyway, I already told him. Don't make me into a ... a liar," begged Mary. "If he likes your invention, maybe he'll buy it."


The things we do for the women we love. I went there in fear and was trembling with good reason. Not knowing quite how my invention operated, it could be stolen from me, because it might not be patentable. It was more discovery than invention.

Oh, I can tell you, I went to see Mr. Eammer in a cold sweat of fear that I might be losing my hold on the strange and accidental phenomena across which I'd stumbled.

I got quite a greeting.

When I walked into his elaborate outer offices, the workers were sitting hushed in fear before their desks. From within his private offices I could hear bellowing and the sounds of things smashing.

Mary hurried over to me, her warm, brown eyes pleading. Before she could say anything, I heard Mr. Eammer say in a shout, right through the partly opened door, "Well, what have you done about it?"

A trembling voice said, "Sir, I've cut staff fifty per cent."

"Stupid!" roared Mr. Eammer's voice. "Who's talking about that? Did you ask Peterson of World Studios if he'll license us to use his new Largoscope system?"

"Y-yes." A moment of terrified silence. "He s-said your outfit could use his Largoscope on only one occasion. When they f-film your funeral."

There was a gasp, then the door opened and a perspiring, harried, bald-headed man lurched out. With glazed eyes, he made a beeline for the outer door.

"Let's go in," said Mary eagerly "He'll be so glad to see you."

I looked at her incredulously, but she took my arm and dragged me inside. There Mr. Eammer sat twitching and shuddering, his head in his pudgy hands.

He looked dully at us from tiny eyes. "Everybody hates my genius," he said, waggling his head from side to side. "Everybody envies me. The wild dogs are gathering to pull down the noble elk."

As he glared at us, Mary said swiftly, "Yes, sir."

"The wounded lion," whispered Mr. Eammer dramatically, tears of self-pity coming to his eyes. "Surrounded by jackals and laughing hyenas. I am dying of my wounds." He uttered a wail. "Everybody's got a new filming system but me." He drew a deep breath. "Who the hell are you?" he demanded.

"He's...." began Mary.

"Wait a minute," he said. He grabbed a phone from the six on his desk. "Hey. Publicity.... Hey, Mike. I want rumors spread about Largoscope. Top doctors say it'll ruin the eyes, make you stone blind." He paused, his face purpling. "Okay, if you can't do it, then get another job. You're fired."

He slammed the phone down. "No cooperation from anybody," he said heavily. "Surrounded by incompetents." He glared at me. "Who the hell are you?"

"I'm ..." I began.


At this moment, the door opened and in came a man with a sheaf of papers and a film of sweat on his forehead. "I hate to interrupt, Mr. Eammer," he said doggedly, "but I got your note on the Lolita Vaughn contract we drew up. I knew there must be some mistake, so...."

"Mistake, what kind of mistake?" snapped Mr. Eammer. "I want you to tear the contract up. I said we aren't going to sign after all. I got a bigger name for the picture than her."

The man winced. "Well," he said. "I ... I was just wondering. I mean, after all, we talked her into turning down that fat part in the new Broadway show that opened last night. It's a smash hit, I read today...."

"Tough," shouted Mr. Eammer. "My heart bleeds. Did I know when I made that promise that I could get a big star at such a cheap price? I acted hastily, I made a mistake, so I corrected that mistake." He looked stern. "Would it be fair to the stockholders if I took Lolita under these conditions?"

"But you own all the stock!"

"That's what I said, you fool!" roared Mr. Eammer. "Get out of here."

As the man fled, I stared at Mr. Eammer in horror and disgust. Never would I trust a man like this, was my thought.

He glared at me. "Who the hell are you?" he snarled. "I keep asking you and you stand there like a dummy."

"He's the scientist I told you about," said Mary. "He's a genius. He has a new invention that will make Largoscope obsolete."

"This?" said the producer with incredulity. "This beanpole is a scientist? I don't believe it." He stared morosely at me, shaking his head. "He looks like an elevator operator who can't figure out what button to push."

"I beg your pardon!" I said with indignation. "I am a graduate of M.I.T. I graduated summa cum laude."

"Anybody can pick up a few words of French," he sneered. "If you're such a genius, how much money have you got, hah?" As I looked at him numbly, my jaw hanging open, he tapped his chest with a sausagelike forefinger. "Now I am a genius, see? I'm the guy who hires you. Now that we got that straight, what's this nonsense about you being smart enough to figure out a new invention that will make Largoscope obsolete?"

The weary cynicism in his gross face enraged me. If ever I had an immediate yearning to crush a man, to make him say 'uncle,' to have him beg and yearn, it was at that moment and toward this insufferable moron.


Within half an hour, we had driven back to my small laboratory. He peered suspiciously at the involved maze of wiring and electronic equipment. I pointed to the small un-roofed cabinet on my long work-table. It was two feet deep and the four walls, which were three feet long, were studded with small tubes I'd rather not describe, since I've developed them myself and they produce a new kind of ray.

