A Guide to the Best Historical Novels and Tales by Jonathan Nield
"These historical novels have taught all men this truth, which looks like a truism, and yet was as good as unknown to writers of history and others, till so taught: that the bygone ages of the world were actually filled by living men, not by protocols, state-papers, controversies, and abstractions of men."
—Carlyle on the Waverley novels.
Contents
Introduction
Pre-Christian Era
First Century
Second Century
Third Century
Fourth Century
Fifth Century
Sixth Century
Seventh Century
Eighth Century
Ninth Century
Tenth Century
Eleventh Century
Twelfth Century
Thirteenth Century
Fourteenth Century
Fifteenth Century
Sixteenth Century
Seventeenth Century
Eighteenth Century
Nineteenth Century
Supplementary List (Semi-Historical)
Suggested Courses of Reading (Juvenile)
Bibliography
INTRODUCTION.
It is not proposed, in these preliminary remarks, to sketch in detail the origin and growth of the Historical Novel; this has already been amply done by Professor Saintsbury and others. I shall be content to approach the subject on its general side, offering, at the same time, some critical suggestions which will, I hope, not be without value to readers of Romance.
But, first of all, I must explain how the List which follows came to be compiled, and the object I have in offering it. For many years I have been an assiduous reader of novels and tales in which the historical element appeared, supplementing my own reading in this direction by a careful study of all that I could find in the way of Criticism on such works and their writers. Only in this way could I venture on a selection involving a survey of several thousand volumes! With the above understanding, I can say that no book has been inserted without some reason, while I have made all possible effort to obtain accuracy of description. And this leads me to remark, that just in this process of selection do I claim originality for my List. Nearly twenty years ago an excellent "Descriptive Catalogue of Historical Novels and Tales" was published; Mr. H. Courthope Bowen was the compiler,* and I would here mention my indebtedness to him. In Mr. Bowen's list, however, one finds good and bad alike—all the works of even such moderately endowed writers as G. P. R. James, Ainsworth, Grant, etc., are there set down. It seemed to me that, not only was there room for a new list of Historical Novels (Stevenson, Marion Crawford, Conan Doyle, Weyman, Mason, and a number of more or less capable romancists having come forward in the last twenty years), but, also, that more than ever was there a need for some sort of clue in the search for such books. In the last year or two there has been an almost alarming influx in this department of Fiction, and teachers in schools, besides readers in general, may be glad to be saved a somewhat tedious investigation.
* "A Descriptive Catalogue of Historical Novels and Tales, for the use of School Libraries and Teachers of History," compiled and described by H. Courthope Bowen, M. A. (Edward Stanford, 1882.)
Having thus attempted to justify the existence of my little "Guide," I pass on to deal with the subject of Historical Fiction itself. Most of us, I suppose, at one time or another have experienced a thrill of interest when some prominent personage, whom we knew well by repute, came before us in the flesh. We watched his manner, and noted all those shades of expression which in another's countenance we should have passed by unheeded. Well, it seems to me that, parallel with this experience, is that which we gain, when, reading some first-rank romance, we encounter in its pages a figure with which History has made us more or less familiar. And I would remark that the great masters do not, as a rule, make that mistake which less skilful writers fall into—the mistake of introducing well-known historical figures too frequently. The Cromwell of "Woodstock" has an element of mystery about him, even while he stands out before our mental vision in bold relief. Had Scott brought him more prominently into the plot, and thus emphasized the fictional aspect of his figure, our interest in the story, as such, might have been sustained, but we should have lost that atmosphere of vraisemblance which, under a more careful reserve, the hand of the master has wrought for us.
But it is not only this introduction of personalities which constitutes a novel "historical"; the mere allusion to real events, or the introduction of dates, may give us sufficient ground for identifying the period with which a novel deals. Of course the question as to whether a particular person or event is truly historical, is not always an easy one to answer. By the adaptation in it of some purely mythical character or event, a novel is no more constituted "historical" than is a Fairy-tale by the adaptation of folklore. King Arthur and Robin Hood are unhistorical, and, if I have ventured to insert in my list certain tales which deal with the latter, it is not on that account, but because other figures truly historical (e.g., Richard I.) appear. As there has been some dispute on this question of the Historical Novel proper, I offer the following definition:—A Novel is rendered Historical by the introduction of dates, personages, or events, to which identification can be readily given. I am quite aware that certain well-known novels which give the general atmosphere of a period—such, for example, as Hawthorne's "Scarlet Letter" and Mr. Hewlett's "Forest Lovers"—do not come within the scope of my definition; but this is just why I have added a "Supplementary List" of semi-historical tales. And, while I am alluding to this "Supplementary List," I should like to give my reason for omitting from it one remarkable book which has every claim to be considered representative of the mid-nineteenth century. Readers of "John Inglesant" may be reminded that in his interesting preface Mr. Shorthouse alludes to William Smith's philosophical novel—"Thorndale." As a picture of Thought developments in the early Victorian period, the latter work has special historical interest for the philosophical and theological student; in this respect it may be likened to Pater's "Marius the Epicurean," which vividly reproduces the Intellectual ferment of an earlier age. "Thorndale," however, is primarily didactic, and the philosophical dialogues (interesting as these are to the metaphysician) hardly atone to the general reader for an almost entire absence of plot. The above is, doubtless, an altogether extreme instance, but the exclusion of several other works from the category of Romance seems to follow on something like the same grounds. Becker's "Charicles" and "Gallus" are little more than school textbooks, while, turning to a less scholarly quarter, Ainsworth's "Preston Fight," and even his better-known "Guy Fawkes," may be cited as illustrating what Mr. Shorthouse means when he speaks of novels "in which a small amount of fiction has been introduced simply for the purpose of relating History." In all such cases the average novel-reader feels that he has been allured on false pretences. I am well aware that not a few of the books included in my List might be considered to fall under the same ban, but I think it will be found that in most of them there is at least a fair attempt to arouse narrative interest.
Coming to the List itself, it will be noticed that I have been somewhat sparing in the books given under the "Pre-Christian" heading. Novels dealing with these very far-off times are apt to be unsatisfactory; the mist in which events and personages are enveloped, takes away from that appearance of reality which is the great charm of the historical novel. We are hardly concerned, in reading "Sarchedon" and similar books, to get away from the purely imaginary pictures which spring from the Novelist's own brain, and the danger is that the very elements which add to our interest in the tale as such, will go far to mislead us in our conception of the period dealt with. There is none of that sense of familiarity which we enjoy when reading a sixteenth or seventeenth century romance; in the latter case, the historical background, being easily perceptible, merges for us with the creations of the author's own imagination. Where the writer of an "ancient" romance happens to be a scholar like Ebers, we feel that—so far at least as historical presentment goes—we cannot be far wrong, but the combination of great scholarship and narrative capacity is, alas, too rare!
I have likewise refrained from giving many tales dealing with Early-Christian times. We are here, it must be admitted, on controversial ground, and under the First Century heading I have endeavoured to insert romances of the highest quality only. For instance, I think that Dr. Abbott's "Philochristus" and Wallace's "Ben Hur" ought to satisfy two different types of readers. And this is the place, doubtless, to say that in my lists will be found books of widely differing merit and aim. School teachers, and others in like capacity, will easily discriminate between authors suitable for juvenile or untrained tastes, and authors whose appeal is specially to those of maturer thought and experience. Differing as much in method and style as in choice of period and character type, Thackeray's "Vanity Fair" and George Eliot's "Romola" have at least this in common—they require a very high degree of intelligence for their due appreciation. Who, among those of us with any knowledge of such works, would dream of recommending them to a youthful reader fresh from the perusal of Miss Yonge's "Little Duke," or Captain Marryatt's "Children of the New Forest"?
Naturally in a list of this kind there is bound to be very great inequality; certain periods have been wholly ignored by writers of the first rank, while in others we have something like an embarras de richesse. Consequently, I have been compelled, here and there, to insert authors of only mediocre merit. In other cases, again, I have not hesitated to omit works by writers of acknowledged position when these have seemed below the author's usual standard, and where no gap had to be filled. I would instance the James II.- William III. period. Here Stanley Weyman and "Edna Lyall" might have been represented, but, there being no dearth of good novels dealing with both the above reigns, I did not deem it advisable to call in these popular writers at the point which has been very generally considered their lowest. I mention this to show that omissions do not necessarily mean ignorance, though, in covering such an immense ground, I cannot doubt that romances worthy of a place in my list have been overlooked.
I think many will be surprised to find how large a proportion of
our best writers (English and American) have entered the domain of
Historical or Semi-Historical Romance. Scott, Thackeray, Dickens,
George Eliot, Charlotte Bronte, George Meredith, R. L. Stevenson,
Hawthorne, Peacock, Charles Kingsley, Henry Kingsley, Charles
Reade, Anthony Trollope, Mrs. Gaskell, Walter Besant, Lytton,
Disraeli, J. H. Newman, J. A. Froude, and Walter Pater—these are a
few of the names which appear in the following pages; while
Tolstoy, Dumas, Balzac, George Sand, Victor Hugo, De Vigny, Prosper
Merimee, Flaubert, Theophile Gautier, Freytag, Scheffel, Hauff,
Auerbach, Manzoni, Perez Galdos, Merejkowski, Topelius,
Sienkiewicz, and Jokai are, perhaps, the chief amongst those
representing Literatures other than our own.
"The Last Days of Pompeii," "The Gladiators," "Hypatia," "Harold,"
"Ivanhoe," "The Talisman," "Maid Marian," "The Last of the Barons,"
"Quentin Durward," "Romola," "The Cloister and the Hearth," "The
Palace of the King," "Westward Ho!", "Kenilworth," "The Chaplet of
Pearls," "A Gentleman of France," "John Inglesant," "The Three
Musketeers," "Twenty Years After," "Woodstock," "Peveril of the
Peak," "Old Mortality," " The Betrothed Lovers" ("I Promessi
Sposi"), "Lorna Doone," "The Refugees," "In the Golden Days," "The
Courtship of Morice Buckler," "Dorothy Forster," "The Men of the
Moss Hags," "Esmond," "The Virginians," "Heart of Midlothian,"
"Waverley," "The Master of Ballantrae," "Kidnapped," "Catriona,"
"The Chaplain of the Fleet," "The Seats of the Mighty," "Barnaby
Rudge," "A Tale of Two Cities," "War and Peace"—what visions do
these mere titles arouse within many of us! And, though most of
the books given in my list cannot be described in the same glowing
terms as the masterpieces just named, yet many "nests of pleasant
thoughts" may be formed through their companionship.
Hitherto allusion has been mainly in the direction of modern authors, and I would now say a word or two in regard to those of an earlier period who are also represented. Defoe, Fielding, Richardson, Goldsmith, Smollett, Frances Burney, Samuel Lover, John Galt, Maria Edgeworth, Susan Ferrier, William Godwin, Mary Shelley, Fennimore Cooper, J. G. Lockhart, Leigh Hunt, Thos. Moore, Harriet Martineau, J. L. Motley, Horace Smith, Charles Lever, Meadows Taylor, and Wm. Carleton,—these (in greater or less degree) notable names were bound to have a place; and, coming to less distinguished writers, I may mention the brothers Banim, Gerald Griffin, Mrs. S. C. Hall, Lady Morgan, the sisters Porter, W. G. Simms, George Croly, Albert Smith, G. R. Gleig, W. H. Maxwell, Sir Arthur Helps, Eliot Warburton, Lewis Wingfield, Thomas Miller, C. Macfarlane, Grace Aguilar, Anne Manning, and Emma Robinson (author of "Whitefriars"). To G. P. R. James, Harrison Ainsworth, and James Grant I have previously alluded. It has been my endeavour to choose the best examples of all the above-named novelists—a task rendered specially difficult in some cases by the fact of immense literary output. Doubtless not a few of the works so chosen are open to criticism, but they will at least serve to illustrate certain stages in the growth of Historical Romance. With the exclusion of Mrs. Radcliffe, Mrs. Marsh, Mrs. Gore, Lady Blessington, Lady Fullerton, Mrs. Bray, and Mrs. Child, few will, I imagine, find fault; but writers like Miss Tucker (A. L. O. E.) and Miss Emily Holt still find so many readers in juvenile quarters, that it has required a certain amount of courage to place them also on my Index Expurgatorius! Turning once again to writers of the sterner sex, I have ruled out C. R. Maturin, G. W. M. Reynolds, and Pierce Egan, Junr.; and (quitting the "sensational" for the "mildly entertaining") out of the Rev. J. M. Neale's many historical tales I have selected only one—"Theodora Phranza," which, besides being well written, has the merit of dealing with a somewhat neglected period. Stories possessing a background of History are to be found in "Tales from Blackwood," as also in "Wilson's Tales of the Borders," but their extremely slight character seemed scarcely to justify insertion; while not even the high literary position attained by him on other grounds reconciled me to either of Allan Cunningham's novels—"Sir Michael Scott" and "Paul Jones."
