Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Friday, February 5, 2016

How to Read by Frederic Harrison

It is the fashion for those who have any connection with letters to expatiate on the infinite blessings of literature, and the miraculous achievements of the press: to extol, as a gift above price, the taste for study and the love of reading. Far be it from me to gainsay the inestimable value of good books, or to discourage any man from reading the best; but I often think that we forget that other side to this glorious view of literature—the misuse of books, the debilitating waste of brain in aimless, promiscuous, vapid reading, or even, it may be, in the poisonous inhalation of mere literary garbage and bad men's worst thoughts.

For what can a book be more than the man who wrote it? The brightest genius seldom puts the best of his own soul into his printed page; and some famous men have certainly put the worst of theirs. Yet are all men desirable companions, much less teachers, able to give us advice, even of those who get reputation and command a hearing? To put out of the question that writing which is positively bad, are we not, amidst the multiplicity of books and of writers, in continual danger of being drawn off by what is stimulating rather than solid, by curiosity after something accidentally notorious, by what has no intelligible thing to recommend it, except that it is new? Now, to stuff our minds with what is simply trivial, simply curious, or that which at best has but a low nutritive power, this is to close our minds to what is solid and enlarging, and spiritually sustaining. Whether our neglect of the great books comes from our not reading at all, or from an incorrigible habit of reading the little books, it ends in just the same thing. And that thing is ignorance of all the greater literature of the world. To neglect all the abiding parts of knowledge for the sake of the evanescent parts is really to know nothing worth knowing. It is in the end the same, whether we do not use our minds for serious study at all, or whether we exhaust them by an impotent voracity for desultory "information"—a thing as fruitful as whistling. Of the two evils I prefer the former. At least, in that case, the mind is healthy and open. It is not gorged and enfeebled by excess in that which cannot nourish, much less enlarge and beautify our nature.

But there is much more than this. Even to those who resolutely avoid the idleness of reading what is trivial, a difficulty is presented—a difficulty every day increasing by virtue even of our abundance of books. What are the subjects, what are the class of books we are to read, in what order, with what connection, to what ultimate use or object? Even those who are resolved to read the better books are embarrassed by a field of choice practically boundless. The longest life, the greatest industry, joined to the most powerful memory, would not suffice to make us profit from a hundredth part of the world of books before us. If the great Newton said that he seemed to have been all his life gathering a few shells on the shore, whilst a boundless ocean of truth still lay beyond and unknown to him, how much more to each of us must the sea of literature be a pathless immensity beyond our powers of vision or of reach—an immensity in which industry itself is useless without judgment, method, discipline; where it is of infinite importance what we can learn and remember, and of utterly no importance what we may have once looked at or heard of. Alas! the most of our reading leaves as little mark even in our own education as the foam that gathers round the keel of a passing boat! For myself, I am inclined to think the most useful help to reading is to know what we should not read, what we can keep out from that small cleared spot in the overgrown jungle of "information," the corner which we can call our ordered patch of fruit-bearing knowledge. The incessant accumulation of fresh books must hinder any real knowledge of the old; for the multiplicity of volumes becomes a bar upon our use of any. In literature especially does it hold—that we cannot see the wood for the trees.

How shall we choose our books? Which are the best, the eternal, indispensable books? To all to whom reading is something more than a refined idleness these questions recur, bringing with them the sense of bewilderment; and a still, small voice within us is for ever crying out for some guide across the Slough of Despond of an illimitable and ever-swelling literature. How many a man stands beside it, as uncertain of his pathway as the Pilgrim, when he who dreamed the immortal dream heard him "break out with a lamentable cry; saying, what shall I do?"

