Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Friday, January 15, 2016

R.E.H. by R. H. Barlow

Weird Tales October 1936

Transcriber's Note:

This is a tribute poem to Robert E. Howard the creator of Conan.

This etext was produced from Weird Tales October 1936. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.

 

R. E. H.

Died June 11, 1936

By R. H. BARLOW


Conan, the warrior king, lies stricken dead
Beneath a sky of cryptic stars; the lute
That was his laughter stilled, and sadly mute
Upon the chilling earth his youthful head.
There sounds for him no more the clamorous fray,
But dirges now, where once the trumpet loud:
About him press old memories for shroud,
And ended is the conflict of the day.
Death spilled the blood of him who loved the fight
As men love mistresses, and fought it well—
His fair young flesh is marble where he fell
With broken sword that vanquished all but Night;
And as of mythic kings our words must speak
Of Conan now, who roves where dreamers seek.

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