Of the Foreign novelists appearing in my list, several have been already named, but Marchese D'Azeglio, F. D. Guerrazzi, Cesare Cantu, "W. Alexis" (G. Haring), H. Laube, Louise Mulbach (Klara M. Mundt), Nicolas Josika, Viktor Rydberg, Hendrik Conscience, Xavier B. Saintine, Amedee Achard, and "Erckmann-Chatrian" here call for notice as not coming under strictly Contemporary classification. I would forestall the criticism that two writers have been passed over whose fame is greater than any of those just mentioned, viz.: "Stendhal" (Henri Beyle) and Alphonse Daudet. Beyle's "La Chartreuse de Parme," though containing the oft-praised account of Waterloo, is far more Psychological than Historical; and Daudet's "Robert Helmont," while it depicts (under Diary form) certain aspects of the Franco-German War, has hardly any plot running through it. As the Waterloo and Franco-German War periods were amply illustrated in numerous other novels of more assured suitability, I had the less hesitation in deciding against the two works just named. In the selections from Foreign Historical Fiction nothing more has been attempted than to include the leading examples; most of these, it will be found, have been translated into English.
Before leaving the subject of older writers, it may be mentioned that not a few of the works chosen to represent them are, at the moment, out of print. To anyone objecting that something ought to have been done to indicate this in each separate case, I would urge that the "out of print" line can never be drawn with precision in view of constant reprints as well as of further extinctions.
Perhaps this introduction may be most fitly concluded by something in the nature of apology for Historical Romance itself. Not only has fault been found with the deficiencies of unskilled authors in that department, but the question has been asked by one or two critics of standing—What right has the Historical Novel to exist at all? More often than not, it is pointed out, the Romancist gives us a mass of inaccuracies, which, while they mislead the ignorant (i.e., the majority?), are an unpardonable offence to the historically-minded reader. Moreover, the writer of such Fiction, though he be a Thackeray or a Scott, cannot surmount barriers which are not merely hard to scale, but absolutely impassable. The spirit of a period is like the selfhood of a human being—something that cannot be handed on; try as we may, it is impossible for us to breathe the atmosphere of a bygone time, since all those thousand- and-one details which went to the building up of both individual and general experience, can never be reproduced. We consider (say) the Eighteenth Century from the purely Historical standpoint, and, while we do so, are under no delusion as to our limitations; we know that a few of the leading personages and events have been brought before us in a more or less disjointed fashion, and are perfectly aware that there is room for much discrepancy between the pictures so presented to us (be it with immense skill) and the actual facts as they took place in such and such a year. But, goes on the objector, in the case of a Historical Romance we allow ourselves to be hoodwinked, for, under the influence of a pseudo- historic security, we seem to watch the real sequence of events in so far as these affect the characters in whom we are interested. How we seem to live in those early years of the Eighteenth Century, as we follow Henry Esmond from point to point, and yet, in truth, we are breathing not the atmosphere of Addison and Steele, but the atmosphere created by the brilliant Nineteenth Century Novelist, partly out of his erudite conception of a former period, and partly out of the emotions and thoughts engendered by that very environment which was his own, and from which he could not escape!
Well, to all such criticisms it seems to me there are ample rejoinders. In the first place it must be remembered that History itself possesses interest for us more as the unfolding of certain moral and mental developments than as the mere enumeration of facts. Of course, I am aware that the ideal of the Historian is Truth utterly regardless of prejudice and inclination, but, as with all other human ideals, this one is never fully realised, and there is ever that discrepancy between Fact and its Narration to which I just now alluded. This being so, I would ask—Is not the writer of Fiction justified in emphasising those elements of History which have a bearing on life and character in general? There is, doubtless, a wise and an unwise method of procedure. One novelist, in the very effort to be accurate, produces a work which—being neither History nor Fiction—is simply dull; while another, who has gauged the true relation between fact and imagination, knows better than to bring into prominence that which should remain only as a background. After all, there are certain root motives and principles which, though they vary indefinitely in their application, underlie Human Conduct, and are common to all ages alike. Given a fairly accurate knowledge as regards the general history of any period, combined with some investigation into its special manners and customs, there is no reason why a truly imaginative novelist should not produce a work at once satisfying to romantic and historical instincts.
Again, if it be true that the novelist cannot reproduce the far past in any strict sense, it is also true that neither can he so reproduce the life and events of yesterday. That power of imaginative memory, which all exercise in daily experience, may be held in very different degrees, but its enjoyment is not dependent on accuracy of representation—for, were this so, none of us would possess it. In an analogous manner the writer of Romance may be more or less adequately equipped on the side of History pure and simple, but he need not wait for that which will never come—the power of reproducing in toto a past age. If, in reading what purports to be no more than a Novel, the struggle between Christianity and Paganism (for example), or the unbounded egotism of Napoleon, be brought more vividly before our minds—and this may be done by suggestion as well as by exact relation, then, I would maintain, we are to some extent educated historically, using the word in a large though perfectly legitimate sense.
I recently read a work which here presents itself as admirably illustrating my meaning. In her too little known "Adventures of a Goldsmith" Miss M. H. Bourchier has contrived to bring forcibly before us the period when Napoleon, fast approaching the zenith of his power, was known in France as the "First Consul." The "man of destiny" himself—appearing on the scene for little more than a brief moment—can in no sense be described as one of the book's characters, and yet the whole plot is so skilfully contrived as to hinge on his personality. We are made to feel the dominating influence of that powerful will upon the fears and hopes of a time brimming over with revolutionary movement. Whether the Chouan revolt is in this particular story accurately depicted for us in all its phases, or whether the motives which impelled certain public characters are therein interpreted aright—both in regard to these and other points there may be room for doubt, but at least the general forces of the period are placed before us in such a way as to drive home the conviction that, be the historical inaccuracies of detail what they may in the eyes of this or that specialist, the picture as a whole is one which, while it rivets our attention as lovers of romance, does no injury to the strictest Historic sense.
I know well that numerous novels might be cited which, besides abounding in anachronisms, are harmful in that they present us with a misleading conception of some personality or period; moreover, I acknowledge that this defect is by no means confined to romances of an inferior literary order. That Cromwell has been unreasonably vilified, and Mary Queen of Scots misconceived as a saintly martyr— how often are these charges brought against not a few of our leading exponents of Historical Fiction. Let this be fully granted, it remains to ask—To whom were our novelists originally indebted for these misconceptions? Were not the historians of an earlier generation responsible for these wrong judgments? True, the real Science of History—the sifting of evidence, and the discovery and unravelling of ancient documents—may be described as an essentially modern attainment, so it would be unreasonable to blame our older historians for errors which it was largely, if not wholly, beyond their power to overcome. And it is just here that I would emphasise my defence of the Romancist. If Historians themselves have differed (and still differ)! may it not be pleaded on behalf of the Historical Novelist that he also must be judged according to the possibilities of his time? For, while he may have too readily adopted false conceptions in the past, there is no necessity why, in the future, he also—profiting by the growth of Critical investigation—should not have due regard, in the working out of his Historical background, for all the latest "results." And, I would further add, even though it be true that Scott and others have misled us in certain directions, this does not prevent our acknowledgment that, given their aspect of a particular period, it was only fitting that the scheme of their novels should be in harmony with it. If "Bloody Mary" was a cruel hypocrite, then our reading of her period will be influenced by that real (or supposed) fact; but, if further investigation reverses this severe judgment on the woman herself, then, in Heaven's name, let us mould our general conception afresh. The fountains of Romance show no sign of running dry, and, though we may look in vain at the moment for a genius of the very highest type, the Future has possibilities within it which the greatest literary pessimist among us cannot wholly deny. If, then, fault can be found with the older Romancists for the spreading here and there of false historical notions, let us look to future workers in the same sphere for adjustment. I believe, however, that one notable critic has pronounced the mischief already done to be quite irreparable, seeing that the only "History" at all widely spread is that derived from those very romances in which errors are so interwoven with the sentimental interest of the plot itself that readers inevitably "hug their delusions!" But I think that this danger need not be contemplated seriously. The Historical Novel exists primarily as Fiction, and, even though in our waking moments we may be persuaded of the unreality of that "dream" which a Scott or a Dumas has produced for us, we shall still be able to place ourselves again and again under the spell of their delightful influence. Moreover, while admitting Dumas' carelessness of exact detail, it would hardly be contended by the most sceptical that his works (still less those of Scott) are without any background of Historic suggestiveness. Scott, indeed, shows signs of having possessed something of that "detachment" which is one important qualification in the Historian proper; there is a fairness and prevision in his historical judgments which we look for in vain when reading the works of his contemporaries.
And, having thus touched on what I believe to be the true relation between Romance and History, I may note, as a last word, the use of the Historical Tale to those who have the training of young folk. That "desire to know," which is an essential for all true learning, is sometimes best fostered by methods outside the ordinary School routine. Thus, as regards History, where the text-book fails in arousing interest, the tale may succeed, and, once the spirit of inquiry has been stimulated, half the battle is gained. In saying this I am far from wishing to imply that the reading of romances can ever take the place of genuine historical study. I know well that such a book as Green's "Short History of the English People" may prove to some more fascinating than any novel. There are, however, cases in which recourse may be had to a high-class work of fiction for the attainment of a truer historic sense; while, taken only as supplement to more strictly Academic reading, such a work may prove to have its uses. Considerable discrimination is required—as I have already hinted—in the choice of suitable books, and, as a help in this direction, I have made out (vide "Suggested courses of Reading" at the end of this volume) two special lists for Boys and Girls respectively, which will, I trust, be found useful. If, besides being of help to teachers, my recommendations should lead in any degree to further appreciation of the great masters of Romance, the labour (by no means inconsiderable) expended on this little compilation will be amply rewarded.
J. N.
January, 1902.
NOTE—the order in which the books are placed is, on the whole, according to the periods dealt with; occasionally the grouping decided on has prevented absolute correctness in this respect.
PRE-CHRISTIAN ERA.
SARCHEDON — G. J. Whyte Melville
Ancient Babylon and the Assyrians
W. Thacker & Co., and Ward, Lock, & Co.
UARDA — Georg Ebers (trans.)
Egypt—Rameses Sesostris
Sampson Low & Co.
ZOROASTER — F. Marion Crawford
Zoroaster, the Persian Religious Reformer
Macmillan & Co.
AN EGYPTIAN PRINCESS — Georg Ebers (trans.)
Egypt—Amasis and Cambyses, 6th Century B. C.
Sampson Low & Co.
THE FALL OF ATHENS — A. J. Church
Peloponnesian War
Seeley & Co.
A YOUNG MACEDONIAN — A. J. Church
Alexander the Great
Seeley & Co.
SALAMMBO — Gustave Flaubert (trans.)
Rome versus Carthage
G. P. Putnam's Sons, and Grant Richards
THE LION'S BROOD — Duffield Osborne
Rome versus Carthage
W. Heinemann
LORDS OF THE WORLD — A. J. Church
Rome versus Carthage.
