Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Sunday, November 6, 2022

Old Peter's Russian Tales by Arthur Ransome

Old Peter's Russian Tales by Arthur Ransome
 

Old Peter's Russian Tales

by Arthur Ransome

NOTE

The stories in this book are those that Russian peasants tell their children and each other. In Russia hardly anybody is too old for fairy stories, and I have even heard soldiers on their way to the war talking of very wise and very beautiful princesses as they drank their tea by the side of the road. I think there must be more fairy stories told in Russia than anywhere else in the world. In this book are a few of those I like best. I have taken my own way with them more or less, writing them mostly from memory. They, or versions like them, are to be found in the coloured chap-books, in Afanasiev's great collection, or in solemn, serious volumes of folklorists writing for the learned. My book is not for the learned, or indeed for grown-up people at all. No people who really like fairy stories ever grow up altogether. This is a book written far away in Russia, for English children who play in deep lanes with wild roses above them in the high hedges, or by the [vi] small singing becks that dance down the gray fells at home. Russian fairyland is quite different. Under my windows the wavelets of the Volkhov (which has its part in one of the stories) are beating quietly in the dusk. A gold light burns on a timber raft floating down the river. Beyond the river in the blue midsummer twilight are the broad Russian plain and the distant forest. Somewhere in that forest of great trees—a forest so big that the forests of England are little woods beside it—is the hut where old Peter sits at night and tells these stories to his grandchildren.

A.R.

Vergezha.


CONTENTS

The Hut in the Forest                 11
The Tale of the Silver Saucer and the Transparent Apple                 18
Sadko                 40
Frost                 54
The Fool of the World and the Flying Ship                 70
Baba Yaga                 88
The Cat who became Head-Forester                 106
Spring in the Forest                 120
The Little Daughter of the Snow                 122
Prince Ivan, the Witch Baby, and the Little Sister of the Sun                 136
The Stolen Turnips, the Magic Tablecloth, the Sneezing Goat, and the Wooden Whistle                 155
Little Master Misery                 184
A Chapter of Fish                 206
The Golden Fish                 212
Who Lived in the Skull?                 228
Alenoushka and her Brother                 231
The Fire-Bird, the Horse of Power, and the Princess Vasilissa                 242
The Hunter and his Wife                 260
The Three Men of Power—Evening, Midnight, and Sunrise                 269
Salt                 294
The Christening in the Village


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