And this, which comes home to all of us at times, presses hardest upon those who have lost the opportunity of systematic education, who have to educate themselves, or who seek to guide the education of their young people. Systematic reading is but little in favour even amongst studious men; in a true sense it is hardly possible for women. A comprehensive course of home study, and a guide to books, fit for the highest education of women, is yet a blank page remaining to be filled. Generations of men of culture have laboured to organise a system of reading and materials appropriate for the methodical education of men in academic lines. Teaching equal in mental calibre to any that is open to men in universities, yet modified for the needs of those who must study at home, remains in the dim pages of that melancholy volume entitled Libri valde desiderati.[24]

I do not aspire to fill one of those blank pages; but I long to speak a word or two, as the Pilgrim did to Neighbour Pliable, upon the glories that await those who will pass through the narrow wicket-gate. On this, if one can find anything useful to say, it may be chiefly from the memory of the waste labour and pitiful stumbling in the dark which fill up so much of the travail that one is fain to call one's own education. We who have wandered in the wastes so long, and lost so much of our lives in our wandering, may at least offer warnings to younger wayfarers, as men who in thorny paths have borne the heat and burden of the day might give a clue to their journey to those who have yet a morning and a noon. As I look back and think of those cataracts of printed stuff which honest compositors set up, meaning, let us trust, no harm, and which at least found them in daily bread,—printed stuff which I and the rest of us, to our infinitely small profit, have consumed with our eyes, not even making an honest living of it, but much impairing our substance,—I could almost reckon the printing press as amongst the scourges of mankind. I am grown a wiser and a sadder man, importunate, like that Ancient Mariner, to tell each blithe wedding guest the tale of his shipwreck on the infinite sea of printers' ink, as one escaped by mercy and grace from the region where there is water, water, everywhere, and not a drop to drink.

A man of power, who has got more from books than most of his contemporaries, once said: "Form a habit of reading, do not mind what you read; the reading of better books will come when you have a habit of reading the inferior." We need not accept this obiter dictum[25] of Lord Sherbrooke. A habit of reading idly debilitates and corrupts the mind for all wholesome reading; the habit of reading wisely is one of the most difficult habits to acquire, needing strong resolution and infinite pains; and reading for mere reading's sake, instead of for the sake of the good we gain from reading, is one of the worst and commonest and most unwholesome habits we have. And so our inimitable humorist has made delightful fun of the solid books,—which no gentleman's library should be without,—the Humes, Gibbons, Adam Smiths, which, he says, are not books at all, and prefers some "kindhearted play-book," or at times the Town and County Magazine. Poor Lamb has not a little to answer for, in the revived relish for garbage unearthed from old theatrical dungheaps. Be it jest or earnest, I have little patience with the Elia-tic philosophy of the frivolous. Why do we still suffer the traditional hypocrisy about the dignity of literature—literature, I mean, in the gross, which includes about equal parts of what is useful and what is useless? Why are books as books, writers as writers, readers as readers, meritorious, apart from any good in them, or anything that we can get from them? Why do we pride ourselves on our powers of absorbing print, as our grandfathers did on their gifts in imbibing port, when we know that there is a mode of absorbing print which makes it impossible that we can ever learn anything good out of books?

Our stately Milton said in a passage which is one of the watchwords of the English race, "as good almost kill a Man as kill a good Book." But has he not also said that he would "have a vigilant eye how Bookes demeane themselves, as well as men; and do sharpest justice on them as malefactors"?… Yes! they do kill the good book who deliver up their few and precious hours of reading to the trivial book; they make it dead for them; they do what lies in them to destroy "the precious life-blood of a master-spirit, imbalm'd and treasured up on purpose to a life beyond life;" they "spill that season'd life of man preserv'd and stor'd up in Bookes." For in the wilderness of books most men, certainly all busy men, must strictly choose. If they saturate their minds with the idler books, the "good book," which Milton calls "an immortality rather than a life," is dead to them: it is a book sealed up and buried.

It is most right that in the great republic of letters there should be freedom of intercourse and a spirit of equality. Every reader who holds a book in his hand is free of the inmost minds of men past and present; their lives both within and without the pale of their uttered thoughts are unveiled to him; he needs no introduction to the greatest; he stands on no ceremony with them; he may, if he be so minded, scribble "doggrel" on his Shelley, or he may kick Lord Byron, if he please, into a corner. He hears Burke perorate, and Johnson dogmatise, and Scott tell his border tales, and Wordsworth muse on the hillside, without the leave of any man, or the payment of any toll. In the republic of letters there are no privileged orders or places reserved. Every man who has written a book, even the diligent Mr. Whitaker, is in one sense an author; "a book's a book although there's nothing in't;" and every man who can decipher a penny journal is in one sense a reader. And your "general reader," like the grave-digger in Hamlet, is hail-fellow with all the mighty dead; he pats the skull of the jester; batters the cheek of lord, lady, or courtier; and uses "imperious Caesar" to teach boys the Latin declensions.

