Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Showing posts with label Flannery O'Connor. Show all posts
Showing posts with label Flannery O'Connor. Show all posts

Tuesday, September 17, 2024

Everything That Rises Must Converge by Flannery O'Connor




Everything That Rises Must Converge


by Flannery O'Connor


HER DOCTOR had told Julian's mother that she must lose twenty pounds on account of her blood pressure, so on Wednesday nights Julian had to take her downtown on the bus for a reducing class at the Y. The reducing class was designed for working girls over fifty, who weighed from 165 to 200 pounds. His mother was one of the slimmer ones, but she said ladies did not tell their age or weight. She would not ride the buses by herself at night since they had been integrated, and because the reducing class was one of her few pleasures, necessary for her health, and free, she said Julian could at least put himself out to take her, considering all she did for him. Julian did not like to consider all she did for him, but every Wednesday night he braced himself and took her.

    She was almost ready to go, standing before the hall mirror, putting on her hat, while he, his hands behind him, appeared pinned to the door frame, waiting like Saint Sebastian for the arrows to begin piercing him. The hat was new and had cost her seven dollars and a half. She kept saying, “Maybe I shouldn't have paid that for it. No, I shouldn't have. I'll take it off and return it tomorrow. I shouldn't have bought it.”

    Julian raised his eyes to heaven. “Yes, you should have bought it,” he said. “Put it on and let's go.” It was a hideous hat A purple velvet flap came down on one side of it and mood up on the other; the rest of it was green and looked like a cushion with the stuffing out. He decided it was less comical than jaunty and pathetic. Everything that gave her pleasure was small and depressed him.

    She lifted the hat one more time and set it down slowly on top of her head. Two wings of gray hair protruded on either side of her florid face, but her eyes, sky-blue, were as innocent and untouched by experience as they must have been when she was ten. Were it not that she was a widow who had struggled fiercely to feed and clothe and put him through school and who was supporting him still, “until he got on his feet,” she might have been a little girl that he had to take to town. “It's all right, it's all right,” he said. “Let's go.” He opened door himself and started down the walk to get her going. The sky was a dying violet and the houses stood out darkly against it, bulbous liver-colored monstrosities of a uniform ugliness though no two were alike. Since this had been a fashionable neighborhood forty years ago, his mother persisted in thinking they did well to have an apartment in it. Each house had a narrow collar of dirt around it in which sat, usually, a grubby child. Julian walked with his hands in his pockets, his head down and thrust forward and his eyes glazed with the determination to make himself completely numb during the time he would be sacrificed to her pleasure.

    The door closed and he turned to find the dumpy figure, surmounted by the atrocious hat, coming toward him.  “Well,” she said, “you only live once and paying a little more for it, I at least won't meet myself coming and going.”

    “Some day I'll start making money,” Julian said gloomily- he knew he never would - “and you can have one of those jokes whenever you take the fit.” But first they would move.  He visualized a place where the nearest neighbors would be three miles away on either side.

    “I think you're doing fine,” she said, drawing on her gloves. “You've only been out of school a year. Rome wasn't built in a day.”

    She was one of the few members of the Y reducing class who arrived in hat and gloves and who had a son who had been to college. “It takes time,” she said, “and the world is in such a mess. This hat looked better on me than any of the others, though when she brought it out I said, ‘Take that thing back. I wouldn't have it on my head,’ and she said, ‘Now wait till you see it on,’ and when she put it on me, I said, ‘We-ull,’ and she said, ‘If you ask me, that hat does something for you and you do something for the hat, and besides,’ she said, ‘with that hat, you won't meet yourself coming and going.’”

    Julian thought he could have stood his lot better if she had been selfish, if she had been an old hag who drank and screamed at him. He walked along, saturated in depression, as if in the midst of his martyrdom he had lost his faith.  Catching sight of his long, hopeless, irritated face, she stopped suddenly with a grief-stricken look, and pulled back on his arm. “Wait on me,” she said. “I'm going back to the house and take this thing off and tomorrow I'm going to return it. I was out of my head. I can pay the gas bill with that seven-fifty.”

    He caught her arm in a vicious grip. “You are not going to take it back,” he said. “I like it.”

    “Well,” she said, “I don't think I ought. . .”“Shut up and enjoy it,” he muttered, more depressed than ever.

    “With the world in the mess it's in,” she said, “it's a wonder we can enjoy anything. I tell you, the bottom rail is on the top.”

    Julian sighed.

    “Of course,” she said, “if you know who you are, you can go anywhere.” She said this every time he took her to the reducing class. “Most of them in it are not our kind of people,” she said, “but I can be gracious to anybody. I know who I am.”

    “They don't give a damn for your graciousness,” Julian said savagely. “Knowing who you are is good for one generation only. You haven't the foggiest idea where you stand now or who you are.”

    She stopped and allowed her eyes to flash at him. “I most certainly do know who I am,” she said, “and if you don't know who you are, I'm ashamed of you.”

    “Oh hell,” Julian said.

    “Your great-grandfather was a former governor of this state,” she said. “Your grandfather was a prosperous land-owner. Your grandmother was a Godhigh.”

    “Will you look around you,” he said tensely, “and see where you are now?” and he swept his arm jerkily out to indicate the neighborhood, which the growing darkness at least made less dingy.

    “You remain what you are,” she said. “Your great-grand-father had a plantation and two hundred slaves.”

    “There are no more slaves,” he said irritably.

    “They were better off when they were,” she said. He groaned to see that she was off on that topic. She rolled onto it every few days like a train on an open track. He knew every stop, every junction, every swamp along the way, and knew the exact point at which her conclusion would roil majestically into the station: “It's ridiculous. It's simply not realistic. They should rise, yes, but on their own side of the fence.”

    “Let's skip it,” Julian said.

    “The ones I feel sorry for,” she said, “are the ones that are half white. They're tragic.”

    “Will you skip it?”

    “Suppose we were half white. We would certainly have mixed feelings.”

    “I have mixed feelings now,” he groaned.

    “Well let's talk about something pleasant,” she said. “I remember going to Grandpa's when I was a little girl. Then the house had double stairways that went up to what was really the second floor - all the cooking was done on the first. I used to like to stay down in the kitchen on account of the way the walls smelled. I would sit with my nose pressed against the plaster and take deep breaths. Actually the place belonged to the Godhighs but your grandfather Chestny paid the mortgage and saved it for them. They were in reduced circumstances,” she said, “but reduced or not, they never forgot who they were.”

    “Doubtless that decayed mansion reminded them,” Julian muttered. He never spoke of it without contempt or thought of it without longing. He had seen it once when he was a child before it had been sold. The double stairways had rotted and been torn down. Negroes were living in it. But it remained in his mind as his mother had known it. It appeared in his dreams regularly. He would stand on the wide porch, listening to the rustle of oak leaves, then wander through the high-ceilinged hall into the parlor that opened onto it and gaze at the worn rugs and faded draperies. It occurred to him that it was he, not she, who could have appreciated it. He preferred its threadbare elegance to anything he could name and it was because of it that all the neighborhoods they had lived in had been a torment to him - whereas she had hardly known the difference. She called her insensitivity “being adjustable.”

