Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Thursday, May 18, 2023

The Killers by Ernest Hemingway

The Killers by Ernest Hemingway

The Killers by Ernest Hemingway


"The Killers" is a short story by Ernest Hemingway, published in Scribner's Magazine in 1927. After its appearance in Scribner's, the story was published in Men Without Women, Snows of Kilimanjaro, and The Nick Adams Stories. The writer's depiction of the human experience, his use of satire, and the everlasting themes of death, friendship, and the purpose of life have contributed to make "The Killers" one of Hemingway's most famous and frequently anthologized short stories.

The story features Nick Adams, a famous Hemingway character from his short stories. In this story, Hemingway shows Adams crossing over from teenager to adult. The basic plot of the story involves two hitmen who enter a restaurant seeking to kill a boxer, a Swede named Ole Andreson, who is hiding out for reasons unknown, possibly for winning a fight.

Historians have some documents showing that the working title of the piece was "The Matadors".

How much Hemingway received for the literary piece is unknown, but some sources state it was $200. Wikipedia 


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