"That's my camera," I said.

"It looks more like a diathermy machine or a sweatbox for reducing," he said skeptically. "How's it operate?"

I set a few dials and went to find Susie, my white cat. "Here pussy, pussy," I said tenderly.

"The man's gone nuts," said Mr. Eammer in disgust.

"Take it easy," I snapped. "That's how I made my strange discovery. I was doing a test on the effect of a new kind of radiation on fabrics. And Susie, my cat, walked over the equipment. First she stepped on a dial, turning it accidentally to full power, then she wandered into the box."

"So what?"

"Watch and see," I said.

I got Susie and she complacently allowed herself to be put into the box. I placed Mary at the dials with instructions and took Mr. Eammer to the next room and pointed to a huge circle chalked on the floor. The movie magnate waited impatiently.

"Mary," I shouted. "Okay. Turn dial number one to full force."

We heard a click.

Then Mr. Eammer yelped and cowered behind me. Because in front of us, within the chalked circle, appeared a giant eight-foot-tall cat, an enormous duplicate of Susie. Susie was licking her paw with a tongue that was nearly two feet long.



"Don't be afraid," I said proudly. "It's just an image. Look." I stepped forward and ran my hand through the air where the giant figure of Susie ignored me. My hand disappeared into the image, and I felt the usual puzzling tingle, as if I were getting a shock. And Susie, from the next room, uttered a faint meow and stopped licking her paw as if she, too, felt something.

"But ... but there's no screen," Eammer said. "And ... and it looks real. It's got three dimensions like an actual body." He cautiously approached, his hands shaking with excitement. He tip-toed around behind the cat image. He choked, "It's like a real, living cat all around."

"You haven't seen anything yet," I said happily. "Watch this. Mary," I yelled again. "Turn dial number two very slowly."


As we stared, the image of the three-dimensional Susie shrank from eight feet all the way down to a three-dimensional miniature cat the size of a thimble.

Mr. Eammer looked as if he might faint.

"Good-by, Largoscope," I said grimly. "This will make all 3-D and large screen systems obsolete. It will revolutionize television, too. People will sit home and see actual figures, three-dimensional figures of real people. There will be no screens at all. The effects of depth and solidity, as you see, are perfect...."

Suddenly Susie in the next room gave a yelping meow and Mary gasped. We jumped, then ran inside. Mary was wringing her hand. There was a little smoke in the room.

"My hand hit a wire," said Mary, embarrassed. "I guess I caused a short circuit or something. I'm sorry. All this smoke." She put her hands to her eyes, rubbing.

"Susie all right?" I said.

"I guess so," she said. "She moved so fast I could hardly see...."

"My dear fellow." Mr. Eammer was most cordial. He put his arm around my shoulders. He was beaming at me. He was offering me a fat cigar. "What a wonderful invention. You are indeed a genius and I offer you my humblest apologies."

"I accept them," I said, pushing him away with distaste. "You may leave now, Mr. Eammer."

"Leave? Not until we've signed a contract, my friend. I want that invention."

"Mr. Eammer, that invention isn't perfected yet. I don't even know how it works. The principles are beyond me. It is something new in the world of physics and optics, and...."

"That's all right," he cried. "I'll give you six months. A year. More. But I want it...."

"No. I'm afraid I don't trust you," I said.

Far from being offended, he was delighted. He laughed as if I'd said something witty. "Of course you don't," he said. "You don't trust me and you don't like me. But just listen to my offer."


Right then and there Mr. Eammer made an offer that had my head swimming. He would, first of all, deposit in an account in my name the sum of one million dollars—free of taxes. Second, he would include in the contract a stipulation that I'd get fifty per cent of all royalties. Third—and very important to me—in the event that the patent he would apply for in my name was refused, or if it was broken by further research, I could keep the million dollars.

"And last," said Mr. Eammer, his nostrils flaring as he closed in for the kill, "I'll make your girl friend, Mary, a big movie star."

Mary's eyes widened. She clasped her hands before her, nervously. "Me?" she whispered. "B-but I can't act."

"What's that got to do with it?" Mr. Eammer asked impatiently. "You just got to hold still when the male lead grabs you. Leave it all to him, he knows what to do."

"No," I cried, appalled. "I don't want anybody else kissing Mary."

"Neither do I," said Mary, blushing.

"You're absolutely right." Mr. Eammer uttered a deep sigh. "Such deep love, such clean emotion, it cuts my heart out, honestly. Okay, we'll give the script a scrubbing. Nobody'll put a finger on her."

"I don't think I'm interested," said Mary regretfully.

Mr. Eammer was staggered. He recovered immediately and said hastily, "Smart girl. What intelligence. It's no life for you."

"But, Mary," I said, kind of liking the idea of my Mary on the screen; of being sole owner of her sweetness with millions of people knowing nobody could kiss this girl but myself. "It's such a rare opportunity. Every girl wants to be a movie star. Do it!"

"Sure," cried Mr. Eammer. "Don't be a dope. How many girls get a chance like this?"