    “And I remember the old darky who was my nurse, Caroline. There was no better person in the world. I've always had a great respect for my colored friends,” she said. “I’d do anything in the world for them and they'd. . .”

    “Will you for God's sake get off that subject?” Julian said. When he got on a bus by himself, he made it a point to sit down beside a Negro, in reparation as it were for his mother's sins.

    “You're mighty touchy tonight,” she said. “Do you feel all right?”

    “Yes I feel all right” he said. “Now lay off.”

    She pursed her lips. “Well, you certainly are in a vile humor,” she observed “I just won't speak to you at all.”

    They had reached the bus stop. There was no bus in sight and Julian, his hands still jammed in his pockets and his head thrust forward, scowled down the empty street. The frustration of having to wait on the bus as well as ride on it began to creep up his neck like a hot hand. The presence of his mother was borne in upon him as she gave a pained sigh. He looked at her bleakly. She was holding herself very erect under the preposterous hat wearing it like a banner of her imaginary dignity. There was in him an evil urge to break her spirit. He suddenly unloosened his tie and pulled it off and put it in his pocket

    She stiffened. “Why must you look like that when you take me to town?” she said. “Why must you deliberately embarrass me?”

    “If you'll never learn where you arc,” he said, “you can at least learn where I am.”

    “You look like a thug,” she said.

    “Then I must be one” he murmured.

    “I'll just go home” she said. “I will not bother you. If you can’t do a little thing’ like that for me . . .”

    Rolling his eyes upward, he put his tie back on. “Restored to my class,” he muttered. He thrust his face toward her and hissed, “True culture is in the mind, the mind,” he said, and tapped his head, “the mind.”

    “It's in the heart,” she said, “and in how you do things and how you do things is because of who you are.”

    “Nobody in the damn bus cares who you are.”

    “I care who I am” she said icily.

    The lighted bus appeared on top of the next hill and as it approached, they moved out into the street to meet it. He put his hand under her elbow and hoisted her up On the creaking step. She entered with a little smile, as if she were going into a drawing room where everyone had been waiting for her. While he put in the tokens, she sat down on one of the broad front seats for three which faced the aisle. A thin woman with protruding teeth and long yellow hair was sitting on the end of it. His mother moved up beside her and left room for Julian beside herself. He sat down and looked at the floor across the aisle where a pair of thin feet in red and white canvas sandals were planted.

    His mother immediately began a general conversation meant to attract anyone who felt like talking. “Can it get any hotter?” she said and removed from her purse a folding fan, black with a Japanese scene on it, which she began to flutter before her.

    “I reckon it might could,” the woman with the protruding teeth said, “but I know for a fact my apartment couldn’t get no hotter.”

    “It must get the afternoon sun, " his mother said. She sat forward and looked up and down the bus. It was half filled. Everybody was white. “I see we have the bus to ourselves,” she said. Julian cringed.

    “For a change,” said the woman across the aisle, the owner of the red and white canvas sandals. “I come on one the other day and they were thick as fleas—up front and all through.”

    “The world is in a mess everywhere,” his mother said. “I don't know how we’ve let it get in this fix.”

    “What gets my goat is all those boys from good families stealing automobile tires,” the woman with the protruding teeth said. “I told my boy, I said you may not be rich but you been raised right and if I ever catch you in any such mess, they can send you on to the reformatory. Be exactly where you belong.”

    “Training tells,” his mother said. “Is your boy in high school?”

    “Ninth grade,” the woman said.

    “My son just finished college last year. He wants to write but he’s selling typewriters until he gets started,” his mother said.

    The woman leaned forward and peered at Julian. He threw her such a malevolent look that she subsided against the seat.  On the floor across the aisle there was an abandoned newspaper. He got up and got it and opened it out in front of him. His mother discreetly continued the conversation in a lower tone but the woman across the aisle said in a loud voice, “Well that’s nice. Selling typewriters is close to writing. He can go right from one to the other.”

    “I tell him,” his mother said, “that Rome wasn't built in a day.”

    Behind the newspaper Julian was withdrawing into the inner compartment of his mind where he spent most of his time. This was a kind of mental bubble in which he established himself when he could not bear to be a part of what was going on around him. From it he could see out and judge but in it he was safe from any kind of penetration from without. It was the only place where he felt free of the general idiocy of his fellows. His mother had never entered it but from it he could see her with absolute clarity.

    The old lady was clever enough and he thought that if she had started from any of the right premises, more might have been expected of her. She lived according to the laws of her own fantasy world outside of which he had never seen her set foot. The law of it was to sacrifice herself for him after she had first created the necessity to do so by making a mess of things. If he had permitted her sacrifices, it was only because her lack of foresight had made them necessary. All of her life had been a struggle to act like a Chestny and to give him everything she thought a Chestny ought to have without the goods a Chestny ought to have;  but since, said she, it was fun to struggle, why complain? And when you had won, as she had won, what fun to look back on the hard times! He could not forgive her that she had enjoyed the struggle and that she thought she had won.

    What she meant when she said she had won was that she had brought him up successfully and had sent him to college and that he had turned out so well-good looking (her teeth had gone unfilled so that his could be straightened), intelligent (he realized he was too intelligent to be a success), and with a future ahead of him (there was of course no future ahead of him). She excused his gloominess on the grounds that he was still growing up and his radical ideas on his lack of practical experience. She said he didn’t yet know a thing about “life,” that he hadn’t even entered the real world—when already he was as disenchanted with it as a man of fifty.

    The further irony of all this was that in spite of her, he had turned out so well. In spite of going to only a third-rate college, he had, on his own initiative, come out with a first-rate education; in spite of growing up dominated by a small mind, he had ended up with a large one; in spite of all her foolish views, he was free of prejudice and unafraid to face facts. Most miraculous of all, instead of being blinded by love for her as she was for him, he had cut himself emotionally free of her and could see her with complete objectivity. He was not dominated by his mother.

    The bus stopped with a sudden jerk and shook him from his meditation. A woman from the back lurched forward with little steps and barely escaped falling in his newspaper as she righted herself. She got off and a large Negro got on. Julian kept his paper lowered to watch. It gave him a certain satisfaction to see injustice in daily operation. It confirmed his view that with a few exceptions there was no one worth knowing within a radius of three hundred miles. The Negro was well dressed and carried a briefcase. He looked around and then sat down on the other end of the seat where the woman with the red and white canvas sandals was sitting. He immediately unfolded a newspaper and obscured himself behind it. Julian's mother's elbow at once prodded insistently into his ribs. “Now you see why I won't ride on these buses by myself,” she whispered.

    The woman with the red and white canvas sandals had risen at the same time the Negro sat down and had gone farther back in the bus and taken the seat of the woman who had got off His mother leaned forward and cast her an approving look.

    Julian rose, crossed the aisle, and sat down in the place of the woman with the canvas sandals. From this position, he looked serenely across at his mother. Her face had turned an angry red. He stared at her, making his eyes the eyes of a stranger. He felt his tension suddenly lift as if he had openly declared war on her.

    He would have liked to get in conversation with the Negro and to talk with him about art or politics or any subject that would be above the comprehension of those around them, but the man remained entrenched behind his paper. He was either ignoring the change of seating or had never noticed it.  There was no way for Julian to convey his sympathy.

