Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Friday, August 25, 2023

A Handbook of Short Story Writing by John T. (John Towner) Frederick


 

A Handbook of Short Story Writing

 

 by

 

John T. (John Towner) Frederick

 

 FOREWORD BY OLIVIA SALTER

It is with great pleasure and enthusiasm that I present this foreword to John T. Frederick's "A Handbook of Short Story Writing." As a renowned writer and seasoned educator, Frederick's invaluable experience and expertise shine through in this comprehensive guide, making it an indispensable resource for aspiring writers, seasoned authors, and literary enthusiasts alike.

The art of crafting a compelling short story is no easy task. It requires an intricate balance of creativity, technical skill, and storytelling prowess. Fortunately, Frederick's Handbook serves as a guiding light for those willing to embark on this exhilarating journey. With rich insights and practical advice, he equips writers with the necessary tools to bring their stories to life.

One of the many strengths of this handbook lies in its comprehensive coverage of the short story writing process. From generating ideas and developing characters to structuring narratives and refining prose, Frederick expertly navigates through every stage with clarity and depth. His engaging writing style and illustrative examples make abstract concepts tangible, providing aspiring writers with a firm foundation to build upon.

Building upon his own experiences, Frederick goes beyond the technical aspect of short story writing. He delves into the intricate art of capturing emotions, creating memorable settings, and exploring themes that resonate with readers while maintaining brevity and impact. By intertwining craft with artistic insight, Frederick encourages writers to step outside the confines of formulaic storytelling, fostering an environment that nurtures originality and creativity.

Moreover, this handbook also serves as a wellspring of inspiration. Through the inclusion of notable short stories and excerpts from celebrated authors, Frederick invites readers to immerse themselves in the work of literary giants. By dissecting these examples and exploring the writing techniques employed, writers gain a deeper understanding of the nuances that elevate a short story from ordinary to extraordinary.

As a lover of language and story, I am acutely aware of the power of storytelling and its ability to connect and inspire. In "A Handbook of Short Story Writing," Frederick celebrates the intrinsic value of each story and its capacity to transcend time and space. He imparts to readers the importance of finding their unique voice and crafting narratives that resonate with them on an emotional level.

In closing, John T. Frederick's "A Handbook of Short Story Writing" is an exceptional guide that not only instructs but also empowers writers to explore the vast possibilities of the short story form. Aspiring writers will find solace and guidance within its pages. Seasoned authors will discover fresh perspectives, and readers passionate about literature will gain a newfound appreciation for the complexity and beauty of storytelling.

It is my utmost privilege to endorse this handbook, knowing that it will prove to be an invaluable companion to those embarking on their short story writing journeys. I wholeheartedly encourage readers to immerse themselves in Frederick's wisdom, for within these pages lies a wealth of knowledge waiting to be unlocked.


Olivia Salter

08/25/2023

 

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About the Author 

John Towner Frederick (February 1, 1893 – January 31, 1975), born Corning, Iowa and only child of Oliver Roberts and Mary Elmira Frederick. He was a noted professor and literary editor, scholar, critic, and novelist. Wikipedia

 Frederick published short stories, poetry, book reviews, academic literary criticism, and literature and rhetoric textbooks. Books in cluded "A Handbook of Short Story Writing" (1924, rev. 1932), the collection Stories from the Midland (1924), several edited or coedited literature anthologies, and two major critical works: The Darkened Sky: Nineteenth-Century American Novelists and Religion (1969) and William Henry Hudson (1972). Frederick died in 1975 and was buried in Harrisville, Michigan. The University Of Iowa

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