Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Sunday, January 3, 2016

A Memory by Mark Twain

Word Count:  1196

When I say that I never knew my austere father to be enamoured of but one poem in all the long half century that he lived, persons who knew him will easily believe me; when I say that I have never composed but one poem in all the long third of a century that I have lived, persons who know me will be sincerely grateful; and finally, when I say that the poem which I composed was not the one which my father was enamoured of, persons who may have known us both will not need to have this truth shot into them with a mountain howitzer before they can receive it. My father and I were always on the most distant terms when I was a boy--a sort of armed neutrality so to speak. At irregular intervals this neutrality was broken, and suffering ensued; but I will be candid enough to say that the breaking and the suffering were always divided up with strict impartiality between us--which is to say, my father did the breaking, and I did the suffering. As a general thing I was a backward, cautious, unadventurous boy; but I once jumped off a two-story table; another time I gave an elephant a "plug" of tobacco and retired without waiting for an answer; and still another time I pretended to be talking in my sleep, and got off a portion of a very wretched original conundrum in the hearing of my father. Let us not pry into the result; it was of no consequence to any one but me.

But the poem I have referred to as attracting my father's attention and achieving his favour was "Hiawatha." Some man who courted a sudden and awful death presented him an early copy, and I never lost faith in my own senses until I saw him sit down and go to reading it in cold blood--saw him open the book, and heard him read these following lines, with the same inflectionless judicial frigidity with which he always read his charge to the jury, or administered an oath to a witness:

    "Take your bow,
    O Hiawatha,
    Take your arrows, jasper-headed,
    Take your war-club, Puggawaugun,
    And your mittens, Minjekahwan,
    And your birch canoe for sailing,
    And the oil of Mishe-Nama."

Presently my father took out of his breast pocket an imposing "Warranty Deed," and fixed his eyes upon it and dropped into meditation. I knew what it was. A Texan lady and gentleman had given my half-brother, Orrin Johnson, a handsome property in a town in the North, in gratitude to him for having saved their lives by an act of brilliant heroism.

By and by my father looked towards me and sighed. Then he said:

"If I had such a son as this poet, here were a subject worthier than the traditions of these Indians."

"If you please, sir, where?"

"In this deed."

"Yes--in this very deed," said my father, throwing it on the table. "There is more poetry, more romance, more sublimity, more splendid imagery hidden away in that homely document than could be found in all the traditions of all the savages that live."

"Indeed, sir? Could I--could I get it out, sir? Could I compose the poem, sir, do you think?"

"You?"

I wilted.

Presently my father's face softened somewhat, and he said:

"Go and try. But mind, curb folly. No poetry at the expense of truth. Keep strictly to the facts."

I said I would, and bowed myself out, and went upstairs.

"Hiawatha" kept droning in my head--and so did my father's remarks about the sublimity and romance hidden in my subject, and also his injunction to beware of wasteful and exuberant fancy. I noticed, just here, that I had heedlessly brought the deed away with me; now at this moment came to me one of those rare moods of daring recklessness, such as I referred to a while ago. Without another thought, and in plain defiance of the fact that I knew my father meant me to write the romantic story of my half-brother's adventure and subsequent good fortune, I ventured to heed merely the letter of his remarks and ignore their spirit. I took the stupid "Warranty Deed" itself and chopped it up into Hiawathian blank verse without altering or leaving out three words, and without transposing six. It required loads of courage to go downstairs and face my father with my performance. I started three or four times before I finally got my pluck to where it would stick. But at last I said I would go down and read it to him if he threw me over the church for it. I stood up to begin, and he told me to come closer. I edged up a little, but still left as much neutral ground between us as I thought he would stand. Then I began. It would be useless for me to try to tell what conflicting emotions expressed themselves upon his face, nor how they grew more and more intense, as I proceeded; nor how a fell darkness descended upon his countenance, and he began to gag and swallow, and his hands began to work and twitch, as I reeled off line after line, with the strength ebbing out of me, and my legs trembling under me:


    THE STORY OF A GALLANT DEED

    THIS INDENTURE, made the tenth
    Day of November, in the year
    Of our Lord one thousand eight
    Hundred six-and-fifty,

    Between Joanna S. E. Gray
    And Philip Gray, her husband,
    Of Salem City in the
    State Of Texas, of the first part,

    And O. B. Johnson, of the town
    Of Austin, ditto, WITNESSETH:
    That said party of first part,
    For and in consideration

    Of the sum of Twenty Thousand
    Dollars, lawful money of
    The U. S. of Americay, To them in hand now paid by said

    Party of the second part,
    The due receipt whereof is here--
    By confessed and acknowledg-ed
    Having Granted, Bargained, Sold, Remised,

    Released and Aliened and Conveyed,
    Confirmed, and by these presents do
    Grant and Bargain, Sell, Remise,
    Alien, Release, Convey, and Con--

    Firm unto the said aforesaid
    Party of the second part,
    And to his heirs and assigns
    Forever and ever ALL

    That certain lot or parcel of
    LAND situate in city of
    Dunkirk, County of Chautauqua,
    And likewise furthermore in York State

    Bounded and described, to-wit,
    As follows, herein, namely
    BEGINNING at the distance of
    A hundred two-and-forty feet,

    North-half-east, north-east-by north,
    East-north-east and northerly
    Of the northerly line of Mulligan street
    On the westerly line of Brannigan street,

    And running thence due northerly
    On Brannigan street 200 feet,
    Thence at right angles westerly,
    North-west-by-west-and-west-half-west,

    West-and-by-north, north-west-by-west,
    About--

I kind of dodged, and the boot-jack broke the looking-glass. I could have waited to see what became of the other missiles if I had wanted to, but I took no interest in such things.

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