MASTERPIECES OF THE MASTERS OF FICTION
BY
WILLIAM DUDLEY FOULKE
NEW YORK
THE COSMOPOLITAN PRESS
1912
Copyright, 1912, by
William Dudley Foulke
PREFACE
A short time ago I determined that instead of taking up any new works of fiction I would go over the masterpieces which I had read long since and see what changes time had made in my impressions of them. To do this I chose some forty of the most distinguished authors and decided to select one story from each,—the best one, if I could make up my mind which that was—at all events, one which stood in the first rank of his productions. I determined to read these in succession, one after another, in the shortest time possible, and thus get a comprehensive notion of the whole. Of course under such conditions exhaustive criticism would be out of the question, but I thought that the general perspective and the comparative merits and faults of each work would appear more vividly in this manner than in any other way.
The productions of living authors were discarded, as well as all fiction in verse.
Arranged chronologically, the selections I made were as follows:
1535 | Rabelais | “Gargantua” |
1605-1615 | Cervantes | “Don Quixote” |
1715-1735 | Le Sage | “Gil Blas” |
1719 | Defoe | “Robinson Crusoe” |
1726 | Swift | “Gulliver’s Travels” |
1733 | Prévost | “Manon Lescaut” |
1749 | Fielding | “Tom Jones” |
1759 | Johnson | “Rasselas” |
1759 | Voltaire | “Candide” |
1759-1767 | Sterne | “Tristram Shandy” |
1766 | Goldsmith | “The Vicar of Wakefield” |
1774 | Goethe | “The Sorrows of Young Werther” |
1787 | Saint Pierre | “Paul and Virginia” |
1807 | Chateaubriand | “Atala” |
1813 | Austen | “Pride and Prejudice” |
1813 | Fouqué | “Undine” |
1814 | Chamisso | “Peter Schlemihl” |
1820 | Irving | “The Legend of Sleepy Hollow” |
1820 | Scott | “Ivanhoe” |
1827 | Manzoni | “The Betrothed” |
1835 | Balzac | “Eugenie Grandet” |
1841 | Gogol | “Dead Souls” |
1845 | Dumas | “The Three Guardsmen” |
1847 | Brontë | “Jane Eyre” |
1847 | Merimée | “Carmen” |
1850 | Dickens | “David Copperfield” |
1850 | Hawthorne | “The Scarlet Letter” |
1852 | Thackeray | “Henry Esmond” |
1852 | Stowe | “Uncle Tom’s Cabin” |
1853 | Gaskell | “Cranford” |
1856 | Auerbach | “Barfüssele” |
1857 | Von Scheffel | “Ekkehard” |
1857 | Feuillet | “The Romance of a Poor Young Man” |
1857 | Flaubert | “Madame Bovary” |
1859 | Meredith | “The Ordeal of Richard Feverel” |
1861 | Reade | “The Cloister and the Hearth” |
1862 | Hugo | “Les Misérables” |
1863 | Eliot | “Romola” |
1866 | Dostoyevsky | “Crime and Punishment” |
1868 | Turgenieff | “Smoke” |
1869 | Blackmore | “Lorna Doone” |
1878 | Tolstoi | “Anna Karenina” |
1883 | Stevenson | “Treasure Island” |
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