But this noble equality of all writers—of all writers and of all readers—has a perilous side to it. It is apt to make us indiscriminate in the books we read, and somewhat contemptuous of the mighty men of the past. Men who are most observant as to the friends they make, or the conversation they share, are carelessness itself as to the books to whom they entrust themselves, and the printed language with which they saturate their minds. Yet can any friendship or society be more important to us than that of the books which form so large a part of our minds and even of our characters? Do we in real life take any pleasant fellow to our homes and chat with some agreeable rascal by our firesides, we who will take up any pleasant fellow's printed memoirs, we who delight in the agreeable rascal when he is cut up into pages and bound in calf?

If any person given to reading were honestly to keep a register of all the printed stuff that he or she consumes in a year—all the idle tales of which the very names and the story are forgotten in a week, the bookmaker's prattle about nothing at so much a sheet, the fugitive trifling about silly things and empty people, the memoirs of the unmemorable, and lives of those who never really lived at all—of what a mountain of rubbish would it be the catalogue: Exercises for the eye and the memory, as mechanical as if we set ourselves to learn the names, ages, and family histories of every one who lives in our own street, the flirtations of their maiden aunts, and the circumstances surrounding the birth of their grandmother's first baby.

It is impossible to give any method to our reading till we get nerve enough to reject. The most exclusive and careful amongst us will (in literature) take boon companions out of the street, as easily as an idler in a tavern. "I came across such and such a book that I never heard mentioned," says one, "and found it curious, though entirely worthless." "I strayed on a volume by I know not whom, on a subject for which I never cared." And so on. There are curious and worthless creatures enough in any pot-house all day long; and there is incessant talk in omnibus, train, or street by we know not whom, about we care not what. Yet if a printer and a bookseller can be induced to make this gabble as immortal as print and publication can make it, then it straightway is literature, and in due time it becomes "curious."

I have no intention to moralise or to indulge in a homily against the reading of what is deliberately evil. There is not so much need for this now, and I am not discoursing on the whole duty of man. I take that part of our reading which by itself is no doubt harmless, entertaining, and even gently instructive. But of this enormous mass of literature how much deserves to be chosen out, to be preferred to all the great books of the world, to be set apart for those precious hours which are all that the most of us can give to solid reading? The vast proportion of books are books that we shall never be able to read. A serious percentage of books are not worth reading at all. The really vital books for us we also know to be a very trifling portion of the whole. And yet we act as if every book were as good as any other, as if it were merely a question of order which we take up first, as if any book were good enough for us, and as if all were alike honourable, precious, and satisfying. Alas! books cannot be more than the men who write them; and as a fair proportion of the human race now write books, with motives and objects as various as human activity, books, as books, are entitled ŕ priori, until their value is proved, to the same attention and respect as houses, steam-engines, pictures, fiddles, bonnets, and other products of human industry. In the shelves of those libraries which are our pride, libraries public or private, circulating or very stationary, are to be found those great books of the world rari nantes in gurgite vasto,[26] those books which are truly "the precious life-blood of a master-spirit." But the very familiarity which their mighty fame has bred in us makes us indifferent; we grow weary of what every one is supposed to have read; and we take down something which looks a little eccentric, some worthless book, on the mere ground that we never heard of it before.

Thus the difficulties of literature are in their way as great as those of the world, the obstacles to finding the right friends are as great, the peril is as great of being lost in a Babel of voices and an ever-changing mass of beings. Books are not wiser than men, the true books are not easier to find than the true men, the bad books or the vulgar books are not less obtrusive and not less ubiquitous than the bad or vulgar men are everywhere; the art of right reading is as long and difficult to learn as the art of right living. Those who are on good terms with the first author they meet, run as much risk as men who surrender their time to the first passer in the street; for to be open to every book is for the most part to gain as little as possible from any. A man aimlessly wandering about in a crowded city is of all men the most lonely; so he who takes up only the books that he "comes across" is pretty certain to meet but few that are worth knowing.