Mary whispered, her eyes shining, "Well, all right, dear, if you insist."

"You have a deal, Mr. Eammer," I said quickly.

Mary typed the contract on my portable as dictated by Mr. Eammer.

"Put in a clause," I said cautiously, remembering his ethics, "that the contract is effective only when the million is deposited in my account."

Mr. Eammer frowned. "Put in a clause for me, too," he said. "He can't draw on the million without a signed receipt from me saying he's delivered all his blueprints and technical notebooks on the invention—and a full-size camera model, big enough to hold people."

"I agree," I said. "I'll have it built and delivered immediately."

I shook Mr. Eammer's clammy hand and he departed with Mary to get the million dollars out of his secret safe-deposit boxes.


I stared dreamily after them, mentally spending that money on all the wonderful things I'd always wanted. A scintillometer. A centrifuge. Maybe I could even build my own private cyclotron. And I could visualize Mary cooking dinner in a little white cottage with a picket fence.

Within the week, I had delivered the full-size camera to Mr. Eammer's studio. As he left me, whimpering with joy and carefully locking the iron doors of the room he'd set aside for my equipment, I stared at the signed receipt in my hand. A million dollars. I was rich.

At this moment, Mary appeared at the studio gate and ran toward me, her face deathly pale.

"What's the matter?" I cried.

"Remember how we couldn't find Susie all week?" she gasped. "Well, I just found her."

Mary held out her fist, opened her fingers and I recoiled in astonishment. In her palm was Susie, my cat. But a Susie that was one inch long ... the smallest, tiniest cat I'd ever seen. She was alive and seemed healthy as she licked her white fur and uttered a meow I barely could hear.

My throat was so dry I could hardly get the words out. "Good Lord. The invention. Something went wrong. It not only sends the image in three dimensions without a screen to receive it; it also transmits the actual body itself through space. I've created a matter transmitter."

"But ... but why is Susie so small?" wailed Mary.

"Apparently it transmits whatever size the image is set at. Remember we had reduced the image of Susie and at that time you short-circuited the wires? That short circuit is what did it. If Susie's image had been large at that moment, we would have had an eight-foot-tall cat on our hands...."

I paused appalled, my eyes clinging to the incredible one-inch cat now peering over the edge of Mary's hand at the ground below. It shrank back fearfully.

"My God," I whispered. I turned and, with Mary close behind me, made a beeline for Mr. Eammer.


We finally found him and got him alone. Mary opened her palm and, without a word, showed him Susie. Mr. Eammer's eyes bulged and his jowls turned ashen. Susie scratched her ear with her miniature rear left foot and I idly wondered just how small Susie's fleas were.

"I warned you," I said grimly, "that I didn't know how this thing worked or the principles behind it. This is what's liable to happen whenever there is a short circuit in the camera box. I don't know why it happens, but it's too dangerous to use. If you want to call off our deal...."

"No, no, no," said Mr. Eammer rapidly. A cunning look came over his face. "I'm sure you can work the bugs out of it, can't you? I'm sure you're anxious to do more research on it?"

"Indeed, I am," I said warmly. "You are a man with the true scientific spirit."

"Go right to work," he said urgently, his fascinated eyes never leaving Susie. "Work night and day, day and night. I'll never leave your side. We must learn how this gadget works."

That's what we did. Making Susie comfortable in a matchbox, we set to work in the dead of night when no inquisitive eyes might see our strange experiments.

Mary made us pots of steaming coffee and Mr. Eammer paced helpfully back and forth uttering unclear mumbles, as I toiled the long, wearying hours.

It did not take long for me to gain an empirical understanding of what I had, by which I mean that, like electricity in its early days, the mysterious force could be utilized, made to perform, without complete understanding of its basic nature.

The night came when I had full control of the machine. We stood staring at it in awe. We had made Susie her normal size again. We had enlarged the image of an old shoe, recklessly aimed the projector out toward the country and flicked the short circuit switch that sent it out in space as solid matter.

After three breathless days, we read the puzzled report in the newspapers. A shoe eight feet long and three feet high had been found in the backyard of a summer cottage. It was a three-day wonder, until somebody advanced the theory that it was obviously a prop of some kind of musical comedy movie.


I looked at my machine with the sense of having created one of the greatest wonders of science. My voice was trembling with pride as I said to Mary and Mr. Eammer, "The things that can be done with this invention. The incredible things...."

"Yes," said Mr. Eammer, gloating. "And it's mine, all mine."

"You'll be the biggest man in the movie industry," I said solemnly. "You made a good investment."

Mr. Eammer gave me a strange smile. "You are a great inventor, my boy, but you have a small imagination. Biggest man in Hollywood, did you say? The only man in Hollywood, you mean. Why, do you realize what I can do with this machine? I can own Hollywood, Television, Broadway. And I'll make a list of people I don't like that I'll get even with. Why, I can be Master of the Entertainment World...."

The blinding realization of what I had done flared in my numbed brain. I had given a tremendous scientific weapon to a ruthless moron. And there was nothing I could do, because he had my blueprints locked in his safe....

