Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Wednesday, April 26, 2023

On The Origin And Progress Of Novel-Writing by Anna Letitia Barbauld

On The Origin And Progress Of Novel-Writing by Anna Letitia Barbauld

On The Origin And Progress Of Novel-Writing

 

by Anna Letitia Barbauld


 A Collection of Novels has a better chance of giving pleasure than of commanding respect. Books of this description are condemned by the grave, and despised by the fastidious; but their leaves are seldom found unopened, and they occupy the parlour and the dressing-room while productions of higher name are often gathering dust upon the shelf. It might not perhaps be difficult to show that this species of composition is entitled to a         higher rank than has been generally assigned it. Fictitious adventures, in one form or other, have made a part of the polite literature of every age and nation. These have been grafted upon the actions of their heroes; they have been interwoven with their mythology; they have been moulded upon vol. i.
 
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About the Author 

Anna Laetitia Barbauld
Anna Laetitia Barbauld (/bɑːrˈboʊld/, by herself possibly /bɑːrˈboʊ/, as in French, née Aikin; 20 June 1743 – 9 March 1825) was a prominent English poet, essayist, literary critic, editor, and author of children's literature. A "woman of letters" who published in multiple genres, Barbauld had a successful writing career that spanned more than half a century. Wikipedia

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