    His mother kept her eyes fixed reproachfully on his face. The woman with the protruding teeth was looking at him avidly as if he were a type of monster new to her.

    “Do you have a light?” he asked the Negro.

    Without looking away from his paper, the man reached in his pocket and handed him a packet of matches.

    “Thanks,” Julian said. For a moment he held the matches foolishly. A NO SMOKING sign looked down upon him from over the door. This alone would not have deterred him; he had no cigarettes. He had quit smoking some months before because he could not afford it. “Sorry,” he muttered and handed back the matches. The Negro lowered the paper and gave him an annoyed look. He took the matches and raised the paper again.

    His mother continued to gaze at him but she did not take advantage of his momentary discomfort. Her eyes retained their battered look. Her face seemed to be unnaturally red, as if her blood pressure had risen. Julian allowed no glimmer of sympathy to show on his face. Having got the advantage, he wanted desperately to keep it and carry it through. He would have liked to teach her a lesson that would last her a while, but there seemed no way to continue the point. The Negro refused to come out from behind his paper.

    Julian folded his arms and looked stolidly before him, facing her but as if he did not see her, as if he had ceased to recognize her existence. He visualized a scene in which, the bus  having reached their stop, he would remain in his seat and when she said, “Aren’t you going to get off?” he would look at her as at a stranger who had rashly addressed him. The corner they got off on was usually deserted, but it was well lighted and it would not hurt her to walk by herself the four blocks to the Y. He decided to wait until the time came and then decide whether or not he would let her get off by herself He would have to be at the Y at ten to bring her back, but he could leave her wondering if he was going to show up. There was no reason for her to think she could always depend on him.

    He retired again into the high-ceilinged room sparsely settled with large pieces of antique furniture. His soul expanded momentarily but then he became aware of his mother across from him and the vision shriveled. He studied her coldly. Her feet in little pumps dangled like a child’s and did not quite reach the floor. She was training on him an exaggerated look of reproach. He felt completely detached from her. At that moment he could with pleasure have slapped her as he would have slapped a particularly obnoxious child in his charge.

    He began to imagine various unlikely ways by which he could teach her a lesson. He might make friends with some distinguished Negro professor or lawyer and bring him home to spend the evening. He would be entirely justified but her blood pressure would rise to 300. He could not push her to the extent of making her have a stroke, and moreover, he had never been successful at making any Negro friends. He had tried to strike up an acquaintance on the bus with some of the better types, with ones that looked like professors or ministers or lawyers. One morning he had sat down next to a distinguished-looking dark brown man who had answered his questions with a sonorous solemnity but who had turned out to be an undertaker. Another day he had sat down beside a cigar-smoking Negro with a diamond ring on his finger, but after a few stilted pleasantries, the Negro had rung the buzzer and risen, slipping two lottery tickets into Julian's hand as he climbed over him to leave.

    He imagined his mother lying desperately ill and his being able to secure only a Negro doctor for her. He toyed with that idea for a few minutes and then dropped it for a momentary vision of himself participating as a sympathizer in a sit-in demonstration. This was possible but he did not linger with it. Instead, he approached the ultimate horror. He brought home a beautiful suspiciously Negroid woman. Prepare yourself, he said. There is nothing you can do about it. This is the woman I've chosen. She’s intelligent, dignified, even good, and she’s suffered and she hasn’t thought it fun. Now persecute us, go ahead and persecute us. Drive her out of here, but remember, you’re driving me too. His eyes were narrowed and through the indignation he had generated, he saw his mother across the aisle, purple-faced, shrunken to the dwarf-like proportions of her moral nature, sitting like a mummy beneath the ridiculous banner of her hat.

    He was tilted out of his fantasy again as the bus stopped. The door opened with a sucking hiss and out of the dark a large, gaily dressed, sullen-looking colored woman got on with a little boy. The child, who might have been four, had on a short plaid suit and a Tyrolean hat with a blue feather in it. Julian hoped that he would sit down beside him and that the woman would push in beside his mother. He could think of no better arrangement.

    As she waited for her tokens, the woman was surveying the seating possibilities—he hoped with the idea of sitting where she was least wanted. There was something familiar-looking about her but Julian could not place what it was. She was a giant of a woman. Her face was set not only to meet opposition but to seek it out. The downward tilt of her large lower lip was like a warning sign: DON’T TAMPER WITH ME. Her bulging figure was encased in a green crepe dress and her feet overflowed in red shoes. She had on a hideous hat. A purple velvet flap came down on one side of it and stood up on the other; the rest of it was green and looked like a cushion with the stuffing out. She carried a mammoth red pocketbook that bulged throughout as if it were stuffed with rocks.

    To Julian's disappointment, the little boy climbed up on the empty seat beside his mother. His mother lumped all children, black and white, into the common category, “cute,” and she thought little Negroes were on the whole cuter than little white children. She smiled at the little boy as he climbed on the seat.

    Meanwhile the woman was bearing down upon the empty seat beside Julian. To his annoyance, she squeezed herself into it. He saw his mother's face change as the woman settled herself next to him and he realized with satisfaction that this was more objectionable to her than it was to him. Her face seemed almost gray and there was a look of dull recognition in her eyes, as if suddenly she had sickened at some awful confrontation. Julian saw that it was because she and the woman had, in a sense, swapped sons. Though his mother would not realize the symbolic significance of this, she would feel it. His amusement showed plainly on his face.

    The woman next to him muttered something unintelligible to herself. He was conscious of a kind of bristling next to him, a muted growling like that of an angry cat. He could not see anything but the red pocketbook upright on the bulging green thighs. He visualized the woman as she had stood waiting for her tokens-the ponderous figure, rising from the red shoes upward over the solid hips, the mammoth bosom, the haughty face, to the green and purple hat.

    His eyes widened.

    The vision of the two hats, identical, broke upon him with the radiance of a brilliant sunrise. His face was suddenly lit with joy. He could not believe that Fate had thrust upon his mother such a lesson. He gave a loud chuckle so that she would look at him and see that he saw. She turned her eyes on him slowly. The blue in them seemed to have turned a bruised purple. For a moment he had an uncomfortable sense of her innocence, but it lasted only a second before principle rescued him. Justice entitled him to laugh. His grin hardened until it said to her as plainly as if he were saying aloud: Your punishment exactly fits your pettiness. This should teach you a permanent lesson.

    Her eyes shifted to the woman. She seemed unable to bear looking at him and to find the woman preferable. He became conscious again of the bristling presence at his side. The woman was rumbling like a volcano about to become active. His mother's mouth began to twitch slightly at one corner. With a sinking heart, he saw incipient signs of recovery on her face and realized that this was going to strike her suddenly as funny and was going to be no lesson at all. She kept her eyes on the woman and an amused smile came over her face as if the woman were a monkey that had stolen her hat. The little Negro was looking up at her with large fascinated eyes. He had been trying to attract her attention for some time.

    “Carver!” the woman said suddenly. “Come heah!”

    When he saw that the spotlight was on him at last, Carver drew his feet up and turned himself toward Julian's mother and giggled.

