Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Tuesday, December 6, 2022

How to Write a Novel: A Practical Guide to the Art of Fiction by Anonymous (PDF)

How to Write a Novel: A Practical Guide to the Art of Fiction by Anonymous (PDF)

How to Write a Novel: A Practical Guide to the Art of Fiction

by Anonymous

(PDF)

 PDF - Audio - eText


CONTENTS

CHAPTER I
THE OBJECT IN VIEW

An Inevitable Comparison    3
A Model Lesson in Novel-Writing    5
The Teachable and the Unteachable    9
 
CHAPTER II
A GOOD STORY TO TELL 

Where do Novelists get their Stories from?    12
Is there a Deeper Question?    14
What about the Newspapers?    17
 
CHAPTER III
HOW TO BEGIN 

Formation of the Plot    25
The Agonies and Joys of "Plot-Construction"    28
[viii]Care in the Use of Actual Events    31
The Natural History of a Plot    35
Sir Walter Besant on the Evolution of a Plot    40
Plot-Formation in Earnest    43
Characters first: Plot afterwards    45
The Natural Background    47
 
CHAPTER IV
CHARACTERS AND CHARACTERISATION

The Chief Character    50
How to Portray Character    52
Methods of Characterisation    55
The Trick of "Idiosyncrasies"    58
 
CHAPTER V
STUDIES IN LITERARY TECHNIQUE

Narrative Art    63
Movement    66
Aids to Description: The Point of View    67
[ix]Selecting the Main Features    70
Description by Suggestion    73
Facts to Remember    75
 
CHAPTER VI
STUDIES IN LITERARY TECHNIQUE—CONTINUED

Colour: Local and Otherwise    79
What about Dialect?    84
On Dialogue    86
Points in Conversation    91
"Atmosphere"    94
 
CHAPTER VII
PITFALLS

Items of General Knowledge    96
Specific Subjects    98
Topography and Geography    100
Scientific Facts    101
Grammar    103
 
[x]CHAPTER VIII
THE SECRET OF STYLE

Communicable Elements    105
Incommunicable Elements    110
 
CHAPTER IX
HOW AUTHORS WORK

Quick and Slow    116
How many Words a Day?    119
Charles Reade and Anthony Trollope    122
The Mission of Fancy    127
Fancies of another Type    129
Some of our Younger Writers: Mr Zangwill, Mr Coulson Kernahan, Mr Robert Barr, Mr H. G. Wells    132
Curious Methods    134
 
CHAPTER X
IS THE SUBJECT-MATTER OF NOVELS EXHAUSTED?

The Question Stated    138
"Change" not "Exhaustion"    142
Why we talk about Exhaustion    145
 
[xi]CHAPTER XI
THE NOVEL v. THE SHORT STORY

Practise the Short Story    154
Short Story Writers on their Art    159
 
CHAPTER XII
SUCCESS: AND SOME OF ITS MINOR CONDITIONS 

The Truth about Success    164
Minor Conditions of Success    169
 
APPENDIX I
The Philosophy of Composition. By Edgar Allan Poe    175
 
APPENDIX II
Books Worth Reading    201
 
APPENDIX III
Magazine Article on Writing Fiction    205

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