I stepped forward and with full force hit Mr. Eammer on the jaw.

As he sagged, I grabbed him and shoved him into the transmitter. "Look out," cried Mary. "He's getting up."

"No," he said in a strangled voice as he struggled to his knees. "No. I'll ... I'll fix you...."

I turned the dials full power, hit the directional switch with my open palm and closed my eyes.

Mr. Eammer's voice cut off abruptly. When I opened my eyes, he was gone.

"Thank heaven," gasped Mary in relief.


I immediately made computations and my figures showed that Mr. Eammer must have been transported to the Himalayas.

That's the area where the Abominable Snowman had been sighted. That is why I must speak now, regardless of any opinions about the state of my sanity. I would not want Mr. Eammer shot by mistake, as he comes rushing toward a party of explorers.

It's all right to bring him back now. I've smashed the machine beyond repair and, since Mary was Mr. Eammer's private secretary, she knew where to get the combination of his safe, so we were able to destroy my blueprints and technical notebooks.

I've turned the million dollars over to Mr. Eammer's lawyers and they are now fighting off the creditors, who all think Mr. Eammer is deliberately hiding from them.

Whatever you do, please don't take a shot at the Abominable Snowman.

It is Mr. Eammer.

Wednesday, January 20, 2016

The Freelancer by Robert Zacks


The Freelancer

By ROBERT ZACKS

Illustrated by ASHMAN

[Transcriber's Note: This etext was produced from
Galaxy Science Fiction September 1955.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]


Once these laws were passed, any time in
history—however bad—were the good old days!


Jeb was shaken from his bed; his dream told him it was a glacier with wild winds howling laughter, and when he opened his eyes, shivering, he saw his wife, Laurie, had pulled the heat switch off. She stood there glaring. Today her hair was a lovely purple with a fashionable streak of gold starting from the forehead, but it didn't help the cold look on her face.

"Get up, you bum," she said in her sweet contralto. "Go out and earn some credits or I'll certify you."

The thought of being transferred by the Economy Agent to Assigned Duty Status, with its virtual imprisonment to monotony by the Welfare Office, made Jeb tumble from bed and fumble for his shoes.

"My darling," he said placatingly, "how beautiful you are this morning! How undeserving I am of you!"

"You're damn right about that," said Laurie with bitterness. "When I think of the men I could have married, the wonderful life I might have lived, instead of scrimping along with a no-good freelance Monitor like you...."

"Sometimes I do pretty well. Three years ago, I sent you to the Pleasure Palace for a month, remember?"

"Three years ago. Big deal."


She flounced out of the room. Sadly, Jeb went to the closet and examined the various uniforms and disguises that were part of his equipment as a freelance Monitor. As he selected the silver and black skintight suit of an Air Pollution Inspector, he wistfully remembered how nice it had been when Laurie had smiled at him. Immediately a flood of determination filled him to go out and do big things today. Maybe he would make a big strike and get a nice fat commission; then Laurie would....

The televisor buzzed, flickered, and the genial face of the man from Marriage Relations appeared.

"Good morning, Monitor Jeb," said the man, smiling. "And how are things 'twixt you and your beloved?"

"Rough," moaned Jeb. "She's really in a foul mood today."

The man from Marriage Relations beamed. "Fine, fine, glad to hear it."

"Huh?" said Jeb.

"Her Sadism Index Rating went up five points," the man explained. "We wanted to make sure we hadn't made an error. Well, that certainly is good news for you two. I'll guess you'll both be all right now."

"All right? Are you kidding?"

"Now, now, we know what's best for you. Your Masochism Rating is quite high, you know. Laurie is just what you need. Why, you two were made for each other."

Suddenly the man stopped talking, gasped, and the screen flickered and went dead. Jeb's astonishment was wiped away by the soft, silvery bell tone of his portable Monitex, a flat two-by-six-inch machine resting on a shelf nearby. As Jeb wildly lunged toward it, he saw it was glowing red, activated by a violation, and as he snatched it up, the coded reading dial had a notification: Bx-P-203.

Trembling, Jeb pressed a button on the lower left of the Monitex and a voice promptly droned mechanically from the waferlike loudspeaker hidden under the surface, giving details of the violation.

"Bx-P-203—At ten minutes after eight A.M., Monitex 27965 of Freelance Monitor Jeb picked up violation of Copyright on the phrase 'were made for each other.' Said phrase property of Joint Owners registered under Copyright of Verbal Phrases Act of 1996. Owners, Magnum Motion Picture Studios and Universal Publications. Fee for use 80 credits, commission fifty per cent."


The voice went dead and the flat metal surface glowed with letters strung into words reading "Please Collect and Remit Total Fee."

As Jeb uttered a yelp of delight, Laurie came running into the room.

"I heard the Monitex bell," she said eagerly.

"You sure did," crowed Jeb. "Now aren't you proud of me? I was smart enough to leave the Monitex on all night. We picked up a Verbal Copyright violation...."