Blackie & Son
THE SISTERS — Georg Ehers (trans.)
Egypt—Ptolemy Philometer, and Euergetes
Sampson Low & Co.
THE HAMMER — A. J. Church and R. Seeley
Maccabaean Times
Seeley & Co.
DEBORAH — J. M. Ludlow
Maccabaean Times
J. Nisbet & Co.
HELON'S PILGRIMAGE TO JERUSALEM — F. Strauss (trans.)
Judaism in the Century preceding Christ
J. Mawman, London, 1824
PRUSIAS — Ernst Eckstein (trans.)
The Slave Revolt under Spartacus.
Trubner & Co.
TWO THOUSAND YEARS AGO — A. J. Church
Rome—Spartacus and Mithridates
Blackie & Son
WOE TO THE CONQUERED — Alfred Clark
Roman Life, B. C. 73-71
Sampson Low & Co.
A FRIEND OF CAESAR — W. S. Davis
Pompey and Caesar
Macmillan & Co.
CLEOPATRA — Georg Ebers (trans.)
Latter Years of Cleopatra.
Sampson Low & Co.
FIRST CENTURY A.D.
NEAERA — John W. Graham
Rome under Tiberius (A. D. 26)
Macmillan & Co.
PHILOCHRISTUS — Anonymous
Memoirs of a Disciple of Christ
Macmillan & Co.
BEN HUR — Lew Wallace
Rome in the time of Christ
Harper & Brothers, and others
TARRY THOU TILL I COME (Salathiel) — G. Croly
Judaism and Christianity (the early struggle)
Funk & Wagnalls Co.
AS OTHERS SAW HIM — Anonymous
Early Christianity (A. D. 54)
W. Heinemann
BERIC THE BRITON — G. A. Henty
Roman Invasion of Britain
Blackie & Son
ONESIMUS— Anonymous
Memoirs of a Disciple of Paul
Macmillan & Co.
QUO VADIS? — H. Sienkiewicz (trans.)
Rome in the time of Nero
J. M. Dent & Co.
NERO — Ernst Eckstein (trans.)
Rome in the time of Nero
Trubner & Co.
THE BURNING OF ROME — A. J. Church
Rome in the time of Nero
Seeley & Co.
ACTE — Hugh Westbury
Rome in the time of Nero
Bentley
DARKNESS AND DAWN — Dean Farrar
Persecutions under Nero
Longmans, Green, & Co.
THE LAST DAYS OF POMPEII — Lytton
Time of Vespasian
Geo. Routledge & Sons
THE GLADIATORS — G. J. Whyte Melville
Fall of Jerusalem
W. Thacker & Co. and Ward, Lock, & Co.
DOMITIA — S. Baring-Gould
Time of Domitian
Methuen & Co.
MASTERS OF THE WORLD — Mary A. M. Hoppus
Time of Domitian
Bentley, 1888
QUINTUS CLAUDIUS — Ernst Eckstein (trans.)
Time of Domitian
W. S. Gottsberger
SECOND CENTURY.
VALERIUS — J. G. Lockhart
Time of Trajan (Rome)
W. Blackwood & Sons
TO THE LIONS — A. J. Church
Christians and the Younger Pliny
Seeley & Co.
ANTINOUS — George Taylor (trans.)
Time of Hadrian
William S. Gottsberger, New York, 1882
MARIUS THE EPICUREAN — W. Pater
Time of Marcus Aurelius
Macmillan & Co.
THIRD CENTURY.
PER ASPERA — Georg Ebers (trans.)
Alexandria in time of Emperor Caracalla
Sampson Low & Co.
PERPETUA — S. Baring-Gould
Nimes—beginning of Third Century
Isbister & Co.
THE CAMP ON THE SEVERN — A. D. Crake
Persecution in Britain
Mowbray & Co.
THE VILLA OF CLAUDIUS — E. L. Cutts
Roman occupation of Britain
Society for Promoting Christian Knowledge
CALLISTA — J. H. Newman
North Africa persecutions
Longmans, Green, & Co.
*THE EPICUREAN — Thomas Moore
Worship of Isis (Egypt)
Downey & Co.
* This tale, it must be admitted, is given a place mainly on account of its literary interest; as a historical romance it has been very severely criticised.
AURELIAN — W. Ware
Rome—late Third Century
Warne & Co.
THE LAST DAYS AND FALL OF PALMYRA (ZENOBIA) — W. Ware
Zenobia and Longinus
Cassell & Co. ("Red Library," 1890)
FOURTH CENTURY.
HOMO SUM — Georg Ebers (trans.)
Christians in Arabia
Sampson Low & Co.
*OUR FOREFATHERS (Die Ahnen) — Gustav Freytag (trans.)
Germany A. D. 357
Asher & Co., 1873
* The collective title of a series in which the history of a family is made to illustrate successive stages of German Civilisation. The English translation does not extend beyond the first two stories, dealing with the years 357 and 724 respectively; the remaining four stories (published by Hirzel of Leipsic, 1874-80) depict German life in 1226, 1519, 1647, and 1805.
THE LAST ATHENIAN — V. Rydberg (trans.)
Athens A. D. 361
T. B. Peterson & Brothers, Philadelphia
*THE DEATH OF THE GODS — D. Merejkowski (trans.)
The Emperor Julian
Constable & Co.
* No. 1 of the trilogy "Christ and Anti-Christ."
JETTA — George Taylor (trans.)
Heidelberg under the Romans
Trubner & Co., 1886
SERAPIS — Georg Ebers (trans.)
Alexandria A. D. 391
Trubner & Co., 1885
A DUKE OF BRITAIN — Sir Herbert Maxwell
Picts and Romans
W. Blackwood & Sons
FIFTH CENTURY.
GATHERING CLOUDS — Dean Farrar
Chrysostom [late Fourth—early Fifth Century]
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Jerome [late Fourth—early Fifth Century]
Society for Promoting Christian Knowledge
FABIOLA — Cardinal Wiseman
Rome early Fifth Century
Burns, 1855
HYPATIA — Charles Kingsley
Alexandria
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THE COUNT OF THE SAXON SHORE — A. J. Church
Departure of Romans from Britain
Seeley & Co.
ATTILA — G. P. R. James
Decline of Roman Empire
Warne & Co.
FELICITAS — Felix Dahn (trans.)
The German Migrations, A. D. 476
Macmillan & Co.
SIXTH CENTURY.
BUILDERS Of THE WASTE — Thorpe Forrest
Britains v. Anglians in Yorkshire
Duckworth & Co.
A STRUGGLE FOR ROME — Felix Dahn (trans.)
The Ostrogoths and Belisarius
R. Bentley, 1878
ANTONINA — Wilkie Collins
Rome in 546
Chatto & Windus
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Denmark and England
T. Nelson & Sons
SHAVEN CROWN — M. Bramston
Conversion of the Surrey Border (time of Ethelbert)
Society for Promoting Christian Knowledge
SEVENTH CENTURY.
THE SON OF AELLA — Gertrude Hollis
Conversion of Northumbria
Society for Promoting Christian Knowledge
CAEDWALLA — F. Cowper
Saxons in the Isle of Wight
Seeley & Co.
THE BRIDE OF THE NILE — Georg Ebers (trans.)
Egypt, A. D. 643
Trubner & Co.
*EIGHTH CENTURY.
* The second tale in Freytag's "Our Forefathers" (vide Fourth
Century section) illustrates the Germany of A. D. 724.
THE INVASION — G. Griffin
Ireland and Northern Europe in second half of the Eighth Century
Saunders & Otley, London, 1832
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Ethelwulf (mid Ninth Century)
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Edmund the Martyr
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*THE KING'S SONS — G. Manville Fenn
Alfred and his times
E. Nister
* A very slight but charming story of Alfred's boyhood, specially suited for the very young.
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Alfred and his times
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Alfred and his times
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Alfred and his times
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Alfred and his times
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A LION OF WESSEX — Tom Bevan
Alfred and his times
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Normandy—Richard the Fearless
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EKKEHARD — Scheffel (trans.)
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Britain—Dunstan
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St. Olaf's Days
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The Norman Conquest
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RUFUS, OR THE RED KING — Anonymous
William II.
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Second Crusade
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Henry II.
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The Waldenses
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Richard I.
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MAID MARIAN — Thomas Love Peacock
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WALDEMAR — B. S. Ingemann (trans.)
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8th Crusade
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MARCO VISCONTI — T. Grossi (trans.)
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MARGHERITA PUSTERLA — Cesare Cantu
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RIENZI — Lytton
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Edward II.—Edward III.
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*THE COUNTESS ALYS (in "New Canterbury Tales") — Maurice Hewlett
Period of Edward III.
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* Mr. Hewlett's volume ought not to be described (I have seen it so in one quarter) as dealing with the time of Henry VI. The "tales" are supposed to be told in 1450 by Pilgrims on their way to Canterbury.
THE WHITE COMPANY — Conan Doyle
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GOD SAVE ENGLAND — F. Breton
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A MARCH ON LONDON — G. A. Henty
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OTTERBOURNE — Anonymous
Battle of Otterbourne, 1388
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KATE CAMERON OF BRUX — J. E. Muddock
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THE LION OF FLANDERS — Hendrik Conscience (trans.)
France, late Fourteenth Century
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THE LION OF ST. MARK — G. A. Henty
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KNIGHTS OF THE CROSS — H. Sienkiewicz (trans.)
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IN THE DAYS OF PRINCE HAL — H. Elrington
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A CHAMPION OF THE FAITH — J. M. Callwell
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Southern France, 1424
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Guienne—Time of Charles VII.
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THE PRINCE OF INDIA — Lew Wallace
Fall of Constantinople, 1453
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Fall of Constantinople, 1453
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TWO PENNILESS PRINCESSES — Charlotte M. Yonge
Period of Henry VI.
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IN THE WARS OF THE ROSES — E. Everett Green
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THE WOODMAN — G. P. R. James
Time of Richard III.
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RED ROSE AND WHITE — Alfred Armitage
Time of Richard III.
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THE BURGOMASTER OF BERLIN — Wilibald Alexis (trans.)
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Leonardo da Vinci
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THE CHALLENGE OF BARLETTA — M. D'Azeglio (trans.)
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* This book well represents the extreme Royalist point of view.
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* Also published by George Bell & Sons (Bohn's Series) under the title "The Betrothed." I adopt the fuller title to prevent confusion with Scott's romance.
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*THE KING'S RING — Zacharias Topelius (translation)
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* The first of a series covering the 17th and 18th Centuries. Under the general title of "The Surgeon's Stories," the remaining volumes were published by Messrs. Jansen & Co., of Chicago (1883- 4); one of these appears in my list later on.
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* Sequel to "The Maiden and Married Life of Mary Powell."
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Author of "Religio Medici."
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* Intentionally placed with the Louis XIV. romances. It should, however, be noted that the events of the story are supposed to happen in the first years of the Eighteenth Century (the Cevennes Revolt).
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*CLEMENTINA — A. E. W. Mason
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* Decidedly superior to the same Author's "Lawrence Clavering" (also Jacobite period).
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Harper & Brothers
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Time of George II.
Bentley, 1877
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Wales, in 1745
Longmans, Green, & Co.
WAVERLEY — Scott
The Jacobites
A. & C. Black
MISTRESS NANCY MOLESWORTH — Joseph Hocking
The Jacobites
J. Bowden
THE FORTUNES OF CLAUDE — Edgar Pickering
The Jacobites
Warne & Co.
A LOST LADY OF OLD YEARS — J. Buchan
The Jacobites
John Lane
DENOUNCED — J. Bloundelle Burton
The Jacobites
Methuen & Co.
RICROFT OF WITHENS — Halliwell Sutcliffe
The Jacobites
Fisher Unwin
THE MASTER OF BALLANTRAE — R. L. Stevenson
The Jacobites
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AN EXILED SCOT — H. A. Bryden
The Jacobites (The Cape)
Chatto & Windus
SIR SERGEANT — W. L. Watson
The Jacobites
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Scotland, 1751
Cassell & Co.
