Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Sunday, February 13, 2022

Many Who Attempt To Write Can Never Succeed

 


Many who attempt to write can never succeed. Some succeed despite all obstacles. But in between are a great number with varying degree of ability, many of them appearing in books or magazines, some of them attaining a fair degree of real success, some of them failing of print, but no one of them who could not do far better if he would shake himself free from the influence of machine-like methods and give opportunity to whatever of individuality may lie within him. 

A long procession of possibilities unrealized, regrettable because of the loss to American fiction, pathetic if one looks behind the manuscripts at vain struggles and hopes unfulfilled.

Excerpt from Fiction Writers on Fiction Writing

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