Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Monday, September 5, 2022

The Crucible by Mark Lee Luther

 The Crucible

by Mark Lee Luther

 

I

The girl heard the key rasp in the lock and the door open, but she did not turn.

"When I enter the room, rise," directed an even voice.

The new inmate obeyed disdainfully. The superintendent, a middle-aged woman of precise bearing and crisp accent, took possession of the one chair, and flattened a note-book across an angular knee.

"Is Jean Fanshaw your full name?" she began.

"I'm called Jack."

"Jack!" The descending pencil paused disapprovingly in mid-air. "You were committed to the refuge as Jean."

"Everybody calls me Jack," persisted the girl shortly—"everybody."

"Does your mother?"

Her face clouded. "No," she admitted; "but my father did. He began it, and I like it. Why isn't it as good as Jean? Both come from John."

"It is not womanly," said Miss Blair, as one having authority. "Women of refinement don't adopt men's names."

"How about George Eliot?" Jean promptly countered. "And that other George—the French woman?"

The superintendent battled to mask her astonishment. Case-hardened by a dozen years' close contact with moral perverts, budding criminals, and the half-insane, she plumed herself that she was not easily taken off her guard. But the unexpected had befallen. The newcomer had given her a sensation, and moreover she knew it. Jean Fanshaw's dark eyes exulted insolently in her victory.

Miss Blair took formal refuge in her notes. "Birthplace?" she continued.

"Shawnee Springs."

"Age?"

"Seventeen, two months ago—September tenth."

The official jotted "American" under the heading of nationality, and said,—

"Where were your parents born?"

"Father hailed from the South—from Virginia." Her face lighted curiously. "His people once owned slaves."

"And your mother?"

The girl's interest in her ancestry flagged. "Pure Shawnee Springs." She flung off the characterization with scorn. "Pure, unadulterated Shawnee Springs."

But the superintendent was now on the alert for the unexpected. "I want plain answers," she admonished. "What has been your religious training?"

"Mixed. Father was an Episcopalian, I think, but he wasn't much of a churchgoer; he preferred the woods. Mother's a Baptist."

"And you?"

"I don't know what I am. I guess God isn't interested in my case."

The official retreated upon her final routine question.

"Education?"

"I was in my last year at high school when"—her cheek flamed—"when this happened."

Miss Blair construed the flush as a hopeful sign. "You may sit down, Jean," she said, indicating the narrow iron bed. "Let me see your knitting."

The girl handed over the task work which had made isolation doubly odious.

The superintendent pursed her thin lips.

"Have you never set up a stocking before?" she asked.

"No."

"Can you sew?"

"No."

"Or cook?"

"No."

"'No, Miss Blair,' would be more courteous. Have you been taught any form of housework whatsoever?"

Jean looked her fathomless contempt. "We kept help for such drudgery," she explained briefly.

"You must learn, then. They are things which every woman should know."

"I don't care to learn the things every woman should know. I hate women's work. I hate women, too, and their namby-pamby ways. I'd give ten years of my life to be a man."

Her listener contrasted Jean Fanshaw's person with her ideas. Even the flesh-mortifying, blue-and-white-check uniform of the refuge became the girl. Immature in outline, she was opulent in promise. Her features held no hint of masculinity; the mouth, chin, eyes—above all, the defiant eyes—were hopelessly feminine. Miss Blair's own pale glance returned again and again upon those eyes. They made her think of pools which forest leaves have dyed. The brows were brown, too, and delicately lined, but the thick rope of hair, which fell quite to the girl's hips, was fair. The other woman touched the splendid braid covetously.

"You can't escape your sex," she said. "Don't try."

"But I wasn't meant for a girl. They didn't want one when I was born. They'd had one girl, my sister Amelia, and they counted on a boy. They felt sure of it. Why, they'd even picked out his name. It was to be John, after my father. Then I came."

"Nature knew best."

Jean gave a mirthless laugh. "Nature made a botch," she retorted. "What business has a boy with the body of a girl?"

The superintendent lost patience. "You must rid yourself of this nonsense," she declared firmly, and said again, "You can't escape your sex."

"I will if I can."

"But why?"

"Because this is a man's world. Because I mean to do the things men do."

"For some little time to come you'll occupy yourself with the things women do."

Jean's long fingers clenched at the reminder. The hot color flooded back. "Oh, the shame of it!" she cried passionately. "The wicked injustice of it!"

"You did wrong. This is your punishment."