CATRIONA — R. L. Stevenson
Scotland, 1751
Cassell & Co.
THE SHOES OF FORTUNE — Neil Munro
Jacobites, 1755
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THE BIRTHRIGHT — Joseph Hocking
Time of John Wesley (Cornwall)
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Chatto & Windus
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Handel, 1742-1759
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PEG WOFFINGTON — Charles Reade
The Stage, middle of Eighteenth Century
Chatto & Windus
THE JESSAMY BRIDE — F. Frankfort Moore
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MEMOIRS OF BARRY LYNDON — Thackeray
World of fashion, from middle to end of Eighteenth Century
Smith, Elder, & Co.
THE BATH COMEDY — Agnes & Egerton Castle
Bath, middle of Eighteenth Century
Macmillan & Co.
THE DUTCHMAN'S FIRESIDE — J. K. Paulding
New York, middle of Eighteenth Century
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Valley of the Shenandoah, 1748-81
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India, middle Eighteenth Century
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RALPH DANIELL — Meadows Taylor
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Kegan, Paul, & Co.
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India, middle Eighteenth Century
W. Blackwood & Sons
IVAN DE BIRON — Sir Arthur Helps
Russia, middle Eighteenth Century
Chatto & Windus
THE KING'S "BLUE BOYS" — Sheila E. Braine
Frederick William I. of Prussia and his Giant Grenadiers
Jarrold & Sons
THE CITIZEN OF PRAGUE — C. L. A. Paalzow (translation)
Maria Theresa, Empress of Austria
H. Colburn, 1846
CONSUELO and THE COUNTESS OF RUDOLSTADT — George Sand (trans.)
Time of Frederick the Great
Walter Scott
*FREDERICK THE GREAT AND HIS FAMILY — Louise Muhlbach
(translation)
Time of Frederick the Great
D. Appleton & Co.
* One of L. Muhlbach's several romances dealing with this period.
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The Seven Years War
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The Seven Years War
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A FALLEN STAR — C. Lowe
The Seven Years War
Downey & Co.
AMYOT BROUGH — E. Vincent Briton
England and Canada, middle of Eighteenth Century
Seeley & Co.
THE FORGE IN THE FOREST — C. D. G. Roberts
Canada, middle Eighteenth Century
Kegan, Paul, & Co.
A SISTER TO EVANGELINE — C. D. G. Roberts
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John Lane
AT WAR WITH PONTIAC — Kirk Munroe
Canada, middle Eighteenth Century
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THE SEATS OF THE MIGHTY — Gilbert Parker
The Taking of Quebec
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THE LAST OF THE MOHICANS — Fennimore Cooper
Montcalm, 1757
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THE STORY OF OLD FORT LOUDON — C. E. Craddock
North America, 1758. (French War)
Macmillan & Co.
FORTUNE'S MY FOE — J. Bloundelle Burton
Cartagena, 1758
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THE VIRGINIANS — Thackeray
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THE GOLDEN DOG — William Kirby
Quebec, in the days of Louis XV.
Jarrold & Sons
OLYMPE DE CLEVES — Dumas (translation)
France, Louis XV.
J. M. Dent & Co.
THE HOUSE OF DE MAILLY — Margaret H. Potter
France, Louis XV.
Harper & Brothers
THE LITTLE HUGUENOT — Max Pemberton
France, Louis XV.
Cassell & Co.
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Marquise de Pompadour, &c. (Irish Brigade stories)
Hutchinson & Co.
THE FAVOR OF PRINCES — Mark L. Luthur
Adventure in time of Louis XV.
Macmillan & Co.
MEMOIRS OF A PHYSICIAN — Dumas (translation)
Louis XV.-XVI. (1770-74)
J. M. Dent & Co.
THE QUEEN'S NECKLACE — Dumas (translation)
Court of Louis XVI. (1784-5)
J. M. Dent & Co.
THE COUNTESS EVE — J. H. Shorthouse
Burgundy, 1785
Macmillan & Co.
IN EXITU ISRAEL — S. Baring-Gould
Church and State in France, 1788-9
Macmillan & Co., 1870
THE KING WITH TWO FACES — M. E. Coleridge
Gustavus III. of Sweden
E. Arnold
MANY WAYS OF LOVE — F. Whishaw
Russia, time of Catharine II.
J. M. Dent & Co.
A FORBIDDEN NAME — F. Whishaw
Russia, time of Catharine II.
Chatto & Windus
THE TURKISH AUTOMATON — Sheila E. Braine
Russia, time of Catharine II.
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Moravia, 1771
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REDGAUNTLET — Scott
Time of George III.
A. & C. Black
GUY MANNERING — Scott
Time of George III.
A. & C. Black
KATERFELTO — G. J. Whyte-Melville
Time of George III. (Exmoor).
W. Thacker & Co. and Ward, Lock, & Co.
THE ORANGE GIRL — Walter Besant
Time of George III.
Chatto & Windus
*THE ROCK OF THE LION — M. E. Seawell
Time of George III.
Harper & Brothers
* Deals with the Siege of Gibraltar, 1779-1783.
BARNABY RUDGE — Dickens
Time of George III. (Gordon Riots)
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THE MAID OF SKER — R. D. Blackmore
Time of George III.
Sampson Low & Co.
MISS ANGEL — Miss Thackeray
Art (Reynolds & Angelica Kauffmann)
Smith, Elder, & Co.
THE FATAL GIFT — F. Frankfort Moore
The Sisters Gunning
Hutchinson & Co.
A NEST OF LINNETS — F. Frankfort Moore
R. B. Sheridan, Johnson, &c.
Hutchinson & Co.
THE SURGEON'S DAUGHTER — Scott
Fifeshire, Isle of Wight, and India (1780)
A. & C. Black
THE CASTLE INN — Stanley Weyman
English Manners, late Eighteenth Century
Smith, Elder, & Co.
THE TONE KING — Heribert Rau (trans.)
Mozart
Jarrold & Sons
THE VIRGINIA COMEDIANS — J. E. Cooke
Virginia, 1763-5
D. Appleton & Co., 1854
ALICE OF OLD VINCENNES — Maurice Thompson
Fort Vincennes (Clark's Conquest)
Cassell & Co.
THE GREEN MOUNTAIN BOYS — Daniel P. Thompson
American Revolution
B. B. Mussey & Co., Boston. Revised edition, 1848
*LIONEL LINCOLN — Fennimore Cooper
American Revolution
Geo. Routledge & Sons
* "Lionel Lincoln" treats of Boston in the time of Bunker Hill (1775); "The Spy" of Hudson River district 1782); and "The Pilot" of Paul Jones (1779).
THE SPY — Fennimore Cooper
American Revolution
Geo. Routledge & Sons
THE PILOT — Fennimore Cooper
American Revolution
Geo. Routledge & Sons
RICHARD CARVEL — Winston Churchill
American Revolution
Macmillan & Co.
HUGH WYNNE — S. Weir Mitchell
American Revolution (Washington)
Macmillan & Co.
A GREAT TREASON — Mary A. M. Hoppus
American Revolution (Benedict Arnold)
Macmillan & Co.
A SOLDIER OF VIRGINIA — Burton Eghert Stevenson
American Revolution
Duckworth & Co.
PHILIP WINWOOD — R. N. Stephens
American Revolution
Chatto & Windus
LOVE LIKE A GIPSY — Bernard Capes
American Revolution
Constable & Co.
JANICE MEREDITH — P. L. Ford
American Revolution
Constable & Co.
THE TORY LOVER — Sarah Orne Jewett
American Revolution (Paul Jones)
Smith, Elder, & Co.
CARDIGAN — R. W. Chambers
American Revolution
Constable & Co.
*THE FORAYERS and EUTAW — W. G. Simms
American Revolution
W. J. Widdleton, New York
* The two last of a series covering the American War period.
HORSE-SHOE ROBINSON — J. P. Kennedy
Virginia, 1780
R. Bentley, 1835
THE DUKE OF STOCKBRIDGE — E. Bellamy
Massachusetts (Shays' Rebellion)
Gay & Bird
ANGE PITOU — Dumas (translation)
French Revolution period
J. M. Dent & Co.
LA COMTESSE DE CHARNY — Dumas (translation)
French Revolution period (1789-94)
J. M. Dent & Co.
CHEVALIER DE MAISON ROUGE — Dumas (translation)
French Revolution period (1793)
J. M. Dent & Co.
*THE STORY OF A PEASANT — Erckmann-Chatrian (translation)
French Revolution period (1789-1815)
Ward, Lock, & Co.
* Collective title of the four tales—"The States-General" (1789),
"The Country in Danger" (1792), "Year One of the Republic" (1793),
and "Citizen Bonaparte" (1794-1815). Erckmann-Chatrian's "Madame
Therese" (translation) is another good story of this period (1792).
THE REDS OF THE MIDI — Felix Gras (translation)
French Revolution period
W. Heinemann
THE TERROR — Felix Gras (translation)
French Revolution period
W. Heinemann
THE WHITE TERROR — Felix Gras (translation)
French Revolution period
W. Heinemann
A TALE OF TWO CITIES — Dickens
French Revolution period
Chapman & Hall
L'AN '93 — Victor Hugo (trans.)
French Revolution period
J. M. Dent & Co.
MY LADY MARCIA — Eliza F. Pollard
French Revolution period
T. Nelson & Sons
THE ATELIER DU LYS — Miss Roberts
French Revolution period
Longmans, Green, & Co.
ON THE EDGE OF THE STORM — Miss Roberts
French Revolution period
Warne & Co.
CITOYENNE JACQUELINE — S. Tytler
French Revolution period
Chatto & Windus
LA VENDEE — Anthony Trollope
French Revolution period
Colburn, 1850
THE RED COCKADE — Stanley Weyman
French Revolution period
Longmans, Green, & Co.
MADEMOISELLE MATHILDE — Henry Kingsley
French Revolution period
Ward, Lock, & Co.
THE ADVENTURES OF FRANCOIS FOUNDER — S. Weir Mitchell
French Revolution period
Macmillan & Co.
*A STORM-RENT SKY — M. Betham Edwards
French Revolution period
Hurst & Blackett
* This striking tale deals with Danton's career. In "A Romance of Dijon" (Black) and "The Dream-Charlotte" (Black) Miss Betham Edwards has depicted earlier phases of the Revolution; the last- named novel takes us away from the Capital, to show us how the forces of the time affected the simple folk of Normandy.
THE ADVENTURES OF THE COMTE DE LA MUETTE — Bernard Capes
French Revolution period
W. Blackwood & Sons
OUR LADY OF DARKNESS — Bernard Capes
French Revolution period
W. Blackwood & Sons
THE RED SHIRTS — Paul Gaulot. (trans.)
French Revolution period
Chatto & Windus
A GIRL OF THE MULTITUDE — Anonymous
French Revolution period
Fisher Unwin
THE LITTLE SAINT OF GOD — Lady F. Cunningham
French Revolution period
Hurst & Blackett
ST. KATHERINE'S BY THE TOWER — Walter Besant
French Revolution period (England, 1793)
Chatto & Windus
AT THE SIGN OF THE GUILLOTINE — Harold Spender
Robespierre, 1794
Fisher Unwin
THE PARSON'S DAUGHTER — Emma Marshall
George Romney, the Painter
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THE MAID OF MAIDEN LANE — Amelia E. Barr
New York, 1791
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North Devon, 1793
Chatto & Windus
A BUSINESS IN GREAT WATERS — Julian Corbett
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Methuen & Co.
THE WHITES AND THE BLUES — Dumas (translation)
Rise of Napoleon (1793-9)
J. M. Dent & Co.
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Kentucky, 1795
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Mutiny at the Nore, 1797
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Nelson, 1798-9
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Chatto & Windus
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Napoleon in Egypt (1799-1800)
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THE MINISTER'S WOOING — Mrs. Beecher Stowe
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Sampson Low & Co.