"You left it on all night?" screeched Laurie, her joy fading. "You imbecile, the leasing charge on the Monitex is ten credits an hour, isn't it? What's your commission on this violation?"

"Forty credits. I—I guess I'm losing money, b-but...."

Laurie gave him her opinion of his supposed shrewdness.

Jeb unhappily went to the televisor and punched out a call on the button keyboard which would recall the image of the Marriage Relations representative. He shrank back in alarm as the man's glaring face appeared.

"Sorry to hook you this way, old boy," said Jeb meekly, "but it's my job, you know. Got you on a Verbal for using 'were made for each other.' That phrase is owned by—"

"You dirty, sneaking spy!" yelled the man on the televisor screen. "I'll bet your grandfather informed on diamond smugglers for a percentage."

"He...." Jeb feebly started to protest.

"It's a hell of a thing," raved the other, "when a man can't even use words to express himself without paying...."

In alarm, Jeb leaned forward and hastily punched a combination of buttons on the televisor. One half the screen blanked. The image of the Marriage Relations representative moved to the right and the lean, puritanical face of Jeb's supervisor, Dirdon, flared onto the left half.

Dirdon looked icily at Jeb. "What is it?"

"Complaint on policy and purpose of Copyright Law," said Jeb nervously. "Would you please handle it, sir? I'll switch you."


As Dirdon's mouth pressed into a thin line and he nodded, Jeb flicked a switch. Both men on the screen immediately turned profiles to Jeb and Laurie, seeing each other in their own screens.

"Did you have a complaint, sir?" asked Dirdon.

"I don't know who the devil you are," shouted the man from Marriage Relations, "but I assume you're one of those pirates cashing in on that copyright swindle. That new law has gone much too far. Copyrighting a work of skill, art, or expression is okay, I suppose, but to extend it to everyday speech, to verbal phrases—"

"Now just a minute," said Dirdon briskly. "You buy greeting cards, I suppose, sir?"

"So I buy greeting cards, so what?"

"What are greeting cards exactly? Just a small square of paper with a few words, a very few words of sentiment on them. Words that any normal person certainly might be able to—"

"Any moron can write a better sentiment than those lousy cards express."

"But you buy them sometimes?"

"Well ... sometimes."

"Why?" demanded Dirdon.

"Saves me the bother of figuring out what to say, I guess," was the growled answer.

"Right. And you paid for these very few moronic phrases, paid good hard credits for them. Now isn't it just as logical to protect owners of a phrase when somebody else uses it verbally?"

"But," said the man desperately, "I didn't want to violate the Copyright on Verbal Use. I didn't know that phrase was under Copyright. Who can keep track of them all? Every day, more phrases and expressions are under Copyright as somebody else's property. Why, first thing you know, there'll hardly be any words left to say."


"That isn't true," objected Dirdon. "Copyright Law on Verbal Use is a great boon to society. Rule 7 for admission to protection requires that the phrase covered be one which may be considered 'shopworn, overused and so artistically traditional that it is a wearisome truism.' That means that verbal mediocrity is heavily penalized, which is right and proper. Why, you ought to be ashamed to use a phrase like 'were made for each other.' It's Monitors like Jeb who make you watch your words and think very carefully before you speak."

"Listen, stupid—"

"Already," Dirdon plowed on, happily oratorical, "our citizens are being forced to express themselves more richly, with initiative, casting off triteness!"

The man from Marriage Relations looked disgusted. "Ah," he said angrily, "why don't you drop dead."

Bong!


The man moaned as the Monitex Jeb held glowed red with another violation. Jeb grinned and pressed the loudspeaker button.

"Mz-R-14," droned the voice. "At half-past eight, Monitex 27965 of Freelance Monitor Jeb picked a violation of...."

The man covered his ears. After a few moments, he took his hands away and looked numbly from the screen as Dirdon smirked.

"What's the Copyright fee on that one?" he asked.

"The use of the words 'Drop Dead' will cost you ten credits," said Jeb. "We'll bill you for both violations."

Dirdon was beaming as Jeb snapped the whole screen dark.

With a start, Jeb remembered Laurie and turned to face her anger. "See, honeybunch?" he said hopefully. "Even if I did lose a few credits on the leasing charge by leaving the Monitex on all night, it looks like a lucky day. Why, I'll bet I make enough commissions today to send you on a nice vacation."

Laurie gave him a narrow-eyed, cold stare.

"You'd better," she said. "Because I've just about had enough of you. Either you make a big killing today or I certify you by midnight tonight. Do you hear me?"

Jeb nodded in fright. He scuttled out of the room, picking up a gravity harness from the stand in the foyer and not pausing to buckle himself into it until she slammed the door behind him.

Sighing, Jeb got into the harness and took off. He floated out the opening at the end of the corridor at the sixty-story level and joined the stream of commuters at two thousand feet.