Now this danger is one to which we are specially exposed in this age. Our high-pressure life of emergencies, our whirling industrial organisation or disorganisation have brought us in this (as in most things) their peculiar difficulties and drawbacks. In almost everything vast opportunities and gigantic means of multiplying our products bring with them new perils and troubles which are often at first neglected. Our huge cities, where wealth is piled up and the requirements and appliances of life extended beyond the dreams of our forefathers, seem to breed in themselves new forms of squalor, disease, blights, or risks to life such as we are yet unable to master. So the enormous multiplicity of modern books is not altogether favourable to the knowing of the best. I listen with mixed satisfaction to the paeans that they chant over the works which issue from the press each day: how the books poured forth from Paternoster Row might in a few years be built into a pyramid that would fill the dome of St. Paul's. How in this mountain of literature am I to find the really useful book? How, when I have found it, and found its value, am I to get others to read it? How am I to keep my head clear in the torrent and din of works, all of which distract my attention, most of which promise me something, whilst so few fulfil that promise? The Nile is the source of the Egyptian's bread, and without it he perishes of hunger. But the Nile may be rather too liberal in his flood, and then the Egyptian runs imminent risk of drowning.

And thus there never was a time, at least during the last two hundred years, when the difficulties in the way of making an efficient use of books were greater than they are to-day, when the obstacles were more real between readers and the right books to read, when it was practically so troublesome to find out that which it is of vital importance to know; and that not by the dearth, but by the plethora of printed matter. For it comes to nearly the same thing whether we are actually debarred by physical impossibility, from getting the right book into our hand, or whether we are choked off from the right book by the obtrusive crowd of the wrong books; so that it needs a strong character and a resolute system of reading to keep the head cool in the storm of literature around us. We read nowadays in the market-place—I would rather say in some large steam factory of letter-press, where damp sheets of new print whirl round us perpetually—if it be not rather some noisy book-fair where literary showmen tempt us with performing dolls, and the gongs of rival booths are stunning our ears from morn till night. Contrast with this pandemonium of Leipsic and Paternoster Row the sublime picture of our Milton in his early retirement at Horton, when, musing over his coming flight to the epic heaven, practising his pinions, as he tells Diodati, he consumed five years of solitude in reading the ancient writers—"Et totum rapiunt me, mea vita, libri."[27]

Who now reads the ancient writers? Who systematically reads the great writers, be they ancient or modern, whom the consent of ages has marked out as classics: typical, immortal, peculiar teachers of our race? Alas! the Paradise Lost is lost again to us beneath an inundation of graceful academic verse, sugary stanzas of ladylike prettiness, and ceaseless explanations in more or less readable prose of what John Milton meant or did not mean, or what he saw or did not see, who married his great-aunt, and why Adam or Satan is like that, or unlike the other. We read a perfect library about the Paradise Lost, but the Paradise Lost itself we do not read.

I am not presumptuous enough to assert that the larger part of modern literature is not worth reading in itself, that the prose is not readable, entertaining, one may say highly instructive. Nor do I pretend that the verses which we read so zealously in place of Milton's are not good verses. On the contrary, I think them sweetly conceived, as musical and as graceful as the verse of any age in our history. A great deal of our modern literature is such that it is exceedingly difficult to resist it, and it is undeniable that it gives us real information. It seems perhaps unreasonable to many to assert that a decent readable book which gives us actual instruction can be otherwise than a useful companion and a solid gain. Possibly many people are ready to cry out upon me as an obscurantist for venturing to doubt a genial confidence in all literature simply as such. But the question, which weighs upon me with such really crushing urgency is this: What are the books that in our little remnant of reading time it is most vital for us to know? For the true use of books is of such sacred value to us that to be simply entertained is to cease to be taught, elevated, inspired by books; merely to gather information of a chance kind is to close the mind to knowledge of the urgent kind.

