Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Showing posts with label Forword. Show all posts
Showing posts with label Forword. Show all posts

Sunday, September 17, 2023

The Raven by Edgar Allan Poe, Forward by Olivia Salter (Video)

The Raven by Edgar Allan Poe Forward, by Olivia Salter

The Raven by Edgar Allan Poe

 

Forward by Olivia Salter 

 

(eText)

 

Forward

In the realm of gothic literature and macabre poetry, few figures have captivated readers and delved into the endless depths of human despair quite like Edgar Allan Poe. Born in Boston, Massachusetts, Poe's works continue to resonate with audiences, churning emotions of fear and fascination in equal measure. Among his numerous masterpieces, "The Raven" holds a special place as it perfectly captures Poe's ability to navigate the sinister realms of the human psyche.

First published in 1845 "The Raven" stands as a testament to Poe's unique brilliance as a poet and storyteller. With its haunting rhythm, vivid imagery, and melancholic tone, the poem has become a classic, imprinting itself deeply within the annals of literature. Its enduring popularity can be attributed to the universally relatable themes it explores: grief, loss, and the human longing for answers in the face of immovable despair.

In "The Raven," Poe introduces us to a narrator whose grief over the loss of his beloved Lenore drives him to the brink of madness. As he wrestles with his own tormented thoughts a mysterious raven appears at his chamber door its presence a haunting symbol of the narrator's internal anguish and unending sorrow. Through the narrator's interactions with the raven, Poe exposes the fragility of the human mind and its desperate desire for solace and meaning.

Poe's skill in crafting atmosphere and evoking emotions is unparalleled. He weaves a captivating spell, drawing his readers deep into the narrator's world until we too feel the weight of his sorrow and the undying torment of the raven's relentless croak, "Nevermore." With every line, Poe masterfully builds tension, leading us through a labyrinth of darkness and despair, leaving us haunted long after the final verse.

As we immerse ourselves in the haunting verses of "The Raven," we enter a realm where reality merges with the supernatural and the boundaries between life and death blur. Poe compels us to confront our own mortality and grapple with the specters of grief that lurk within us all. Through the universal language of poetry, he invites us to confront our deepest fears, engage with our inner demons, and ponder the mysteries that lie beyond mortal understanding.

In this edition of "The Raven," we invite you to embark on a journey through the haunting corridors of Edgar Allan Poe's imagination. Allow yourself to be captivated, unsettled, and perhaps transformed by the power of his words. As you delve into the verses, prepare to be immersed in an experience that transcends time and space, leaving an indelible mark on your soul.

May you confront the raven within and emerge with a renewed appreciation for the eternal beauty and darkness that reside in the human condition.

Olivia Salter

09/17/2023




About the Author 

Edgar Allan Poe
Edgar Allan Poe (/poʊ/; né Edgar Poe; January 19, 1809 – October 7, 1849) was an American writer, poet, editor, and literary critic who is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a central figure of Romanticism in the United States, and of American literature. He was one of the country's earliest practitioners of the short story, and is considered the inventor of the detective fiction genre, as well as a significant contributor to the emerging genre of science fiction. He is the first well-known American writer to earn a living through writing alone, resulting in a financially difficult life and career. Wikipedia

Edgar Allan Poe at Amazon

Friday, August 25, 2023

A Handbook of Short Story Writing by John T. (John Towner) Frederick


 

A Handbook of Short Story Writing

 

 by

 

John T. (John Towner) Frederick

 

 FOREWORD BY OLIVIA SALTER

It is with great pleasure and enthusiasm that I present this foreword to John T. Frederick's "A Handbook of Short Story Writing." As a renowned writer and seasoned educator, Frederick's invaluable experience and expertise shine through in this comprehensive guide, making it an indispensable resource for aspiring writers, seasoned authors, and literary enthusiasts alike.

The art of crafting a compelling short story is no easy task. It requires an intricate balance of creativity, technical skill, and storytelling prowess. Fortunately, Frederick's Handbook serves as a guiding light for those willing to embark on this exhilarating journey. With rich insights and practical advice, he equips writers with the necessary tools to bring their stories to life.

One of the many strengths of this handbook lies in its comprehensive coverage of the short story writing process. From generating ideas and developing characters to structuring narratives and refining prose, Frederick expertly navigates through every stage with clarity and depth. His engaging writing style and illustrative examples make abstract concepts tangible, providing aspiring writers with a firm foundation to build upon.

Building upon his own experiences, Frederick goes beyond the technical aspect of short story writing. He delves into the intricate art of capturing emotions, creating memorable settings, and exploring themes that resonate with readers while maintaining brevity and impact. By intertwining craft with artistic insight, Frederick encourages writers to step outside the confines of formulaic storytelling, fostering an environment that nurtures originality and creativity.

Moreover, this handbook also serves as a wellspring of inspiration. Through the inclusion of notable short stories and excerpts from celebrated authors, Frederick invites readers to immerse themselves in the work of literary giants. By dissecting these examples and exploring the writing techniques employed, writers gain a deeper understanding of the nuances that elevate a short story from ordinary to extraordinary.

As a lover of language and story, I am acutely aware of the power of storytelling and its ability to connect and inspire. In "A Handbook of Short Story Writing," Frederick celebrates the intrinsic value of each story and its capacity to transcend time and space. He imparts to readers the importance of finding their unique voice and crafting narratives that resonate with them on an emotional level.

In closing, John T. Frederick's "A Handbook of Short Story Writing" is an exceptional guide that not only instructs but also empowers writers to explore the vast possibilities of the short story form. Aspiring writers will find solace and guidance within its pages. Seasoned authors will discover fresh perspectives, and readers passionate about literature will gain a newfound appreciation for the complexity and beauty of storytelling.

It is my utmost privilege to endorse this handbook, knowing that it will prove to be an invaluable companion to those embarking on their short story writing journeys. I wholeheartedly encourage readers to immerse themselves in Frederick's wisdom, for within these pages lies a wealth of knowledge waiting to be unlocked.


Olivia Salter

08/25/2023

 

Get a hardcopy of "A Handbook of Short Story Writing" by John T. Frederick at Amazon, or read below.

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About the Author 

John Towner Frederick (February 1, 1893 – January 31, 1975), born Corning, Iowa and only child of Oliver Roberts and Mary Elmira Frederick. He was a noted professor and literary editor, scholar, critic, and novelist. Wikipedia

 Frederick published short stories, poetry, book reviews, academic literary criticism, and literature and rhetoric textbooks. Books in cluded "A Handbook of Short Story Writing" (1924, rev. 1932), the collection Stories from the Midland (1924), several edited or coedited literature anthologies, and two major critical works: The Darkened Sky: Nineteenth-Century American Novelists and Religion (1969) and William Henry Hudson (1972). Frederick died in 1975 and was buried in Harrisville, Michigan. The University Of Iowa