As he set his speed at thirty miles an hour, he came abreast of a man wearing the solid gray uniform of an Unassigned Citizen. Jeb saw the look of misery on the man's drawn face and felt so sympathetic, he didn't even bother to hide his Monitex in its disguising parcel. You had to be pretty low to make your money out of a guy in that tough status. Hell, thought Jeb defiantly, let him see it and be warned; I don't care. Even if the Inspector sees me.

He noted the Unassigned Citizen staring down at the panorama of the vast city beneath them. At different lower levels, myriad flights of streaming citizens moved in various directions. The tremendous blocks of buildings had thin slits between them at the bottom of which were walks filled with antlike figures.

"Ugly, huh?" said Jeb.

He got a moody stare in return. "Believe it or not, I suddenly find it beautiful. Compared to where I'm heading, anyway."


Jeb was shocked. "Oh?"

"I've been certified," said the man bluntly. "Not enough credits for support. I had to go to the Welfare Office and ask for assistance. Had my own gravity harness repair shop till a month ago. But the new ones are foolproof, business fell off. Now I'm in for it."

"Gosh," muttered Jeb, "that's really tough. But what do you mean, 'compared to where you're heading?' Sure, you'll be assigned a dirty underground job, on the cables maybe, and the pay will be ridiculous, but it'll be right here, won't it?"

"Haven't you heard?" The other smiled grimly. "So many of us small business guys are being certified, the Welfare people had no more jobs. And you know the law. Indigents must be assigned to some duty. And it just happens that they're opening new mines on Mars and they can't get help. I've no choice."

"Mines?" Jeb paled at the thought. "That Melbonite dust. One speck through the sealed-in suit and you've got a burn they still can't heal." He shuddered; then, seeing the face of the Unassigned Citizen, he said soothingly, "But those suits are foolproof, I understand."

"Not always," said the man in gray. "Anyway, they haven't licked the ventilation problem. The last suits they tried to air-condition, so much Melbonite dust filtered in...." He took a deep breath of horror. "So the ones in use become awfully sweaty. I'm going to a living hell...."

Bong!

Jeb's Monitex glowed red with a violation. "Living Hell" was an old-fashioned dramatic phrase somebody sharp had dug up after diligent study and copyrighted in the hope of picking up a few credits.

As Jeb numbly listened to the droning voice detail the facts and four credits charge, the man in the gray suit said mirthlessly, "Well, well, that's just fine. Thanks a lot, my friend, for a nice sendoff."

Jeb snapped off the Monitex. "Look," he said hurriedly, "that was an accident. This one is on me. Here." He took four credit tokens from a pocket and thrust the silvery rectangles at the Unassigned Citizen. "Put these aside until you're billed for the violation and pay it with my credits. Okay?"

"Thanks," said the man gratefully. "I'll remember you."



Jeb gave him a twisted grin. "You may not have to, pal. I may be right beside you in the next shipment. My wife is ready to certify me for non-support. If I don't clean up a nice fat commission by tonight, blooey, it's the mines for me, too."


The Unassigned Citizen started to form the words Good luck! when Jeb hastily interrupted, "That's on Copyright. Take it easy."

"Uh ... my heart goes beside yours," said the man, choosing his words carefully. "My sympathy has arms, one of which is around your mighty shoulders. I say to you farewell."

"Wonderful!" exclaimed Jeb. He pumped the other's hand. "I like the way you put that. It's new. It has a freshness."

They smiled at each other. Then the oval building that housed The SuperMonitex Feeder came into view and Jeb waved good-by and swung out of the commuter stream in the regulation spiral under the cold eyes of a golden-clad traffic cop. Jeb landed on the balcony ledge outside the ninetieth-level corridor and walked in, finally entering a huge room in the center of which was a circular wall with plug outlets and sets of dials and screens at intervals all the way around.

Jeb greeted a few of his co-workers, but didn't pause to gossip. He wasn't in a gay mood this morning, as were many of them who were gleefully recounting some of the slick violations they'd picked up. Jeb went to the circular wall and plugged his Monitex into a receptacle. He punched a button marked New Copyrights and waited for the humming to stop indicating that his Monitex had been fed all the latest phrases added to the huge group protected by law.

With his Monitex coded up to date, its memory bank fattened, Jeb went to the supply room to requisition a hollowed-out air pollution meter to conceal his Monitex. A hand tapped his shoulder.

"Hi, there," said Monitor Platt, a lean-faced, smirking man Jeb disliked. "I just came off night shift. Had a big evening."

"Yeah?" asked Jeb, his skin crawling. Monitor Platt specialized in copyright violations in the area of lakes and parks where lovers murmured words they soon found out were not at all new and quite expensive.

Monitor Platt chuckled. "Been cleaning up on a new copyright just registered. The good old wolf whistle. One hundred credits fee."

Even Jeb was startled. "But that's not a phrase."

"No, but it's a 'shopworn, overused and wearisome truism,' so they slipped it through."

"Golly, next thing you know, they'll be copyrighting a deep sigh or the smacking sound of a kiss."


