Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Showing posts with label Mary Burchard Orvis. Show all posts
Showing posts with label Mary Burchard Orvis. Show all posts

Saturday, March 11, 2017

The Art Of Writing Fiction by Mary Burchard Orvis


 

The Art Of Writing Fiction

by Mary Burchard Orvis

New York, Prentice-Hall, 1948


  1. Establishing creative attitudes
  2. Ordinary things in an unusual way
  3. The central point of command
  4. Conflict
  5. Building the structure
  6.  Scene and conversation 
  7. The angle of narration
  8. Stream of consciousness
  9. Characterization
  10. Going beneath the surface
  11. Social comment in fiction
  12. Irony and affirmation
  13. Symbolism.


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