Every book that we take up without a purpose is an opportunity lost of taking up a book with a purpose—every bit of stray information which we cram into our heads without any sense of its importance, is for the most part a bit of the most useful information driven out of our heads and choked off from our minds. It is so certain that information, i.e., the knowledge, the stored thoughts and observations of mankind, is now grown to proportions so utterly incalculable and prodigious, that even the learned whose lives are given to study can but pick up some crumbs that fall from the table of truth. They delve and tend but a plot in that vast and teeming kingdom, whilst those whom active life leaves with but a few cramped hours of study can hardly come to know the very vastness of the field before them, or how infinitesimally small is the corner they can traverse at the best. We know all is not of equal value. We know that books differ in value as much as diamonds differ from the sand on the seashore, as much as our living friend differs from a dead rat. We know that much in the myriad-peopled world of books—very much in all kinds—is trivial, enervating, inane, even noxious. And thus, where we have infinite opportunities of wasting our efforts to no end, of fatiguing our minds without enriching them, of clogging the spirit without satisfying it, there, I cannot but think, the very infinity of opportunities is robbing us of the actual power of using them. And thus I come often, in my less hopeful moods, to watch the remorseless cataract of daily literature which thunders over the remnants of the past, as if it were a fresh impediment to the men of our day in the way of systematic knowledge and consistent powers of thought, as if it were destined one day to overwhelm the great inheritance of mankind in prose and verse.

I remember, when I was a very young man at college, that a youth, in no spirit of paradox, but out of plenary conviction, undertook to maintain before a body of serious students, the astounding proposition that the invention of printing had been one of the greatest misfortunes that had ever befallen mankind. He argued that exclusive reliance on printed matter had destroyed the higher method of oral teaching, the dissemination of thought by the spoken word to the attentive ear. He insisted that the formation of a vast literary class looking to the making of books as a means of making money, rather than as a social duty, had multiplied books for the sake of the writers rather than for the sake of the readers; that the reliance on books as a cheap and common resource had done much to weaken the powers of memory; that it destroyed the craving for a general culture of taste, and the need of artistic expression in all the surroundings of life. And he argued, lastly, that the sudden multiplication of all kinds of printed matter had been fatal to the orderly arrangement of thought, and had hindered a system of knowledge and a scheme of education.

I am far from sharing this immature view. Of course I hold the invention of printing to have been one of the most momentous facts in the whole history of man. Without it universal social progress, true democratic enlightenment, and the education of the people would have been impossible, or very slow, even if the cultured few, as is likely, could have advanced the knowledge of mankind without it. We place Gutenberg amongst the small list of the unique and special benefactors of mankind, in the sacred choir of those whose work transformed the conditions of life, whose work, once done, could never be repeated. And no doubt the things which our ardent friend regarded as so fatal a disturbance of society were all inevitable and necessary, part of the great revolution of mind through which men grew out of the mediaeval incompleteness to a richer conception of life and of the world.

Yet there is a sense in which this boyish anathema against printing may become true to us by our own fault. We may create for ourselves these very evils. For the art of printing has not been a gift wholly unmixed with evils; it must be used wisely if it is to be a boon to man at all; it entails on us heavy responsibilities, resolution to use it with judgment and self-control, and the will to resist its temptations and its perils. Indeed, we may easily so act that we may make it a clog on the progress of the human mind, a real curse and not a boon. The power of flying at will through space would probably extinguish civilisation and society, for it would release us from the wholesome bondage of place and rest. The power of hearing every word that had ever been uttered on this planet would annihilate thought, as the power of knowing all recorded facts by the process of turning a handle would annihilate true science. Our human faculties and our mental forces are not enlarged simply by multiplying our materials of knowledge and our facilities for communication. Telephones, microphones, pantoscopes, steam-presses, and ubiquity-engines in general may, after all, leave the poor human brain panting and throbbing under the strain of its appliances, no bigger and no stronger than the brains of the men who heard Moses speak, and saw Aristotle and Archimedes pondering over a few worn rolls of crabbed manuscript. Until some new Gutenberg or Watt can invent a machine for magnifying the human mind, every fresh apparatus for multiplying its work is a fresh strain on the mind, a new realm for it to order and to rule.

And so, I say it most confidently, the first intellectual task of our age is rightly to order and make serviceable the vast realm of printed material which four centuries have swept across our path. To organise our knowledge, to systematise our reading, to save, out of the relentless cataract of ink, the immortal thoughts of the greatest—this is a necessity, unless the productive ingenuity of man is to lead us at last to a measureless and pathless chaos. To know anything that turns up is, in the infinity of knowledge, to know nothing. To read the first book we come across, in the wilderness of books, is to learn nothing. To turn over the pages of ten thousand volumes is to be practically indifferent to all that is good.