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THE HUNGARIAN BROTHERS — A. M. Porter
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THE CHOUANS — Balzac (translation)
Brittany in 1800
J. M. Dent & Co.
RODNEY STONE — Conan Doyle
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Smith, Elder, & Co.
THE LORDS OF STROGUE — Lewis Wingfield
Ireland at the Union
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C. M. Clark Publishing Co., Boston
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Battle of Assaye, &c.
Blackie & Son
THE HOUR AND THE MAN — Harriet Martineau
Toussaint L'Ouverture
Cassell ("Red Library," 1886)
THE ADVENTURES OF A GOLDSMITH — M. H. Bourchier
France—Royalist Conspiracy under the Consulate
Elkin Mathews
PICCIOLA — X. B. Saintine (trans.)
Earlier Napoleonic period
Sampson Low & Co.
A BOY OF THE FIRST EMPIRE — Elbridge S. Brooks
Napoleon, Fouche, &c. (1806-15)
S. W. Partridge & Co.
WHEN GEORGE III. WAS KING — A. Sagon
Time of Nelson
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SPRINGHAVEN — R. D. Blackmore
Time of Nelson (Trafalgar)
Sampson Low & Co.
*TRAFALGAR — B. Perez Galdos (trans.)
Time of Nelson (Trafalgar)
Trubner & Co., 1884
* One of the series (20 vols.), "Episodios Nacionales," dealing with the Spanish War of Independence.
AFLOAT WITH NELSON — Charles H. Eden
Time of Nelson (Trafalgar)
J. Macqueen
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Prussia—Invasion of Napoleon, &c.
Barthol, Berlin (1852 and 1854)
RAFAEL — Ernest Daudet (trans.)
Spain—Charles IV. and Napoleon
Sampson Low & Co.
TOM BURKE Of "OURS" — Charles Lever
French Wars (Consulate—Empire)
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THE AIDE-DE-CAMP — James Grant
Battle of Maida, 1806
Geo. Routledge & Sons
CHARLES O'MALLEY — Charles Lever
Peninsular War
Downey & Co. and Geo. Routledge & Sons
ALICE LORRAINE — R. D. Blackmore
Peninsular War
Sampson Low & Co.
THE ROMANCE OF WAR — James Grant
Peninsular War
Geo. Routledge & Sons
WITH MOORE AT CORUNNA and UNDER WELLINGTON'S COMMAND — G. A. Henty
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THE SUBALTERN — G. R. Gleig
Peninsular War
W. Blackwood & Sons
THE BIVOUAC — W. H. Maxwell
Peninsular War
Geo. Routledge & Sons
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Peninsular War
W. Heinemann
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Austria, early Nineteenth Century
Chatto & Windus
A RED BRIDAL — W. Westall
Austria, early Nineteenth Century (Hofer.)
Chatto & Windus
WAR AND PEACE — Tolstoy (translation)
Napoleon's Russian Campaign
Walter Scott
KENNETH — Charlotte M. Yonge
Napoleon's Russian Campaign
Macmillan & Co.
THROUGH RUSSIAN SNOWS — G. A. Henty
Napoleon's Russian Campaign
Blackie & Son
SHIRLEY — Charlotte Bronte
The "Luddite" Riots
Smith, Elder, & Co.
FOREST FOLK — James Prior
The "Luddite" Riots
W. Heinemann
AN OCEAN FREE LANCE — Clark Russell
Privateering in 1812
Sampson Low & Co.
ST. RONAN'S WELL — Scott
Near Firth of Forth, 1812
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THE BIG BROTHER — G. C. Eggleston
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IN THE YEAR '13 — Fritz Renter (trans.)
French occupation of Mecklenburg
Sampson Low & Co. (Tauchnitz edition, 1867)
UNCLE BERNAC — Conan Doyle
Napoleon and his time
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EXPLOITS OF BRIGADIER GERARD — Conan Doyle
Napoleon and his time
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THE SHADOW OF THE SWORD — R. Buchanan
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GRANTLEY FENTON — M. M. Blake
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VENGEANCE IS MINE — A. Balfour
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FACE TO FACE WITH NAPOLEON and IN THE YEAR OF WATERLOO — O. V. Caine
Napoleon and his time
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ONE OF THE 28th. — G. A. Henty
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THE BLOCKADE — Erckmann-Chatrian (translation)
Napoleon and his time
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*THE CONSCRIPT and WATERLOO — Erckmann-Chatrian (translation)
Napoleon and his time
Ward, Lock, & Co.
* These two books depict the period September, 1812-July, 1815.
STORIES OF WATERLOO — W. H. Maxwell
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LES MISERABLES — Victor Hugo (trans.)
France, 1815
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Son of Louis XVI. (France and America, 1795-1815)
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THE NAMELESS CASTLE — M. Jokai (trans.)
Daughter of Louis XVI. (Hungary in the Napoleonic period)
Jarrold & Sons
LORDS OF THE NORTH — Agnes C. Laut
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Last Years of the Regency
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YEOMAN FLEETWOOD — M. E. Francis (Mrs. Blundell)
Last Years of the Regency
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A LADY OF THE REGENCY — Mrs. Stepney Rawson
Time of George IV.
Hutchinson & Co.
TAKEN FROM THE ENEMY — Henry Newbolt
Time of George IV. (Plot to rescue Napoleon, 1821.)
Chatto & Windus
ROYAL GEORGIE — S. Baring-Gould
Time of George IV.
Methuen & Co.
THE VINTAGE and CAPSINA — E. F. Benson
Greek War of Independence, 1821
Methuen & Co.
BLACK PROPHET — W. Carleton
Ireland, in 1822
Simms & Co., 1847
THE WHITEBOY — Mrs. S. C. Hall
Ireland, in 1822
Geo. Routledge & Sons
HUNGARIAN NABOB — M. Jokai (translation)
Hungary, 1822
Jarrold & Sons
THE GREEN BOOK — M. Jokai (translation)
Russia, 1825
Jarrold & Sons
THADDEUS OF WARSAW — Jane Porter
Poland, about 1830
Geo. Routledge & Sons
THE FIERY DAWN — M. E. Coleridge
Duchesse de Berri (1831-2)
E. Arnold
THE SHE WOLVES OF MACHECOUL — Dumas (translation)
Duchesse de Berri (1795-1843)
J. M. Dent & Co.
THE FIREBRAND — S. R. Crockett
Spain—Queen Cristina and the Carlists
Macmillan & Co.
IN KEDAR'S TENTS — H. S. Merriman
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Smith, Elder, & Co.
FOR THE RIGHT — Karl Emil Franzos (translation)
Carpathian district, 1835
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MIDDLEMARCH — George Eliot
Time of William IV.
W. Blackwood & Sons
FELIX HOLT — George Eliot
Time of William IV.
W. Blackwood & Sons
UNDER THE MENDIPS — Emma Marshall
Time of William IV. (Bristol Riots.)
Seeley & Co.
TREWERN — R. M. Thomas
Time of William IV. (Wales.)
Fisher Unwin
SWALLOW — H. Rider Haggard
South Africa—the Great Trek, 1836
Longmans, Green, & Co.
JOHN CHARITY — H. A. Vachell
First years of Queen Victoria's reign. (Hants and California).
John Murray
ALTON LOCKE — Charles Kingsley
Early Victorian period (Chartists)
Macmillan & Co.
SYBIL — Disraeli
Early Victorian period (Chartists)
Longmans, Green, & Co.
TO HERAT AND CABUL — G. A. Henty
First Afghan War
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CASTLE RICHMOND — Anthony Trollope
Irish Famine
Chapman & Hall, 1860
CASTLE DALY — Miss Keary
Irish Famine
Macmillan & Co.
MONONIA — Justin McCarthy
Ireland, 1848
Chatto & Windus
ISHMAEL — Miss Braddon
France (Louis Philippe-Napoleon III.)
J. & R. Maxwell
JOURNEYMAN LOVE — Mrs. Stepney Rawson
France. (Period of tile '48 Revolution).
Hutchinson & Co.
MADEMOISELLE MORI — Miss Roberts
Italian Revolution, 1848
Longmans, Green, & Co
*DR. ANTONIO — G. D. Ruffini
Italian Revolution, 1848
Thos. Constable & Co., Edinburgh, 1855
* A remarkable example of a foreigner's mastery of our language. Ruffini, the illustrious Italian patriot, wrote this novel after a sojourn of some years in England.
VITTORIA — George Meredith
Italian Revolution, 1848
Constable & Co.
FOR FREEDOM — Tighe Hopkins
War of Italian Liberation, 1859
Chatto & Windus
OUT WITH GARIBALDI — G. A. Henty
War of Italian Liberation, 1859
Blackie & Son
DEBIT AND CREDIT — Freytag (translation)
Silesia, 1848
Bentley, 1857
THE BARON'S SONS — M. Jokai (translation)
Hungarian Revolution, 1848.
J. Macqueen
MANASSEH — M. Jokai (translation)
Italy and Transylvania, 1848-59
J. Macqueen
RAVENSHOE — Henry Kingsley
Period of Crimean War
Ward, Lock, & Co.
*SEVASTOPOL — Tolstoy (translatton)
Period of Crimean War
Grant Richards
* This powerful sketch can hardly be described as "romance," but I felt that my Crimean section would be incomplete without it.
THE INTERPRETER — G. J. Whyte Melville
Period of Crimean War
W. Thacker & Co. and Ward, Lock, & Co.
BY CELIA'S ARBOUR — W. Besant and J. Rice
Period of Crimean War
Chatto & Windus
A GALLANT GRENADIER — Captain Brereton
Period of Crimean War
Blackie & Son
SEETA — Meadows Taylor
Indian Mutiny
Kegan, Paul, & Co.
THE DILEMMA — Sir George Chesny
Indian Mutiny
W. Blackwood & Sons
ON THE FACE OF THE WATERS — Mrs. F. A. Steel
Indian Mutiny (Siege of Delhi)
W. Heinemann
FLOTSAM — H. Seton Merriman
Indian Mutiny
Longmans, Green, & Co.
FOR THE OLD FLAG — Clive Robert Fenn
Indian Mutiny
Sampson Low & Co.
JENETHA'S VENTURE — Colonel Harcourt
Indian Mutiny
Cassell & Co.
EBEN HOLDEN — Irving bacheller
New York Journalism (Horace Greeley)
Fisher Unwin
THE CRISIS — Winston Churchill
American Civil War period
Macmillan & Co.
THE RED BADGE OF COURAGE — Stephen Crane
American Civil War period
W. Heinemann
WITH LEE IN VIRGINIA — G. A. Henty
American Civil War period
Blackie & Son
THE DESERTER, and A DAY IN THE WILDERNESS (In "The Deserter and
other stories") — Harold Frederic
American Civil War Period
Lothrop Publishing Co.
THE COPPERHEAD AND OTHER TALES — Harold Frederic
American Civil War Period
W. Heinemann
WHO GOES THERE? and FRIEND WITH THE COUNTERSIGN — B. K. Benson
American Civil War Period
Macmillan & Co.
THE CAVALIER — George W. Cable
American Civil War Period
John Murray
HENRY BOURLAND — Albert Elmer Hancock
American Civil War Period
Macmillan & Co.
*RED ROCK — T. Nelson Page
American Civil War Period
W. Heinemann
* Depicts the Reconstruction period in the Southern States just after the War.
AN EMPEROR'S DOOM — Herbert Hayens
Mexican War of Independence
T. Nelson & Sons
LAY DOWN YOUR ARMS — Baroness von Suttner (translation)
Foreign Wars, 1864-70
Longmans, Green, & Co.
FOR SCEPTRE AND CROWN — G. Samarow (trans.)
Prussia v. Austria, 1866
H. S. King & Co., 1875
THE MEMBER FOR PARIS — E. C. Grenville Murray
France—Napoleon III.