Monitor Platt laughed in appreciation. Then, as Jeb frowned and attended to fitting his detector into the shell of the air pollution meter, Monitor Platt regaled him with the violations that had poured credits into his pockets.

"Got a cute dame, nice curves, getting a good hugging under the moon near the lake. She says timidly to this sap, 'It's the first time I've ever been kissed, honestly.' Bong! Fifty credits for the expense account. And another one I picked up in a canoe parked on the bank. This guy says soulfully, 'I'm not the marrying kind, but....' He never gets a chance to finish. Bong! Thirty credits. I sure cleaned up today. If I were you, I'd head straight for the snuggle spots. A whole raft of corny love lines have been blanketed in, you know, and nobody's alerted."

"Uh, well," muttered Jeb, who didn't want any enemies and so didn't express his feelings about making a living from such a source, "I already have my schedule figured out, but I'll keep it in mind."

"Where you headed for?"

Monitor Jeb was relieved when the big bell sounded, its brassy reverberations warning Monitors to quit gabbing and get out into the field to scoop up violations and revenue for the corporation. The paunchy office manager, seated up on a small balcony overlooking the giant hall, saw that the signal was, as usual, being ignored. Indignantly he punched a button on the board facing him and a repulsive odor filled the air which had the Monitors hastily seizing their equipment and leaving the building.

Jeb gladly took off into the windy canyons between the skyscrapers. Instead of ascending, he plummeted down forty stories and drifted along, his nostrils twitching with the bad air at this height. Fleetingly, he had the grumbling thought that, with present-day technology, there was no excuse at all for polluted atmosphere.

Oh, well, he thought, one of these days, somebody public-minded will do something about it. Right now, I've got to make enough to stop Laurie from certifying me.

He felt a sudden chill as he recalled his wife's threat. Quickly he sought out the first location he'd mapped out for some easy revenue, the personnel office of the Air Pollution Control Corp. Jeb switched off anti-gravity and heavily walked through the corridor, stepped inside the deep-rugged, gray and green office and joined the small nervous group of inspectors waiting for interviews.


Jeb, in his air pollution uniform, was as acceptable as a long-used piece of furniture. Unnoticed, he sat on one of the hard benches with the others. They stared and listened to the interview being conducted by the genial, balding man behind the open partition ten feet away. The air pollution inspector facing him was tense, pale and overanxious.

"Yes, indeed, you do have a good record," the personnel man was saying approvingly. "No absences in five years, no latenesses. Very good indeed."

"Then," said the air pollution inspector eagerly, "I'll be upgraded? I'll get that promotion promised two years ago?"

The personnel man cleared his throat, but his smile remained radiant. "Just as soon as business picks up, we'll give you a promotion and raise in pay...."

Bong!

A roar of mirth arose from the waiting air pollution men as Monitor Jeb nervously pulled his Monitex from its concealing pollution meter shell and read the violation off to the enraged personnel man. A fifty credit fee for use of the copyrighted verbal phrase Just as soon as business picks up, we'll give you a promotion and raise in pay.

As Jeb escaped the wrath of his victim, one of the men snickering nearby muttered, "Hah! He'll have to rack his tiny brain for a new way of stalling us from now on."

In the next three hours, Jeb drove himself hard. He picked up a twenty credit fee when a doorman outside a Teletheatre had bonged the Monitex with "Plenty of seats inside!" He scooped up another violation in a bar when a bleary-eyed man with veins showing in his nose murmured to the bartender, "Well, I'll have just one more." He wandered to the telephone booths and waited for one of the standby violations to fall into his pocket; sure enough, a handsome, dark-eyed fellow murmured into the mouthpiece, "I'll be working late tonight again, honey; sorry."

The time passed too swiftly and when Jeb paused to get a bite of food, he saw, dismayed, that even though he was having a pretty good day, it was far from the killing he'd promised Laurie. Ten and twenty credit violations didn't make a man rich.

What I need is one of the really big ones, thought Jeb desperately.

With fumbling fingers, he pressed out a core number on the Monitex.

It glowed blue.

The voice droned, "Information!"

Jeb asked eagerly, "What have we got with fees of a thousand credits and higher?"


A moment hummed by. Then the voice announced that a large batch of political "corn" had been copyrighted in view of the current election campaign. Jeb listened with mounting excitement to some of them: If I am elected, taxes will be reduced.... As I look upon the intelligent faces in my audience.... I am reminded of a story.... What a lovely child, Madam.... A helicopter on every roof....

Jeb shut it off, perspiration breaking out on his face. It was a uranium mine! Jeb's mind reeled at the astonishing fee set for these copyright violations. A thousand credits per use. The party in power was really out to fight off the opposing Traditionalist Party with every possible trick, with the result that Jeb could make the biggest cleanup of his life.

That is, if he got away alive.

Full of foreboding, Jeb floated up toward the meeting rooms of the local Traditionalist Headquarters, which were on the fiftieth level of a nearby skyscraper. His terrified adrenal glands kicked his heart into a frenzy. The boys who ran the local club were no patsies. Many an argumentative citizen had been found floating in the rarified stratosphere, frozen stiff, with his anti-gravity belt turned on full and his hands bound so he could not stop the upward climb.