    “Carver!” the woman said. “You heah me? Come heah!”

    Carver slid down from the seat but remained squatting with his back against the base of it, his head turned slyly around toward Julian's mother, who was smiling at him. The woman reached a hand across the aisle and snatched him to her. He righted himself and hung backwards on her knees, grinning at Julian's mother. “Isn’t he cute?” Julian's mother said to the woman with the protruding teeth.

    “I reckon he is,” the woman said without conviction.

    The Negress yanked him upright but he eased out of her grip and shot across the aisle and scrambled, giggling wildly, onto the seat beside his love.

    “I think he likes me,” Julian's mother said, and smiled at the woman. It was the smile she used when she was being particularly gracious to an inferior. Julian saw everything lost. The lesson had rolled off her like rain on a roof.

    The woman stood up and yanked the little boy off the seat as if she were snatching him from contagion. Julian could feel the rage in her at having no weapon like his mother's smile. She gave the child a sharp slap across his leg. He howled once and then thrust his head into her stomach and kicked his fret against her shins. “Be-have,” she said vehemently.

    The bus stopped and the Negro who had been reading the newspaper got off. The woman moved over and set the little boy down with a thump between herself and Julian. She held him firmly by the knee. In a moment he put his hands in front of his face and peeped at Julian's mother through his fingers.

    “I see yoooooooo !” she said and put her hand in front of her face and peeped at him.

    The woman slapped his hand down. “Quit yo’ foolishness,” she said, “before I knock the living Jesus out of you!”

    Julian was thankful that the next stop was theirs. He reached up and pulled the cord. The woman reached up and pulled it at the same time. Oh my God, he thought. He had the terrible intuition that when they got off the bus together, his mother would open her purse and give the little boy a nickel. The gesture would be as natural to her as breathing. The bus stopped and the woman got up and lunged to the front, dragging the child, who wished to stay on, after her. […] His mother got up and followed. As they neared the door, Julian tried to relieve her of her pocketbook.

    “No,” she murmured, “I want to give the little boy a nickel.”

    “No!” Julian hissed. “No!”

    She smiled down at the child and opened her bag. The bus door opened and the woman picked him up by the arm and descended with him, hanging at her hip. Once in the street she set him down and shook him.

    Julian's mother had to close her purse while she got down the bus step but as soon as her feet were on the ground, she opened it again and began to rummage inside. “I can’t find but a penny,” she whispered, “but it looks like a new one.”

    “Don’t do it!” Julian said fiercely between his teeth. There was a streetlight on the corner and she hurried to get under it so that she could better see into her pocketbook. The woman was heading off rapidly down the street with the child still hanging backward on her hand.

    “Oh little boy!” Julian's mother called and took a few quick steps and caught up with them just beyond the lamppost. “Here’s a bright new penny for you,” and she held out the coin, which shone bronze in the dim light.

    The huge woman turned and for a moment stood, her shoulders lifted and her face frozen with frustrated rage, and stared at Julian's mother. Then all at once she seemed to explode like a piece of machinery that had been given one ounce of pressure too much. Julian saw the black fist swing out with the red pocketbook. He shut his eyes and cringed as he heard the woman shout, “He don't take nobody’s pennies!” When he opened his eyes, the woman was disappearing down the street with the little boy staring wide-eyed over her shoulder. Julian's mother was sitting on the sidewalk.

    “I told you not to do that,” Julian said angrily. “I told you not to do that!”

    He stood over her for a minute, gritting his teeth. Her legs were stretched out in front of her and her hat was on her lap. He squatted down and looked her in the face. It was totally expressionless. “You got exactly what you deserved,” he said. “Now get up.”

    He picked up her pocketbook and put what had fallen out back in it. He picked the hat up off her lap. The penny caught his eye on the sidewalk and he picked that up and let it drop before her eyes into the purse. Then he stood up and leaned over and held his hands out to pull her up. She remained immobile. He sighed. Rising above them on either side were black apartment buildings, marked with irregular rectangles of light. At the end of the block a man came out of a door and walked off in the opposite direction. “All right,” he said, “suppose somebody happens by and wants to know why you’re sitting on the sidewalk?”

    She took the hand and, breathing hard, pulled heavily up on it and then stood for a moment, swaying slightly as if the spots of light in the darkness were circling around her. Her eyes, shadowed and confused, finally settled on his face. He did not try to conceal his irritation. “I hope this teaches you a lesson,” he said. She leaned forward and her eyes raked his face. She seemed trying to determine his identity. Then, as if she found nothing familiar about him, she started off with a headlong movement in the wrong direction.

    “Aren’t you going on to the Y?” he asked.

    “Home,” she muttered.

    “Well, are we walking?”

    For answer she kept going. Julian followed along, his hands behind him. He saw no reason to let the lesson she had had go without backing it up with an explanation of its meaning. She might as well be made to understand what had happened to her. “Don’t think that was just an uppity Negro woman,” he said. “That was the whole colored race which will no longer take your condescending pennies. That was your black double. She can wear the same hat as you, and to be sure,” he added gratuitously (because he thought it was funny), “it looked better on her than it did on you. What all this means,” he said, “is that the old world is gone. The old manners are obsolete and your graciousness is not worth a damn.” He thought bitterly of the house that had been lost for him. “You aren’t who you think you are,” he said.

    She continued to plow ahead, paying no attention to him. Her hair had come undone on one side. She dropped her pocketbook and took no notice. He stooped and picked it up and handed it to her but she did not take it.

    ”You needn’t act as if the world had come to an end,” he aid, “because it hasn’t. From now on you’ve got to live in a new world and face a few realities for a change. Buck up,” he said, “it won't kill you.”

    She was breathing fast.

    “Let's wait on the bus,” he said.

    “Home,” she said thickly.

    “I hate to see you behave like this,” he said. “Just like a child. I should be able to expect more of you.” He decided to stop where he was and make her stop and wait for a bus. “I'm not going any farther,” he said, stopping. “We’re going on the bus.”

    She continued to go on as if she had not heard him. He took a few steps and caught her arm and stopped her. He looked into her face and caught his breath. He was looking into a face he had never seen before. “Tell Grandpa to come get me,” she said.

    He stared, stricken.

    “Tell Caroline to come get me,” she said.

    Stunned, he let her go and she lurched forward again, walking as if one leg were shorter than the other. A tide of darkness seemed to be sweeping her from him. “Mother!” he cried. “Darling, sweetheart, wait!” Crumpling, she fell to the pavement. He dashed forward and fell at her side, crying, “Mamma, Mamma!” He turned her over. Her face was fiercely distorted. One eye, large and staring, moved slightly to the left as if it had become unmoored. The other remained fixed on him, raked his face again, found nothing and closed.

    “Wait here, wait here!” he cried and jumped up and began to run for help toward a cluster of lights he saw in the distance ahead of him. “Help, help!” he shouted, but his voice was thin, scarcely a thread of sound. The lights drifted farther away the faster he ran and his feet moved numbly as if they carried him nowhere. The tide of darkness seemed to sweep him back to her, postponing from moment to moment his entry into the world of guilt and sorrow.