But this warns me that I am entering on a subject which is far too big and solemn. It is plain that to organise our knowledge, even to systematise our reading, to make a working selection of books for general study, really implies a complete scheme of education. A scheme of education ultimately implies a system of philosophy, a view of man's duty and powers as a moral and social being—a religion. Before a problem so great as this, on which readers have such different ideas and wants, and differ so profoundly on the very premises from which we start, before such a problem as a general theory of education, I prefer to pause. I will keep silence even from good words. I have chosen my own part, and adopted my own teacher. But to ask men to adopt the education of Auguste Comte, is almost to ask them to adopt Positivism itself.

Nor will I enlarge on the matter for thought, for foreboding, almost for despair, that is presented to us by the fact of our familiar literary ways and our recognised literary profession. That things infinitely trifling in themselves: men, events, societies, phenomena, in no way otherwise more valuable than the myriad other things which flit around us like the sparrows on the housetop, should be glorified, magnified, and perpetuated, set under a literary microscope and focussed in the blaze of a literary magic-lantern—not for what they are in themselves, but solely to amuse and excite the world by showing how it can be done—all this is to me so amazing, so heart-breaking, that I forbear now to treat it, as I cannot say all that I would.

The Choice of Books is really the choice of our education, of a moral and intellectual ideal, of the whole duty of man. But though I shrink from any so high a theme, a few words are needed to indicate my general point of view in the matter.

In the first place, when we speak about books, let us avoid the extravagance of expecting too much from books, the pedant's habit of extolling books as synonymous with education. Books are no more education than laws are virtue; and just as profligacy is easy within the strict limits of law, a boundless knowledge of books may be found with a narrow education. A man may be, as the poet saith, "deep vers'd in books, and shallow in himself." We need to know in order that we may feel rightly and act wisely. The thirst after truth itself may be pushed to a degree where indulgence enfeebles our sympathies and unnerves us in action. Of all men perhaps the book-lover needs most to be reminded that man's business here is to know for the sake of living, not to live for the sake of knowing.

A healthy mode of reading would follow the lines of a sound education. And the first canon of a sound education is to make it the instrument to perfect the whole nature and character. Its aims are comprehensive, not special; they regard life as a whole, not mental curiosity; they have to give us, not so much materials, as capacities. So that, however moderate and limited the opportunity for education, in its way it should be always more or less symmetrical and balanced, appealing equally in turn to the three grand intellectual elements—imagination, memory, reflection: and so having something to give us in poetry, in history, in science, and in philosophy.

And thus our reading will be sadly one-sided, however voluminous it be, if it entirely close to us any of the great types and ideals which the creative instinct of man has produced, if it shut out from us either the ancient world, or other European poetry, as important almost as our own. When our reading, however deep, runs wholly into "pockets," and exhausts itself in the literature of one age, one country, one type, then we may be sure that it is tending to narrow or deform our minds. And the more it leads us into curious byways and nurtures us into indifference for the beaten highways of the world, the sooner we shall end, if we be not specialists and students by profession, in ceasing to treat our books as the companions and solace of our lifetime, and in using them as the instruments of a refined sort of self-indulgence.

A wise education, and so judicious reading, should leave no great type of thought, no dominant phase of human nature, wholly a blank. Whether our reading be great or small, so far as it goes, it should be general. If our lives admit of but a short space for reading, all the more reason that, so far as may be, it should remind us of the vast expanse of human thought, and the wonderful variety of human nature. To read, and yet so to read that we see nothing but a corner of literature, the loose fringe, or flats and wastes of letters, and by reading only deepen our natural belief that this island is the hub of the universe, and the nineteenth century the only age worth notice, all this is really to call in the aid of books to thicken and harden our untaught prejudices. Be it imagination, memory, or reflection that we address—that is, in poetry, history, science, or philosophy, our first duty is to aim at knowing something at least of the best, at getting some definite idea of the mighty realm whose outer rim we are permitted to approach.