Smith, Elder, & Co., 1871
HISTOIRE DU PLEBISCITE — Erckmann-Chatrian
Franco-German War Period
J. Hetzel et Cie.
LORRAINE — Robert W. Chambers
Franco-German War Period
G. P. Putnam's Sons
VALENTIN — Henry Kingsley
Ward, Lock, & Co.
Ditto.
THE ISLE OF UNREST — H. S. Merriman
Franco-German War Period (Corsica)
Smith, Elder, & Co.
THE GARDEN OF SWORDS — Max Pemberton
Franco-German War Period (Strasburg).
Cassell & Co.
ASHES OF EMPIRE — Robert W. Chambers
Franco-German War Period
Macmillan & Co.
THE DOWNFALL — E. Zola (translation)
Franco-German War Period (Sedan)
Chatto & Windus
*UNE EPOQUE — Paul et Victor Margueritte
Franco-German War Period
Plon-Nourrit et Cie., Paris
* Collective title of the 4 novels—"Le Desastre" (Metz, 1870),
"Les Troncons du Glaive" (La Defense nationale. 1870-71), "Les
Braves Gens" (Episodes, 1870-71), and "La Commune" (Paris, 1875).
The last-named has still (January, 1902) to appear. Messrs. Chatto
& Windus have published an English translation of "Le Desastre."
THE PARISIANS — Lytton
Paris Commune
Geo. Routledge & Sons
THE RED REPUBLIC — Robert W. Chambers
Paris Commune
G. P. Putnam's Sons
THE VELVET GLOVE — H. S. Merriman
Spain, 1870—The Carlists
Smith, Elder, & Co.
* SUPPLEMENTARY LIST OF NOTABLE NOVELS,
Which, while not strictly "Historical," in some way represent bygone periods.
* Nothing like exhaustiveness is claimed for this "Supplementary List;" the method of study therein indicated might be indefinitely extended, but the few works given form an almost necessary starting-point. A less restricted list would, of course, include the Semi-Historic examples of such Foreign authors as Madame de Stael, Balzac, Spielhagen, &c. The purport of this book being primarily in the direction of Historical Romance proper, I have confined my attention here to a few works on the borderland of my Introductory definition.
THE FOREST LOVERS — Maurice Hewlett
Mediaeval Life
Macmillan & Co.
THE SCARLET LETTER — Nathaniel Hawthorne
Massachusetts, end of Seventeenth Century
Walter Scott and others
CASTLE RACKRENT — Maria Edgeworth
Irish character, early Eighteenth Century
Macmillan & Co.
TREASURE ISLAND — R. L. Stevenson
Adventure, middle Eighteenth Century
Cassell & Co.
TOM JONES — Fielding
English Life and Manners, middle Eighteenth Century
J. M. Dent & Co.
CLARISSA HARLOWE — Richardson
English Life and Manners, middle Eighteenth Century
Chapman & Hall
THE VICAR OF WAKEFIELD — Goldsmith
English Rural Life, Eighteenth Century
Macmillan & Co.
ANNALS OF THE PARISH — John Galt
Scotch Village Life, 1760-1810
W. Blackwood & Sons
EVELINA — Frances Burney
Fashionable manners, end Eighteenth Century
J. M. Dent & Co.
PRIDE AND PREJUDICE — Jane Austen
Everyday Society, beginning of Nineteenth Century
Macmillan & Co.
ADAM BEDE — George Eliot
English Rural Life, beginning of Nineteenth Century
W. Blackwood & Sons
DESTINY — Susan E. Ferrier
Scotch character, beginning of Nineteenth Century
J. M. Dent & Co.
TRAITS AND STORIES OF THE IRISH PEASANTRY — William Carleton
Irish Peasant-life, beginning of Nineteenth Century
J. M. Dent & Co.
O'DONNEL — Lady Morgan
Irish character, beginning of Nineteenth Century
Colburn, 1814
THE GRANDISSIMES — G. W. Cable
America, early Nineteenth Century (Creole life)
Hodder & Stoughton
PENDENNIS and THE NEWCOMES — Thackeray
Late Georgian—Early Victorian manners
Smith Elder & Co.
CRANFORD — Mrs. Gaskell
English Provincial Life in the second quarter of the Nineteenth
Century
Macmillan & Co.
PERLYCROSS — R. D. Blackmore
English Provincial Life in the second quarter of the Nineteenth
Century
Sampson Low & Co.
THE BLITHEDALE ROMANCE — Nathaniel Hawthorne
Margaret Fuller and the "Brook Farm" group, under fictitious names.
Walter Scott
THE TRAGIC COMEDIANS — George Meredith
Ferdinand Lassalle, under fictitious name
Constable & Co.
UNCLE TOM'S CABIN — Mrs. H. Beecher-Stowe
Slavery in America
Routledge, Cassell, and others
A KENTUCKY CARDINAL AND AFTERMATH — James Lane Allen
American Manners, 1850
Macmillan & Co.
BARCHESTER TOWERS — Anthony Trollope
Life in an English Cathedral City, middle of Nineteenth Century
Chapman & Hall
SUNNINGWELL — F. Warre Cornish
"High Church" and "Broad Church," middle of Nineteenth Century
Constable & Co.
BEAUCHAMP'S CAREER — George Meredith
English Politics, middle of Nineteenth Century
Constable & Co.
MARY BARTON — Mrs. Gaskell
Manufacturing Districts, middle of Nineteenth Century
Smith, Elder, & Co.
SUGGESTED COURSES OF READING—JUVENILE.
As likely to assist Parents and Teachers, I propose to give two lists (covering English History from the Norman Conquest) for Boys and Girls respectively; but a passing allusion may, first of all, be made to tales dealing with more ancient periods. For the illustration of Greek and Roman History, those books of Professor A. J. Church which are entered in my Pre-Christian section may be safely recommended; while the pictures of First Century life given in Wallace's "Ben Hur," Lytton's "Last Days of Pompeii," and Whyte Melville's "The Gladiators" are, perhaps, as likely to interest an intelligent boy or girl in the "teen" stage as any similar productions that could be mentioned. Turning to the Early History of our own isle, I would specially mention Mr. Henty's "Beric the Briton"; the "Aescendune" series of tales ("Edwy the Fair," "Alfgar the Dane," and "The Rival Heirs") by the late Rev. A. D. Crake; Mr. C. W. Whistler's "Havelok the Dane," "A Thane of Wessex," &c.; and the various books chosen to represent Alfred and his times.
In preparing the following lists, I have had in view, for the most part, the average Juvenile taste; doubtless many of the more advanced works might be offered in special cases, but, in regard to that, the Parent or Teacher can alone judge. Some of the tales entered in (I.) reappear in (II.), but a comparison will disclose important differences. A reference to the General List will, in most cases, reveal a more exact specification; for the sake of convenience, the tales are here grouped according to Reigns only.
Of the romances dealing with American and Foreign History to be found in the foregoing pages, many are suitable for young readers; but the sequence not being very close (for any lengthy period at least), separate lists would appear superfluous. Such writers (to mention only a few) as Fennimore Cooper, Mrs. J. G. Austin, G. C. Eggleston, Kirk Munroe, and Elbridge S. Brooks, may be particularly recommended for American History; while Scott, Dumas, Charlotte M. Yonge, Miss Roberts (author of "Mademoiselle Mori"), and G. A. Henty, have all illustrated—in more or less adequate fashion—the course of events in Foreign Countries. The novels of Dumas are not infrequently considered somewhat "strong meat," but his " She- Wolves of Machecoul" and "Black Tulip" may be safely placed in any hands.
ENGLISH HISTORY SINCE THE CONQUEST (Boys).
HAROLD — Lytton
Norman Conquest, Harold—William I.
Geo. Routledge & Sons
THE CAMP OF REFUGE — C. Macfarlane
Norman Conquest, Harold—William I.
Constable & Co.
HEREWARD THE WAKE — Charles Kingsley
Norman Conquest, Harold—William I.
Macmillan & Co.
WULF THE SAXON — G. A. Henty
Norman Conquest, Harold—William I.
Blackie & Son
IN THE DAYS OF ST. ANSELM — G. Hollis
William II.
Society for Promoting Christian Knowledge
COUNT ROBERT OF PARIS — Scott
William II.
A. & C. Black
*PABO THE PRIEST — S. Baring-Gould
Henry I.
Methuen & Co.
* This, the only substantial tale dealing directly with the reign of Henry I., is hardly suitable for very young folk, but it will interest those with older tastes.
THE LEGEND OF READING ABBEY — C. Macfarlane
Stephen
Constable & Co.
THE KNIGHT OF THE GOLDEN CHAIN — R. D. Chetwode
Stephen
C. A. Pearson
THE BETROTHED — Scott
Henry II.
A. & C. Black
FOREST OUTLAWS — E. Gilliat
Henry II.
Seeley & Co.
THE TALISMAN — Scott
Richard I.
A. & C. Black
IVANHOE — Scott
Richard I.
A. & C. Black
RUNNYMEDE AND LINCOLN FAIR — J. G. Edgar
John
Ward, Lock, & Co.
A STOUT ENGLISH BOWMAN — E. Pickering
Henry III.
Blackie & Son
HOW I WON MY SPURS — J. G. Edgar
Henry III.
Ward, Lock, & Co.
THE KING'S REEVE — E. Gilliat
Edward I.
Seeley & Co.
IN FREEDOM'S CAUSE — G. A. Henty
Wallace and Bruce, Edward I.—Edward II.
Blackie & Son
THE CHEVALIER OF THE SPLENDID CREST — Sir Herbert Maxwell
Wallace and Bruce, Edward I.—Edward II.
W. Blackwood & Sons
THE WHITE COMPANY — Conan Doyle
Edward III.
Smith, Elder, & Co.
THE LANCES OF LYNWOOD — Charlotte M. Yonge
Edward III.
Macmillan & Co.
CRECY AND POICTIERS — J. G. Edgar
Edward III.
Ward, Lock, & Co.
ST. GEORGE FOR ENGLAND — G. A. Henty
Edward III.
Blackie & Son
JOHN STANDISH — E. Gilliat
Richard II.
Seeley & Co.
A MARCH ON LONDON — G. A. Henty
Richard II.
Blackie & Son
BOTH SIDES OF THE BORDER — G. A. Henty
Henry IV.
Blackie & Son
IN THE DAYS OF PRINCE HAL — H. Elrington
Henry V.
Blackie & Son
AT AGINCOURT — G. A. Henty
Henry V.
Blackie & Son
AGINCOURT — G. P. R. James
Henry V.
Warne & Co.
THE LAST OF THE BARONS — Lytton
Wars of the Roses, Henry VI.—Edward IV.
Geo. Routledge & Sons
THE BLACK ARROW — R. L. Stevenson
Wars of the Roses, Henry VI.—Edward IV.
Cassell & Co.
THE CHANTRY PRIEST OF BARNET — A. J. Church
Wars of the Roses, Henry VI.—Edward IV.
Seeley & Co.
HOW DICKON CAME BY HIS NAME and WHERE AVON INTO SEVERN FLOWS —
Harold Frederic
Wars of the Roses, Henry VI.—Edward IV.
Lothrop Publishing Co.
RED ROSE AND WHITE — A. Armitage
Richard III.
J. Macqueen
THE WOODMAN — G. P. R. James
Richard III.
Warne & Co.
THE HEIR OF HASCOMBE HALL — E. Everett Green
Henry VII.
T. Nelson & Sons
THE CAPTAIN OF THE WIGHT — F. Cowper
Henry VII.
Seeley & Co.
WINDSOR CASTLE — Harrison Ainsworth
Henry VIII.
Geo. Routledge & Sons
THE ARMOURER'S 'PRENTICES — Charlotte M. Yonge
Henry VIII.
Macmillan & Co.
THE PRINCE AND THE PAUPER — Mark Twain
Edward VI.
Chatto & Windus
THE COLLOQUIES OF EDWARD OSBORNE — A. Manning
Edward VI.