Tuesday, March 1, 2022

A Good Man Is Hard to Find" by Flannery O'Connor




A Good Man is Hard to Find

by Flannery O'Connor

(c)1953, 1954

 

 THE GRANDMOTHER didn't want to go to Florida. She wanted to visit some of her connections in east Tennessee and she was seizing at every chance to change Bailey's mind. Bailey was the son she lived with, her only boy. He was sitting on the edge of his chair at the table, bent over the orange sports section of the Journal. "Now look here, Bailey," she said, "see here, read this," and she stood with one hand on her thin hip and the other rattling the newspaper at his bald head. "Here this fellow that calls himself The Misfit is aloose from the Federal Pen and headed toward Florida and you read here what it says he did to these people. Just you read it. I wouldn't take my children in any direction with a criminal like that aloose in it. I couldn't answer to my conscience if I did."

Bailey didn't look up from his reading so she wheeled around then and faced the children's mother, a young woman in slacks, whose face was as broad and innocent as a cabbage and was tied around with a green head-kerchief that had two points on the top like rabbit's ears. She was sitting on the sofa, feeding the baby his apricots out of a jar. "The children have been to Florida before," the old lady said. "You all ought to take them somewhere else for a change so they would see different parts of the world and be broad. They never have been to east Tennessee."

The children's mother didn't seem to hear her but the eight-year-old boy, John Wesley, a stocky child with glasses, said, "If you don't want to go to Florida, why dontcha stay at home?" He and the little girl, June Star, were reading the funny papers on the floor.

"She wouldn't stay at home to be queen for a day," June Star said without raising her yellow head.

"Yes and what would you do if this fellow, The Misfit, caught you?" the grandmother asked.

"I'd smack his face," John Wesley said.

"She wouldn't stay at home for a million bucks," June Star said. "Afraid she'd miss something. She has to go everywhere we go."

"All right, Miss," the grandmother said. "Just remember that the next time you want me to curl your hair."

June Star said her hair was naturally curly.

The next morning the grandmother was the first one in the car, ready to go. She had her big black valise that looked like the head of a hippopotamus in one corner, and underneath it she was hiding a basket with Pitty Sing, the cat, in it. She didn't intend for the cat to be left alone in the house for three days because he would miss her too much and she was afraid he might brush against one of the gas burners and accidentally asphyxiate himself. Her son, Bailey, didn't like to arrive at a motel with a cat.

She sat in the middle of the back seat with John Wesley and June Star on either side of her. Bailey and the children's mother and the baby sat in front and they left Atlanta at eight forty-five with the mileage on the car at 55890. The grandmother wrote this down because she thought it would be interesting to say how many miles they had been when they got back. It took them twenty minutes to reach the outskirts of the city.

The old lady settled herself comfortably, removing her white cotton gloves and putting them up with her purse on the shelf in front of the back window. The children's mother still had on slacks and still had her head tied up in a green kerchief, but the grandmother had on a navy blue straw sailor hat with a bunch of white violets on the brim and a navy blue dress with a small white dot in the print. Her collars and cuffs were white organdy trimmed with lace and at her neckline she had pinned a purple spray of cloth violets containing a sachet. In case of an accident, anyone seeing her dead on the highway would know at once that she was a lady.

She said she thought it was going to be a good day for driving, neither too hot nor too cold, and she cautioned Bailey that the speed limit was fifty-five miles an hour and that the patrolmen hid themselves behind billboards and small clumps of trees and sped out after you before you had a chance to slow down. She pointed out interesting details of the scenery: Stone Mountain; the blue granite that in some places came up to both sides of the highway; the brilliant red clay banks slightly streaked with purple; and the various crops that made rows of green lace-work on the ground. The trees were full of silver-white sunlight and the meanest of them sparkled. The children were reading comic magazines and their mother had gone back to sleep.

"Let's go through Georgia fast so we won't have to look at it much," John Wesley said.

"If I were a little boy," said the grandmother, "I wouldn't talk about my native state that way. Tennessee has the mountains and Georgia has the hills."

"Tennessee is just a hillbilly dumping ground," John Wesley said, "and Georgia is a lousy state too."

"You said it," June Star said.

"In my time," said the grandmother, folding her thin veined fingers, "children were more respectful of their native states and their parents and everything else. People did right then. Oh look at the cute little pickaninny!" she said and pointed to a Negro child standing in the door of a shack. "Wouldn't that make a picture, now?" she asked and they all turned and looked at the little Negro out of the back window. He waved.

"He didn't have any britches on," June Star said.

"He probably didn't have any," the grandmother explained. "Little niggers in the country don't have things like we do. If I could paint, I'd paint that picture," she said.

The children exchanged comic books.

The grandmother offered to hold the baby and the children's mother passed him over the front seat to her. She set him on her knee and bounced him and told him about the things they were passing. She rolled her eyes and screwed up her mouth and stuck her leathery thin face into his smooth bland one. Occasionally he gave her a faraway smile. They passed a large cotton field with five or six graves fenced in the middle of it, like a small island. "Look at the graveyard!" the grandmother said, pointing it out. "That was the old family burying ground. That belonged to the plantation."

"Where's the plantation?" John Wesley asked.

"Gone With the Wind," said the grandmother. "Ha. Ha."

When the children finished all the comic books they had brought, they opened the lunch and ate it. The grandmother ate a peanut butter sandwich and an olive and would not let the children throw the box and the paper napkins out the window. When there was nothing else to do they played a game by choosing a cloud and making the other two guess what shape it suggested. John Wesley took one the shape of a cow and June Star guessed a cow and John Wesley said, no, an automobile, and June Star said he didn't play fair, and they began to slap each other over the grandmother.

The grandmother said she would tell them a story if they would keep quiet. When she told a story, she rolled her eyes and waved her head and was very dramatic. She said once when she was a maiden lady she had been courted by a Mr. Edgar Atkins Teagarden from Jasper, Georgia. She said he was a very good-looking man and a gentleman and that he brought her a watermelon every Saturday afternoon with his initials cut in it, E. A. T. Well, one Saturday, she said, Mr. Teagarden brought the watermelon and there was nobody at home and he left it on the front porch and returned in his buggy to Jasper, but she never got the watermelon, she said, because a nigger boy ate it when he saw the initials, E. A. T.! This story tickled John Wesley's funny bone and he giggled and giggled but June Star didn't think it was any good. She said she wouldn't marry a man that just brought her a watermelon on Saturday. The grandmother said she would have done well to marry Mr. Teagarden because he was a gentleman and had bought Coca-Cola stock when it first came out and that he had died only a few years ago, a very wealthy man.

They stopped at The Tower for barbecued sandwiches. The Tower was a part stucco and part wood filling station and dance hall set in a clearing outside of Timothy. A fat man named Red Sammy Butts ran it and there were signs stuck here and there on the building and for miles up and down the highway saying, TRY RED SAMMY'S FAMOUS BARBECUE. NONE LIKE FAMOUS RED SAMMY'S! RED SAM! THE FAT BOY WITH THE HAPPY LAUGH. A VETERAN! RED SAMMY'S YOUR MAN!

Red Sammy was lying on the bare ground outside The Tower with his head under a truck while a gray monkey about a foot high, chained to a small chinaberry tree, chattered nearby. The monkey sprang back into the tree and got on the

A GOOD MAN IS HARD TO FIND 141 highest limb as soon as he saw the children jump out of the car and run toward him.