"My punishment!" flashed the girl. "My punishment! Could they punish me in no other way than this? Am I a Stella Wilkes, a common creature of the streets, who—"

The superintendent raised her hand. "Don't go into that," she warned peremptorily. "If you knew Stella Wilkes in Shawnee Springs—"

"I know her!"

"Don't interrupt me. I repeat, if you know anything of Stella's record, keep it to yourself. A girl turns over a new leaf when she enters here. Her past is behind her. And let me caution you personally not to speak of your life to any one but myself. Remember that. Make confidences to no one—not even the matrons—to no one except me."

Jean searched the enigmatic face hungrily. "I doubt if you'd care to listen," she stated simply; "or whether, if you did listen, you'd believe!"

Something in her tone penetrated Miss Blair's official crust. "My dear!" she protested.

The girl was silent a moment. Then, point-blank, "Do you think a mother can hate her child?" she asked.

The superintendent, by virtue of her office, felt constrained to take up the cudgels for humanity. "Of course not," she responded.

"My mother hates me sometimes."

"Nonsense!"

"At other times it's only dislike," Jean went on impassively. "It's always been so. Dad got over the fact that I was a girl. He said he would call me his boy, anyhow. That's where the 'Jack' came from. But mother—she was different. I dare say if I'd been all girl, like Amelia, she could have stood me. She was forever holding up Amelia as a pattern. Amelia would get a hundred per cent. in that quiz you put me through. Amelia can sew; Amelia can embroider; Amelia can make tea-biscuit and angel-cake."

"And what were you doing while your sister was improving her opportunities?"

"Improving mine," came back Jean, with conviction. "Why didn't you ask me if I could swim, and box, and shoot, and hold my own with a gamy pickerel or trout?"

"Did your father teach you those things?"

"Some of them."

"And to affect mannish clothes, and smoke cigarettes with your feet on the table?"

Jean flaunted an unregenerate grin. "You've heard more than you let on, I guess. But you wouldn't have asked that last question if you'd known him. He wasn't that sort. I did those things after—after he went. I didn't really care for the cigarettes; I mainly wanted to shock that sheep, Amelia. Besides, I only smoked in my own room. I had a bully room—all posters and foils and guns. That reminds me," she added, with a quick change of tone. "That woman who comes in here—the matron—took something of mine. I want it back."

"What was it?"

"A little clay bust my father made."

"Was he a sculptor?"

"No, a druggist; but he could model. You'll make her give it back?"

"Is it the likeness of a man?"

"Yes, of dad."

"The matron was right. We allow no men's pictures in the girls' rooms, and the rule would apply here."

Incredulity, resentment, impotent anger drove in rapid sequence across the too mobile face. "But it's dad!" she cried. "Why, he did it for me! I never had a picture. Don't keep it from me; it's only dad."

The official shook her head in stanch conviction of the sacredness of red tape. "The rule is for everybody. Furthermore, you must not refer to men in your letters home. If you make such references, they will be erased. Nor will they be permitted in any letter you may receive from your family."

"You'll read my letters?"

"Certainly."

Jean silently digested this fresh indignity. "Then I'll never write," she declared.

Miss Blair waived discussion. "Never mind about the rules now, my girl," she returned, not unkindly. "You will appreciate the reasons for them in time. Go on with your story. Tell me more of your home life."

"It wasn't a home—at least, not for me. I didn't fit into it anywhere after dad went. Mother couldn't understand me. She said I took after the Fanshaws, not her folks, the Tuttles. Thank heaven for that! I never understood her, it's certain. When she wasn't flint, she was mush. Her softness was all for Amelia, though. They were hand and glove in everything, and always lined up together in our family rows. I think that was at the bottom of half the trouble. If mother'd only let us girls scrap things out by ourselves, we'd have rubbed along somehow, and probably been better friends. But she couldn't do it. She had to take a hand for Saint Amelia, as a matter of course. I can't remember when it wasn't so, from the days when we fought over our toys till the last big rumpus of all."

"And that last affair?" prompted her inquisitor. "What led to it?"

"A box social."

"A box social!"

"Never heard of one? You're not country-bred, I guess. Shawnee Springs pretends to be awfully citified when the summer cottagers are in town, but it's rural enough the rest of the year. Box socials are all the rage. You see, the girls all bring boxes, packed with supper for two, which are auctioned off to the highest bidder. The fellows aren't supposed to know whose box they're buying. Anyhow, that's the theory. I thought it ought to be the practice, too, and when I found that Amelia had fixed things beforehand with Harry Fargo, I planned a little surprise by changing the wrapper. Harry bid in the box she signalled him to buy, and drew his own little sister for a partner. The man who bought Amelia's was a bald-headed old widower she couldn't bear. It wasn't much of a joke, I dare say, and Amelia couldn't see the point of it at all. She told me she hated me, right before Harry Fargo himself, and after we came home she followed me up to my room to say it again."