J. C. Nimmo
THE TOWER OF LONDON — Harrison Ainsworth
Mary
Geo. Routledge & Sons
SEETHING DAYS — Caroline C. Holroyd
Mary
A. D. Innes & Co.
KENILWORTH — Scott
Elizabeth
A. & C. Black
WESTWARD HO! — Charles Kingsley
Elizabeth
Macmillan & Co.
MASTER SKYLARK — J. Bennett
Elizabeth
Macmillan & Co.
SIR LUDAR — T. Baines Reed
Elizabeth
Sampson Low & Co.
THE FORTUNES OF NIGEL — Scott
James I.
A. & C. Black
THE LANCASHIRE WITCHES — Harrison Ainsworth
James I.
Geo. Routledge & Sons
THE BLACK TOR — G. Manville Fenn
James I.
W. & R. Chambers
HOLMBY HOUSE — Whyte Melville
Charles I.
Ward, Lock, & Co.
THE SPLENDID SPUR — "Q"
Charles I.
Cassell & Co.
WITH THE KING AT OXFORD — A. J. Church
Charles I.
Seeley & Co.
WHEN CHARLES I. WAS KING — J. S. Fletcher
Charles I.
Gay & Bird
HUGH GWYETH — B. M. Dix
Charles I.
Macmillan & Co.
JOHN MARMADUKE — S. H. Church
Commonwealth
G. P. Putnam's Sons
WOODSTOCK — Scott
Commonwealth
A. & C. Black
CAPTAIN JACOBUS — L. Cope Cornford
Commonwealth
Methuen & Co.
OLD ST. PAUL'S — Harrison Ainsworth
Charles II.
Geo. Routledge & Sons
WHITEFRIARS — Anonymous
Charles II.
Geo. Routledge & Sons
TRAITOR OR PATRIOT? — M. C. Rowsell
Charles II.
Blackie & Son
SILAS VERNEY — Edgar Pickering
Charles II.
Blackie & Son
OLD MORTALITY — Scott
Charles II.
A. & C. Black
LORNA DOONE — R. D. Blackmore
James II.
Sampson Low & Co.
MICAH CLARKE — Conan Doyle
James II.
Longmans, Green, & Co.
FOR FAITH AND FREEDOM — Walter Besant
James II.
Chatto & Windus
THE COURTSHIP OF MORICE BUCKLER — A. E. W. Mason
James II.
Macmillan & Co.
BLUE PAVILIONS — "Q"
William III.
Cassell & Co.
A MAN'S FOES — E. H. Strain
William III.
Ward, Lock, & Co.
ST. JAMES'S — Harrison Ainsworth
Anne
Geo. Routledge & Sons
THE CORNET OF HORSE — G. A. Henty
Anne
Sampson Low & Co.
THE BRAVEST OF THE BRAVE — G. A. Henty
Anne
Blackie & Son
TOM TUFTON'S TRAVELS and TOM TUFTON'S TOLL — E. Everett Green
Anne
T. Nelson & Sons
ROB ROY — Scott
George I.
A. & C. Black
DOROTHY FORSTER — W. Besant
George I.
Chatto & Windus
THE MISER'S DAUGHTER — Harrison Ainsworth
George II.
Geo. Routledge & Sons
WAVERLEY — Scott
George II.
A. & C. Black
NED LEGER — G. Manville Fenn
George II.
Society for Promoting Christian Knowledge
THE FORTUNES OF CLAUDE — E. Pickering
George II.
Warne & Co.
THE MASTER OF BALLANTRAE — R. L. Stevenson
George II.
Cassell & Co.
KIDNAPPED — R. L. Stevenson
George II.
Cassell & Co.
CATRIONA — R. L. Stevenson
George II.
Cassell & Co.
BARNABY RUDGE — Charles Dickens
George III.
Chapman & Hall
IN PRESS-GANG DAYS — E. Pickering
George III.
Warne & Co.
AT THE POINT OF THE BAYONET — G. A. Henty
George III.
Blackie & Son
WHEN GEORGE III. WAS KING — A. Sagon
George III.
Sands & Co.
AFLOAT WITH NELSON — Chas. H. Eden
George III.
J. Macqueen
THE ROMANCE OF WAR — James Grant
George III.
Geo. Routledge & Sons
WITH MOORE AT CORUNNA and UNDER WELLINGTON'S COMMAND — G. A. Henty
George III.
Blackie & Son
GRANTLEY FENTON — M. M. Blake
George III.
Jarrold & Sons
FACE TO FACE WITH NAPOLEON and IN THE YEAR OF WATERLOO — O. V. Caine
George III.
J. Nisbet & Co.
ONE OF THE 28TH — G. A. Henty
George III.
Blackie & Son
A GALLANT GRENADIER — Captain Brereton
Crimean War
Blackie & Son
FOR THE OLD FLAG — C. R. Fenn
Indian Mutiny
Sampson Low & Co.
ENGLISH HISTORY SINCE THE CONQUEST (GIRLS).
HAROLD — Lytton
Norman Conquest, Harold—William I.
Geo. Routledge & Sons
THE CAMP OF REFUGE — C. Macfarlane
Norman Conquest, Harold—William I.
Constable & Co.
IN THE DAYS OF ST. ANSELM — G. Hollis
William II.
Society for Promoting Christian Knowledge
COUNT ROBERT OF PARIS — Scott
William II.
A. & C. Black
*PABO THE PRIEST — S. Baring-Gould
Henry I.
Methuen & Co.
* This, the only substantial tale dealing directly with the reign of Henry I., is hardly suitable for very young folk, but it will interest those with older tastes.
THE LEGEND OF READING ABBEY — C. Macfarlane
Stephen
Constable & Co.
THE BETROTHED — Scott
Henry II.
A. & C. Black
FOREST OUTLAWS — E. Gilliat
Henry II.
Seeley & Co.
THE TALISMAN — Scott
Richard I.
A. & C. Black
IVANHOE — Scott
Richard I.
A. & C. Black
RUNNYMEDE AND LINCOLN FAIR — J. G. Edgar
John
Ward, Lock, & Co.
A CLERK OF OXFORD — E. Everett Green
Henry III.
T. Nelson & Sons
THE ROBBER BARON OF BEDFORD CASTLE — A. J. Foster and E. C.
Cuthell
Henry III
T. Nelson & Sons
THE PRINCE AND THE PAGE — Charlotte M. Yonge
Henry III
Macmillan & Co.
THE KING'S REEVE — E. Gilliat
Edward I.
Seeley & Co.
THE LORD OF DYNEOVER — E. Everett Green
Edward I.
T. Nelson & Sons
THE SCOTTISH CHIEFS — Jane Porter
Wallace and Bruce (Edward I.—Edward II.)
J. M. Dent & Co.
THE DAYS OF BRUCE — Grace Aguilar
Wallace and Bruce (Edward I.—Edward II.)
Warne & Co.
GOD, THE KING, MY BROTHER — Mary F. Nixon Roulet
Edward III.
Ward, Lock, & Co.
THE LANCES OF LYNWOOD — Charlotte M. Yonge
Edward III.
Macmillan & Co.
IN THE DAYS OF CHIVALRY — E. Everett Green
Edward III.
T. Nelson & Sons
ROBERT ANNYS, POOR PRIEST — Annie N. Meyer
Richard II.
Macmillan & Co.
THE BANNER OF ST. GEORGE — M. Bramston
Richard II.
Duckworth & Co.
BOTH SIDES OF THE BORDER — G. A. Henty
Henry IV.
Blackie & Son
IN THE DAYS OF PRINCE HAL — H. Elrington
Henry V.
Blackie & Son
A CHAMPION OF THE FAITH — J. M Callwell
Henry V.
Blackie & Son
AGINCOURT — G. P. R. James
Henry V.
Warne & Co.
TWO PENNILESS PRINCESSES — Charlotte M. Yonge
Henry VI.
Macmillan & Co.
THE LAST OF THE BARONS — Lytton
Wars of the Roses (Henry VI.—Edward IV.)
Geo. Routledge & Sons
GRISLY GRISSELL — Charlotte M. Yonge
Wars of the Roses (Henry VI.—Edward IV.)
Macmillan & Co.
IN THE WARS OF THE ROSES — E. Everett Green
Wars of the Roses (Henry VI.—Edward IV.)
T. Nelson & Sons
RED ROSE AND WHITE — A. Armitage
Richard III.
J. Macqueen
THE WOODMAN — G. P. R. James
Richard III.
Warne & Co
THE HEIR OF HASCOMBE HALL — E. Everett Green
Henry VII.
T. Nelson & Sons
THE HOUSEHOLD OF SIR THOMAS MORE — A. Manning
Henry VIII.
J. C. Nimmo
MY FRIEND ANNE — Jessie Armstrong
Henry VIII.
Warne & Co.
THE ARMOURER'S PRENTICES — Charlotte M. Yonge
Henry VIII.
Macmillan & Co.
THE PRINCE AND THE PAUPER — Mark Twain
Edward VI.
Chatto & Windus
THE MAID OF LONDON BRIDGE — S. Gibney
Edward VI.
Jarrold & Sons
THE COLLOQUIES OF EDWARD OSBORNE — A. Manning
Edward VI.—Mary
J. C Nimmo
SEETHING DAYS — Caroline C. Holroyd
Edward VI.—Mary
A. D. Innes & Co.
KENILWORTH — Scott
Elizabeth
A. & C. Black
WESTWARD HO! — Charles Kingsley
Elizabeth
Macmillan & Co.
UNKNOWN TO HISTORY — Charlotte M. Yonge
Elizabeth
Macmillan & Co.
PENSHURST CASTLE — Emma Marshall
Elizabeth
Seeley & Co.
MASTER SKYLARK — J. Bennett
Elizabeth
Macmillan & Co.
THE FORTUNES OF NIGEL — Scott
James I.
A. & C. Black
THE LOST TREASURE OF TREVLYN — E. Everett Green
James I.
T. Nelson & Sons
HOLMBY HOUSE — Whyte Melville
Charles I.
Ward, Lock, & Co.
MIRIAM CROMWELL — Dora McChesney
Charles I.
W. Blackwood & Sons
TO RIGHT THE WRONG — Edna Lyall
Charles I.
Hurst & Blackett
IN SPITE OF ALL — Edna Lyall
Charles I.
Hurst & Blackett
UNDER SALISBURY SPIRE — Emma Marshall
Charles I.
Seeley & Co.
A HAUNT OF ANCIENT PEACE — Emma Marshall
Charles I.
Seeley & Co.
ETHNE — Mrs. Field
Commonwealth
Wells, Gardner, & Co.
WOODSTOCK — Scott
Commonwealth
A. & C. Black
ON BOTH SIDES OF THE SEA — Mrs. Charles
Commonwealth
T. Nelson & Sons
AFTER WORCESTER — E. Everett Green
Commonwealth
T. Nelson & Sons
IN THE GOLDEN DAYS — Edna Lyall
Charles II.
Hurst & Blackett
CHERRY AND VIOLET — A. Manning
Charles II.
J. C. Nimmo
TRAITOR OR PATRIOT? — M. C. Rowsell
Charles II.
Blackie & Son
THE CARVED CARTOON — Austin Clare
Charles II.
Society for Promoting Christian Knowledge
OLD MORTALITY — Scott
Charles II.
A. & C. Black
WINCHESTER MEADS — Emma Marshall
Charles II.
Seeley & Co.
LORNA DOONE — R. D. Blackmore
James II.
Sampson Low & Co.
IN THE SERVICE OF RACHEL, LADY RUSSELL — Emma Marshall
James II.
Seeley & Co.
IN TAUNTON TOWN — E. Everett Green
James II.
T. Nelson & Sons
A REPUTED CHANGELING — Charlotte M. Yonge
James II.
Macmillan & Co.
DEB CLAVEL — M. E. Palgrave
James II.
Religious Tract Society
MY MISTRESS THE QUEEN — M. A. Paull
William III.
Blackie & Son
KENSINGTON PALACE — Emma Marshall
William III.
Seeley & Co.
BY THE NORTH SEA — Emma Marshall
William III.