Inside, The Tower was a long dark room with a counter at one end and tables at the other and dancing space in the middle. They all sat down at a board table next to the nickelodeon and Red Sam's wife, a tall burnt-brown woman with hair and eyes lighter than her skin, came and took their order. The children's mother put a dime in the machine and played "The Tennessee Waltz," and the grandmother said that tune always made her want to dance. She asked Bailey if he would like to dance but he only glared at her. He didn't have a naturally sunny disposition like she did and trips made him nervous. The grandmother's brown eyes were very bright. She swayed her head from side to side and pretended she was dancing in her chair. June Star said play something she could tap to so the children's mother put in another dime and played a fast number and June Star stepped out onto the dance floor and did her tap routine.

"Ain't she cute?" Red Sam's wife said, leaning over the counter. "Would you like to come be my little girl?"

"No I certainly wouldn't," June Star said. "I wouldn't live in a broken-down place like this for a minion bucks!" and she ran back to the table.

"Ain't she cute?" the woman repeated, stretching her mouth politely.

"Arn't you ashamed?" hissed the grandmother.

Red Sam came in and told his wife to quit lounging on the counter and hurry up with these people's order. His khaki trousers reached just to his hip bones and his stomach hung over them like a sack of meal swaying under his shirt. He came over and sat down at a table nearby and let out a combination sigh and yodel. "You can't win," he said. "You can't win," and he wiped his sweating red face off with a gray handkerchief. "These days you don't know who to trust," he said. "Ain't that the truth?"

"People are certainly not nice like they used to be," said the grandmother.

"Two fellers come in here last week," Red Sammy said, "driving a Chrysler. It was a old beat-up car but it was a good one and these boys looked all right to me. Said they worked at the mill and you know I let them fellers charge the gas they bought? Now why did I do that?"

"Because you're a good man!" the grandmother said at once.

"Yes'm, I suppose so," Red Sam said as if he were struck with this answer.

His wife brought the orders, carrying the five plates all at once without a tray, two in each hand and one balanced on her arm. "It isn't a soul in this green world of God's that you can trust," she said. "And I don't count nobody out of that, not nobody," she repeated, looking at Red Sammy.

"Did you read about that criminal, The Misfit, that's escaped?" asked the grandmother.

"I wouldn't be a bit surprised if he didn't attact this place right here," said the woman. "If he hears about it being here,I wouldn't be none surprised to see him. If he hears it's two cent in the cash register, I wouldn't be a tall surprised if he . . ."

"That'll do," Red Sam said. "Go bring these people their Co'-Colas," and the woman went off to get the rest of the order.

"A good man is hard to find," Red Sammy said. "Every- thing is getting terrible. I remember the day you could go off and leave your screen door unlatched. Not no more."

He and the grandmother discussed better times. The old lady said that in her opinion Europe was entirely to blame for the way things were now. She said the way Europe acted you would think we were made of money and Red Sam said it was no use talking about it, she was exactly right. The children ran outside into the white sunlight and looked at the monkey in the lacy chinaberry tree. He was busy catching fleas on himself and biting each one carefully between his teeth as if it were a delicacy.

They drove off again into the hot afternoon. The grand- mother took cat naps and woke up every few minutes with her own snoring. Outside of Toombsboro she woke up and recalled an old plantation that she had visited in this neighborhood once when she was a young lady. She said the house had six white columns across the front and that there was an avenue of oaks leading up to it and two little wooden trellis arbors on either side in front where you sat down with your suitor after a stroll in the garden. She recalled exactly which road to turn off to get to it. She knew that Bailey would not be willing to lose any time looking at an old house, but the more she talked about it, the more she wanted to see it once again and find out if the little twin arbors were still standing. "There was a secret panel in this house," she said craftily, not telling the truth but wishing that she were, "and the story went that all the family silver was hidden in it when Sherman came through but it was never found . . ."

"Hey!" John Wesley said. "Let's go see it! We'll find it! We'll poke all the woodwork and find it! Who lives there? Where do you turn off at? Hey Pop, can't we turn off there?"

"We never have seen a house with a secret panel!" June Star shrieked. "Let's go to the house with the secret panel! Hey Pop, can't we go see the house with the secret panel!"

"It's not far from here, I know," the grandmother said. "It wouldn't take over twenty minutes."

Bailey was looking straight ahead. His jaw was as rigid as a horseshoe. "No," he said.

The children began to yell and scream that they wanted to see the house with the secret panel. John Wesley kicked the back of the front seat and June Star hung over her mother's shoulder and whined desperately into her ear that they never had any fun even on their vacation, that they could never do what THEY wanted to do. The baby began to scream and John Wesley kicked the back of the seat so hard that his father could feel the blows in his kidney.

"All right!" he shouted and drew the car to a stop at the side of the road. "Will you all shut up? Will you all just shut up for one second? If you don't shut up, we won't go anywhere.

"It would be very educational for them," the grandmother murmured.

"All right," Bailey said, "but get this: this is the only time we're going to stop for anything like this. This is the one and only time."

"The dirt road that you have to turn down is about a mile back," the grandmother directed. "I marked it when we passed."

"A dirt road," Bailey groaned.

After they had turned around and were headed toward the dirt road, the grandmother recalled other points about the house, the beautiful glass over the front doorway and the candle-lamp in the hall. John Wesley said that the secret panel was probably in the fireplace.

"You can't go inside this house," Bailey said. "You don't know who lives there."

"While you all talk to the people in front, I'll run around behind and get in a window," John Wesley suggested.

"We'll all stay in the car," his mother said. They turned onto the dirt road and the car raced roughly along in a swirl of pink dust. The grandmother recalled the times when there were no paved roads and thirty miles was a day's journey. The dirt road was hilly and there were sudden washes in it and sharp curves on dangerous embankments. All at once they would be on a hill, looking down over the blue tops of trees for miles around, then the next minute, they would be in a red depression with the dust-coated trees looking down on them.

"This place had better turn up in a minute," Bailey said, "or I'm going to turn around."

The road looked as if no one had traveled on it in months.

"It's not much farther," the grandmother said and just as she said it, a horrible thought came to her. The thought was so embarrassing that she turned red in the face and her eyes dilated and her feet jumped up, upsetting her valise in the corner. The instant the valise moved, the newspaper top she had over the basket under it rose with a snarl and Pitty Sing,the cat, sprang onto Bailey's shoulder.

The children were thrown to the floor and their mother, clutching the baby, was thrown out the door onto the ground; the old lady was thrown into the front seat. The car turned over once and landed right-side-up in a gulch off the side of the road. Bailey remained in the driver's seat with the cat-gray-striped with a broad white face and an orange nose-clinging to his neck like a caterpillar.

As soon as the children saw they could move their arms and legs, they scrambled out of the car, shouting, "We've had an ACCIDENT!" The grandmother was curled up under the dashboard, hoping she was injured so that Bailey's wrath would not come down on her all at once. The horrible thought she had had before the accident was that the house she had remembered so vividly was not in Georgia but in Tennessee.