An unofficial smile tempered Miss Blair's austerity. "But go on," she said, with an access of formality by way of atonement for her lapse.

Jean's own quick-changing eyes gleamed over the memory of Amelia's undoing, but it was for an instant only. "It was a dear joke for me," she continued soberly. "Amelia was sore. She had a nasty way of saying things, for all her angel-food, and she hadn't lost her voice that night, I can assure you. I said I was sorry for playing her the trick, but she kept harping on it like a phonograph, and one of our regular shindies followed. It would have ended in talk, like all the rest, if mother hadn't chimed in, but when they both tuned up with the same old song about my being a hoiden and a family disgrace, why, I got mad myself, and told them to clear out. When they didn't budge, I grabbed a Cuban machete that a Rough Rider friend had given me, and went for them."

"What did you mean to do?"

"Only frighten them. I never knew till afterward that I'd really pinked Amelia's arm. Of course, I didn't mean to do anything like that. I swear it."

"And then?"

"Then mother lost her head completely. She tore shrieking downstairs, Amelia after her, and both of them took to the street. First I knew, in came the officer. The rest seems a kind of nightmare to me—the arrest, the station-house cell, the blundering old fool of a magistrate who sent me here. He said he'd had his eye on me for a long time, and that I was incorrigible. Incorrigible! What did he know about it? He couldn't even pronounce the word! What business has such a man with power to spoil a girl's life! He was only a seedy failure as a lawyer, and got his job through politics. That's what sent me here—politics! Mother never intended matters to go this far. I know she didn't, though she doesn't admit it. She wanted to frighten me, but things slipped out of her hands. Think of it! Three years among the Stella Wilkeses for a joke! My God, I can't believe it! I must be dreaming still."

The superintendent ransacked her stock of homilies for an adequate response, but nothing suggested itself. Jean Fanshaw's case refused to fit the routine pigeonholes. She could only remind the girl that it lay with herself to decide whether she would serve out her full term.

"It is possible to earn your parole in a year and a half, remember," she charged, rising. "Bear that constantly in mind."

Jean seemed not to hear. "The shame of it!" she repeated numbly. "The disgrace of it! I shall never live it down."

She brooded long at her window when her visitor had gone, her wrongs rankling afresh from their rehearsal. The two weeks' isolation had begun to tell upon the nerves which she had prided herself were of stoic fibre. Human companionship she did not want. She had not welcomed the superintendent's coming, nor the physician's before her; and, if contempt might slay, the drear files of her fellow-inmates which traversed the snow-bound paths below would have withered in their tracks. It was the open she craved, and the daily walks under the close surveillance of a taciturn matron had but whetted her great desire.

She had conned the desolate prospect till she felt she knew its every hateful inch. Yonder, at the head of the long quadrangle, was the administration building, whither Miss Blair had taken her precise way. Flanking the court, ran the red brick cottages—each a replica of its unlovely neighbor, offspring all of a single architectural indiscretion—one of which she supposed incuriously would house her in the lost years of her durance. Quite at the end, closing the group, loomed the prison, gaunt, iron-barred, sinister in the gathering dusk.

This last structure had come almost to seem a sensate creature, a grotesque, sprawling monster, with half-human lineaments which nightfall blurred and modelled. Now, as she watched, the central door, that formed its mouth, gaped wide and emitted one of the double files of erring femininity which were continually passing and repassing. She knew that there were degrees of badness here, and reasoned that these from the monster's jaws must be the more refractory, but they appeared to her no worse than the others. Indeed, as looks went, they were, on the whole, superior. She felt no pity for them, only measureless disgust—disgust for the brazen and the dispirited alike; all were despicable. Her pity was for herself that she must breathe the common air.

Hitherto she had not separated them one from the other. This time, however, she passed them in review—the hard, the vicious, the frankly animal, the merely weak; till, coming last of all upon a brunette face of garish good looks, she shrank abruptly from the window. For the first time since her arrival she glimpsed the girl whose name had been a byword in Shawnee Springs, the being who at once symbolized and made concrete to Jean the bald, terrible fact of her degradation. Till now she had gone through all things dry-eyed—manfully, as she would have chosen to say—but the sight of Stella Wilkes plumbed emotional deeps in the womanhood she would have forsworn, and she flung herself, sobbing, upon her bed.

Mark Lee Luther Books at Amazon

 
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