Jarrold & Sons
A MAN'S FOES — E. H. Strain
William III.
Ward, Lock, & Co.
THE OLD CHELSEA BUN HOUSE — A. Manning
Anne
J. C. Nimmo
THE CORNET OF HORSE — G. A. Henty
Anne
Sampson Low & Co.
TOM TUFTON'S TRAVELS and TOM TUFTON'S TOLLS — E. Everett Green
Anne
T. Nelson & Sons
DOROTHY FORSTER — W. Besant
George I.
Chatto & Windus
DUANCE PENDRAY — G. Norway
George I.
Jarrold & Sons
A LOYAL LITTLE MAID — S. Tytler
George I.
Blackie & Son
WAVERLEY — Scott
George II.
A. & C. Black
MISTRESS NANCY MOLESWORTH — Joseph Hocking
George II.
J. Bowden
THE MASTER OF BALLANTRAE — R. L. Stevenson
George II.
Cassell & Co.
KIDNAPPED — R. L. Stevenson
George II.
Cassell & Co.
CATRIONA — R. L. Stevenson
George II.
Cassell & Co.
THE CHAPLAIN OF THE FLEET — W. Besant
George II.
Chatto & Windus
AMYOT BROUGH — E. Vincent Briton
George II.
Seeley & Co.
BARNABY RUDGE — Dickens
George III.
Chapman & Hall
MISS ANGEL — Miss Thackeray
George III.
Smith, Elder, & Co.
THE MAID OF SKER — R. D. Blackmore
George III.
Sampson Low & Co.
ALICE LORRAINE — R. D. Blackmore
George III.
Sampson Low & Co.
THE PARSON'S DAUGHTER — Emma Marshall
George III.
Seeley & Co.
FACE TO FACE WITH NAPOLEON and IN THE YEAR OF WATERLOO — O. V. Caine
George III.
J. Nisbet & Co.
UNDER THE MENDIPS — Emma Marshall
William IV.
Seeley & Co.
CASTLE DALY — Miss Keary
Victoria
Macmillan & Co.
In connection with this subject of Juvenile Literature, I would
draw attention to Messrs. Constable's "Library of Historical Novels
and Romances"—so admirably edited by Mr. G. Laurence Gomme.
Readers (old as well as young) are still further indebted to Mr.
Gomme for his well-arranged series of extracts taken from Romantic
Literature in the four volumes entitled, "The King's Story Book,"
"The Queen's Story Book," "The Prince's Story Book," and "The
Princess's Story Book." (Constable & Co.)
BIBLIOGRAPHY
Although I have adopted the heading "Bibliography," it should be understood that, in offering the subjoined list, I do not claim for it absolute comprehensiveness. There are, of course, almost innumerable Biographies, Literary Studies, Histories of Literature and Fiction, &c., in which indirect references to our subject may be traced. Moreover, in preparing this little volume, it has been found necessary to consult largely "The Dictionary of National Biography," the Enyclopaedias (especially Chambers', 1901), and other Standard Works of the Dictionary type. I confine myself below to noteworthy writings which deal directly with the subject of Historical Romance.
Article on Historical Romance in The Quarterly Review. Vol. XXXV., page 518. (March, 1827.)
Article on historical Romance ("Sir Walter Scott and his Imitators") in Fraser's Magazine. Vol. V., pages 6 (Part I.) and 207 (Part II.). (February and March, 1832.)
Article on "The Picturesque Style of Historical Romance" in
Blackwood's Magazine. Vol. XXXIII., page 621. (April, 1833.)
Article on "Historical Romance in Italy," by G. W. Greene, in the
North American Review. Vol. XLVI., page 325. (April, 1838.)
Article on Historical Romance in Blackwood's Magazine. Vol. LVIII., page 341. (September, 1845.)
Article on Historical Romance, by G. H. Lewes, in The Westminster
Review. Vol. XLV., page 34. (March, 1846.)
Article on "History in Fiction," in The Dublin Review. Vol. XLV., page 328. (December, 1858.)
Lecture III. ("Scott and his Influence") in David Masson's "British
Novelists and their Styles." (Macmillan, 1859.)
Article on "Historical Novels," by H. James, jun., in The Nation.
Vol. V., page 126. (August 15th, 1867.)
Article on Historical Romance in The Argosy. Vol. XVII., page 364.
(May, 1874.)
Chapter X. ("The Waverley Novels"), in R. H. Hutton's "Sir Walter Scott." (Macmillan's English Men of Letters Series, 1878.)
The Essay on "The Waverley Novels," in Vol. II. of Walter Bagehot's
"Literary Studies." (Longmans, 1879)
"A Descriptive Catalogue of Historical Novels and Tales. For the use of School Libraries and Teachers of History. Enlarged from the List in the 'Journal of Education,' March, 1882." Compiled and described by H. Courthope Bowen, M.A. (Edward Stanford, 1882.)
The section on "The Historical Novel," in Bayard Tuckerman's
"History of English Prose Fiction." (Putnams, 1882.)
The Chapter on "Courses of Reading in History," in James Baldwin's
"The Book Lover." (Putnams, 1886.)
The list of Historical Novels given in W. F. Allen's "The Reader's Guide to English History. With Supplement, extending the plan to other countries and periods." (Ginn & Co., 1888.)
[A useful, but very unequal list.]
The partially-selective list of Historical Novels in "A Guide Book to Books," by E. B. Sargant and B. Whishaw. (H. Frowde, 1891.)
The essay on "Sir Walter Scott," in Vol. I. of Leslie Stephen's "Hours in a Library." (Smith, Elder, & Co., 1892. New edition, with additions.)
[Mr. Leslie Stephen is one of the most formidable critics with whom the lover of Historical Romance has to deal. That which it is possible to say against such fiction is said more forcibly by him, perhaps, than by anyone else.]
The series of articles dealing with "History in Fiction," &c., by
J. B. Carlile, in Great Thoughts, October, 1892, to March, 1894.
Article "The Historical Novel," by Prof. A. J. Church, in Atalanta for April, 1893.
The useful and partially-selective lists of Historical Tales given
in "The Intermediate Textbook of English History," by C. S.
Fearenside and A. Johnson Evans. (W. B. Clive, University Tutorial
Press, Ltd., 1893, &c.).
The short selective list of Historical Tales given in the appendix to John Fiske's "History of the United States for Schools." (James Clarke & Co., 1894.)
Article on "The Historical Novel as illustrated by Sir Walter
Scott," by Edwin Lester Arnold, in Atalanta for March, 1894.
The essay on "The Historical Novel" in W. P. James's "Romantic Professions and other papers." (Elkin Mathews and John Lane, 1894.)
[A re-print, in somewhat revised form, of the suggestive article appearing in Macmillan's Magazine, November, 1887.]
Chapter X. ("Sir Walter Scott") in Prof. Raleigh's "The English Novel." (John Murray, 1894.)
Chapters X., XI., and XII. in Prof. Saintsbury's "Essays in English
Literature, 1780-1860. Second series." (J. M. Dent & Co., 1895.)
[Originally appeared in Macmillan's Magazine, August, September, and October, 1894. A contribution to the subject of quite exceptional brilliance and value.]
"A Descriptive List of Novels and Tales dealing with the History of
North America," by W. M. Griswold. (Cambridge, U.S.A., 1895.)
The Section headed "Historical Tales" in "Guide to the Study of American History," by E. Channing and A. B. Hart. (Ginn and Co., 1896.)
A Letter on "Historical Novels, Past and Present," by "Mazarin," in
The Bookman, October, 1896.
Article on "The Indian Mutiny in Fiction," in Blackwood's Magazine,
February, 1897.
Article on "The Importance of Illustrating New England History by a series of Romances," by Rufus Choate, in The New England Magazine, November, 1897.
Paper read before the College of Preceptors, on "The Use of Historical Romances in the Teaching of History," by R. F. Charles in The Educational Times, November, 1897.
Article on "The American Historical Novel," by Paul Lester Ford, in
The Atlantic Monthly, December, 1897.
[In this article a definition of the "Historical Novel" at variance with my own, has been suggested. In spite of Mr. Fords argument, I am still of opinion that the line of demarcation between the Historical Novel proper and the Novel of Character or Adventure can be more clearly drawn than he allows. I was careful, when dealing with this question in my Introduction, to avoid making the test one of actual historical accuracy, but there are, I have implied, certain readily-verifiable personages and events which form a basis amply sufficient for purposes of distinction. The pirates of "Treasure Island" are taken (as Mr. Ford says) from actual figures of the Eighteenth Century, but under my definition Stevenson's novel is not thereby constituted "historical" in the strict sense.]
Article on "The Neo-Romantic Novel," by G. R. Carpenter, in The
Forum, March, 1898.
Article on "Historical Novels Past and Present," by Harold
Frederic, in The Bookman (American), December, 1898.
[An admirably-written, stimulating article.)
List of Historical Novels, &c., illustrating the Period 1066 to 1815, in the volume "Work and Play in Girls' Schools," by Dorothea Beale, Lucy H. M. Soulsby, and Jane Frances Dove (Longmans, 1898).
"Le Roman Historique l'Epoque Romantique," by Louis Maigron
(Hachette et Cie., Paris, 1898).
[Contains a fine tribute to Scott, and much interesting matter.]
Chapters III. and IV. of "The Development of the English Novel," by
W. L. Cross (Macmillan, 1899.)
[A very full treatment. In the Appendix are some useful lists of the earlier Historical Novels.]
Article on "Three American Historical Romances," by W. E. Simonds, in The Atlantic Monthly, March, 1900.
Article on "The Reading of Historical Novels and the Study of
History," by Ada Shurmer, in The Scots Magazine, April, 1900.
Chapter III. ("The Historical Novel"), in F. H. Stoddard's "The Evolution of the English Novel" (Macmillan, 1900).
[A highly important contribution.]
The two sections on Historical Fiction, relating to Greece and Rome respectively, in Arthur L. Goodrich's "Topics of Greek and Roman History" (Macmillan, 1900).
[For those requiring a fuller list of Greek and Roman tales than that given in my pages, the above will be found useful.]
Article on "Historical Novels and their uses in teaching," by C. S.
Fearenside, in The School World, November, 1900.
[An exceptionally good article. The writer states his case clearly and forcibly, and his argument is all the more convincing by reason of its moderation.]
Article on "The New Historical Romances," by W. D. Howells, in The
North American Review, December, 1900.
The Essay on "The Historical Novel" in Prof. J. Brander Matthews'
"The Historical Novel and other essays" (Scribner's, 1901).
[Originally appeared in The Forum, September, 1897. Represents that School of Criticism which is most adverse to Historical Romance. Some of the Professor's remarks convey the impression that he disbelieves in ANY reconstruction of the Past; such an attitude is, surely, unfavourable to History itself, which is always more than any mere statement of "facts."]
The List of Historical Novels in Mudie's Library Catalogue (The New
Enlarged Edition, January, 1902).
[Non-selective, but useful more especially on account of its
Topographical arrangement.]
The list of Historical Tales given in J. S. Lindsey's "Certificate
Note-Book of European History, 1814-1848." (Heffer & Sons,
Cambridge, 1902).
"History of English Romanticism in the Nineteenth Century," by
Henry A. Beers (Kegan Paul & Co., 1902).
[Contains some valuable direct criticism. See especially Chapter
I.]
The "Dedicatory Epistle" in Scott's "Ivanhoe."
The very brief but exceedingly suggestive opening section in
Chapter I. of Charles Reade's "The Cloister and the Hearth."
The Preface to Scheffel's "Ekkehard."
NOTE.
Some of the American Public Libraries (notably Boston) have issued useful Lists of Historical Novels.
Two works—announced for a considerable time—I should have been glad to consult; these are Mr. P. L. Ford's "The American Historical Novel" (Macmillan), and Mr. E. A. Baker's "Guide to Fiction" (Sonnensehein). The last-named volume will, I understand, contain a section devoted to Historical Romance.