Bailey removed the cat from his neck with both hands and flung it out the window against the side of a pine tree. Then he got out of the car and started looking for the children's mother. She was sitting against the side of the red gutted ditch, holding the screaming baby, but she only had a cut down her face and a broken shoulder. "We've had an ACCIDENT!" the children screamed in a frenzy of delight.

"But nobody's killed," June Star said with disappointment as the grandmother limped out of the car, her hat still pinned to her head but the broken front brim standing up at a jaunty angle and the violet spray hanging off the side. They all sat down in the ditch, except the children, to recover from the shock. They were all shaking.

"Maybe a car will come along," said the children's mother hoarsely.

"I believe I have injured an organ," said the grandmother, pressing her side, but no one answered her. Bailey's teeth were clattering. He had on a yellow sport shirt with bright blue parrots designed in it and his face was as yellow as the l shirt. The grandmother decided that she would not mention that the house was in Tennessee.

The road was about ten feet above and they could see only the tops of the trees on the other side of it. Behind the ditch they were sitting in there were more woods, tall and dark and deep. In a few minutes they saw a car some distance away on top of a hill, coming slowly as if the occupants were watching them. The grandmother stood up and waved both arms dramatically to attract their attention. The car continued to come on slowly, disappeared around a bend and appeared again, moving even slower, on top of the hill they had gone over. It was a big black battered hearse-like automobile. There were three men in it.

It came to a stop just over them and for some minutes, the driver looked down with a steady expressionless gaze to where they were sitting, and didn't speak. Then he turned hishead and muttered something to the other two and they got out. One was a fat boy in black trousers and a red sweat shirt with a silver stallion embossed on the front of it. He moved around on the right side of them and stood staring, his mouth partly open in a kind of loose grin. The other had on khaki pants and a blue striped coat and a gray hat pulled down very low, hiding most of his face. He came around slowly on the left side. Neither spoke.

The driver got out of the car and stood by the side of it, looking down at them. He was an older man than the other two. His hair was just beginning to gray and he wore silver- rimmed spectacles that gave him a scholarly look. He had a long creased face and didn't have on any shirt or undershirt. He had on blue jeans that were too tight for him and was holding a black hat and a gun. The two boys also had guns.

"We've had an ACCIDENT!" the children screamed.

The grandmother had the peculiar feeling that the bespectacled man was someone she knew. His face was as familiar to her as if she had known him au her life but she could not recall who he was. He moved away from the car and began to come down the embankment, placing his feet carefully so that he wouldn't slip. He had on tan and white shoes and no socks, and his ankles were red and thin. "Good afternoon," he said. "I see you all had you a little spill."

"We turned over twice!" said the grandmother.

"Once"," he corrected. "We seen it happen. Try their car and see will it run, Hiram," he said quietly to the boy with the gray hat.

"What you got that gun for?" John Wesley asked. "Whatcha gonna do with that gun?"

"Lady," the man said to the children's mother, "would you mind calling them children to sit down by you? Children make me nervous. I want all you all to sit down right together there where you're at."

"What are you telling US what to do for?" June Star asked.

Behind them the line of woods gaped like a dark open mouth. "Come here," said their mother.

"Look here now," Bailey began suddenly, "we're in a predicament! We're in . . ."

The grandmother shrieked. She scrambled to her feet and stood staring. "You're The Misfit!" she said. "I recognized you at once!"

"Yes'm," the man said, smiling slightly as if he were pleased in spite of himself to be known, "but it would have been better for all of you, lady, if you hadn't of reckernized me."

Bailey turned his head sharply and said something to his mother that shocked even the children. The old lady began to cry and The Misfit reddened.

"Lady," he said, "don't you get upset. Sometimes a man says things he don't mean. I don't reckon he meant to talk to you thataway."

"You wouldn't shoot a lady, would you?" the grandmother said and removed a clean handkerchief from her cuff and began to slap at her eyes with it.

The Misfit pointed the toe of his shoe into the ground and made a little hole and then covered it up again. "I would hate to have to," he said.

"Listen," the grandmother almost screamed, "I know you're a good man. You don't look a bit like you have com- mon blood. I know you must come from nice people!"

"Yes mam," he said, "finest people in the world." When he smiled he showed a row of strong white teeth. "God never made a finer woman than my mother and my daddy's heart was pure gold," he said. The boy with the red sweat shirt had come around behind them and was standing with his gun at his hip. The Misfit squatted down on the ground. "Watch them children, Bobby Lee," he said. "You know they make me nervous." He looked at the six of them huddled together in front of him and he seemed to be embarrassed as if he couldn't think of anything to say. "Ain't a cloud in the sky," he remarked, looking up at it. "Don't see no sun but don't see no cloud neither."

"Yes, it's a beautiful day," said the grandmother. "Listen," she said, "you shouldn't call yourself The Misfit because I know you're a good man at heart. I can just look at you and tell "

"Hush!" Bailey yelled. "Hush! Everybody shut up and let me handle this!" He was squatting in the position of a runner about to sprint forward but he didn't move.

"I prechate that, lady," The Misfit said and drew a little circle in the ground with the butt of his gun.

"It'll take a half a hour to fix this here car," Hiram called, looking over the raised hood of it.

"Well, first you and Bobby Lee get him and that little boy to step over yonder with you," The Misfit said, pointing to Bailey and John Wesley. "The boys want to ast you some- thing," he said to Bailey. "Would you mind stepping back in them woods there with them?"

"Listen," Bailey began, "we're in a terrible predicament! Nobody realizes what this is," and his voice cracked. His eyes were as blue and intense as the parrots in his shirt and he remained perfectly still.

The grandmother reached up to adjust her hat brim as if she were going to the woods with him but it came off in her hand. She stood staring at it and after a second she let it fall on the ground. Hiram pulled Bailey up by the arm as if he were assisting an old man. John Wesley caught hold of his father's hand and Bobby Lee followed. They went off toward the woods and just as they reached the dark edge, Bailey turned and supporting himself against a gray naked pine trunk, he shouted, "I'll be back in a minute, Mamma, wait on me!"

"Come back this instant!" his mother shrilled but they all disappeared into the woods.

"Bailey Boy!" the grandmother called in a tragic voice but she found she was looking at The Misfit squatting on the ground in front of her. "I just know you're a good man," she said desperately. "You're not a bit common!"

"Nome, I ain't a good man," The Misfit said after a second as if he had considered her statement carefully, "but I ain't the worst in the world neither. My daddy said I was a different breed of dog from my brothers and sisters. 'You know,' Daddy said, 'it's some that can live their whole life out without asking about it and it's others has to know why it is, and this boy is one of the latters. He's going to be into every- thing!'" He put on his black hat and looked up suddenly and then away deep into the woods as if he were embarrassed again. "I'm sorry I don't have on a shirt before you ladies," he said, hunching his shoulders slightly. "We buried our clothes that we had on when we escaped and we're just making do until we can get better. We borrowed these from some folks we met," he explained.

"That's perfectly all right," the grandmother said. "Maybe Bailey has an extra shirt in his suitcase."

"I'll look and see terrectly," The Misfit said.

"Where are they taking him?" the children's mother screamed.

