Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Showing posts with label E. Hoffman Price. Show all posts
Showing posts with label E. Hoffman Price. Show all posts

Sunday, January 3, 2021

EXILE FROM VENUS By E. Hoffman Price



EXILE FROM VENUS

By E. HOFFMAN PRICE

Earth was a world of murdering savages; bleak
and desolate; contaminated by deadly radioactivity.
Only Craig Verrill's atavistic stubbornness—and
a rash promise, made in fury—could have brought
him back to that perilous birthplace of Man....

[This etext was produced from
Planet Stories May 1951.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]

The solicitude of Linda's voice, the seductiveness of her perfume, her very presence as they sat in the artificial twilight of the Domes of Venus, tempted him to abandon his plan to sail at once for Terra, venture among the savage Terrestrians, and get possession of that enormous ruby they called the Fire of Skanderbek.

Linda was long legged and supple waisted, with dark eyes and gold-bronze hair, and very white skin. Her cheek bones were just sufficiently prominent to keep her face from being too regular; and there was a perceptible dusting of tiny freckles which accented the irregularity, adding a piquant touch. These were natural, and a rarity that had existed only in fable for the past six-hundred years, for the glow-lamps and the occlusive Venusian atmosphere seemed to combine to make the freckle almost impossible. However, though the cosmeticians had driven the Board of Science frantic until they had devised a process for artificially imitating Linda's unique flaw, this distinction had not spoiled her.

"Never mind what I said, last night," Linda pleaded. "We were all angry, you and Gil and I. No sense at all!"

"But I promised," Verrill said stubbornly. Which helped—a little—to sustain himself against backing down from the rash venture for which he had not a bit of taste.

He had an angular face, narrowish, with the bony structure well accented. His nose was prominent; his hazel eyes were intent and impatient. He was lean, muscular, and all in all, just the sort of Venusian to go on such a crazy venture—yet he didn't like the idea at all, now that he had had time to consider.

"Let's forget it all, Craig! Rubies aren't important enough. The one Gil brought me from that trading-post of Terra isn't—wasn't—"

Verrill said sourly: "That's what makes me feel so foolish about it. He brought you a souvenir, and I grabbed it from you, flung it into the lake, and pasted him. What for?"

"Oh, Craig, who cares! Gil was lording it over you. I was too smug and pleased with the gift to realize how far he was going. Oh, all right, of course you were wrong! But what of it?"

Verrill shook his head. "I fairly shouted myself into it."

"I don't want you to go."

"I know you don't. But too many of our friends were within sight and hearing of the whole mess. Sooner or later their attitude would make you unhappy about a man who talked big, and then backed down."