But how are we to know the best; how are we to gain this definite idea of the vast world of letters? There are some who appear to suppose that the "best" are known only to experts in an esoteric way, who may reveal to inquirers what schoolboys and betting-men describe as "tips." There are no "tips" in literature; the "best" authors are never dark horses; we need no "crammers" and "coaches" to thrust us into the presence of the great writers of all time. "Crammers" will only lead us wrong. It is a thing far easier and more common than many imagine, to discover the best. It needs no research, no learning, and is only misguided by recondite information. The world has long ago closed the great assize of letters and judged the first places everywhere. In such a matter the judgment of the world, guided and informed by a long succession of accomplished critics, is almost unerring. When some Zoilus finds blemishes in Homer, and prefers, it may be, the work of some Apollonius of his own discovering, we only laugh. There may be doubts about the third and fourth rank; but the first and the second are hardly open to discussion. The gates which lead to the Elysian fields may slowly wheel back on their adamantine hinges to admit now and then some new and chosen modern. But the company of the masters of those who know, and in especial degree of the great poets, is a roll long closed and complete, and they who are of it hold ever peaceful converse together.

Hence we may find it a useful maxim that, if our reading be utterly closed to the great poems of the world, there is something amiss with our reading. If you find Milton, Dante, Calderon, Goethe, so much "Hebrew-Greek" to you; if your Homer and Virgil, your Moličre and Scott, rest year after year undisturbed on their shelves beside your school trigonometry and your old college text-books; if you have never opened the Cid, the Nibelungen, Crusoe, and Don Quixote since you were a boy, and are wont to leave the Bible and the Imitation for some wet Sunday afternoon—know, friend, that your reading can do you little real good. Your mental digestion is ruined or sadly out of order. No doubt, to thousands of intelligent educated men who call themselves readers, the reading through a Canto of The Purgatorio, or a Book of the Paradise Lost, is a task as irksome as it would be to decipher an ill-written manuscript in a language that is almost forgotten. But, although we are not to be always reading epics, and are chiefly in the mood for slighter things, to be absolutely unable to read Milton or Dante with enjoyment, is to be in a very bad way. Aristophanes, Theocritus, Boccaccio, Cervantes, Moličre are often as light as the driven foam; but they are not light enough for the general reader. Their humour is too bright and lovely for the groundlings. They are, alas! "classics," somewhat apart from our everyday ways; they are not banal enough for us; and so for us they slumber "unknown in a long night," just because they are immortal poets, and are not scribblers of to-day.

When will men understand that the reading of great books is a faculty to be acquired, not a natural gift, at least not to those who are spoiled by our current education and habits of life? Ceci tuera cela,[28] the last great poet might have said of the first circulating library. An insatiable appetite for new novels makes it as hard to read a masterpiece as it seems to a Parisian boulevardier to live in a quiet country. Until a man can truly enjoy a draft of clear water bubbling from a mountain side, his taste is in an unwholesome state. And so he who finds the Heliconian spring insipid should look to the state of his nerves. Putting aside the iced air of the difficult mountain tops of epic, tragedy, or psalm, there are some simple pieces which may serve as an unerring test of a healthy or a vicious taste for imaginative work. If the Cid, the Vita Nuova, the Canterbury Tales, Shakespeare's Sonnets, and Lycidas pall on a man; if he care not for Malory's Morte d'Arthur and the Red Cross Knight; if he thinks Crusoe and the Vicar books for the young; if he thrill not with The Ode to the West Wind, and The Ode to a Grecian Urn; if he have no stomach for Christabel or the lines written on The Wye above Tintern Abbey, he should fall on his knees and pray for a cleanlier and quieter spirit.

The intellectual system of most of us in these days needs "to purge and to live cleanly." Only by a course of treatment shall we bring our minds to feel at peace with the grand pure works of the world. Something we ought all to know of the masterpieces of antiquity, and of the other nations of Europe. To understand a great national poet, such as Dante, Calderon, Corneille, or Goethe, is to know other types of human civilisation in ways which a library of histories does not sufficiently teach. The great masterpieces of the world are thus, quite apart from the charm and solace they give us, the master instruments of a solid education.

FOOTNOTES:

[Footnote 23: From "The Choice of Books," 1891. Printed here by permission of The Macmillan Company.]

[Footnote 24: Books intensely desired.]

[Footnote 25: Thing said in passing.]

[Footnote 26: Floating scattered on the vast abyss.]

[Footnote 27: "And here my books—my life—absorb me whole," Cowper's translation of Milton's Latin Epistle to Diodati.]

[Footnote 28: This will destroy that.]

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