"Daddy was a card himself," The Misfit said. "You couldn't put anything over on him. He never got in trouble with the Authorities though. Just had the knack of handling them."

"You could be honest too if you'd only try," said the grandmother. "Think how wonderful it would be to settle down and live a comfortable life and not have to think about some- body chasing you all the time."

The Misfit kept scratching in the ground with the butt of his gun as if he were thinking about it. "Yes'm, somebody is always after you," he murmured.

The grandmother noticed how thin his shoulder blades were just behind-his hat because she was standing up looking down on him. "Do you ever pray?" she asked.

He shook his head. All she saw was the black hat wiggle between his shoulder blades. "Nome," he said.

There was a pistol shot from the woods, followed closely by another. Then silence. The old lady's head jerked around. She could hear the wind move through the tree tops like a long satisfied insuck of breath. "Bailey Boy!" she called.

"I was a gospel singer for a while," The Misfit said. "I been most everything. Been in the arm service, both land and sea, at home and abroad, been twict married, been an undertaker, been with the railroads, plowed Mother Earth, been in a tornado, seen a man burnt alive oncet," and he looked up at the children's mother and the little girl who were sitting close together, their faces white and their eyes glassy; "I even seen a woman flogged," he said.

"Pray, pray," the grandmother began, "pray, pray . . ."

"I never was a bad boy that I remember of," The Misfit said in an almost dreamy voice, "but somewheres along the line I done something wrong and got sent to the penitentiary. I was buried alive," and he looked up and held her attention to him by a steady stare.

"That'when you should have started to pray," she said "What did you do to get sent to the penitentiary that first time?"

"Turn to the right, it was a wall," The Misfit said, looking up again at the cloudless sky. "Turn to the left, it was a wall. Look up it was a ceiling, look down it was a floor. I forget what I done, lady. I set there and set there, trying to remember what it was I done and I ain't recalled it to this day. Oncet in a while, I would think it was coming to me, but it never come."

"Maybe they put you in by mistake," the old lady said vaguely.

"Nome," he said. "It wasn't no mistake. They had the papers on me."

"You must have stolen something," she said.

The Misfit sneered slightly. "Nobody had nothing I wanted," he said. "It was a head-doctor at the penitentiary said what I had done was kill my daddy but I known that for a lie. My daddy died in nineteen ought nineteen of the epidemic flu and I never had a thing to do with it. He was buried in the Mount Hopewell Baptist churchyard and you can go there and see for yourself."

"If you would pray," the old lady said, "Jesus would help you."

"That's right," The Misfit said.

"Well then, why don't you pray?" she asked trembling with delight suddenly.

"I don't want no hep," he said. "I'm doing all right by myself."

Bobby Lee and Hiram came ambling back from the woods. Bobby Lee was dragging a yellow shirt with bright blue parrots in it.

"Thow me that shirt, Bobby Lee," The Misfit said. The shirt came flying at him and landed on his shoulder and he put it on. The grandmother couldn't name what the shirt reminded her of. "No, lady," The Misfit said while he was buttoning it up, "I found out the crime don't matter. You can do one thing or you can do another, kill a man or take a tire off his car, because sooner or later you're going to forget what it was you done and just be punished for it."

The children's mother had begun to make heaving noises as if she couldn't get her breath. "Lady," he asked, "would you and that little girl like to step off yonder with Bobby Lee and Hiram and join your husband?"

"Yes, thank you," the mother said faintly. Her left arm dangled helplessly and she was holding the baby, who had gone to sleep, in the other. "Hep that lady up, Hiram," The Misfit said as she struggled to climb out of the ditch, "and Bobby Lee, you hold onto that little girl's hand."

"I don't want to hold hands with him," June Star said. "He reminds me of a pig."

The fat boy blushed and laughed and caught her by the arm and pulled her off into the woods after Hiram and her mother.

Alone with The Misfit, the grandmother found that she had lost her voice. There was not a cloud in the sky nor any sun. There was nothing around her but woods. She wanted to tell him that he must pray. She opened and closed her mouth several times before anything came out. Finally she found herself saying, "Jesus. Jesus," meaning, Jesus will help you, but the way she was saying it, it sounded as if she might be cursing.

"Yes'm," The Misfit said as if he agreed. "Jesus shown everything off balance. It was the same case with Him as with me except He hadn't committed any crime and they could prove I had committed one because they had the papers on me. Of course," he said, "they never shown me my papers. That's why I sign myself now. I said long ago, you get you a signature and sign everything you do and keep a copy of it. Then you'll know what you done and you can hold up the crime to the punishment and see do they match and in the end you'll have something to prove you ain't been treated right. I call myself The Misfit," he said, "because I can't make what all I done wrong fit what all I gone through in punishment."

There was a piercing scream from the woods, followed closely by a pistol report. "Does it seem right to you, lady, that one is punished a heap and another ain't punished at all?"

"Jesus!" the old lady cried. "You've got good blood! I know you wouldn't shoot a lady! I know you come from nice people! Pray! Jesus, you ought not to shoot a lady. I'll give you all the money I've got!"

"Lady," The Misfit said, looking beyond her far into the woods, "there never was a body that give the undertaker a tip."

There were two more pistol reports and the grandmother raised her head like a parched old turkey hen crying for water and called, "Bailey Boy, Bailey Boy!" as if her heart would break.

"Jesus was the only One that ever raised the dead," The Misfit continued, "and He shouldn't have done it. He shown everything off balance. If He did what He said, then it's nothing for you to do but thow away everything and follow Him, and if He didn't, then it's nothing for you to do but enjoy the few minutes you got left the best way you can-by killing somebody or burning down his house or doing some other meanness to him. No pleasure but meanness," he said and his voice had become almost a snarl.

"Maybe He didn't raise the dead," the old lady mumbled, not knowing what she was saying and feeling so dizzy that she sank down in the ditch with her legs twisted under her.

"I wasn't there so I can't say He didn't," The Misfit said. "I wisht I had of been there," he said, hitting the ground with his fist. "It ain't right I wasn't there because if I had of been there I would of known. Listen lady," he said in a high voice, "if I had of been there I would of known and I wouldn't be like I am now." His voice seemed about to crack and the grandmother's head cleared for an instant. She saw the man's face twisted close to her own as if he were going to cry and she murmured, "Why you're one of my babies. You're one of my own children!" She reached out and touched him on the shoulder. The Misfit sprang back as if a snake had bitten him and shot her three times through the chest. Then he put his gun down on the ground and took off his glasses and began to clean them.

Hiram and Bobby Lee returned from the woods and stood over the ditch, looking down at the grandmother who half sat and half lay in a puddle of blood with her legs crossed under her like a child's and her face smiling up at the cloudless sky.

Without his glasses, The Misfit's eyes were red-rimmed and pale and defenseless-looking. "Take her off and thow her where you shown the others," he said, picking up the cat that was rubbing itself against his leg.

"She was a talker, wasn't she?" Bobby Lee said, sliding down the ditch with a yodel.

"She would of been a good woman," The Misfit said, "if it had been somebody there to shoot her every minute of her life."

"Some fun!" Bobby Lee said.

"Shut up, Bobby Lee" The Misfit said. "It's no real pleasure in life."