Monitor Jeb nervously drifted into the corridor opening and restored gravity. He sneaked past the open door, getting a quick glimpse of a hall filled with citizens listening to a red-faced, stoutish man on a platform.

Jeb frantically searched for and, with throat-catching relief, found the back entrance to the big hall. It led to a dusty area of scaffolding and discarded, rusting tools. Now Jeb was crawling down an incline leading under the platform and found the small, railed-off area which once had housed a hidden prompter for musical entertainments.

Panting, Jeb squatted in the dark, hearing the booming voice just above him, only slightly muffled. As Jeb shoved the Monitex up against the crack in the boards over him, the speaker's voice came to him strongly, "Now, fellers, you're all precinct captains and it's a helluva empty title to have when your party is outa power. But if we get back on the gravy train—well, need I say more?"

A muffled roar from the audience made Jeb crouch worriedly.

"Now we're gonna take this election, see? I want all you loyal party workers...."

Bong!


Howls of rage shook the walls and reverberated through to Jeb as the political hacks recognized the sound and understood that somewhere a Monitex had automatically recorded the voice vibration pattern of the speaker in a Verbal Copyright violation.

"Kill the dirty spy!" screamed the speaker.

Bong! went the Monitex.

"Lynch him!"

In three minutes of unguarded outrage, Jeb had recorded ten thousand credits in violations which the speakers never could escape because, like fingerprints, all voice patterns were registered by the government.

Jeb turned to the exit behind him and crawled painfully for twenty feet, then got up and began running. He ran straight into a brawny body at the turn of the corridor. The next thing he knew, he was on his back and ruthless hands were banging his head against the floor.

The siren of a golden-clad policeman cut the air and magically the hands fell away, leaving Jeb sprawling and groggy.

After a moment, he was able to focus his eyes. The policeman stared down at him, fists authoritatively on his hips.

"Well, I came just in time, eh?" said the cop. "Saved your neck."

Bong! went the Monitex.

Jeb said hastily, "It's all right, Officer. It's on the house."

"It had damn well better be," growled the policeman. "If you know what's good for you—"

Bong! went the Monitex.

"Go on, get outa here before I run ya in," yelled the officer.

Bong! went the Monitex.


"Have a good time, dear," Jeb called after Laurie as she happily took off into space from their level, clutching her purse, which was jammed with enough credits to keep her brimful of fun for two whole months at the Pleasure Palace.

"Don't you worry about that," said Laurie over her shoulder.

Jeb went back to his apartment. He stretched out on the couch, contentment welling up in him. He opened the footstool nearby and, within its archaic shape, slid open the cunningly concealed refrigerator. He took out a plastic cone of beer.

"A-ah!" sighed Jeb. How wonderful to be alone, free of Laurie's nagging for two whole months! A superb reward for his hard work. How clever of the government to have passed such a regulation!

After a while, like wax melting, his grin drooped away. It certainly was quiet, wasn't it?

Within half an hour, he was wild and didn't know why. Jittering, he dialed his televisor and the man from Marriage Relations appeared on the screen. He glared at Jeb and cautiously looked around for the Monitex until he spotted it.

"Shut that thing off or no advice," snapped the man.

"It's off! Look, I don't know what's bothering me. Can I have special permission to join my wife on her vacation? Or get her back here?"

"Afraid not," said the man. "The principle of working so one's wife can have a vacation has been established through the centuries; the government merely put it into law. And as for joining her or getting her back here—that's against the law."

"But that's unfair!" yelled Jeb.

"Oh?" The man smiled. "So! I'm glad to see how happy, how perfect is the marriage we arranged for you." He rubbed his hands in delight. "She's just barely gone and already you miss her. Wonderful."

"Wonderful? I'm suffering!"

The man from Marriage Relations glanced at a dial nearby. "Of course you are. Suffering is the ideal joy for a Masochist. Just think what a lovely two months of missing her you'll have."

"All right, so it's a rule that I have to send her on a vacation and can't join her," Jeb complained savagely, "but, damn it, she doesn't have to enjoy it!"

"Well," said the man, looking back to Jeb, "there's the answer. Your Masochism index has gone down any number of points. You're angry!"

Jeb thought it over. "You bet I am! But what do I do about it?"

"Why," said the man from Marriage Relations, "the same thing husbands have been doing ever since they started working to send their wives away on vacations. When the cat's away, you know—" He stopped in alarm.

Jeb grinned. "I told you the Monitex is off. But thanks for the trite truism. She thinks she's the only one who'll have a vacation, eh? I'll show her!"

"Service is our motto. And it really is," the man said pugnaciously. "We own the Copyright."

The face flickered off the screen and Jeb began poking around in innocent-looking secret places for a little black book he hadn't thought of using in years.

He was dismayed to find himself singing "My wife's gone to the country, hooray, hooray," until he remembered that he actually had shut off the Monitex.